Leading from the Back

What is leading from the back?  It’s exactly what you think.  This would be a military leader who stays away from the frontline.  They give orders while analyzing information and listening to advisors.  They’re still in charge, but not in as much danger as your average soldier.  Sound familiar?

This is the type of general we see a lot in reality-based stories.  It’s because modern generals don’t physically go into battle.  Not typically anyway.  Keep in mind that this isn’t a negative thing.  It’s simply how war is waged in this global culture.  This style requires that leaders aren’t the more physically aggressive or badass, but the ones who are smart enough to properly direct armies and resources.  It could also be wisdom or some mental ability that makes them the best for the job.  Think of them as the chess masters who are trying to outthink an opponent who isn’t in the room.  Not easy and requires a lot of mental flexibility.

Generals who lead from the back are difficult to put in a main hero role.  It’s because they’re not in the action that the author will have trouble maintaining tension.  Movies and television can be easier with the more visual development of tension.  You can also shift to action there with more ease than in a book where the general is the main POV.  It can make stories clunky and disjointed even if you’re showing the proper reactions towards the events.

Another issue is that many readers might not think the general has anything at stake.  A person may see a leader who stays in a safe zone as weak and not worth the respect that they’re given.  This stems from how our culture pushes fictional heroes who are tough, aggressive, and violent.  A real general isn’t likely to go charging into battle with two machineguns firing and a rocket launcher strapped to his back.  General Nick Fury isn’t a real person!  People tend to forget this, so seeing a modern general in action on the page will come off as boring.

Thankfully, there is an audience for this type of story.  People who enjoy the strategy side of war would be interested in seeing things from the generals perspective.  Also, anyone who is curious about the psychological impact on a person who is aware that their decisions cause others to die.  Both routes require that the author show the mindset of the general, so you may be looking at a first person POV tale.  They aren’t always the same people too.  The first group might not be interested in the toll such decisions take on the psyche since they’re focused on the ‘art of war’.  The second group might not care about how the war goes so much as how the general handles wins and losses.  So, it can be a challenge to hit both marks.

The key to making an effective ‘lead from the back’ general is research.  There are plenty of books and interviews out there.  Generals have talked about their job for so long that the biggest challenge is to decide on whose mindset to follow.  That’s the other part here because we’re dealing with humans.  Generals aren’t cookie cutter leaders.  Each one has unique strengths, weaknesses, morals, viewpoints, and strategies.  For example, some generals will prefer bombardment to reduce their own casualties while others will have no problem throwing their armies into harm’s way.  So, pick a general whose mentality and tactics fit with what you want then start from there.  It doesn’t have to be a perfect match, but it can be a jumping off point, especially if the person has talked about the mistakes they’ve made.

So, what are your thoughts on this type of general?

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HEALTHY WRITERS—LESSONS FROM SCHOOL

Hi SEers! What does it mean to be a healthy writer? Do you eat lots of broccoli, run marathons, or write a lot? It’s mixed in there somewhere. To …

HEALTHY WRITERS—LESSONS FROM SCHOOL
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Teaser Tuesday: Do I Need Supporting Characters?

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Welcome back.  I was surprised to find that this was a question.  So, I had to touch on it and explain supporting characters.  Enjoy.

Do I Need Supporting Characters?

A story can be made or broken by the supporting characters who range from traveling companions to minor villains. Of course, you can have your hero go it alone and have a focus on how someone will carry on when isolated. This is more difficult than one would think because you create a supporting cast as soon as you introduce another character. It might not even be a speaking part. That troll? Supporting character even though it’s a monster. That shop owner selling cheap swords? Supporting even though he only shows up for one scene and has a few simple lines of dialogue. This is a fairly broad definition, but these are all characters who add more color and life to your story. Hence, they should not be ignored entirely.

On the other hand, you don’t have to go deep with these characters if they’re minor and closer to set pieces. Putting hours of thought into a healer who shows up and leaves on the same page is overcompensating. It’s clear they have a purpose, but not enough that the audience needs a full backstory. I would suggest that the amount of time you put into creating supporting characters really should be dependent on how much you are going to use them.

