
Cover Art by Alison Hunt
This is a fun excerpt from War of Nytefall: Lost and it fits what I was looking for perfectly. Lost is always a good source of humor.
(Here’s the first grouping. Feel like this one is what I gravitate to more than the others.)

You can see examples of each one in the above picture, which I’m going to attach to each of the posts. This one is going to be about the 4 Ego Archetypes, which are Innocent, Everyman, Hero, and Caregiver. As you can see each one is in a different cardinal section, which helps further divide them. Now, I’m going to do my best to give my own take on this in terms of writing. Will it be perfect? No, but I’m hoping to get clear points across and help people in the character creation.
The Innocent
Motto– Free to be you and me.
The Innocent falls into the ‘Freedom’ cardinal, which is a desire for paradise. These are characters that want safety and are scared of doing something wrong. They might have a severe fear of punishment, but also a naivete that allows them to be led into unwittingly going against their own desire. Innocents can be overbearingly optimistic and some readers will find them annoying because they will continue smiling even when bad things are happening. Many authors use them as obnoxious side characters that are destined to be broken over the course of the story. Still, there is strength in an unwavering positive attitude if written correctly. It can even be their greatest weapon.
Reason for this one being under ego is because they are fueled by ego. It is their personal belief that there is good in everyone that drives them.
The Everyman (Also Called ‘The Orphan’)
Motto– All men and women are created equal.
The Everyman is part of the ‘Social’ cardinal, so they have a focus on connecting to other characters. They want to belong and fear being left out, which can also turn into a fear of standing out. Unwilling heroes can fall into this category even though they may have to eventually change to another archetype. An interesting aspect of the Everyman is that due to wanting to be part of a group, they have a high risk of losing their individuality. This can be a character who is taken over by a belief system that causes harm to them or others. You might think these characters are weak, but they do have a strength in that they tend to be very grounded. Unlike the Innocent, they aren’t as positive and have a level of standards. That possibility of brainwashing isn’t as easy to do as you would think because the groups they join needs to attract them.
Now, I mention ‘The Orphan’ here, which is an alternative and darker version. These are characters who have been emotionally and/or mentally betrayed. A sense of abandonment is here to some extent. Characters want someone to take over their life or at least guide them to a better one. Failure to connect creates more disappointment, which can turn them into an angry and manipulative character. Personally, I’m not a fan of this being called ‘The Orphan’ because of the connotation. I would call it ‘The Outcast’, which would be the Everyman’s shadow. Both want to connect, but one is still trying for good while the other is using the connections to lash out.
The Hero
Motto– Where there’s a will, there’s a way.
This is probably the archetype that everyone can imagine fairly easily. The Hero is the character who sets out to leave a mark on the world. You see them in mythology and modern tales, each one sharing the same courageous core. This archetype actually has a fear of being afraid, which can lead to arrogance and reckless behavior. You get a variety of ego here though. Some characters will acknowledge their limits then work within those or seek to extend them. Others continue on as if they are perfect, which is asking for trouble. Even if you knock a Hero down a few pegs, they continue marching on or find an alternate route. Don’t think I really have to say more about this one since it’s the clearest of the 12 Archetypes.
The Caregiver
Motto– Love your neighbor as yourself
The Caregiver is part of the ‘Order’ cardinal, which is why they are focused on protecting other people. It isn’t always the same level. Some characters will want to defend all they see while others have a single charge that they are focused on. Martyrs are fairly common here. While the Everyman has empathy, the Caregiver is even more so. The former senses the emotions in regards to their own state while the latter feels the emotions of others to know how to react. Seeing pain and sadness will drive them to fix the problem. Sacrifice is not uncommon for these characters, which can make them very powerful.
The downsides here are that they can be easy to manipulate or cross a line in their desire to protect. A villain can force a Caregiver to work for them by taking hostages. It’s not a great plan since it falls apart once the people are hurt or the Caregiver finds a way to free them. Still, this is a commonly used weakness. The crossing of a line is when you have a villainous Caregiver. They are determined to protect someone to the point where they are hurting other people. Best example that I can think of is the version of Mister Freeze who was trying to help his cryogenically frozen wife. He was doing evil deeds to protect and revive her. Villains like this can be turned hero if their charge is rescued from a situation or convinces them to change their ways. On the other hand, they can also go full berserker if the one they protect is killed.
What do you think of the Ego types?
(Years ago, I did a week-long theme on Jung’s Archetypes. I feel like it should be revisited since it can help authors. At least on some level. Going to break them down into 3 categories after this intro.)

