Fiction Dialogue 201

Ciao, SEers! My first post for Story Empire was called Fiction Dialogue 101, and it was actually our site’s inaugural post… all the way back on …

Fiction Dialogue 201
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Teaser Tuesday: Pest, Friend, or Foe? #vampires #fantasy

Cover Art by Alison Hunt

Today’s teaser introduces a new character who may be just what Clyde needs to survive War of Nytefall: Savagery.  I was on the fence about making a post about this guy too or even showing his name right now.  He’s a denizen of Mestra, so maybe you’ll get to see him do another day.  Enjoy.

Continue reading

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House of Horrors by Joan Hall – A #newbook

I am so pleased to welcome Joan Hall to Fiction Favorites. Joan is a Member of Story Empire, and she has a brand new book to tell us about. So, Joan,…

House of Horrors by Joan Hall – A #newbook
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How Do You Tackles Prompts?

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Long ago, I used to attempt prompts, but I haven’t done them in years.  I’m really too busy with my own stuff and I can never get them to feel right for my blog.  That and I schedule months in advance, so the prompt is already long gone.  In other words, I can’t think of any advice beyond having fun with it.

On the other hand, I have seen how prompts can go wrong.  These would be the ones that are so restrictive that people can only make one story.  Everyone who participates are funneled into a narrow path, which can be frustrating.  You want to make prompts your own and the requires freedom.  I see this in school a lot too.  Imagine being given a setting and a list of 12 objects that you have to include, but they’re all very specific.  It causes some issues for two types:

  1. Novice authors will get frustrated trying to fit everything together, so they won’t really benefit from the experience.  They won’t be flexing their imagination because the list and setting are too rigid.  For some, this can cause some lasting damage and make it more difficult for them to write in the future.
  2. Creative authors who love to go wild will thrash against the leash.  It won’t be an appealing exercise because they can’t see any way to be unique.  They may turn off entirely until something more interesting is presented.  Yet, their standards have risen and they might not want any restrictions this time, so a freer prompt will find itself rejected.

Again, I know very little about this.  I do know many who are prompt experts, so I open the floor to them.  In fact, I’m going to make a post on Sunday to showcase the responses with credit being given.  So, how do you tackle prompts?

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Working Ahead

Hi gang, Craig with you again. I may have posted something about this before, but I’ve reached a point in life where “I don’t remember” stops being …

Working Ahead

Great advice. Love the quote at the end.

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Outline Time . . . Trouble Already?

First, I don’t really know if that’s an Irish proverb.  Just liked the sound of it when looking for sleep quotes.  Why do I think this is what’s going to get a lot of comments?

The reason I went for this is because I started making the final outlines for my next series, Tales of the Slumberlord.  I’m not that far into it, but I want to get all 9 . . . 10 done before summer when I can dive into the real writing.  Be nice if I can get them all done by end of May too.  Then, I’ll use June to do a final editing of War of Nytefall: Anarchy.  That series has 2 more that I hope to publish this year.  Means 2022 will be a clean start.  I think.

You see, I’ve already run into a small problem:  Darwin Slepsnor.  This is my halfling caster who doesn’t understand his power, isn’t aware of the big picture, wants to help, and is totally different than my previous protagonists.  Luke Callindor was a true hero who set off to save others and had a logic you could follow.  Clyde was an anti-hero protecting his people with violence and you could follow his logic.  Both were able to come up with plans and strategize.  They were subtle at times . . .

Darwin isn’t any of that, which makes writing scenes difficult.

Darwin is prone to panicking when things catch him by surprise and he shouts his spells as he casts them.  This means fight scenes aren’t going to have a great flow.  Doesn’t help that he isn’t a warrior, so it’s more likely that he will be chased or he’ll be paired with a warrior who does the fighting.  That means my protagonist is kind of a sidekick, which goes with his role as someone who inadvertently changes destinies.  He asks questions all the time and can be very confusing in his logic, so there’s some of Lost, Bob, and Yola Biggs in his actions.  He’s not crazy, but he definitely sees the world differently and it’s hard to change his mind when he’s deciding on how things work.