You can divide your cast into three categories to help here:

  1. Primary– This is your main hero and main villain. The story revolves around these characters, so they have to be the deepest. They are the most likely to change throughout the story too. Names, physical description, evolution, backstory, and focus are certainly required more than the other groups. If you are writing an ensemble story, you will have more characters in this category. Never think you can only have 2 characters as primaries if you have multiple heroes and villains who are heavily involved in the plot. That leads to favoritism and the story can be weakened by you reducing the importance of the others while they are truly critical to the events.
  2. Secondary– These are your mentors, independent rivals, allies, third party enemies, and other characters who are important, but not central. They influence the primaries and the story, but they are not the major motivators of the big events. When the battles and adventures hit the high gear, they are standing a few steps back and giving support. They might not be there at all. It helps to have some depth like the primaries including a backstory. Yet, they don’t need a big evolution or one at all because they are distanced enough from the story events. In other words, character development is optional and can be minimal here.
  3. Tertiary– I would put the store owners, key monsters, healers, nobles, and anyone else who shows up for a little time here. They don’t travel beyond their initial area because they serve a single purpose. In a series, you can eventually have them evolve to secondary if they show up more often. If not then you really only need a name, physical description, and a purpose. There’s no evolution here, especially if they’re around solely to be killed.

We are going to be focusing more on the secondary group for, what I think, are obvious reasons. Primary are too essential and tertiary are too temporary. Secondary is where you can find a lot of development catalysts for the characters, story, and world. This is because they aren’t the major movers of events, but influencers of those who will do it. I’d say the men and women behind the curtain if you didn’t see them act. Then again, some supporting characters do stay in the shadows until near the end for a big reveal. That’s a rather niche use though. Beyond the precious plot twist, you get tons of mileage from the secondary cast. I would say more than the primaries in certain areas, which is why it’s important to give these characters more attention than a passing fancy.

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Generals in Fiction: The Biggest, Shiniest Targets

I think this is another character type that gets overlooked or done with minor attention to anything other than the role.  Any genres that touch on there being a military force will note that there are generals.  Might not be much of a hierarchy beyond them, but you have military leaders.  They typically fall into these categories:

  1. Evil general who is trying to turn the kingdom into a military state.  Sometimes they’re being tricked into doing so by another villain.  Other times, they simply think the leader is weak and strength is needed.  We’re talking full authoritarian here.
  2. Loyal general who stands beside the leader through every event.  They will act as adviser and many times sacrifice themselves over the course of the story.  This is the total opposite of the first example.
  3. Mentor for the hero who either trains them at the start or does so at a midpoint.  A general is seen as someone with experience and discipline, which is what they are passing on to the hero.  This also establishes a neutral hero as having taken a side in some fashion and connects them to the ‘good’ kingdom.
  4. An arrogant adversary for the hero who will inevitably be killed in a battle.  Again, we see a polar opposite of the mentor here.
  5. Fodder tossed onto the battle as either an ally or enemy.  There’s nothing to them beyond being a superior warrior who the other soldiers listen to.  Sometimes it’s not even clear they’re the general other than they’re giving orders.

Those are very broad, so you can say that any character could fall into those if you stretch things enough.  The difference here is that generals tend to be thrown into these categories with nothing else given to them.  Authors don’t typically give them depth unless they’re the main character, but that’s rare.  So, they are relegated to these roles that are exclusively secondary and tertiary.  Kind of a shame even though it makes senses.

The challenge with a general is that one doesn’t start out that way.  You need to work your way up to that rank, which takes years.  If that isn’t the main story then it’s going to be a slow and boring slog to the fun part.  Even if you start with the hero having the rank, there’s a risk of boring.  Generals are experienced and skilled, so they won’t be learning as they go like other heroes.  They can handle most combat situations in a way that blocks tension from being fostered.  You have a lower chance of mistakes or them facing a new situation.  It’s why many authors gravitate towards novice warriors and inexperienced youths.  These are characters that readers can relate to because they are learning about the world and how to grow as well.

Of course, you can always take a general who has lost his army and position.  The former general is a common mentor and villain.  Many times they’ve become bitter and depressed, so they join for a last bit of glory.  Maybe the hero has a spark that they remember possessing and they want to see if they can keep it alive.  I’m on the fence about this because it doesn’t really work off the general concept.  It would be like any other previous career that brings in experience, skills, and history, but might not have the biggest story impact.  Not when compared to a figure active in that role.

I’ll be touching on what I consider the 2 types of generals later this week.  For now, I’m going to open the floor.  What do people think of generals or any military leaders being used in fiction, especially fantasy?

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Check This Out: Big Bear and Little Fish

I’m so glad to welcome back to the blog the amazing Sandra Nickel, who is here to talk about her latest picture book, Big Bear and Little Fish. It …

Check This Out: Big Bear and Little Fish
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How to Use Prologues, Part 7, Unexpected Clues

Image courtesy of Tumisu via Pixabay Hi SErs! It’s a day of Harmony here at Story Empire 🙂 Today, I’d like to talk about Unexpected Clues in a …

How to Use Prologues, Part 7, Unexpected Clues
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The Tall, Long-Necked Ratites

Originally, I was going to do a post for each one, but I found that the subspecies all looked the same.  That was becoming an issue for previous posts where I didn’t know if I had the right subspecies.  So, I decided to simply make a big post about 4 of the 5 ratites.  One gets its own post next Sunday.

