Teaser Tuesday: Fury

Cover Art by Jason Pedersen

(Here we have an excerpt from Tribe of the Snow Tiger.  Enjoy and pass the word that all single eBooks are 99 cents.)

“We don’t have time for this,” Nyx growls as she kicks her chair away. The channeler coats her fist in condensed wind while approaching the bars, the glowing Compass Key tattoo burning a hole in her shirt and cloak. “The temple is waiting and our friends are on the other side of the continent. This mess shouldn’t get in our way. I’m breaking Timoran out of here and we’re leaving for Aintaranurh. Even if I have to raze Stonehelm to the ground and blast this tribe out of my way, I’m getting us out of here.”

“What is wrong with you, fire sprite?” Timoran asks as he gets closer to the bars. Moving directly in front of the channeler, he hopes that his friend will stop with him so close to her target. “You are talking about attacking my homeland and tribe. Exile though I may be, I am still loyal to these people and do not wish for harm to come to them.”

“Then hate me for what I’m about to do, but I’m not in the mood for dealing with your past.”

Nyx rears back to shatter the bars, which causes Cyrus to rush from his post and Luke to dive for her arm. A powerful gale knocks both warriors down the hallway, the barbarian crashing through the locked door. With a look of madness in her eyes, the channeler screams and throws her devastating punch. The spell abruptly flickers out of existence as her mind is engulfed in a distracting shriek and a knee hits her in the stomach. Faking a savage punch to Nyx’s head, Dariana pushes the half-elf to the floor and coaxes her into a restless slumber. Bursts of magic continue to erupt from the shuddering channeler as Udelia storms down the hallway.

“What is going on here?” asks the sheriff, her massive sword aimed at the foreigners. She lets the tip fall and stop an inch from Nyx’s face, the unconscious champion unaware of the danger. “Did she attempt a jail break?”

“Yes, but there is something wrong with her,” Dariana answers, pointing at where Luke is groaning in the corner. Her fingers run along the fragile edges of the hole in Nyx’s shirt, the fabric crinkling beneath her touch. “Timoran was trying to talk her out of doing anything foolish before she attacked all of us. This is odd. She has rashes all over her body. Is there a healer with knowledge of magic that I can take her too? I think my friend is sick and she isn’t a person that you want to leave unchecked.”

“I should arrest you.”

Timoran clears his throat and bows his head to the blonde barbarian. “Please let her see one of the shamans. Nyx and I are like siblings. I know you owe me nothing, Sheriff Kalten, but all I am asking is that you let my friend get help. Besides, you know we lack a prison that can contain a Near God. If you do not do this for me then do it for . . . her.”

“Take your friend to the shaman who lives in a hut by the eastern border,” Udelia says without a second of hesitation. She walks to the bars and opens one in order to grab Timoran by his hair. “I don’t want you to pull that trick on me ever again. Leave her out of this or I will kill you before the trial.”

The sheriff turns on her heels and marches toward the doorway, pausing briefly to hoist Luke to his feet by palming his head. Dariana cradles Nyx as she stands, the sensation of lightning running through her body making it difficult to walk. She is thankful when Luke takes the unconscious woman, his body absorbing the mild electricity thanks to the griffin spirit. With a chorus of good-byes, they leave Timoran to sit in his cell and stare at the empty wall. As night falls, the solitary section of the jail becomes a silent tomb that freezes time and makes the lone prisoner unsure if he is awake or dreaming.

Posted in Legends of Windemere, Teaser Tuesday, Tribe of the Snow Tiger | Tagged , , , , , , , , , , , | 6 Comments

Revisit: What Do You Look For In Character Evolution?

Evolution of Godzilla

(Originally posted on July 25, 2013.  Not exactly the evolution about since we’re talking more mental and emotional than physical.  Realizing that many of these are kind of short too.  Guess it’s from a time when I had more activity in the comments.  Still, it’s nice to see where people stand on the big author topics.)