And that’s what happens in the outlines.  Darwin stumbles into situations and through them because he’s an unpredictable entity.  You thought Luke Callindor was tough for enemies?  They would know he’d attack or leap off something at some point.  Darwin will pull out a spell or magic item to use in a bizarre way that changes the entire situation.  He’s a halfling too, so people forget about him in the heat of the moment.  He also doesn’t realize when his actions will kill or hurt an enemy, which increases the danger.  This is all in story, but it’s had a bizarre effect on the outlines.

Every book is starting with Darwin easing into a situation that is massive in scale and bigger than he could comprehend.  He’s with a new friend who needs his help and that’s what he’s there to do.  So, he ignores a lot of the nuanced pieces and barrels towards the main goal.  This has resulted in the stories hitting a point where the events come in quick succession until it’s over.  I tried to extend some of them, but that requires Darwin to think about doing something other than the main goal or use a less ‘black/white’ logic.  That’s not his character.

For example:

His friends are kidnapped and taken to an area.  He goes right there and heads for the first thing that catches his attention.  This sets off the next event and he runs into the following one out of panic.  All other characters with complicated plans are left wondering what went wrong until they see Darwin go barreling through the area.  Chaos ensues with his friends fighting to survive and him hurling spells to help while not understanding that the mess came from his actions.  Things still work out.

This is a simplification, but it shows that I can’t put a lot of thinking and planning on Darwin’s shoulders.  He’s not an idiot.  It’s just that his mind works differently than my previous heroes.  He’s curious with no fear of asking the big villains questions, which also results in him not realizing when he should be afraid.  Darwin is helpful and has no restraint on his use of magic.  He comes up with spontaneous answers to situations that nobody can see coming, but even his allies don’t get it.  This is coming out even in the outline, which makes me a little worried about how he’ll do as a protagonist.  He’s one of my Core Heroes too, so I’m not giving up on him.  Guess that’s why I’m nervous about it as well.

This took longer than I thought.  May have needed to vent.  Next month will be a title reveal at some point though.  Really proud of those.

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Hello to Saturday. Can I Stay in Bed?

After a week of watching primarily ‘Ranma 1/2’ to get it off my list, I ended by watching the new ‘Mortal Kombat’ last night.  Was it an example of cinematic greatness?  No because it’s freaking Mortal Kombat.  Not sure what people were expecting here beyond awesome fight scenes, wild characters, simple plot, nods to the games, and the set up of a new movie franchise.  You get all of that here.  It can drag at points because they were doing world-building and character development, but the fights are fun and, quite frankly, bloody.  So, I recommend it for anyone who loves R-rated action movies and the Mortal Kombat brand.

Got the fun stuff out of the way . . . That movie was a 2 hour reprieve from me going over an emotional cliff.  Work was busy and stressful, but that wasn’t the issue.  I knew it would be like that.  The catalyst for me crumbling on the inside is something that I can’t go into for legal reasons.  I know people get tired of saying that, but this means I wish I could share to relieve some of the pressure.  I simply can’t because it would make the situation worse when I want to make it better.  My plan was to do more outlining this weekend before my son comes home.  Not sure I can muster the urge to do more than laundry, especially since I’m outlining an upbeat series.

Small aside:  When somebody keeps saying ‘I’m tired’, it can be their way of saying they are emotionally and mentally drained.  That phrase isn’t always about physical exhaustion and reacting poorly to it can make things worse.  It’s the simplest thing a person can think of saying when they can’t figure out anything else.

I only managed to outline 1.5 books for my next series.  The first one took most of last weekend and I didn’t have as much time and energy for the second as I thought.  I should have it done today and try to tackle the third one throughout the week.  Thinking of taking Darwin’s sequel trilogy and turn it into the finale too.  So, this is going to be a 9 book series like ‘The Ether Thief’.  This helps me realize that my mojo is starting to come back and I’m getting a sense of what Darwin can carry.  My post tomorrow will go into detail here because he’s not like Luke Callindor, Clyde, and Ichabod Brooks.  Working with a challenging character here and he doesn’t mean to be difficult.

