What Is a Power Catalyst?

Goku Turning Super Saiyan

Fiction that incorporates magic and powers tend to use a ‘power catalyst’.  This is something that is needed to trigger an ability.  I’ll go into the categories on Wednesday, so today is just an overview.  Mostly because I keep thinking of new ones to add to the list, so that needs its own day.

I think we’ve seen power catalysts in action a lot over the years.  It’s to the point where we don’t think much about them.  They’re a means to an end whether it be casting a spell or gaining a superpower.  Some can be repeated while others are a one time event.  The latter tends to be more impactful on a story, but I still don’t think we strongly consider how such a tool is handled.  Are authors really that careful about choosing the power catalyst in their story?

You can’t really talk in generalities here because every author is different.  Plotters will be meticulous in their choices of power catalysts.  Pantsers might be more flippant with their choices and work around whatever shows up as they write.  This is probably because the most common catalysts are instinctive.  Take Goku turning Super Saiyan for the fist time up there.  An epic event in anime history, but it happened because he got angry . . . like the Incredible Hulk.  The idea that a power boost or change comes from rage is fairly rudimentary even though it works so well.  Any type of author might choose that out of simplicity or instinct.

You can’t really work without a power catalyst either.  There’s usually some kind of energy or cause for things to happen.  I think this is a necessity to explain any powers that go far beyond human capabilities.  If you don’t do this then it might come off as random and not very thought out.  Kind of like when kids are playing a game and the one who made it up keeps changing the rules to make sure they win.  That’s what I think of when I imagine any character who has a power without good reason and they keep gaining strength in the same manner.  I’ve watched anime and books where this happens with villains who simply return stronger than before with no explanation.  It’s to keep the story going, but it ends up reducing the tension because there’s no catalyst for gaining power beyond being away from the audience.

Personally, I don’t think my power catalysts through unless they’re an initial trigger.  I never made a solid plan of how Luke Callindor would gain abilities in Legends of Windemere other than what they would be.  I went through a lot of different ideas that were based off the game until I stumbled onto the final plan.  Clyde in War of Nytefall was different in that I needed a special event in the beginning to explain why he is so powerful and unique.  An accident was the best way to go because he wasn’t trying to change into a more powerful being.  Just kind of happened and he decided to make the best of it, which happens a lot in fiction.

So, what do you think about power catalysts even if you don’t use them in your stories?

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Writers Self-Care ~ Taking Time Off

Hey, SE Readers. Joan with you today. In my last post, I talked of a new series this year on self-care for writers. We often become so focused on our…

Writers Self-Care ~ Taking Time Off
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World Cancer Day

I was looking for a holiday to showcase today since I need to figure out more animals to do posts on.  Kept coming back to this one.  I’ve known a lot of cancer survivors and those who couldn’t beat it.  I think we’ve become so used to cancer being a thing that we don’t think much about it unless it affects us directly.  Humans really do have a habit of letting terrible things become normal and part of the background of our lives.  Anyway, I’m not going to post jokes about this.  There are so many sites for information and support that I couldn’t figure out where to even start.  So, what to do?

Maybe just take a few minutes today to think about those who are fighting cancer, have defeated cancer, and lost someone to cancer.  Just make sure we don’t let this category of diseases stay lurking in the shadows of our world all the time.  Yeah, this is probably fairly lame and pathetic, but I don’t know what to do with this type of stuff.  Just feel like bringing attention to it.

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Goal Post: I’ll Share What I Can

This week was brutal . . . Let me example.

First, I think it’s okay to say a little on the ‘life event’.  Mostly because the legal stuff is over and I’m going to remain neutral.  You see, the custody schedule for my son changed this week.  I won’t say how, but it’s been rough on him.  Some days he’s used to being with one parent are now with the other and he will spend more time away from each of us at a time than before.  Needless to say, he’s been lashing out and I’ve had a preoccupation with his mental health.  His grades aren’t slipping and he’s getting his work done, but the stress is certainly there.  I’m glad we have a break coming up soon and I have him next weekend, which will include a visit from his 3-year-old cousin.  Fingers crossed that things smooth out.

The other upheaval is that my work assignment changed.  For a variety of reasons, I was moved to a different special education class.  Previously, I was put with the students who were able to go into the community to work.  You could hold long conversations with them and reason them out of issues.  Now, I’m with those who are learning to reach that level and I haven’t worked with students like this before.  I’m figuring stuff out as I go, but my body is aching because it’s a lot more active and physical.  This was a shock too, so I’m still trying to wrap my head around everything.  My evenings ended early to allow my body to get extra healing time with sleep or because calming my son down took what little energy I had out of me.  This will be my life for a while.

Sadly, I couldn’t get to Darwin & the Fate Bracelet editing.  My free periods were either getting ready for work (I have 1st off) or eating lunch while recovering (6th).  I couldn’t get myself to focus at night since I had a heating pad on.  I’m hoping to get through at least 2 chapters this weekend.  Maybe next week will give me chances to edit on the nights I don’t have my son.  This is frustrating because I was making good time and had a great plan for getting it done before this weekend.  Then, everything feel apart and I’ve had to scramble to rearrange my life.

