Designing eye-catching book covers – Fiction

Hi everyone, I’m Robbie Cheadle and this is my first post as part of the Story Empire team. I am a poet, writer of children’s books and paranormal …

Designing eye-catching book covers – Fiction
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Smallest Animals By Category

Wasn’t really sure what to put here.  Time was limited and I kept wanting to make another animal post.  Originally, I was going to put ‘cutest animals’, but that brought up the usual suspects.  Then, I went with smallest.  Started off cute and then . . . Let’s just say I expected better from the fish and insect worlds.  Enjoy.

Etruscan Shrew- Smallest Mammal at 4 cm/1.5 inch length minus the tail

Bee Hummingbird- Smallest bird at 2.6 grams (females) and 1.95 grams (males)

Brookesia nana- Smallest reptile at 22 mm (males) and 29 mm (females)

P. Amauensis- Smallest amphibian at 7-7.7 mm long

Fairyfly- Smallest insect at 0.5-1.0 mm length. This is a type of parasitic wasp.

Male Photocorynus Spiniceps- Smallest fish at 6.2-7.3 mm. This is specifically the male because the females are around 4 times bigger.

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Goal Post: Coming In Later Than Usual For Clear Reasons

It feels weird to write this on Saturday instead of Friday night before bed.  Then again, it’s no surprise given what was going on this week.

Last night, my son performed as a member of what is called All County Choir.  This is one of 4 groups in a county wide festival.  This division was for the 9th and 10th graders.  He was apparently one of four students picked from his school for this group.  This was a big night and we didn’t get home until extremely late.  This is on top of having rehearsals from 3:30PM-8PM on Monday, Wednesday, and Thursday.  He had to do his homework and have dinner when he got home too.  Tuesday was the only day without a rehearsal, so I had to use that to get as much homework done as possible.  Still, we made it and he got everything done including 2 quizzes and a NY State lab. Kid earned his 3-day weekend . . . He’s going to be upset when I pull out the math work due Monday night though.

On top of the All County stuff, I had a lot to deal with in regards to the ‘life event’.  In fact, this weekend is going to see a big step in that arena.  Not sure which direction that will be and I’m already feeling queasy.  Other encounters in the week have made the whole thing more confusing.  By the way, this is NOT something that everyone goes through.  If it was, I’d be able to say what it is in public.  This is messy and painful and can result in the next couple of years being agony.  It’s stressed me out to the point where I’ve barely slept and even had to take my anxiety meds more than once.  My body eventually hit a breaking point on Wednesday night where I needed to take a day off, but the ‘life event’ decided to rear its head even when I tried to rest.  It’s like it knows when I’m at the edge and decides to strike.  Getting myself too worked up for the meeting today.

Editing Darwin & the Fate Bracelet didn’t go as well as I had hoped.  I printed out the wrong version and wasted Saturday working on it then printing out the correct one.  By the time Sunday hit, I was tired, distracted, and struggling to focus.  I didn’t get to work on in during school more than once.  I thought I could do it while waiting for my son to finish rehearsals since I didn’t have to get him from school.  Monday had too many errands and biking, so I was too tired to get more than a section done.  The ‘life event’ stuff that happened Tuesday night pretty much killed my imagination.  I can’t get my mind to stray far from this mess because stuff keeps happening.  It’s like I can’t drop my guard because then I get sucker-punched.  I’m hoping February is different, but it really depends on how things go.

That’s really the theme of this coming week too.  It’s a short week of work with two possible snowstorms, but nothing else.  After Monday, the current level of the ‘life event’ will be over and I’ll be awaiting the next one at the end of the month.  Man, I hate trying to subtly talk about this mess.  This past week and the next two really are focused primarily on this and helping my son with his midterms.  Work is going to be my escape from stuff since it’s relaxing even when crazy.  Will I get to do more editing?  I don’t know if I’ll get to it before next weekend, but we’ll see.

