Poetry Day: The Vulgorag

The Orc Disaster (That Time I was Reincarnated as a Slime)

(Another beast created by poem.  I should get back into doing these, but nothing really comes to mind.)

A vicious crumbling
Sending razor shards
Of ancient stone
As a great form stirs
Rending the mountain
From foot to peak
The Vulgorag steps out
Into a world of light
Unprepared for a being
Birthed from purest dark
A quartet of wings
Composed of heavy shadow
And dripping poison blood
Corrupting air and water
Twisting all
Who are too slow to hide
Iron muscles flex
With every solid step
Creaking in contentment
After centuries of rigidity
This emperor of horrors
Releases his deafening calls
A cacophony of screeches
Shattering all minds
Within one hundred miles
The Vulgorag is free
Beginning the Age of Terror

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Check This Out: You and I Are Stars and Night

Hello! It’s been a minute since I’ve had an interview on the blog. And today, I’m so happy to be talking with my good friend, the fabulous Kate Hosford about her latest lyrical picture book, You and I Are Stars and Night, illustrated by Richard Jones. It was published in February 2026 by Simon &

Check This Out: You and I Are Stars and Night
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7 Tips to Writing Killing Machine Heroes

The Doomslayer

While it might seem obvious, people might not help making a killing machine hero.  You don’t want them to come off as villainous or bland.  It is possible because there’s a secret balancing act between the violence and their humanity.  Otherwise, they’d just be a brutal monster.

  1. Remember that people can become desensitized to violence and gore.  If you keep trying to one-up yourself with every kill, you’re eventually going to hit a wall and people will get bored.  Sometimes, it’s okay to keep things simple, but you also want to have long spaces between acts of violence.  Let the audience relax and return to their baseline.
  2. Keep in mind that these characters are different than pure berserkers.  While both unleash death and destruction, the killing machine isn’t mindless.  They are still in control of their thoughts and actions, which is why they are able to do rather creative attacks.  It isn’t bashing through blindly here.  They rack up a high body count in a fight by doing a controlled release of their anger and come very close to losing it completely.  This means they need at least a sliver of control when going wild.
  3. Give the killer machine hero other things to do when they aren’t in combat.  This only works if they exist in a world where non-violent activities are allowed.  So, Doomslayer pausing his battle in Hell to do a crossword puzzle won’t work.  For those who have the option, give them hobbies and interests to humanize them.  You don’t want them to be defined solely by their berserker rage.
  4. To make their outbursts more impactful, their tempers can either start out or become longer.  Instead of having them go on a killing spree over the slightest annoyance, give them self-control.  This keeps them in the hero category too because they need a reason to go wild.  A great example is Marvel’s Wolverine who started out with a nasty temper and evolved to be more mellow.  I remember a few storylines where he learned to be more calm or found ways to permanently release his pent up rage.  The trick here is to keep them a killing machine, but make it situational.
  5. These characters don’t always have to be gruff and dark.  Yes, they might be hiding a dark past that makes them lash out.  That doesn’t always translate to being moody and growling at everyone.  In fact, a happy and friendly character abruptly releasing their rage on enemies would be fairly shocking.  This isn’t even weird because some people hide their pain through laughter and friendliness.
  6. Please make sure they’re only killing bad guys.  Once they take out an ally or an innocent bystander, these characters either go villain, collapse from remorse, or willingly go to jail.  Remember, they still have a sense of morality and wouldn’t want to hurt someone who doesn’t deserve it.
  7. Give them friends to keep them centered and human.  A killing machine being solitary increases the chances of going over the edge.  Friends, family, loved ones, pets, or anything that will make them care.  Give them the capacity to think of others in order to grant them a positive, gentle side to their persona.
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Teaser Tuesday: Really?

Funny.  I just realized this and the last two Chasing Bedlam teasers were from before I edited it.  Oops.