One of the benefits to writing a series is that you get to extend your character’s evolution. They don’t have to fully mature by the end of the first book. This is something for readers to remember too. Once a character hits his or her final form, the adventure has to eventually come to a close or you devolve them. Look at comic book characters and the sudden rise of reboots because they’ve done everything for decades. With novels, you don’t really have this luxury. You need to raise your character at a proper, steady rate to an endgame. Going further can weaken your character and series.

I like a slow growth with ups and downs. A character that wins and loses is believable because you can’t always win or lose. Even if you win, there can be a twist or a sacrifice to it. Save the damsel, but lose your hand type of thing. For me the character must be evolved by their decisions and situations. You can’t step into a war or decide to let someone die to save someone else without changing. That isn’t human and reeks of lazy story writing. Doubt, grief, anger, fear, happiness, sadness, numbness, determination, and all the other emotions are needed for this evolution.

So, what do you look for in character evolution?

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Buy a Book Day

Happy Buy a Book Day!

Celebrate by buying a fantasy adventure for 99 cents!  Maybe two?

Posted in Legends of Windemere | Tagged , , , , , , , , , , , , , | 5 Comments

Goal Post: The School Year Has Begun!

After a weekend of relaxing and Pokemon with my son, I went back to a school full of students on Tuesday.  He returned on Wednesday.  The week has been crazy with so many incidents and events to juggle.  In other words, I wasn’t able to even glance at Darwin & the Joy Path until today.  Tried desperately to write even a paragraph last night to set the stage for chapter 2, but I couldn’t muster the energy.

The first challenge of the week was getting to work and helping our students settle into a full year.  I hit the ground running with my break during second period (around 9 am) and my lunch during eighth (around 1:30 pm).  That’s a lot of time without food, so I’m trying to carry a granola bar.  I’m also on my feet for a lot of it and our students are always on the move even in the room.  Things might get easier in a few weeks when work sites start, but that could also be more draining.  A lot of changes for our students is causing tension as well, which I seem to be absorbing.  No chance to release it, which has led to me not sleeping well.

On top of this, my son entering 11th grade didn’t go smoothly.  The day before, we realized his school lock was still with his mother.  It took some doing to get it back and I’ll leave it at that.  THEN, we got a letter that they were going to repave our street on Wednesday morning, so we had to get out before 6:30 am.  My son is always anxious on the first day, so it was hectic.  I promised Dunkin Donuts for breakfast to make sure we got out, but then I heard him wondering where his school ID was while I ordered.  It appears his mom had that as well and forgot to bring it over, so morning negotiations were required.  This resulted in me forgetting to confirm the order, so we showed up and waited for 10 minutes before I realized what happened.  Managed to get his ID at the last minute, get him to school on time, and get myself to work with some semblance of sanity.  That was only Wednesday.

The stress definitely built up a lot too.  My stomach went into full IBS spasms and squirming last night.  That was another reason I didn’t get any writing done.  I went to bed early though.  Figure I can wake up, eat if I feel like it, write a bit, and then hurry to do Pokemon and shopping before the storm hits.  Definitely going to take advantage of the bad weather running from this afternoon until late tomorrow morning.  Means I might be able to get all of chapter 2 of Darwin & the Joy Path done.  It’s 4 sections that shouldn’t be more than 3-4 pages each.  Spent last night staring at the ceiling thinking about how to run it, so I should be good.

This coming week is going to be equally crazy.  I’m not holding out for any writing time after work.  Wednesday evening might be it if I’m lucky.  Every other day has my son here or an evening meeting.  I’m responsible for all the cooking for the next two weeks as well and I don’t want to bring in much.  My plan to reduce the stress is to cook big meals when my son is here and the leftovers will be my dinners when I’m alone.  Should help to save money after an expensive month too.  Maybe I’ll get lucky and catch something that requires a sick day.  It won’t help me write, but I might be able to get a good night’s sleep for once.