You know, I’m thinking of making the first half of this year editing the first 5 Darwin books that I’ve written.  Clean those up and make sure everything works.  This should help me out more with Darwin & the Joy Path since an old friend returns.  I’m also starting to worry that I’m making Darwin too much like a standard hero and his quirks are being phased out too much.  He was bound to get a handle on his anxiety, meltdowns, and impulsiveness, but those probably shouldn’t vanish completely.  Then again, he’s been traveling and adventuring for a while now.  He might retain his innocence and some of his naivety, but he still jumps to conclusions and sees the world as black and white.  This is why months of editing might be what I need before diving into the last 4 books.  Darwin & the Joy Path is kind of the last of the wandering ones too.  After that, he gets into the final act of his story.  Not that Darwin will realize that.  Editing might be best since I’m so stressed as well.  2024 is fairly rough.

Goals of the week:

  1. Enjoy 3-day weekend with my son.
  2. Edit Darwin & the Fate Bracelet
  3. Try to get something out of the ‘life event’.
  4. Bike when I can.
  5. Read more ‘Fairy Tail’.
  6. Puzzles when I’m tired.  Moving slow on the current one.
  7. Get better sleep.
  8. Make a more interesting goal list next Saturday
  9. Work on March blog posts.
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Questions 3: Forced Reading Experience

Penguin of Madagascar

I talked before about how school forces students to read specific books.  Many times, this results in creating people who see reading as a chore.  It’s a big challenge to meet course curriculum standards and not sacrifice the individual in this scenario.  Still, people make it through relatively . . . Well, not scathed enough to give up on books.  I’m sure we all have our own stories about this, so let’s see what we have.

  1. What is the best story you were forced to read?  (My answer: Of Mice and Men by John Steinbeck.)
  2. What is the worst story you were forced to read?  (My answer: The Pearl by John Steinbeck.)
  3. If you had to choose one book to have students read, what would it be?  (The Hitchhikers Guide to the Galaxy by Douglas Adams.)
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What writers should know! Part one: Grammar

HI SEers! Denise here with my first post of 2024. This year, I’ll explore twelve things that writers should know. I will be incorporating information…

What writers should know! Part one: Grammar
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Poetry Day: Heart Forms

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(This was another poem where I just wanted to have fun.  We certainly use the word ‘heart’ for a lot of things.)

I agree whole-heartedly

With all the bleeding hearts

That a broken heart can scar

Becoming a heavy heart

Forcing one to pour the heart out

Bloody tears creating a cold heart

It is a hardened heart of ice

A heart worn upon the sleeve

Refusing to open the heart

Lest someone steal the heart

Risking a change of heart

That could bloom from the bottom of one’s heart

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Best of 2023 #4: 7 Tips to Creating Monsters

(This was originally posted on February 15, 2023.)

Young Frankenstein

Let’s be clear.  There really aren’t many solid rules to monster making.  At least when it comes to fiction.  In reality, you have to struggle with the ethics of creating a monster and hope it doesn’t kill you when it escapes.  Anyway, let’s dive into some general advice that can help you along.

  1. Have a reason for this creature existing.  Not just in terms of story, but of the world in general.  Monsters are basically the animals of another world.  Just like on Earth, they will have some kind of niche.  Maybe they’re an apex predator or they keep another creature’s population in check.  It doesn’t have to be that scientific, but figuring out their role can guide you in designing their abilities.
  2. Be careful altering established monsters.  You do have some leeway, but you have to retain some aspects of the original.  Otherwise, you’re slapping a known name on an unrelated creature.  This can come off as lazy or full-blown lying.  For example, you can have a dragon that is covered in feathers and doesn’t breathe fire as long as it still has the form of a dragon type.  You can’t slap feathers on a dragon and call it a roc.  It doesn’t work that way.
  3. Naming your monster doesn’t have to be right on the first try.  Many times, your initial name for a creature might be a placeholder.  You’ll write them in a scene and realize that the name doesn’t roll off the tongue.  Maybe it fails to capture the essence of what you have created.  Just go back and change it with a ‘find/replace’.
  4. Size isn’t everything!  Many authors think that they have to go big with monsters.  The thought of a giant beast barreling towards the heroes or crashing through a wall has a lot of appeal.  Yet, there is something to be said for smaller creatures.  Large monsters need a lot of room and they are huge targets, which are not known for speed.  The advantages of smaller ones is that they can be placed in small locations without sacrificing mobility.  One can believe that they will be faster, harder to hit, and maybe even harder to notice.  So, consider going tiny instead of huge.
  5. Not every monster has to be aggressive and a threat.  If you want to paint a vast world of magical creatures, you should consider those that are passive.  Consider how some real animals will runaway instead of attack, which can guide you to create these ‘window dressing’ beasts.  They might not be essential to the plot, but it shows that the world has more than dangerous monsters.  It shows that you have an actual ecosystem out there.
  6. If you’re going to use a real world animal for a base, try to keep the main form intact.  It isn’t a requirement, but you picked the initial animal for a reason.  If you change it so much that it isn’t even close, the monster might no longer work for what you initially intended.  For example, if you take a bear then it’s best to keep the animal stocky and strong.  If you change so much that it is now slender and agile with not much in the way of strength then there was no point in the bear starting point.  You’ve basically gone with a cat, but you don’t have that in your mind enough to give your monster the benefit of that form.
  7. Try to maintain a list of creatures you’ve created.  This is mostly for those who are going to do a series.  You never know when you’ll find a place where your monster will work out again.  This saves on time since you already have something to fit that niche and it makes the creature feel more widespread.  It’s no longer alive in that single area, but it has a range like any animal.
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Sex in Stories? What’s All the Fuss?