Pelham Hotel

Pelham Hotel

Handing their beads to a quiet man at the door, the pair wait for him to meticulously count the payment. When he walks down the stairs toward the entrance, they fear that they have mistaken a guest for an employees. They breathe a sigh of relief when he bends down to pick up a fallen necklace and hurries back to open the door. Entering the hotel, they are met with a brightly lit lobby that is decorated by silver urns and centered around a large piece of art that resembles a collection of ornamental caskets. The old man comes around to the new guests and hands them a set of keys that are on a butterfly ornament. After delivering their payment to a black-clothed woman behind the front desk, he goes back to his post.

“Please tell me that we get to sleep in a coffin instead of a bed,” Lloyd says as they approach the elevators. A pop makes him jump, but he sees that it is only a bottle of champagne being opened in the dining room. “Think you have a point about passing out before eating. My stomach is rumbling a little, but my nerves are shot. Had to ditch most of my pills, so I need to get some rest before I have an episode. That’s the last thing we need. Besides, it isn’t like anything is going to happen here.”

Cassidy glares at her friend and smacks him in the arm. “You said that on purpose. I know you want to get into trouble. Can we please get through a day where raising our shirts is the only highlight?”

The front door is knocked open and the doorman tumbles through, a swarm of people in a variety of clothes falling in after him. Some of them are hunched over and move in a strange hopping gait while they move across the lobby. Hisses and growls roll from the gang’s mouths, causing the guests to scream and start to panic. The last one to come inside stops to put a steering wheel lock on the door handles, preventing anyone from leaving. Moving quickly and with purpose, the gang spreads out to lock down the building and herd the guests into the dining room. Two women with dark skin and brown hair drag a bald man to the lobby’s centerpiece. Dressed in a black robe, the battered figure is tied to one of the caskets and spat on by the twins. The one wearing tight clothes and stiletto heels loses her temper and repeatedly smacks the prisoner in the face until her more sensibly dressed sister pulls her away. Adjusting her ruby necklace, the more aggressive twin remains only a few feet away from the man, her eyes rarely moving away from him.

When all the preparations are complete, a young man jumps onto the front desk and blows a kiss to the blushing receptionist. He is wearing a black suit and red dress shirt, which look strange with the white sneakers and a dark blue cape that goes down to his waist. A bat-shaped necklace is in place of a tie and he knocks on the wall with a large ring made to look like a crude wolf’s head. Flashing a wide smile, he draws attention to his surgically implanted fangs by rubbing them with his tongue. Several guests scream and cry while the chained man stirs enough to begin shouting Bible passages.

“Shit, I was hoping to avoid the vampires,” Cassidy mutters as she kneels among the other patrons. Hearing a sucking breath, she groans and prays that her companion is not going to make a scene. “Don’t do anything because this isn’t our business. Just wait for an opportunity to escape and take it. Why are you pouting?”

“You knew there were vampires,” Lloyd says, his voice tinged with mock pain. He watches the intruders move about, his eyes searching for any sign of supernatural powers. “Give me one good reason why you didn’t tell me.”

“Remember what you did when I told you about the Half-Dead?”

“No.”

“You squealed about zombies and wanted to find the damn thing. Practically wanted to give it a hug.”

“This is entirely different. Vampires are sexy.”

“All I want to do is keep a low profile and-”

The clan leader claps his hands and points in Cassidy’s direction, his yellow eyes narrowing into slits. “Bring me that blonde woman with the denim jacket. I shall converse with her in the ballroom.”

“Fuck my life,” the mercenary says, scowling at the parents who try to shush her. “Oh, like your kids haven’t heard or seen worse in this city.”

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The Killing Machine Hero

Brock Sampson from ‘Venture Bros’

I’m sure many people don’t like this type of hero.  They’re violent, aggressive, and fairly unstable.  They’re hair-trigger results in many instances of brutality on whoever or whatever pissed them off.  Thankfully, they tend to only go after bad people, so allies are usually safe.  Yet, you can’t ignore the unhinged violence that they naturally dive into when given even a slight reason.

