Check This Out: Big Bear and Little Fish

I’m so glad to welcome back to the blog the amazing Sandra Nickel, who is here to talk about her latest picture book, Big Bear and Little Fish. It …

Check This Out: Big Bear and Little Fish
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How to Use Prologues, Part 7, Unexpected Clues

Image courtesy of Tumisu via Pixabay Hi SErs! It’s a day of Harmony here at Story Empire 🙂 Today, I’d like to talk about Unexpected Clues in a …

How to Use Prologues, Part 7, Unexpected Clues
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The Tall, Long-Necked Ratites

Originally, I was going to do a post for each one, but I found that the subspecies all looked the same.  That was becoming an issue for previous posts where I didn’t know if I had the right subspecies.  So, I decided to simply make a big post about 4 of the 5 ratites.  One gets its own post next Sunday.

A ratite is usually a tall, long-necked flightless bird with the exception of the one we’ll see another day.  I’m sure someone will spoil it in the comments.  Anyway, this group includes the following animals:

  • Ostrich
  • Emu
  • Rhea
  • Cassowary
  • Moa (Extinct)
  • Elephant Bird (Extinct)

Early humans hunted the last two into extinction, so we only have skeletons.  This means we’ll stick to the four living ones.

Rhea, Emu, and Ostrich have all been sources of food and clothing decorations.  They have also been raised on farms to make sure they don’t go extinct.  Feathers have been popular decorations for centuries and their hide has been used to make leather.  Eggs have been used for food, water bowls, and art.  Their meat is fairly popular too.  I’ve actually had that and it’s surprisingly light.  Standing out, the Emu is also raised to make oil from their fat, which is used for medicine.

A few populations of the previous 3 are considered endangered, but they are not considered such as a whole.  Emus seem to have a history of being rather hardy and plentiful to the point where there was even a war.  In late 1932, the Australian government ‘declared war’ on a large Emu population and took military action.  The birds were destroying crops because of their large numbers.  Hard to sum the whole thing up, so check up the Wikipedia page.

You’ll notice that I haven’t mentioned one of the ratites.  The cassowary differs from the others in many ways.  First, it prefers jungles to open plains like the others.  They are also considered ‘the most dangerous bird’ because they are capable of killing dogs and humans if provoked.  Their weapons are the claws on their three-toed feet with the middle one being a 5 inch dagger.  The cassowary is considered endangered.

Let’s get to the pictures and videos then.

Ostrich

Emu

Rhea

Cassowary

Posted in Animal Posts | Tagged , , , , , , , , , , | 33 Comments

Goal Post: Toiling Away and Drama

Well, two weeks of the school year are done.  Where should we start here?

Work was fun and went smoothly.  Being in the life skills program always makes my day go quickly.  I end it feeling good and looking forward to the next day.  I’m still trying to get used to waking up at 5:30 AM and moving, which has unsettled my stomach twice.  The post-nasal drip didn’t help.  Neither does the anxiety issues, but those are stemming from something else.  That’s probably a good thing since most of my day is spent at work and it’s where I can emotionally relax.  Absolutely no anxiety issues there.

The issue is outside work and I’m not sure how to subtly get into that.  The best I can say is that it was a very difficult and heated week.  Lines were crossed along with refusals to fully acknowledge damage that had been done.  You could hear at least one heart start to break among the tears, which didn’t seem to have an effect on some people.  My patience and temper were pushed to their limits.  Got a bad feeling that this is going to continue for a while too.  I’m feeling helpless because I don’t know what I can do, but I feel like I’m being pushed into a corner.  Not a good place to be because that can result in having to take big actions to solve the problem.  Really hoping things can get smoothed out, but this week felt like it was full of tension and narcissism.  That should cover the yuck in a way.

Writing wasn’t a big thing this week.  I got the rest of 2022’s Thursdays handled and most of the Tuesdays.  I want to do a Four Horsemen of Author Doom thing in December, but I don’t know if I want it to be poems, Questions 3, or a full post.  Leaning towards the second option to let people talk about them.  Started in on the November posts too, but I had busier evenings than I expected.

The chaos also made it difficult to tackle Darwin & the Avenging Elf, but I got 2 sections in there.  I’ll probably get the rest of this chapter done tomorrow.  That leaves me with 3 chapters and 10 sections to go, which would normally take me 4 days.  I’ll try to get two done this coming week and bring it down to 3 days, but I’m really thinking this is going to be something I finish in October.  Not a big fan of that because I don’t think I’m remembering the details as well as I expected.  It doesn’t help that I’m in the build up to the final battle, which has plenty of tricks and revelations.  On the plus side, a plot point that I wasn’t comfortable with fixed itself as I wrote.  On the negative side, I’m still feeling like a fraud because the sections are averaging 3.5-5 pages while they used to be 7-9.  I guess War of Nytefall had this too and it’s a sign that I’ve tightening up my writing style instead of going off tangents.  I hope.