Kept meaning to bring this up, but WordPress is really messy.  My iPhone’s browser logged me out a few years ago and I haven’t been able to get back in.  This prevents me from interacting with other blogs through there too.  So, I’ve had to use the app when I’m not at my laptop.  Half the time, posts I look at are jammed together into one giant paragraph that I can barely understand.  It’s really bad with the people who do line-by-line dialogue posts.

Also, I’m trying to make this post using the old post creator like I usually do.  Something has gone wrong since around Wednesday.  There’s a long delay between me typing and the letters appearing on the screen.  So, I’m usually 4 words ahead by the time I see a typo show up.  Spaces aren’t always registered.  My eyes are now behind my brain and fingers, which is confusing.  I can hear my laptop running as if it’s being overburdened, but I see nothing in the Task Manager aside from Google Chrome being a beast.  This doesn’t happen when I do that block editing or whatever version, so I wonder what’s going on here aside from a blatant sabotage.

Speaking of blogging, I think I’m going to use June to do a weekday poem for each of my books.  Well, the core ones.  Legends of Windemere is 15 and War of Nytefall is at 6 with Quest of the Brokenhearted being in there.  That’s 22 and that covers all the weekdays.  Teaser Tuesdays and Immortal Wars will go on hiatus, which is fine because I’ll be busy and want to try for a boost to the books.  It’s the last month of school, so maybe a few sales will keep my spirits up.  Especially if current events manage to take a sour turn towards nightmare.  I might change things up a bit by adding Ichabod Brooks at the end though.  We’ll see.  July 1st and 2nd end that last week, so I could do that and Bedlam then get back to normal after the 4th.

Goals of the week:

  1. Time with son.
  2. Settle the issue.
  3. Outline more of ‘Tales of the Slumberlord’.
  4. Finish the current puzzle.
  5. Biking.
  6. Work, of course.
  7. Rest.
  8. Whatever I just forgot.
  9. Think it was to start the June posts.
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Questions 3: Time to Be a Hero

Ochaco Uraraka from My Hero Academia (My son’s request)

I may have done this in the past, but I thought I’d try it again.  These are always fun and maybe people can get a character out of it.  Nice to do a simple thing like this at the end of a long week.

  1. What power would you have as a superhero?
  2. What kind of hero would you be?  (Noble, Anti, Bully, Crying, Nervous, etc.)
  3. What type of crime would you focus on stopping?
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Immortal Wars: Light, Blood, & Tears Part 15

(Disclaimer: A warning to those who continue.  This is a sequel to a previous story.  Both of these were written in the mid-1990’s.  While the first one was slightly edited and vanity press published, this one has not been touched in over 20 years.  I figure I should do something with it and people may get a laugh or fright from how I used to be.  Every author comes from somewhere, so this is part of my origin.  To that end, I am deeply sorry for whatever nightmares I will inflict on the literary world and the American English language.  Enjoy?)

PREVIOUS ENTRY CLICK HERE

The sky is slowly becoming dark with storm clouds as Draveon and Cybro walk down Broadway.  They have finished getting everything on the list of electronics and presents.  Their only problem was when Draveon broke a case of crystal cups that he bumped into.  Thankfully, Adriana’s credit card had enough to pay for all of the damages and presents.  Since the two immortals had several hours before meeting with Adriana and Tegam, they decided to take in a show.

“Why did you make me go to this?  It was so stupid,” complains Cybro, who is still wearing the suit.  They had been getting strange looks throughout the performance from some of the people in the theater.  These looks of curiosity continue as Draveon and Cybro walk down the busy street.

“You have absolutely no class.  Even with that suit, you are still not able to enjoy the harmonious sound of music.  Didn’t you feel the pain of the characters?” Draveon replies in a sarcastic tone.

“You just enjoyed the fighting scenes.”

“Of course.  I slept through the rest of it.  It would have been a great play if they had forgotten about putting a plot in it.  Am I right?”