This coming week, I’m going to make three posts about Carl Jung’s Archetypes. I will be taking the 12 and discussing them under the 3 categories of Ego, Soul, and Self. Now . . . I think I missed something. Oh yeah! People might not have any idea what this is, especially since I can’t call myself even close to an expert. I really stumbled onto this and remembered hearing a little during my psychology classes in college. That’s why I’m doing this post to help people get an idea of what I’m going to discuss on Monday, Wednesday, and Friday.
First, this site has a great amount of information and I will be using it to help me formulate my posts.
I’m going to talk about how these archetypes help with writing characters, which brings up the idea that understanding psychology can aid fiction authors. This sounds like a no-brainer, but not everyone thinks this. The more you understand the human mind, the more varied and deep your characters will be. It doesn’t have to be a thorough understanding, but learn enough to prevent yourself from birthing only two-dimensional beings. Carl Jung’s archetypes alone can be very helpful, which is why I’m going to do my best to introduce them throughout the week.
Archetypes are originals, typical examples, or recurrent themes that can be identified, but we’re going to look at the second one more. Jung found 12 archetypes that cover the full range of human motivations and everyone has a dominant. He believed that the psyche can be defined by these and the 12 have been analyzed to great extent. Each one has a weakness, strength, something they seek, fears, and talents much like how we look at zodiac signs. There are various divisions for the archetypes as well, but I’ve seen two very common ones:
Going back to the point about each person having a dominant archetype, this doesn’t mean that you only use one for a character. They can have multiple ones with a single being at the core. This gives them multiple facets and the person may even change as they progress through the story. It is for this reason that an author using Jung’s work to help in their writing needs to understand and look into all of the categories. Cherry-picking here will prevent you from getting the full picture and leave out some very valuable pieces of the human psyche. We might not like all 12 archetypes, but that might be because there are those that are opposite of our own personality. This is when we have to step out of our heads and be neutral.
What are the 12 Archetypes? (Ego 1-4, Soul 5-8, Self 9-12)
As I look over these, I can see that they are fairly basic and straightforward at times. Each one has a motto that I’m going to share since they’re very clear. The bluntness of some of these makes it clear why you need to mix them up. If someone was solely a Ruler who believes in power then that’s a bland villain. Combine a Ruler with a Caregiver to get a benevolent leader. There does seem to be polar opposites here at times and they show how the human psyche is designed to be balanced. You need one archetype to temper another even if it’s not as pronounced.
Well, this is only an overview to get people ready. I don’t want to go into too many details and leave myself nothing for the week. Hope people check out that site, which I’m going to mention again HERE.
I didn’t finish chapter 7 of Darwin & the Deadland Queen. I tried, but Halloween was busier than expected. I only managed to get the first section and second one started with all the distractions. Sunday became a wash when my son decided to do his college applications, which required me to be ready for questions. Hard to write and make sense of things when I have to keep handing over my credit card for fees. It wasn’t until Wednesday that I managed to finish section 2, but the rest of the week was crazy busy with work and parenting.
Plus side, I will get to write today, tomorrow, and Wednesday. So, I will have a shot at finishing chapter 7 and starting chapter 8. This is an important transition because it moves from Act 1 to Act 2. It’s a difficult book because of all the long breaks I’ve had to take on top of the low action opportunities. Due to the plot, I can’t throw one action scene in after another. I need them to work for what I’m doing and Darwin is trying hard not to be destructive this time around. The next book will make up for it with a bunch of epic battles, but that doesn’t help me here. I am looking forward to ending one plotline here and moving on to the next step. If I’m lucky, I might get halfway through chapter 8 before next weekend when I won’t have any time to write.
I can’t say that I’m upset about losing writing time since the distractions during the week were for good causes. My son had some important appointments, which I had to bring him to. One of them gave me time to start designing the Coven of the Gray members and I’ll get to do that again this week. The other distractions were training for work. One was planned, mandatory, and virtual, so I was home for it. That doesn’t mean I can write, but it meant I was comfortable. The rest of that day was movie and lunch with my son then bringing in dinner for us and my mom.
A second training was something I tracked down and chose to do because I felt it was a necessity. I won’t go into any details, but I found that I should get some extra certifications to help with my job. I’m only a teaching assistant, but I’ve found that there are areas I should expand on. Getting my Masters then teaching certification is expensive and I’m going to have my son to put through college. For me, I want to expand my skill set even if it doesn’t mean I get to be a teacher. Honestly, I would much rather a job where I have more one-on-one interactions with students instead of being the sole person in charge of 20-30. I like being able to create a solid bond to help students navigate growing up. So, I took this training to make myself better at some first aid situations. Sure, I couldn’t finish chapter 7, but this was important.
The custody stuff is still on-going and I keep hoping I can say things are improving. It could be in some way, but it’s hard to tell. This situation has been chaotic and combative for a long time. As I said, it’s been wearing on me to the point where it’s hard to get my mind out of the situation. Designing three of the coven members this week was almost like pulling a tree out of the ground. The information was there in my head, but it was so hard to drag it out and effectively describe it. This happens when I’m writing too and it comes down to me going through emotional hell for so long. Makes me wonder if I’ll heal and return to what I was creatively-speaking once the situation is resolved.
With that being said, this coming week is going to focus a lot on my son’s senior events and the custody stuff. My writing will get attention this weekend and Veteran’s Day since I’m off. Next weekend is the big end of season Pokemon event, so I won’t expect to get any writing done then. It’s supposed to be cold, so we’re getting out our thermals, cleaning our thermoses, and stocking up on hot cocoa. Thankfully, we don’t think we’ll have to be out for the whole day, so we can take a lunch break and maybe end it at the mall if we want to keep going. I’ll admit that I’m nervous because this was the event that resulted in me getting hospitalized with a nasty staph infection last year. I mean, I doubt it could happen again, but we’re going to be more careful. Maybe I should try to turn the last 8 years into a story since crazy stuff keeps happening to me.
Goals of the week:
(Originally posted on November 11, 2017. A good list to keep in mind when I get back to ensemble stories.)
I’ve said in previous posts that one of the most important parts of concluding a series is creating closure. You need to bring things to an end, which isn’t as easy as some people think. In fact, one of the reasons it can be so tough is because you have a variety of closure types to choose from. It depends a lot on what you’re going for, but even planning doesn’t alleviate all the pressure. So, what are the types?