This type of hero reminds me of a barbarian in Dungeons & Dragons in that they will fly into a berserker rage.  While in this mode, they’re stronger, faster, and ignore any injuries that aren’t automatically lethal.  I don’t think is this is far off the mark, but I do remember an even older example: Heracles in mythology apparently had a horrible temper and would go into rages.  These were partially induced by a curse of madness and he would hurt loved ones, but it could be the origin.  Then again, the concept of a heroic killing machine isn’t too farfetched.

One thing with these characters that sets them apart from barbarians is that they aren’t idiotic brutes.  Instead of the brawns for brains trade, they are intelligent and cunning to the point where they don’t always need their rage.  Brock Sampson above has his berserker moments, but a lot of his killings are done with calm precision.  The Punisher is another one who would fall under this category.  Neither of these characters are stupid, which makes their violent nature even more terrifying.  I think this also adds to the idea that they won’t go for allies because their intelligence stops them from going over the edge.

Another aspect of their intelligence is that they have rationalized their actions as being necessary.  They might admit that killing isn’t a good thing, but they do it because it causes a solid end to the threat.  In some cases, these characters will claim to kill bad guys to prevent their more innocent allies from having to do it.  One could say this is a twisted logic to excuse murder, but it falls into a heroic mindset of sacrifice and/or making the world safer.  A dumb berserker wouldn’t think these things, which is why the intelligence of these characters is essential.  It also can get readers to consider their own morality in deciding how far they would go to protect and save loved ones.  Would you be willing to kill without hesitation if it saved others?  It’s not as easy to answer if you truly think about it or find yourself in the situation.

Violent heroes are still difficult even with the psychological nuance.  Many people won’t look beyond their violent actions and consider them villains.  There’s usually a limit to what actions a person will accept even if they are done to a bad guy.  Someone might be okay with a decapitation, but draw the line at evisceration and then swinging the guy around by his intestines.  As you can tell, the line typically is drawn by level of gore and horrific brutality.  Its part of the difference between PG, PG-13, and R movies as well, which might be a good way to gauge how far you’re going.

Personally, I enjoy these characters, but I have trouble writing them outside of a group. I like having foils for their violence such as friends who don’t always agree with their tactics.  It shows a spectrum of humanity and can help the violent character stay grounded on some level.  I feel like having them being alone will turn them into a monster because they won’t have anyone to keep them away from a point of no return.  For me, there’s always an aspect of the violent hero where they could go full villain or have to be arrested because they go too far.  A group helps make that less likely.  I’ll go more into this on Friday though.

What do other people think of the violent heroes?

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Shana Tova! (Happy Rosh Hashanah)

It’s the Jewish New Year.  It’s the year 5787 for the Jewish calendar.  I don’t really get it either.  It’s a lunisolar calendar that supposedly starts at the creation of the universe and has a leap year every 19 years.  Anyway, it’s celebrated by dipping apples in honey, which is always a nice snack.  There are prayers involved too.  Not to mention the shofar, which is a ram’s horn that is blown.  That’s fun.

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Goal Post: Brain Meats Banged Up

I didn’t finish chapter 5 of Darwin and the Deadland Queen.  I came one section away from it after expecting to have more time.  The big end of summer Pokemon event wasn’t the big issue.  Plans of other people changed, which resulted in my plans getting changed.  So, the time I put aside for writing got halved on the weekend and erased during the week.  This is actually the first time this week that I’m on my laptop for something that isn’t work, custody, or parenting related.

With parenting, I probably said that I am now living with a high school senior.  That means college discussions and meetings.  It means trying to pry information out of a near adult who just wants to sit on his iPad drawing.  To be fair, he’s scrambling to put together an art portfolio for a college.  Sucks that he never had the chance to fit an art class into his previous school years, but he worked hard this summer to improve his skills.  Anyway, I had the last ‘Virtual Meet the Teacher’ night I will every have to attend.  I also had to go over a form for his senior trip and discuss other stuff with my ex-wife . . . This is effectively where my evenings went.

Custody . . . Things are in flux is the best I can say.  The changes aren’t sitting well with some people.  Others are still acting like themselves.  It’s reached a point where thinking about the situation is raising my blood pressure and making my stomach hurt.  This is on top of my allergies whooping my derriere.  At this rate, I expect to collapse tomorrow like I did two weeks ago when my son was with his mom.  My hope is to muster the strength to work on chapter 5 though.