One victory I had was finishing a puzzle and this cleared a stack.  Check out the slideshow below:

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Finished the blog posts for March too, so I’m starting in on April.  This is something I can do a bit on the nights that I can’t write or edit.  Good thing I’m not trying to tackle Darwin & the Joy Path because that would suffer terribly.  Maybe I’ll start that up over the summer and just edit for the rest of winter and all of spring.  Will give me a good overview of the series so far.  Anything to keep me imagination from evaporating completely.  It’s already difficult to conjure the creative thoughts like I used to, which is worrisome.

My assignment change also means I’m not going out in the community, so my two days to buy lunch are gone.  I have to bring and chopped salad 5 days a week won’t do.  The amount I make can only last 3 days anyway, which covers Monday, Wednesday, and Friday.  What about Tuesday and Thursday?  Well . . .

I bought a small rice cooker, which can make 2-4 portions of rice.  Has a steamer for veggies as well.  Gave it a test run and tried making rice bowls for work.  I went too far with the additions on Tuesday, which included tofu, roasted corn, sugar snap peas, and pickled ginger in a honey teriyaki sauce.  The rice was clumped and hard too.  I did better on Thursday by removing the sugar snap peas and heating the rice at home with two ice cubes.  They didn’t completely melt in the microwave, but they slowly did while the container sat in my lunch bag.  Most of the rice was good after that, but I might try three next week.  Tofu will be the main protein and I’ll just switch around the veggies with edamame being the next one.  Not sure what else can work.  Might try rice balls with something inside too.

This weekend is about editing and finishing the first season of ‘Highlander’.  Not sure what to watch after that though.  Maybe a short anime before tackling season 2.  The rest of the week is filled with appointments, work, and Pokémon Go events.  I promised my son that we will do as much as we can with Pokémon, so that’s what I’m going to do.  Might do some editing while he’s working on his own stuff though.  I know, my life is so exciting and riveting.

Goals of the week:

  1. Edit Darwin & the Fate Bracelet.
  2. Take care of my son.
  3. Rest when I can.
  4. Start a new puzzle.
  5. Finish ‘Highlander’.
  6. Handle work stuff as best as I can.
  7. Work on April posts if possible.
  8. Improve salad and rice bowl making abilities.
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Happy Groundhog Day . . . Unless He Says More Winter

Never really understood how this holiday keeps going.  Then again, it makes more sense than Daylight Savings Time.  Less destructive on the body too.  Enjoy the funnies and let’s hope the varmint doesn’t curse us.

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Groundhog’s Day

Hi, gang. Craig with you again, and I hope to have a bit of fun today. You might consider this bit of fun as a character building exercise. I’m on …

Groundhog’s Day
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Poetry Day: Human Hyena

Harley and her Hyenas

(I think we all know a person like this.  Maybe some of us have gone through a phase where we were this person.)

Hurling nasty barbs

At all that you find silly

Your goal is laughter

But only from your throat

You ignore every request

For apologies or silence

You claim it is your charm

To mock what they enjoy

Their rage brings out your smile

Putting edges on your giggles

They simply miss your humor

Which is far above their head

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Best of 2023 #1: 7 Tips to Writing Teenage Protagonists

(Originally posted on January 6, 2023. So, more than half the year, my posts were essentially duds.)

TMNT

This is going to be tougher than I expected.  After all, I haven’t been a teenager in decades, so I’m kind of out of touch.  Even at work, I realize that teenagers of today aren’t like the ones when I was growing up in the 90’s.  So, let’s get to it and see how lame these tips are going to be.

  1. If you are writing a story that takes place in modern days, you really should research teenagers.  The workaround of having your protagonist not be into the same stuff as their peers while loving ‘vintage’ things can only go so far.  It’s pretty lazy and can cause some story issues, especially if you don’t want them to be a social outcast.  Just try to find out what teenagers are into in terms of pop culture, clothing, and slang to make the character seem more real.
  2. Try very hard to avoid making your teenager as mature and wise as an adult.  We tend to forget this mistake when we get in the zone, especially at first.  Once the character is locked into our minds, we are less likely to have them act beyond their years.  Still, an author can forget that a teenager is prone to making bad decisions from time to time.  They are in a big learning stage of life here, so they shouldn’t be perfect.
  3. Not every teenager has an interest in romance.  Even if they want to be with someone, they won’t necessarily be making that a fixation.  Some teenagers are more interested in friends, a job, classes, and their future in general.  Hormones do play a factor, but it doesn’t mean every teenager is a lustful horndog.
  4. Emotions are not always stable or perfect for the situation.  Teenagers can get frustrated, excited, depressed, and other extremes more easily than most adults.  So, you can have them overreact to certain stimuli.  For example, they may get loud and celebratory when they achieve a goal that seems minor to an adult like getting a B+ or parallel parking successfully.  You have to think like a teenager and have them react accordingly.  Not all the time, but enough to make sure the reader doesn’t think they’re really reading about an adult who is lurking in a high school.
  5. If you are writing about teenagers in other historical eras, you need to do your research.  It’s the same as #1, but you can’t talk to a teenager from that period.  You need to read up on things.  They will always have different skills, world views, and experiences than modern teens.  After all, child labor and marrying young being legal weren’t as far in the past as we’d like to think.
  6. Teenagers in fictional worlds can be seen as more malleable than those of Earth.  You have to make everything from scratch there.  An author can even have them act more mature than one would expect from that age.  Maybe they’ve seen enough death and horrors to erase their innocence.  This does mean you’re working with a traumatized teenager though, so looking up mental health in that age range should be done.  One thing that is always true is that teenagers always have some level of immaturity even if it rarely turns up.
  7. GROWTH!  I saved the big one for last.  Teenagers are in a stage where they are rapidly growing.  Not only physically, but emotionally, socially, and mentally.  More so than adults, they need to change as the story progresses.  It can be in leaps and bounds or oozing ahead, but they cannot go back to their original form.  This is because people see teenage protagonists as symbols of maturation.  If they don’t grow then they failed and there goes the connection.
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Mindset: The Stubborn Elephant vs. Writer