I’m trying to find a good anime to watch too.  Finished ‘The Residence’ on Netflix and felt like I wanted some 30 minute animation to enjoy.  I’m sure I’ll find something that keeps my interest.  As for ‘The Residence’, I really liked it.  Shame it won’t get a second season, which was apparently due to costs.  Hard for me to find live-action shows that I really get into.  Those I do find tend to disappear after a season or two.  Guess this is why I stick to anime these days.

So, what are the goals for next week?

  1. Finish chapter 2 of Darwin & the Joy Path this weekend.
  2. Food shopping today.
  3. Sleep better.
  4. School meetings for son.
  5. Lego time to relax.
  6. Get fresh air when possible.
  7. Work on November and December blog posts if time allows.
  8. Pick a new anime to watch.
  9. Maybe change the CDs in my car if I feel like it.
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Revisit: What Do You Look For In a Hero?

Saitama

(Originally posted on July 22, 2013.  Pretty simple and to the point.  Realizing these posts are mostly for interactions though.  What do you think?)

One of the more interesting things about Beginning of a Hero reviews was that a few of them mentioned how Luke Callindor wasn’t heroic.  He was immature, unpolished, reckless, and selfish.  First, this is the beginning of a series, so starting him out as the perfect hero is ridiculous.  I have 15 books to grow him into that role and even at the end he’s going to have moments.  All of that is for another topic.  Today, I’m curious what people want in their fictional heroes.

I’ve heard everything on this topic.  Many times I’ve heard people voice what they want and then deny a character to epitomizes it.  For example, I spoke with a person who wanted a powerful, unstoppable, beacon of justice hero.  When I mentioned Superman, this person scoffed at the idea because he was ‘lame’.  So, I guess there was something else in their personal hero equation that Superman didn’t meet.  They claimed Batman as perfect, so I’m guessing smart and tortured soul were secretly on the list.  It’s funny how many people go on about the noble, shiny hero and then gush about an anti-hero that’s about as shiny as a broken lightbulb.  So, there is an element of a person not accepting what they really want in their heroes.  I’ve yet to figure out this mentality.

Personally, I want my heroes to have a weakness.  I’m not talking about kryptonite or the color yellow (Green Lantern at one point).  I meant, I like my heroes to have aspects of humanity in them.  They can get mad, get sad, be happy, and have a range of emotions.  I think this is why I have trouble getting behind Batman because I always see him as tortured, which gets old.  To counter this vulnerability, I like my heroes to have a lot of courage and the drive to help others.  Even if they are tossed into an event that they don’t understand, I like it when a hero decides to be the good guy.  It doesn’t have to be at the beginning, but at some point the hero has to acknowledge being a hero.  To go through an entire adventure and continually deny you’re a hero against all evidence rubs me the wrong way.  Tim Burton’s Alice in Wonderland comes to mind.  By the middle of the film, I was ready to slap Alice because all she did was deny she was ‘The Alice’ in the face of constant evidence.

Power-wise I’m torn.  I enjoy Superman even though I don’t like heroes to be utterly unstoppable.  He might be the exception to my rule because he’s been around so long and he is what he is.  More current heroes that have multiple powers, no weaknesses, and are perfect make me mad.  Eragon came off like this to me.  I believe in fantasy, a character needs some training or a history.  If they don’t have it then they need to make mistakes as they go on their adventure.  For example, Luke Callindor starts his adventure after a lifetime of training.  That’s why he can do what he does.  Darwin Slepsnor gains his sleep magic at the beginning of his story, which is why he works of instinct and causes a heap of trouble.  I need that explanation of why a hero is the best in the room or proof that he or she is not the best in the room.

There are other little facets of heroism that I look for, but they tend to come to mind only when I’m reading.  So, what do other people look for in their heroes?

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Poetry Day: Seven Tastes of Sin Rondelet

Yahoo Image Search

(Yup, I made an 8th one for those special people.  A rondelet is a 7-line poem where the first line is repeated on line 3 and 7.  The refrain lines are usually 4 syllables and the other 4 lines are 8.  These were tough, so I hope I got them right.)