Work was . . . Oh yeah!  I saw ‘Coyote vs Acme’ last Monday.  It was so much fun and even made me tear up a bit.  They had most of the Looney Tunes show up in some capacity.  I think Marvin, the gophers, and the sheepdog were the only ones I didn’t see.  Don’t know how they could have been put in there.  Wile E. Coyote as a central focus was great since he didn’t talk and had ‘limited signs’.  So, you got to see him randomly get into his usual genius mischief.  The human actors were so good that I always forgot that they had to be talking to nothing.  I would recommend this movie to anyone who grew up with the Looney Tunes.

As I was going to say, work was really busy since our program got a new student.  I can’t talk about him beyond he’s so sweet.  I think he’s a great addition to our group.  He learns things really fast as well.  Much of my week was helping with him, which has me thinking I should get a few specific certifications once the custody stuff settles.  I keep ending up in situations that I would like more training for. Looking them up and they’re going to take some time to complete, which I don’t have now.  One of them requires doing a lot of extra classes every 2 years, so I will have to wait until my son is done with the college prep and submissions.

This coming week is going to be another crazy one.  There’s a college planning meeting for my son, which will take one evening.  It ends with my son getting all of his wisdom teeth out, so I’ll be spending next weekend taking care of him.  I considered getting writing done, but I don’t know.  Depends on how he’s feeling.  Besides, I need to start sewing the pieces of my son’s Halloween costume together.  Bought enough to finish the jacket and then I can start hunting for what I need to make the gloves.  I need cosplay foam or clay along with thimbles to create simple claws.  Nothing I found in the stores would work for what we need.  My son is going to try to help with the non-sewing stuff, but it will depend on his recovery.

Let’s dive into the goals:

  1. Finish chapter 5 of Darwin & the Deadland Queen.  I mean it this time.
  2. Food shopping for my son’s healing period.
  3. Help him recover from surgery.
  4. Get body measurements for jacket pieces.
  5. Start sewing.
  6. Keep taking daily walks.
  7. Possibly start preparing November blog posts.  At least do the poems, Sunday posts, and teasers.  Not sure if continuing to repost old ones on Monday, Wednesday, and Friday is a good idea.  Does anyone care anymore?
  8. Lego time to relax.
  9. Sleep early.
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9/11 in 2026

Captain America

It’s weird thinking about 9/11 after . . . 25 years.  Geez.

I still remember where I was when it happened.  I was in college, woke up, and jumped online.  Didn’t put on the TV, so I had no idea what was going on.  Someone sent me a message on AOL Instant Messenger saying ‘someone flew a plane into the Twin Towers’.  I thought he was pitching a tabletop role-playing game and said it could be fun.  He then wrote in all caps for me to turn on the news and that’s when I saw the second tower fall.  Still get myself ready to go to class, which was anthropology and the subject was how certain mindsets have lead to acts of violence.  The teacher just turned on the news, said his lesson couldn’t compare to what was going on, and walked out to process things himself.  A friend and I just kind of wandered for a bit until we ended up at the student union and I stayed with all of the other students who came from the NYC/Long Island area.

That’s a vivid memory that many people don’t have.  Every student in my school district was born long after 9/11 occurred.  They learn about it in history, which is strange to hear about.  Heck, I’ve had coworkers who were born a year or two after 9/11.  It’s a ‘distant’ historical event to so many.  Something politicians repeatedly pull out to suit their needs and stir up those of us who remember.  It’s become a political tool in so many arenas, which is why I have a hard time turning on the news around this time.  It used to be I couldn’t really watch the videos of people jumping from the towers and falling like ragdolls, but I think I can handle that more than the politicizing.

I know many people make these posts and close comments.  I’m not going to do that.  I might take a while to respond, but I want to hear from people.  Do you remember where you were when 9/11 happened?  If you weren’t born, what do you think when you talk to someone who was?  What’s your opinion on how events we live through can become history within our own lifetimes?