You may have noticed that I said I won’t be writing today.  Well, I don’t have my son, but I’m helping out at my school.  It’s homecoming and they needed supervisors.  This is a beginning of the school year event that revolves around the sports teams, athletic awards, and showcasing the school clubs.  It’s a community building event, which hasn’t happened since covid started.  Usually, I have my son around this time and can’t help, but now I can.  So, I’ll be there for as long as they need me.  I’m actually getting ready and heading out as soon as I finish writing up this post.

Of course, this means I might be out in the sun and heat all day.  I’ll be coming home to needing food, a shower, and rest.  Writing won’t be an option, so it will be watching more of ‘Cobra Kai’ season 5 until I fall asleep.  Really like the show, but I kind of miss when it was focusing almost entirely on Johnny.  It’s definitely about him and Russo now with both of them being protagonists.  Maybe it’s that the episodes are 35-40 minutes long with a ton of characters to juggle.  With that view, they’re doing a great job highlighting and moving all of the storylines along.

So, what’s the goals of next week?

  1. Work as usual
  2. Help son with homework
  3. Handle drama that pops up
  4. Writing Darwin & the Avenging Elf
  5. Prepare more November blog posts
  6. Decide on if I keep the December post about ‘fixing’ established franchises.
  7. Struggle with this Mandalorian puzzle, which I’m sure is missing at least one piece.
  8. Start watching the newest season of ‘What We Do in the Shadows’ after finishing ‘Cobra Kai’.
  9. Today only: Help with homecoming
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When Heroes Have Violent and ‘Evil’ Powers

Ripper from Black Clover

The character on the right is called the Jack the Ripper.  For some reason, anime keeps using the moniker.  Usually for bad guys, but this time it’s for a good guy.  Name aside, I found something odd about him when he showed up in the anime.  He uses ‘Severing Magic’, which slashes at his targets . . . That’s fairly violent.  He’s on the hero side as well even though he’s a third tier supporting.  Strange?

Typically, a violent or ‘evil’ power is given to either a villain or an antihero.  Ripper would fall into the latter category since he’s bloodthirsty, but has a sense of justice.  Other examples would be Spawn and Hellboy with demonic powers.  The list gets really long and you’ll find that they’re primarily antiheroes with similar personalities:

  • Gruff demeanor
  • Loner
  • Dark or nonexistent sense of humor
  • Brooding
  • Few and limited relationships
  • Traumatic past

There are outliers, but that’s what you normally see.  Ripper actually stands out a bit because he’s a loud personality.  He’s not so much a loner and doesn’t brood, but does threaten even his allies with death.  It’s unclear if he’s serious though.  This might be why his use of a very lethal and violent power caught my attention.  His personality didn’t match the ‘evil’ of his abilities when compared to what I was used to.  It made the contrast even more apparent because he was almost friendly in a way that reminded me a little of the Joker.  Yet, again, he was a hero and respected one from what I could tell.

It makes me curious about these ‘evil’ powers and the personalities of those who wield them.  Does having them mean that the character has to be dark and an antihero?  I guess it could be if the power is something that forces them to be isolated.  That could be what creates a darker personality, which means the character’s mindset is dictated primarily by their abilities.  It could also be that their darker personality is what attracted the power, which gives you the opposite.  Either way, you have darkness creating another aspect of darkness here.  It’s done without any thought to there being alternatives.

One could argue that ‘evil’ is in the eye of the beholder too.  A power is neutral and only goes to one side if the user makes it so.  If a hero and a villain have the same power then they’ll use it differently because their objects are different.  For example, a telekinetic hero would catch and gently place a falling person on the ground.  A villain with that power may throw them into the atmosphere or tear them in half.  Same power with the same limits, but different uses.  Even something with a lethal name like ‘Severing Magic’ could be used in a heroic way.  The name certainly throws one off, but it’s possible if the user has a less aggressive personality than Ripper.

Personally, I’ve had a character on the backburner for a long time who falls into this category.  He has blood-based powers, which wasn’t that common when I first came up with him in 2001.  I’m talking able to turn his blood into weapons, armor, wings, and other uses.  It was gross and felt ‘evil’ on the surface due to the horror-like imagery.  I wanted to counter this with a personality that was friendly, naïve, and almost child-like during all of this character’s incarnations.  This isn’t what caused the problem, but I think of him every time I see a dark antihero with a violent power.  Makes me wonder if I was fighting against myself because he didn’t fit the tradition.  Not that I would change him, but I get curious about how a happy character with horror powers would be accepted in general.