(I mean, he does divide, but not how the poem means it.)
(The world has too many of these types. One of the worst parts is when they get you to believe that those who truly want unity are the real dividers.)
They are the ones with voice
Born with a power
To influence and talk
Expected to lead us
Into the better world
But they always fall
Swallowed by the sins
Pride and greed
Vanity and wrath
They are twisted
By society’s pull
Their voices turn to evil
Spouting hate and fear
Causing friends to fight
And families to splinter
Neighbors become enemies
They ignore their damage
Seeing only the faithful
The ones bowing at their feet
This praise is tainted
Grown from ignorance and terror
Yet it is not enough
Drunk off power from their voice
They become the great dividers
Crying for action
And hurling childish insults
At this who don’t agree
Blindly building a void
A pit of animosity
Between our fellow man
Until the pit is all we see
And their putrid voices
Are all we hear
(Originally posted on September 2, 2020.)

This is a big challenge when it comes to ensemble cast stories. Yes, there are those that take the reins of the story and others that float into supporting cast. Yet, each player is important to the overall story. Unfortunately, you can’t have them be in the spotlight for every volume. That could result in 20 plots competing for attention if everyone has their own journey. At best, you can put them into groups of 2 and 3 to give them more time in scenes, but that’s not perfect. War of Nytefall: Ravenous ran into this problem and the next volume has it as well. Is this really a bad thing?
For those who love the characters that take a step back, it will be a disaster. Their favorites aren’t getting the attention they deserve. Doesn’t matter that they already had at least one volume where they got to shine. Anger might be aimed at the characters that maintain their status because they have claimed the ‘main’ cast moniker. You hope this isn’t the case, but people are funny and unpredictable. Some can turn on a series if you don’t cater to their whims, which you can’t avoid. There’s a reason characters are rotating in and out of the spotlight over the course of a series. It helps to keep things fresh and opens for more stories. People don’t always realize that characters may have a specialty instead of being a Jack-of-all-Trades. This means that there are adventures when they aren’t going to be as useful.
Aside from keeping a series fresh and moving, you get another big benefit. These characters that are stepping out of their limited roles can be flushed out and gain their own fan-bases. My goal is always to create a variety of characters, so that readers can connect to at least one of them. There’s no rule that you can’t have multiple favorites or switch to a new one. Kai Stavros was a minor character to me until Eradication and now he has a really interesting story arch that will go on for a bit. Decker is getting some attention in Ravenous and I’m enjoying doing that. From the hero side, Titus and Bob get to shine a bit more. They’ve really been in the shadow of Lost, Mab, and Clyde for much of the series. It’s a more difficult balancing act than with Legends of Windemere because I have a bigger cast and no ‘destiny’ storyline.
I’m laying the groundwork for bigger jumps in this volume because I need a lot of heavy hitters for the finale. That is the ultimate goal for an ensemble series. By the end, you want every character to have changed in some respect. If they were around for everything and remain the same then you missed an opportunity. That or they’re really a statue and you never realized another character was lugging the thing around. By the end of even a small series, you need your heroes and villains to be at the final stages of their journey. If you had to phase them in and out of importance throughout the volumes then that shows you gave them the proper amount of attention. As an author, we do need to focus on only a handful of plots or we end up with a muddled mess. At best, we get a book that is thousands of pages long in order to cover everyone from the protagonist to the antagonist to the janitor who cleans up after the battle in chapter 4. Poor guy wasn’t even supposed to be at work that day.
My point here is that you have to pick and choose when and where to progress with a character. It’s a challenge because we have our own favorites. It’s hard to push Lost into the background because I enjoy writing her, but Desirae sure as hell wasn’t going to let that loose cannon run around for long. I guess you can make your choices depending on the actions of the villain too. Who would they target or who would be the best choices to get in their way? It depends on the story. This is a personal balancing act that I could continue writing about for hours. Yet, in the end, it comes down to what the author wants and the story needs.

The picture above says it all. Happy holiday to everyone who puts pen to paper, pencil to paper, and fingers to keyboards. Pretty sure I missed a few. Quill to paper could be in there too. Voice to recorder for audio books. You get the point.