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Poetry Day: The Trickster War

Joker from DC and Loki from Marvel (Yahoo Image Search)

(This poem was going to connect to a story that I never got off the ground.  It was going to be all of the tricksters from mythology messing with each other and humanity.  They would eventually toppled human civilization and force humanity to hide in the wilderness.  I couldn’t get further than that.  Once I moved everything into Windemere, the idea sort of fell apart.  It ended up being a mild inspiration for Darwin’s last two books.)

They plague us
With their fatal tricks
Destroying lives
And ruining families
Some have buried cities
All for their obsession
To laugh until the end

There are many tricksters
Wandering our world
Each one is unique
In form and style
Yet all are killers
To their very core
Finding fun in death

Many of us hide
Among the hills and plains
Leaving civilization far
Hoping to avoid
The tricksters’ foul attention
Our cities distant sites
Where cackles echo off abandoned homes

We will wait
For our special day to come
It will not come too soon
A hero will rise up
Brave and wise
Beyond the tricksters’ guile
And so will begin our war

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7 Tips to Writing Gladiator Fights

Gladiator

While jousting is not included very often, we do end up seeing gladiator fights a lot in fiction.  Of course, they are a fantasy version of it that doesn’t really follow the more controlled ones of the past.  Seriously, they had a lot of rules and a referee with the goal being more disarm and surrender than death.  I’ll touch on some of them in these tips because they are interesting.

  1. In the past, gladiators were an investment.  They required a lot of money for food, housing, equipment, and training.  So, there wasn’t this casual ‘toss them to the lions’ mentality.  An actual gladiator would be somewhat protected and given chances to fight another day.  The expendable ones were condemned criminals who were thrown in to really sate the bloodlust.  These were usual private affairs for nobles and such.
  2. While it is fun to have a giant free-for-all, this can cause some problems.  Remember that a gladiator fight instead on a large battlefield.  It’s in an arena, which keeps everyone contained.  So, you have to be careful about how many combatants you throw in there on top of things like chariots.  Too much and people might visual a large pack of sardines angrily stabbing their neighbors in vain.
  3. In reality, gladiator fights were done as entertainment and to earn the host more prestige.  This doesn’t always happen in fiction because people use the fights as a way to put heroes in danger.  There is nothing wrong with this since you can do both.  I mentioned criminals being used to get a private audience cheering for blood.  The same ‘for entertainment’ mentality could lead an arena owner to think a bunch of heroes facing their gladiators or beasts would garner a big reaction.  This would probably work better for the setting since the more public ones had strict rules.
  4. Animals weren’t really used in actual gladiator fights.  Sometimes those criminals I mentioned were thrown to beasts for public executions.  Other times, the beasts were hunted in the morning before the fights.  Instead of gladiators, professional hunters went after these animals for entertainment.  This could be another way to throw heroes into danger without having to go full gladiator.
  5. Since successful gladiators became celebrities, they should be written as such.  This can mean they are vain, but mostly that they are very well known.  It would also be harder to get an officiant or event host to give them a thumbs down for death.  A loss didn’t always mean death as long as they fought hard and entertained the crowd.  A popular gladiator might have to do less for the cheers or maybe even know how to showboat without getting killed.  Basically, they would be like a modern day WWE wrestler.
  6. Gladiators don’t have to be naked or barely clothed.  They can have some armor or a shield, but it can be modified to allow for flashier movements.  Remember, they want to put on a show AND stay alive.  Some of the gear tends to be designed for intimidation as well.  For example, visored helmets that look scary, but might have limited visibility.
  7. Finally, you need to think about the matchups.  Gladiators, like any warrior, would typically have a weapon or style specialty.  So, they would be made to face opponents whose specialty can create a fun battle.  There really wasn’t this whole thing about putting small fighters against big fighters for fun.  Hosts typically wanted both gladiators to survive as long as they put on a good fight, especially since the goal was force a surrender, disarm, or knock out.  This led to specific and carefully chosen matchups instead of crush matches.
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