“I just wonder how that girl could keep singing for ten minutes after she was shot in the chest.  It made the entire show totally unbelievable.  We still have a couple of hours before we meet with the others.  Can’t let our presence known just yet.  Where should we go?” asks Cybro.  Draveon is looking around when a loud rumbling starts to shake the ground.

He says, “I think we should get something to eat.  That was my stomach.  That’s embarrassing.  Now, where can we go in this town in order to get some really good food?  Do you even eat, Cybro?”

“I can.  But I just do not need to.  Although Mindtrigger just recently modified my systems to incorporate food into my energy cells.  So to answer your question, no I do not have to eat, but I am capable of the act.”

“Oh.  Well, I think I saw an interplanetary cuisine restaurant.  Strange finding one on this planet.  I think it was on West 57th.  You know the building we passed with the planet and the star coming out of it.”  Draveon crosses the street without looking and causes several cars to screech to a halt.  The drivers just stare at the big man that would probably hurt their cars more than the cars would damage him.

“I did not think that the Vorkis had sent any settlers to this planet.  That sign you mentioned means that it is an alien safe-haven.  But I remember seeing only humans going into the structure.  It could just be a coincidence,” mentions Cybro.  Without warning, a hand shoots out of an alley and yanks the disguised robot off the street.  Draveon silently follows and finds the barrel of a pistol against his chest.

“Hand over your money,” orders a young man with no hair and all leather clothing.  He is pointing a small gun at Cybro and his three friends all have their weapons aimed at Draveon.  The other two young men are wearing jeans and bright orange shirts along with tie-dye windbreakers.  The fourth member of this group is a small girl wearing a faded baseball cap, tattered jeans, and a dark red shirt with holes in it.  Her only intact piece of clothing is a denim jacket.

“I’d put the weapons away.  They won’t do you any good,” says Draveon.  Two of the men cock their guns.  Draveon grabs the guy with his gun pointed at Cybro and easily snaps the man’s wrist.  With a single punch to the guy’s head, Draveon sends the corpse flying into an open dumpster.

“Anybody else want to try and shoot me?”  The two other young men look at each other and run at Draveon.  He lets them punch and kick him several times before he gets a hold of one of the attackers.  Draveon holds him up by his throat and throws him through the side of the nearby dumpster.  The man’s legs hang limply from the ragged hole.  His terrified partner decides to jump at Cybro and attempts to stick a small knife into the robot’s gut.

“Nice try,” whispers Cybro when the crook looks at the broken knife.  A large claw comes out of the suit where the knife made a cut.  It clamps around the stunned man’s torso and twists it into something that resembles a Van Gogh picture.  The body is dropped into the dumpster along with the other two dead men.

The young girl drops her gun and turns to run down the alley.  Draveon grabs the girl by the back of her jacket and lifts her up to his face.  He carries her to the back of the alley, which ends in a wooden fence and boxes of trash.  As the frantic girl struggles, her baseball cap falls off and Draveon suddenly notices that she couldn’t be more than eighteen years old.  Even though the light is awful, he can tell that the brown-haired girl is actually very pretty.

“Please, sir.  Don’t kill me like you did to those other guys.  I just needed the money to get some food for my kid and me.  I swear I won’t tell anyone about what you two did.  Just don’t’ kill me,” cries the girl.  Cybro hears this and stares at her with his mouth agape.  Draveon lets her gently fall on her butt and bends down to look at her directly in the face.  She starts to move away from him once she notices that his eyes are bright red.

“You have a child?  But you’re not even old enough to legally drink in this country.  How old is your kid?” asks Draveon.

“He’s two years old.  Listen to me, mister.  Just let me go and I’ll never bother you again.”

“What about the father?  Where is he?”

“Damned if I know.  He never called me after everybody in school found out I was pregnant.  I couldn’t even get him to help me when my father threw me out of the house.  Eventually he moved to another town.  My old man didn’t want a slut ruining the family name.  Can I please go now?”

“Not just yet.”

“Come on, Draveon.  Leave the girl alone.  We have better things to do and we have a lot of time to do it in.  Just accept that Earth is a much different place than when we were first on this planet,” whines Cybro.  Draveon waves him off and the disguised robot walks toward the street in order to wait.