A ratite is usually a tall, long-necked flightless bird with the exception of the one we’ll see another day.  I’m sure someone will spoil it in the comments.  Anyway, this group includes the following animals:

  • Ostrich
  • Emu
  • Rhea
  • Cassowary
  • Moa (Extinct)
  • Elephant Bird (Extinct)

Early humans hunted the last two into extinction, so we only have skeletons.  This means we’ll stick to the four living ones.

Rhea, Emu, and Ostrich have all been sources of food and clothing decorations.  They have also been raised on farms to make sure they don’t go extinct.  Feathers have been popular decorations for centuries and their hide has been used to make leather.  Eggs have been used for food, water bowls, and art.  Their meat is fairly popular too.  I’ve actually had that and it’s surprisingly light.  Standing out, the Emu is also raised to make oil from their fat, which is used for medicine.

A few populations of the previous 3 are considered endangered, but they are not considered such as a whole.  Emus seem to have a history of being rather hardy and plentiful to the point where there was even a war.  In late 1932, the Australian government ‘declared war’ on a large Emu population and took military action.  The birds were destroying crops because of their large numbers.  Hard to sum the whole thing up, so check up the Wikipedia page.

You’ll notice that I haven’t mentioned one of the ratites.  The cassowary differs from the others in many ways.  First, it prefers jungles to open plains like the others.  They are also considered ‘the most dangerous bird’ because they are capable of killing dogs and humans if provoked.  Their weapons are the claws on their three-toed feet with the middle one being a 5 inch dagger.  The cassowary is considered endangered.

Let’s get to the pictures and videos then.

Ostrich

Emu

Rhea

Cassowary

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Goal Post: Toiling Away and Drama

Well, two weeks of the school year are done.  Where should we start here?

Work was fun and went smoothly.  Being in the life skills program always makes my day go quickly.  I end it feeling good and looking forward to the next day.  I’m still trying to get used to waking up at 5:30 AM and moving, which has unsettled my stomach twice.  The post-nasal drip didn’t help.  Neither does the anxiety issues, but those are stemming from something else.  That’s probably a good thing since most of my day is spent at work and it’s where I can emotionally relax.  Absolutely no anxiety issues there.

The issue is outside work and I’m not sure how to subtly get into that.  The best I can say is that it was a very difficult and heated week.  Lines were crossed along with refusals to fully acknowledge damage that had been done.  You could hear at least one heart start to break among the tears, which didn’t seem to have an effect on some people.  My patience and temper were pushed to their limits.  Got a bad feeling that this is going to continue for a while too.  I’m feeling helpless because I don’t know what I can do, but I feel like I’m being pushed into a corner.  Not a good place to be because that can result in having to take big actions to solve the problem.  Really hoping things can get smoothed out, but this week felt like it was full of tension and narcissism.  That should cover the yuck in a way.

Writing wasn’t a big thing this week.  I got the rest of 2022’s Thursdays handled and most of the Tuesdays.  I want to do a Four Horsemen of Author Doom thing in December, but I don’t know if I want it to be poems, Questions 3, or a full post.  Leaning towards the second option to let people talk about them.  Started in on the November posts too, but I had busier evenings than I expected.

The chaos also made it difficult to tackle Darwin & the Avenging Elf, but I got 2 sections in there.  I’ll probably get the rest of this chapter done tomorrow.  That leaves me with 3 chapters and 10 sections to go, which would normally take me 4 days.  I’ll try to get two done this coming week and bring it down to 3 days, but I’m really thinking this is going to be something I finish in October.  Not a big fan of that because I don’t think I’m remembering the details as well as I expected.  It doesn’t help that I’m in the build up to the final battle, which has plenty of tricks and revelations.  On the plus side, a plot point that I wasn’t comfortable with fixed itself as I wrote.  On the negative side, I’m still feeling like a fraud because the sections are averaging 3.5-5 pages while they used to be 7-9.  I guess War of Nytefall had this too and it’s a sign that I’ve tightening up my writing style instead of going off tangents.  I hope.