Greetings and Happy New Year to the Story Empire community. Beem Weeks here with my first post of 2024. Today, we’re talking sex in fiction! Many …

Sex in Stories? What’s All the Fuss?
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War of Nytefall Available on Amazon!

Cover Art by Alison Hunt

As many know, this was my second series.  War of Nytefall involved the unique vampires of Windemere, which are called Dawn Fangs.  An accident caused Clyde to turn from a normal vampire to a sun-immune, incredibly strong, functional heart Dawn Fang.  This prompted a civil war between the traditional vampires, led by Xavier Tempest, and the new species led by Clyde.  Check out this teaser highlighting the series’ most popular character and give the book a look.

*****

The door is suddenly kicked off its hinges and sent flying through the balcony window, the pieces of glass hovering in the air. Standing in the open doorway, Lost remains frozen with her leg stretched out and her bare foot still gripping the metal handle. The vampiric half-elf’s pajamas are soaked from playing with the Eusu, so the expensive rug in the hallway has been destroyed by the trail of murky water. Her red eyes close for a moment in an attempt to pretend that she is not there, but one peek ruins the childish delusion. Gradually hopping into the room, the womb-born vampire tries to use her telekinesis to repair the damage, but ends up breaking the window again by having the door rocket through the opening. She ducks enough to let the wooden panel pass by her and embed itself in the far wall, which cracks enough to reveal the room full of gemstones on the other side. The other Dawn Fangs can only stare as Lost whistles and takes a seat on the floor as if nothing has happened.

“So, what are you four doing?” she innocently asks.

“Four? There’s only three of us,” Clyde says, snapping out of his trance. Noticing the destruction, he becomes a blur of movement that replaces the door. “Anyway, we were talking about you discovering that our enemies know about the orb. Mab, Titus, and I are going to the ruins I was buried in to search for clues. Might be useful to have a womb-born join us. You free for an adventure?”

“No, I definitely sense four in here,” Lost answers, ignoring everything else that has been said.

“Let’s stay focused,” Chastity suggests before noticing that Mab is starting to slide towards the shadows. A surprising thought pops into her mind and one sniff of the air is enough to reveal the truth. “Oh, I know what’s wrong. Lost is counting herself. She’s been doing that from time to time. Just a new quirk by my daughter who needs to learn not to cause trouble. Maybe it’s best that she stay here and you take a womb-born that won’t be as unpredictable?”

“I’m not counting myself.”

“You do it all the time, sweetie.”

“I did it once because I forgot that was my reflection.”

“Then maybe you counted bunny?”

“But bunny is still in the hallway and I was focused on the room.”

Fingers appear from the shadows in Lost and Chastity’s mouths to grip their tongues as Mab steps into the darkest corner of the room. “You get everything ready, lover, and I’ll talk to my friends here about . . . things. Need to make sure Chastity doesn’t share what she saw and I’m sure Lost has already stolen the images from her mind. Best not to let the entire kingdom know about our sex life. I think our friends and I should meet on the southern shore because I really feel the need to look out over the ocean where we can’t be disturbed. You know, perfect place to talk about private things. Nobody will be able to interfere in our conversation or hear us speak . . . or scream if things take a turn for the worse. So, see you at dinner, lover. Hugs and kisses. Hope you think about me every minute that I’m gone. Uh . . . Bye!”