If you missed the first post in this series, you can find it here. Writing a novel is a huge commitment. It takes time and consistency and …

Mindset: The Stubborn Elephant vs. Writer
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‘Do I Need to Use a Dragon?’ Available on Amazon!

Cover by Alison Hunt

This was the big and only release of last year.  Do I Need to Use a Dragon? was a challenge in that it wasn’t really fiction.  It was all about me trying to write a ‘how to’ book, which several people suggested.  Took me a few years to finish it since doubt kept rearing its head.  Pretty sure there are those who think I have no reason to write this book too, but time cannot be reversed.  This book is out there for people to peruse and see if it answers any of their writing questions.  Here’s an excerpt to end the promo month.

*****

Do I Have to Go Medieval?

The original question I was asked was ‘Do I have to use England’ and I was taken aback by it the first time. It never crossed my mind that most fantasy stories take place in a medieval Europe setting. Shows how aware of my literary surroundings I am. The real meaning of this question is about the classical setting of fantasy.

When you think of the genre, you imagine robed wizards, hills rolling into forests, towering castles, roaring dragons, and knights in disturbingly shiny armor. Seriously, what kind of polish do they have in some of these fictional worlds? This setting standard has been around for decades, if not centuries, and many people feel that this is the only way to write fantasy. Before you ask, urban settings get a pass by these gatekeepers as a subgenre, but many will turn up their nose at a non-Earth fantasy book that refuses to imitate Camelot at some point. Thankfully, they are a minority, but this brings up a secondary question:

WHAT IS FANTASY?

Hands down. You’re all wrong and you’re all right. Fantasy is a really wonky genre at times because there are so many varieties. Fans will grab their favorite version and act like that’s the epitome of the style. You have adventure, political, social commentary, urban, dark, romantic, magical technology, post-apocalyptic, and so many more subgenres that can cause some friction among fantasy readers. Every part of a story can be criticized depending on a reader’s personal definition and taste of the genre.

People who want a highly political fantasy adventure or one with minimal magic don’t like Legends of Windemere because my stories are adventures with magic everywhere. This doesn’t mean I wrote something terrible or they have no taste in stories. It simply means that while I am a fantasy author and they are a fantasy reader, we aren’t on the same subgenre wavelength. Nothing you can do about it because personal taste is filled with nuance and individuality. Just write your story, hope a reader gives you a fair chance, and prepare to get drawn into one of the many genre debates.

Over the years, I’ve run into many bizarre arguments where I haven’t always been civil because I can get passionate. We all have this issue, so it takes a lot of willpower to remain calm when discussing how a fantasy world works. I’ll be touching on the larger areas in detail throughout this section of the book, but we can do an overview here.

The important thing to realize is that fantasy is very fluid and may be one of the most imaginative genres because you don’t have to work with reality. Earth isn’t necessary. Humans aren’t necessary. Nothing from our world is necessary. You may need a few familiar objects for readers to connect to, but this can be done working under your own rules. The trick is to establish those rules early on because readers will need something to hook them and carry them to when the story really kicks off.

One could say that fantasy is run by guidelines once you step out of the writing mechanics area such as grammar and story structure. This is why you can stumble into a debate about if magic is required for a fantasy story or what level such a thing should be at. People argue over if ‘real’ fantasy has politics or quest-based adventures because the loose guidelines can work with both. I feel the genre is driven primarily by the setting and characters who carry whatever story you give them. Guess you could say this about any genre, but I always sense it’s more so for fantasy. People really take these stories so seriously that fandoms will feud and authors will get drawn into the middle at times. Best you can do is decide on your own definition and set a polite example. That or shout about how such puny mortal discussions are beneath the attention of a god who is in the middle of crafting more of his world. I’m sure that wouldn’t backfire.

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