You may have noticed that I said I won’t be writing today.  Well, I don’t have my son, but I’m helping out at my school.  It’s homecoming and they needed supervisors.  This is a beginning of the school year event that revolves around the sports teams, athletic awards, and showcasing the school clubs.  It’s a community building event, which hasn’t happened since covid started.  Usually, I have my son around this time and can’t help, but now I can.  So, I’ll be there for as long as they need me.  I’m actually getting ready and heading out as soon as I finish writing up this post.

Of course, this means I might be out in the sun and heat all day.  I’ll be coming home to needing food, a shower, and rest.  Writing won’t be an option, so it will be watching more of ‘Cobra Kai’ season 5 until I fall asleep.  Really like the show, but I kind of miss when it was focusing almost entirely on Johnny.  It’s definitely about him and Russo now with both of them being protagonists.  Maybe it’s that the episodes are 35-40 minutes long with a ton of characters to juggle.  With that view, they’re doing a great job highlighting and moving all of the storylines along.

So, what’s the goals of next week?

  1. Work as usual
  2. Help son with homework
  3. Handle drama that pops up
  4. Writing Darwin & the Avenging Elf
  5. Prepare more November blog posts
  6. Decide on if I keep the December post about ‘fixing’ established franchises.
  7. Struggle with this Mandalorian puzzle, which I’m sure is missing at least one piece.
  8. Start watching the newest season of ‘What We Do in the Shadows’ after finishing ‘Cobra Kai’.
  9. Today only: Help with homecoming
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When Heroes Have Violent and ‘Evil’ Powers

Ripper from Black Clover

The character on the right is called the Jack the Ripper.  For some reason, anime keeps using the moniker.  Usually for bad guys, but this time it’s for a good guy.  Name aside, I found something odd about him when he showed up in the anime.  He uses ‘Severing Magic’, which slashes at his targets . . . That’s fairly violent.  He’s on the hero side as well even though he’s a third tier supporting.  Strange?

Typically, a violent or ‘evil’ power is given to either a villain or an antihero.  Ripper would fall into the latter category since he’s bloodthirsty, but has a sense of justice.  Other examples would be Spawn and Hellboy with demonic powers.  The list gets really long and you’ll find that they’re primarily antiheroes with similar personalities:

  • Gruff demeanor
  • Loner
  • Dark or nonexistent sense of humor
  • Brooding
  • Few and limited relationships
  • Traumatic past

There are outliers, but that’s what you normally see.  Ripper actually stands out a bit because he’s a loud personality.  He’s not so much a loner and doesn’t brood, but does threaten even his allies with death.  It’s unclear if he’s serious though.  This might be why his use of a very lethal and violent power caught my attention.  His personality didn’t match the ‘evil’ of his abilities when compared to what I was used to.  It made the contrast even more apparent because he was almost friendly in a way that reminded me a little of the Joker.  Yet, again, he was a hero and respected one from what I could tell.

It makes me curious about these ‘evil’ powers and the personalities of those who wield them.  Does having them mean that the character has to be dark and an antihero?  I guess it could be if the power is something that forces them to be isolated.  That could be what creates a darker personality, which means the character’s mindset is dictated primarily by their abilities.  It could also be that their darker personality is what attracted the power, which gives you the opposite.  Either way, you have darkness creating another aspect of darkness here.  It’s done without any thought to there being alternatives.

One could argue that ‘evil’ is in the eye of the beholder too.  A power is neutral and only goes to one side if the user makes it so.  If a hero and a villain have the same power then they’ll use it differently because their objects are different.  For example, a telekinetic hero would catch and gently place a falling person on the ground.  A villain with that power may throw them into the atmosphere or tear them in half.  Same power with the same limits, but different uses.  Even something with a lethal name like ‘Severing Magic’ could be used in a heroic way.  The name certainly throws one off, but it’s possible if the user has a less aggressive personality than Ripper.

Personally, I’ve had a character on the backburner for a long time who falls into this category.  He has blood-based powers, which wasn’t that common when I first came up with him in 2001.  I’m talking able to turn his blood into weapons, armor, wings, and other uses.  It was gross and felt ‘evil’ on the surface due to the horror-like imagery.  I wanted to counter this with a personality that was friendly, naïve, and almost child-like during all of this character’s incarnations.  This isn’t what caused the problem, but I think of him every time I see a dark antihero with a violent power.  Makes me wonder if I was fighting against myself because he didn’t fit the tradition.  Not that I would change him, but I get curious about how a happy character with horror powers would be accepted in general.

So, what do you think about this odd and niche topic?

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Write What You’re Passionate About

Hi, SEers. You’re with Mae today. I hope you’ll forgive me while I ramble. As writers we’re lucky we get to do something we enjoy—creating stories. …

Write What You’re Passionate About
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