“Wait,” Clyde tries to say before Mab drops through a shadow. Chastity grabs Lost by the mouth as she rushes out of the room, the slender girl kicking and struggling as they go. “Did she call me lover? Hugs and kisses? What in all of Windemere just happened?”

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Should We Keep Pushing the Classics?

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A conversation started at work between two coworkers and I got pulled into it.  One person was stating that they didn’t think the classics should be taught any more because it’s hard for students to connect.  The language is older and the themes might not come across as they would in a more modern story.  He used ‘Catcher in the Rye’ as an example of a book that doesn’t really connect any more.  The other coworker talked about how the classics should still be taught because they are designated as such for a reason.  You can probably guess the generations/ages of these coworkers.  It wasn’t an argument, but a friendly conversation.

I fall in the middle here because I hated some of the classics that we were forced to read in school.  ‘Catcher in the Rye’ and ‘The Pearl’ were agonizing to the point where I stopped reading them.  ‘Slaughterhouse 5’ was fun, but I don’t remember it anymore.  ‘One Flew Over the Cuckoo’s Nest’, ‘To Kill a Mockingbird’ and ‘The Great Gatsby’ were also good reads, but I don’t remember as much as I do from the books I read for fun.  ‘Of Mice and Men’ is one of the few that I have good memories of reading, which was surprising.  Still, I don’t remember thoroughly enjoying any of the books.

One of the problems with classics is that they’re typically assigned reading instead of students choosing them.  So, you already have a sense of a chore, which is made worse when you have to analyze.  The classics are infamous for having deep meanings that even the author might not have intended.  Some ELA teachers go to town on these books to the point where all sense of enjoyment is driven out of the experience.  That doesn’t really help them maintain their use when students who hated them, but love reading end up becoming teachers.  Then, you get some teachers who go through the motions of teaching the classics because they’re state requirements.  A book that survives in a culture solely by being assigned to students doesn’t help its reputation as anything other than a forced reading.

Recent years have shown that more modern books are being put in place of some classics to give students a look at other cultures.  ELA is now used partially to expose students to ideas, lifestyles, and cultures beyond their own.  For example, my son read ‘To Kill a Mockingbird’ last year, but also a WWII book called ‘Unbroken’.  He’s started reading ‘Of Mice and Men’ this year and will also do ‘Romeo & Juliet’, but he also read some Edgar Allan Poe and other short works.  So, there’s definitely a mix of stuff unlike one classic after another when I was in school.

A small aside: Why does William Shakespeare continue to survive in academia?  I know much of what we read can be traced back to him and his stories are considered timeless classics.  Yet, them being required texts can lead to issues.  Teachers have trouble teaching Willie’s works because of the language and the fact that they were supposed to watched on stage instead of read.  You have to really make it an interactive lesson, which is difficult when you have students glued to cellphones.  Makes me wonder if there will ever be a time that Shakespeare is pushed to college or an elective class after you’re introduced to one of his works in 9th grade.

Getting back to the classics, I think there is a place for them, but your average student won’t really get hooked.  They’ll see the books as forced reading from an older age, which they can’t usually understand.  Maybe it’s better to have these books as part of elective courses for those who want to read them.  Have them listed for extra credit if a student wants to do an analysis on their own.  Classics really do come from an older age that modern students don’t always comprehend just like people from that era don’t always get the modern stuff.  So, it really doesn’t do any good to force these books on them because they don’t always benefit.  Not to the extent that was done when I was school anyway, so maybe having fewer of them in the curriculum is better.

This also creates a future problem from book snobs.  You know the people who rattle off the classics they read as if that’s an award-worthy activity?  Those types probably make it even harder for others to get into the classics.  It gives off the idea that these books are either difficult to read or pretentious.  Even worse, a person can go in expecting one type of story and get something else, which could ruin the concept of classics entirely.  This really can’t be solved by forcing everyone to read them though.  You avoid the future problem of book snobs, but sacrifice or at least endanger a person’s enjoyment of reading these types of stories. Just can’t win at times.

So, what do other people think about students having to read the classics?  Should they be retired, put into an elective, continued to be assigned, or something else?

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