“The hell was he talking about?  Did you two escape from a mental institute and think that you’re aliens?  That’s just what I don’t need right now.  I have to get back to my kid before my friend has to go to work.  So please let me go,” the girl says.  She tries to walk past the large man, but is gently pushed back to the wooden fence.

“Your friend has work.  Why don’t you ask your friend to get you a job at her workplace?  Try to get some money without breaking the law.”

The girl begins laughing hysterically before saying, “Doing stuff like she does is what got me into trouble in the first place.  I am not going to become some streetwalking boy toy.  It may pay mucho dinero, but I have too many problems right now.  I don’t need any more.”

“What is your name?”

“My name?  It’s Sandra Hunter.  My son’s name is Brian.  Why do you want to know my name?”

“Just to put a name to the face of a kid who I’m going to help.  Here’s a hundred dollars.  Take care and try to find a better way to survive.  Now leave before I remember that I’m not a nice guy,” says Draveon.  He hands the nervous girl a pack of twenty-dollar bills and she sprints out of the alley.

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The Crying Hero: Saving Your Life While Getting Dehydrated

Midoriya from My Hero Academia

I couldn’t really look into the Bully Hero without making a post about the opposite side of the coin.  The Crying Hero can be picked on by the Bully Hero, but they can also operate alone.  The key point is that they are fairly sensitive even if they are tough enough to get into big brawls and win.  You would think that this type of hero is fairly easy to right and gain acceptance for . . . Nope.

Crying is seen as a sign of weakness by many people.  It’s really the reaction of a person going through too much pain for them to handle.  After all, we cry or tear up when we suffer physical injury, so why is it weird that we do so when mentally or emotionally wounded?  Heroes put themselves into situations where a mistake can cost someone their life.  Many possess a sense of empathy and kindness, which is a driving force to them becoming a hero instead of staying home.  So, it makes sense that you will have some who don’t have the best control when it comes to pain or even victory.  Crying is a natural reaction, so it’s a shame that people see it entirely as a negative.

I ran into this over the course of Legends of Windemere too.  Luke Callindor had some crying moments throughout the series.  I would get messages or see critiques that said this made him weak and unappealing as a hero.  Forget that he went through hell and was tortured too.  Yet, Nyx and Sari had just as much suffering with crying moments, but nobody seemed to get upset about that.  This is why I think the Crying Hero is accepted more as a female instead of a male.  Just look at Midoriya and how part of his character development is that he tones down the crying.  I’m happy that he still tears up even in later stories because I don’t want him to lose that sensitivity.  It makes him stand out in contrast to Bakugo the Bully Hero, who has had a few scenes where he’s shown tears, but it’s come with anger.  These are manga and anime too, so it could be a cultural thing.  Western ideals definitely have manly men with the emotional depth of a clogged toilet near the top of the list.

Are there any tricks to writing a Crying Hero?  Nothing as difficult as the Bully Hero because the key point is to show that they have emotions.  They are human enough to demonstrate the feelings that we don’t find appealing, which should make them more relatable.  No matter how strong and unbeatable a hero is, they will benefit from revealing their heart.  It doesn’t have to be crying either.  They can rant in frustration, mope, talk openly about feeling like a failure, or anything that shows they are capable of emotional suffering.  This makes their victories and pushing forward more potent with a potential bonus of inspiring readers to do the same.

Authors may be hesitant to do this too.  It comes down to the idea that heroes need to be larger than life.  This used to be a bigger issue where the good guys couldn’t die or be shown bleeding, so it’s not as prevalent.  Yet, it’s still around on the emotional level these days.  Your hero can be battered to the brink of death in a gory display with an audience not blinking an eye.  They fall to their knees crying because they failed to save the day and you’ll get people complaining that they are weak.  Although, that is kind of the point of the whole thing, which I think some authors and readers forget.  You want heroes to show weakness to make them more humor, especially in the face of loss and pain.

So, what do you think about the Crying Hero?  Could you write one or enjoy reading about one?

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