Are you all sins?

Do you have evil in your veins?

Are you all sins?

You live for every dark act.

Never caring what others think.

You only wish to feel a rush.

Are you all sins?

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Revisit: What Do You Want in Female Characters?

(Originally posted on July 18, 2013.  Don’t think my mindset has changed much.  Though, the one comment about my female villains not being whores kind of changes thanks to Desirae Duvall in War of Nytefall. I do think there has been a shift in regards to female heroes since I made this post.  I’ve been seeing more female heroes who are designed to be perfect or simply . . . men without the naughty bits.  It’s like the uniqueness of writing an evil woman has been replaced by boring, standard ‘evil person’ tendencies.)

One of the big things about Legends of Windemere: Prodigy of Rainbow Tower is the introduction of Nyx and Trinity.  They are the female spellcasters for both sides of the conflict and I think they’re badasses.  Very powerful and very tough while still retaining their femininity.  I’m proud of how they turned out because they are the types of female characters that I love to read.  I will mention that I read mostly fantasy and action, so this is going to be a light combat-skewed.

I think of the Mr. & Mrs. Smith fight scenes when I consider this topic.  Not because of the banter and the flow of it.  Those are good, but I love how there is not a single point where Angelina Jolie’s character felt weak or overpowered.  This was done without making Brad Pitt’s character come off as weak.  They are even in terms of skill, physicality, and determination.  She gives as good as she gets and the movie wasn’t afraid to she her taking a shot.  I think female heroes shouldn’t be treated with kid gloves and should be shown taking a hit.  More importantly, taking a hit and fighting back.  I’m not talking about taking a hit, crying, and then doing a cheap shot.  That makes a female character cunning, but rather weak.

Focusing on the giving part of the equation, I love it when a female character can take out a male character without converting to a masculine version of herself.  Speed, agility, skill, and grace over power and brawn.  Even better if both characters are cunning because that makes either of their victory a lot sweeter.  It’s strange how people still do the weak female character or turn them into a tough, heartless bitch that will inevitably be thawed by the male lead.  I think I threw up a bit on that one.  Give me my Xena’s, Fiona from Burn Notice, and Buffy.  Still moments of sensitivity, but they will happily beat the crap out of someone that crosses them.

The third factor of a female character that makes me enjoy her is the retention of her female mentality while still being a badass.  I’m not talking beating people up while breast-feeding, which is a scene written by someone in college that I shall never cleanse from my mind.  I mean the character can be emotional in a tender, gentle way when the situation calls for it.  She doesn’t get confused when a guy hugs her after she’s killed a band of orcs.  She hugs him back and makes a joke about getting blood on him.  I say this should go for male characters too if you’re aiming for the sensitive hero.  Sensitivity does not equal weak, which is an assumption that has to stop.

Finally, I love my female villains to be smart, but still able to fail and not be whores.  I’ve noticed a trend with many female villains that they are one of two types.  They are either the seductive ho villain or they are so smart and perfect that you can’t believe they’re going to be defeated.  It’s like the writers are either misogynistic (that right?) or are terrified to make a female villain that is as bungling as some of the male villains.  I’m looking at you Gargamel and Skeletor.  I want my female villains to be as realistic as my male villains with the same amount of smarts, evil, confidence, and touch of ineptitude.  That might sound strange, but it makes me enjoy the character even more.

Heck, I like it when my female heroes have the same level of ineptitude of a male hero.

That’s why Nyx is about as flawed as Luke Callindor in terms of personality.  She might not have his ego and recklessness, but she has that nasty temper.

So, I like my female characters to be smart, flawed, able to take a hit, and able to go toe-to-toe with the male characters.  What do you look for in female characters?

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Teaser Tuesday: The Hunt

Cover Art by Jason Pedersen

(A fun scene from Charms of the Feykin.  Enjoy and remember that all of my eBooks are now 99 cents!)