So, what do you think about this odd and niche topic?

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Write What You’re Passionate About

Hi, SEers. You’re with Mae today. I hope you’ll forgive me while I ramble. As writers we’re lucky we get to do something we enjoy—creating stories. …

Write What You’re Passionate About
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Poetry Day: Car Logistics

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(All I’m going to say about this is that I hate moving cars around with other people.  It’s always a headache where each person has their own idea on what to do.  Not one of my best poems because I do remember writing it out of pure rage.)

I am yelling and screaming

Because you did not listen

Though I did not give an order

You should simply know

Without me ever hinting

*

You lack car logistics

A term I am sure you heard

When I go this way

You stay that way

Stop worrying about that car

*

This is how you shuffle cars

Do not go around the block

Just continue driving backwards

On a block with many children

Who can dart out at any minute

*

You are too impatient

Car logistics are beyond your grasp

My signals were so clear

I do not care that I was not in view

You can still understand me

*

Now you’ve done it

A yelling you will get

Because you drove around the block

Instead of staying put

And blocking the whole road

Posted in Poems | Tagged , , , , , | 5 Comments

Shower Thoughts: The Oddness of Mental Wandering

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I’ll admit that my thoughts aren’t as funny as this one.  I did manage to write a few odd ones down before they vanished.  We all seem to have these thoughts at some point though, so it’s fun to share.  Feel free to add any of your own to the comments.

  • Yawning is done when we’re tired or bored, but it doesn’t help either situation.
  • How many colors exist that humans simply cannot see?
  • If old dogs can easily learn new tricks then does the phrase mean the opposite of how we use it?
  • Earth is the Garden of Eden and humans removed themselves from the natural order of things due to their acquired knowledge.
  • Most of what we learn in school is only needed to pass tests and not look stupid during trivia contests.
  • How long will it be before crude oil is made from dead humans instead of dead dinosaurs?
  • Would people be nicer to each other if emotional and mental abuse were handled as seriously as physical abuse?
  • Art is subjective, but people still make careers off their opinions being ‘right’.
  • Swear words are only insulting if you know what they mean.  If you don’t then they’re empty gibberish.
  • Most monsters were created by putting horns, wings, or fins on a regular animal.
  • Telepathy may be impossible since humans don’t even listen to the words we say out loud.
  • Several letters are simply altered versions of their neighbors. m/n, H/I, o/p, u/v, v/w, x/y, k/l, E/F, i/j, c/d, p/q.
  • I wonder what people threw into fire to see if it exploded after they discovered popcorn.
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Teaser Tuesday: Do I Have to Go Medieval?

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I think I’ll do a month of Do I Need to Use a Dragon? (Fantasy Writing Tips) teasers to see what people think.  I can’t put full sections down, so I’m going to grab random introductions.  Hope that works since I would like to showcase this project a little bit.  Enjoy.

Do I Have to Go Medieval?

The original question I was asked was ‘Do I have to use England’ and I was taken aback by it the first time. It never crossed my mind that most fantasy stories take place in a medieval Europe setting. Shows how aware of my literary surroundings I am. The real meaning of this question is about the classical setting of fantasy.

When you think of the genre, you imagine robed wizards, hills rolling into forests, towering castles, roaring dragons, and knights in disturbingly shiny armor. Seriously, what kind of polish do they have in some of these fictional worlds? This setting standard has been around for decades, if not centuries, and many people feel that this is the only way to write fantasy. Before you ask, urban settings get a pass by these gatekeepers as a subgenre, but many will turn up their nose at a non-Earth fantasy book that refuses to imitate Camelot at some point. Thankfully, they are a minority, but this brings up a secondary question:

WHAT IS FANTASY?

Hands down. You’re all wrong and you’re all right. Fantasy is a really wonky genre at times because there are so many varieties. Fans will grab their favorite version and act like that’s the epitome of the style. You have adventure, political, social commentary, urban, dark, romantic, magical technology, post-apocalyptic, and so many more subgenres that can cause some friction among fantasy readers. Every part of a story can be criticized depending on a reader’s personal definition and taste of the genre.

People who want a highly political fantasy adventure or one with minimal magic don’t like Legends of Windemere because my stories are adventures with magic everywhere. This doesn’t mean I wrote something terrible or they have no taste in stories. It simply means that while I am a fantasy author and they are a fantasy reader, we aren’t on the same subgenre wavelength. Nothing you can do about it because personal taste is filled with nuance and individuality. Just write your story, hope a reader gives you a fair chance, and prepare to get drawn into one of the many genre debates.

Over the years, I’ve run into many bizarre arguments where I haven’t always been civil because I can get passionate. We all have this issue, so it takes a lot of willpower to remain calm when discussing how a fantasy world works. I’ll be touching on the larger areas in detail throughout this section of the book, but we can do an overview here.