Delvin delivers several rapid knocks to a tree, which tells the Feykin to walk toward their prey. Painted to blend into their surroundings, the naked hunters silently move through the bushes and spread out into several long lines. With two spears strapped to their backs and another in their hands, they know that every shot counts. Once the Feykin are within throwing range, the men and women calmly scan the area for the easiest targets. It is an old hunter on the right hand side that decides to start the attack and hurls his spear at a slumbering belraphi. The weapon strikes its target in the head as more projectiles arc into the herd. Rodent-like screeches erupt from the animals and many of them gather closer to the nest, their instincts telling them to protect the babies. The beasts that prefer to go on the offensive spit globs of reeking vomit at the hunters, the stench bringing tears to the Feykin’s eyes. One man takes a blob in the face and collapses, his body twitching from a fast-moving disease that dissolves his nerves.

Having taken a circular route to attack from the other direction, the champions jump into the fray and do their best to draw the belraphi’s attention. Carefully dodging and blocking the toxic projectiles, the warriors split into pairs and carefully choose their targets. Guarding each other’s flank, Timoran and Delvin work together to swiftly kill six of the fattest males. With their prey taken down, the pair hurry to help the Feykin get their shares back among the trees. Briefly shining like a torch and blocking disease-ridden blobs with a wooden shield, Delvin touches the three infected hunters to heal them. The display of power is enough to scare a few of the more aggressive belraphi back to the nest, but the herd is showing signs that they are about to stampede.

Dariana and Luke have a harder time as they find themselves among the mothers instead of those they have been told to hunt. All of the males and non-nursing females are too far away for the champions to reach without battling through the mob of screeching sows. Unable to fight through without killing the animals, the nimble adventurers leap and dive away from the flying vomit until they clamber into the nest. All of the adults inside are full of milk, which makes them docile and lethargic as the oblivious children sate their constant hunger. Avoiding the helpless babies, the champions are almost at the other side when a bellowing roar echoes across the valley. The belraphi stop attacking and huddle close to the nest, their vibrating bodies shaking the log structure. Hearing Delvin scream for the Feykin to leave their kills and retreat to the forest, Luke cautiously climbs into the open. He gestures for Dariana to stay with the babies while he stares at the predator that has interrupted their hunt.

With a jaguar’s tail hanging out of its mouth, the large beast waits at the far end of the valley. Short, blue hair covers its muscular body with a few bald stripes going along its ribs. Four thick, claw-tipped limbs flex on knees that can bend in every direction. A wide head swivels from side to side on a short neck, the creature’s amber eyes searching for its next meal. Hoping to startle one of the Feykin or belraphi into running, the predator roars to reveal rows of sharp teeth that curve inwards. It takes a hesitant step toward the hunters and stops to redirect its hunger on the solitary forest tracker who drops out of the nest and moves away from the terrified herd. The beast slurps up the tail in its mouth and salivates in anticipation of easy prey.

“Hey, Delvin! Is this thing edible?” Luke asks while spinning his sabers. Taking a deep breath, he answers the beast’s bellow with a roaring screech. “Sorry, guys, but I’m not going to change. This one is going to be all me.”

“I’m not sure,” the other warrior replies, slightly confused on what is about to happen. A few of the Feykin nod their heads, none of them wanting to draw the predator’s attention. “It looks like it is. Hunting belraphi too easy for you?”

“I’m in the mood for a challenge.”

“Then go for it.”

Posted in Charms of the Feykin, Legends of Windemere, Teaser Tuesday | Tagged , , , , , , , , , , , , , , | 4 Comments

Revisited: So You Want to Write Fantasy (A Pessimist Approach)?

Posted on July 22, 2013.  I really enjoyed writing this and I stand by it.  😀

thSo you want to write fantasy.  Well, let me load you up on everything you need to get yourself started.  Have some elves, dragons, dwarves, gnomes, magic, warriors, spellcasters, medieval weaponry, orcs, trolls, griffins, political intrigue, religious intrigue, thieves, and all the other standards you need.

Have all that?  Good.  Now throw and alter as much of that as you want.  Will it cause problems?  Of course it will.  People will tear into you for not respecting what came before you.  Keep all of it?  You can, but people will tear into you for being cliche.  Welcome to the genre, kid.  Each camp of fantasy fan thinks they’re the modern ones.  Kind of funny how they don’t realize they’re all old hat.

What’s the difference you ask?  Popularity, kid.  It’s whatever is popular now.  Give it some years and the other side of the coin will touch the sun.  For now, people think politics and religion are the fresh parts of the genre.  The truth is that those are being spiced up the best.  After all, I remember those types of stories from my youth.  Why not jump on the bandwagon?  Go right ahead.  It depends on what you want to do with your own story because in the end, you have to enjoy what you write.

Let me give you some pointers for both:

  1. Going political?  Remember the whoever starts as king must be killed.  Not too early and not too late.  That way you have an empty thrown with all the established heirs and jackasses killing each other to get it.  Your choice if you want to reveal the winner beforehand.  Who’s the winner?  Typically, the guy that the narrator follows.  You can switch it up by continuously killing all your main characters.  Not a bad thing, but you have to be prepared for fallout.  A fan loses his or her favorite character and you’re going to get hate mail.  Also, you really should have some endgame in mind or else you’ll wake up one day with no clue who should be the new ruler.
  2. What about the evil advisor?  It’s been done to death, but I’m sure it’s still there. Toss a few in and don’t make them look evil.  Only the people reading to see how you screwed up will take offense.  Be adventurous and have him win.  Don’t forget the facial hair too.  Probably go for the gusto and make him religious as well.  Whip up a dark god that used to be worshiped during the ‘bad times’ and have the advisor be one of the secret followers.
  3. Heroes on a quest?  Now you’re going old school and are in for a world of hurt.  Carry around some dice because you’ll be accused of playing too much D&D.  It’s not as much of an insult as they think since D&D is based on Tolkien, whose epic tale is a quest involving good versus evil.  Guess the oldies are respected, but not to be imitated.
  4. What kind of hero?  Well, you can go boyscout and have been complain about the cliche.  You can go anti-hero too, but people will complain about it being a cliche.  In fact, you’ll probably be accused of having a boring hero with no development that is similar to another character.  Expect that for everything you do because people love that accusation.
  5. What kind of monsters?  Let’s skip this question because you’re fucked no matter what you do.
  6. A lot of magic or no magic?  Whatever your heart desires. You’ll get in trouble for it some point.

Why am I talking all doom and gloom?  Because that’s what fantasy writing is these days, kid.  You pour your heart onto the page and enjoy the read.  Just gotta remember that everyone has different tastes and you’re not going to be enjoyable to a lot of people.  If you go against the current trend, you’re fucked.  If you follow the current trend, you’re fucked.  The goal should be to carve out a fanbase and write what you want to write.  Always think of yourself as your #1 fan because if you love what you write, it will show through your words.  The naysayers can suck a troll for all you care.  You’re not going to use trolls?  Your choice, kid.  It’s always your choice.

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Revisit: No Magic Pasties of Protection! And How to Avoid Rusty Blades.

First, happy Labor Day weekend . . . Second, I need a time machine in order to smack myself for that nightmarish post title.  This went live on July 19, 2013 and somebody should have told me to rename the post title.  I’m only keeping it here because I promised to leave everything intact.  It wouldn’t be a revisit if I didn’t connect this with the original one.  All that being said, I do think I made a few good points that I have long since forgotten.