The important thing to realize is that fantasy is very fluid and may be one of the most imaginative genres because you don’t have to work with reality. Earth isn’t necessary. Humans aren’t necessary. Nothing from our world is necessary. You may need a few familiar objects for readers to connect to, but this can be done working under your own rules. The trick is to establish those rules early on because readers will need something to hook them and carry them to when the story really kicks off.

One could say that fantasy is run by guidelines once you step out of the writing mechanics area such as grammar and story structure. This is why you can stumble into a debate about if magic is required for a fantasy story or what level such a thing should be at. People argue over if ‘real’ fantasy has politics or quest-based adventures because the loose guidelines can work with both. I feel the genre is driven primarily by the setting and characters who carry whatever story you give them. Guess you could say this about any genre, but I always sense it’s more so for fantasy. People really take these stories so seriously that fandoms will feud and authors will get drawn into the middle at times. Best you can do is decide on your own definition and set a polite example. That or shout about how such puny mortal discussions are beneath the attention of a god who is in the middle of crafting more of his world. I’m sure that wouldn’t backfire.

Posted in Teaser Tuesday | Tagged , , , , , , , , | 26 Comments

Characters Need to Be Perfect! Real People Can Screw Up!

Over the course of this year, I’ve seen several authors talk about reviews complaining about character intelligence.  Specifically, readers hate when a character makes a ‘stupid mistake’.  They feel it ruins the story and go on a rant.  I think we’ve all seen this in action and had this reaction as well.  Yet, there is something to consider: REALITY.

First, let’s admit that we’ve all gotten annoyed with a character who makes a stupid mistake.  It’s usually something that ruins an established plan or causes the plot to take a sudden turn.  We think it’s contrived and done entirely to extend the story, which isn’t entirely true.  A character could be perfect and make every right decision to reach the ending fairly quickly.  That would be boring, but it’s feasible and what people unwittingly ask for when they rail against character mistakes.  Oops.

This reaction is born from frustration and does show an emotional investment has been made by the reader.  Authors want this, but is is a double-edged sword that loves to smack its wielder in the face.  Emotional investment means you start putting heroes on pedestals and thinking you know exactly what they will do.  So, a bad decision will seem incredibly unnatural even if it makes logical sense.  I’m not talking about characters suddenly forgetting to use their powers, tools, and skills at a climax when they’ve been doing so under other stressful situations.  I’m talking about a realistic mistake where a decision is made based of bad logic or missing information.  Those are the ones that seem to really rile up a reader because they come with a level of confidence from the character.

Here is a question that we should ask before we run off to write a review or continue reading out of spite:

Is the mistake realistic?

Everybody makes mistakes, which is a phrase we’ve grown up with.  It’s used to help a person not feel bad about screwing up.  It’s a phrase of forgiveness because we understand that mistakes happen.  In reality, we’re very quick to help people get through even some major bad decisions.  Yet, we don’t extend the same flexibility to fictional characters.  It makes some sense since we see their mistakes as plot twists instead of legitimate errors by a thinking being.  This is where we need to step away from the story and analyze what is going on.

Consider these other questions:

  1. Does the character have the same amount of information as the reader?  If the reader knows more than the character then they’ll know what the right answer is.  The character will not because they don’t have the benefit of the full puzzle.  It means, they are more likely to make a mistake in a situation where the reader would be able to succeed.  We put our own knowledge on the characters without realizing we’re being shown all the pieces.
  2. How stressful and time constrained is the situation? If you have all the time in the world, you can make a good decision even with partial information.  A reader has this because they can put the book down and walk away to think about how the hero will get out of their situation.  The character doesn’t have that luxury.  They may have seconds or minutes to make a choice.  In reality, this is where many people will screw up because of stress and panic.  We’re talking people who may be brave and wise, but crack under the right amount of pressure.  Characters should be treated no differently here.  At least I think so.
  3. Is the character going to learn from that mistake? As I said, mistakes are very common in reality.  This is one of the ways in which a person learns and grows even if they’re already an adult.  ‘Trail and error’ is the term instead of ‘do it perfectly on the first try’.  If the character realizes their mistake and grows stronger because of it then that makes them more relatable.  Think of every time you’ve screwed up and had to improve to avoid making the same mistake.  People gave you a second chance, so the fictional characters should get the same.

That third question is key for both readers and authors.  You need to show that the mistake had an impact in order to justify it being made.  This is especially true if it’s a mid-story decision.  It is harder to pull off a finale bad decision, but those are still realistic if set up correctly.  The alternative is to make characters perfect and never fail, but then you get complaints that there are no stakes.  Just can’t win in some ways.

So, what do you think about characters making mistakes?

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