Red Sonja #1 Review • AIPT

Red Sonja (Master of the Chainmail Bikini)

I shouldn’t even have to say this, but people don’t always think in practicality when it comes to character protection.  NEVER give a female warrior a chainmail bikini as armor.  A bizarre medieval beauty pageant?  Maybe.  Warrior woman version of lingerie or a specific fetish for your world?  Go right ahead. But actual bikini armor is ridiculous and you might as well put her in a dress or naked for all the help a metal studded thong will do.  Remember that the key point of armor is protection and not to look sexy.  Maybe you can get away with sexy leather armor, but you don’t mess around once you go chainmail or higher on the protection food chain.  A bare midriff with platemail is a way of saying ‘this character will be stabbed in the stomach’.  Oh and no magic tassels or pasties of protection for EITHER gender!

Remember mobility with armor too.  No high-flying stunts in platemail unless it’s magically enchanted to specifically allow for that.  If you want a character to be flexible and agile then you need leather or something that is bendable.  Know the limitations that come with your armor or you’re going to lose the reader.

That small rant brings me to a small point of fantasy that doesn’t get much attention: Gear Maintenance.  I’m only going to go over a few points here that can be seen as pet peeves, but they really are important.

Dents and Dings

As I said, armor and shields are designed to protect.  That means they’re taking hits and getting damaged.  If your hero has armor on and isn’t getting hit then you’re doing combat wrong.  Even without some protection this situation is rather iffy. After a while, the polish wears off and the armor should look like it’s seen better days.  Shields can be broken and replaced if hit too often or too hard.  For example, I have a character who uses a wooden buckler and he’s already gone through a few of them over the course of a book.  These things were designed to take hits and get some wear and tear, so put that into your story.

Here is a quick list of what can happen to armor and shields:  dents, dings, cuts, holes, punctures, splintering, slashes, gashes, tears, and whatever else is a type of damage to a surface.

What do you do when the armor is dented or the shield is broken?  There’s a person in fantasy settings that is used specifically for this.  He or she is called a blacksmith and all you have to do is have a character say ‘I’m going to the blacksmith to get my armor fixed’ or ‘I’m going to the blacksmith to buy a new shield’.  You don’t even have to write the scene.  Have the warrior leave, focus on the others for a bit, and then have him/her return with repaired gear.  A simple ‘look at my new stuff’ line and you’re golden.

Clean Your Sword

Whetstone (Yahoo Image Search)

Whetstone (Yahoo Image Search)

The above picture is a whetstone, which is used to sharpen a blade that is going dull or is nicked from use.  Swords get nicks and gouges in their blades when striking anything.  If it is not taken care of then the weapon will shatter at the worst possible moment.  That moment would be in battle when you prefer to keep your vitals non-punctured.  A whetstone and sword oil is very easy to include.  After a battle, have your warriors sitting around a campfire and write ONE sentence about them sharpening their blade.  Examine it for nicks and issues then you’ve done your part.  The hero’s blade has now been fixed and maintained to add a little more reality to them.  You can always overlook this by having time pass, but there is one thing that irks me.  I’m probably guilty of it too without realizing it.

CLEAN YOUR BLADE!  There’s a scene in ‘The Lion, The Witch, and The Wardrobe’ where Aslan tells Peter to clean his blade after killing a wolf.  The comedy of the scene in the movie is that the blade was already immaculate, but it’s Disney so shut up.  I’ve read and seen a lot of scenes where the hero stabs someone with their sword.  Then they sheathe the blade without cleaning it.  I always want to yell ‘No! Clean your blade!  Use a rag, your glove, the face of your slain enemy! Anything!’  The reasons for this is simple.  Blades can rust and dried blood is disgusting.  Even worse is the idea that the sheathe is now coated in blood, which will erode the blade.  Easy way to fix this is to have your character carry a rag and clean it.  You don’t even have to do it a lot.  Set up the habit in the beginning of the story and then people will assume that the hero does it later on, so you don’t have to write it.

Those are some helpful armor and maintenance tips.  Hopefully they help and remember . . . chicks in chainmail only work for a calendar spread.  In battle, they’re about as useful as curvy scarecrows.

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