Jung’s Archetypes: Brief Overview

This coming week, I’m going to make three posts about Carl Jung’s Archetypes.  I will be taking the 12 and discussing them under the 3 categories of Ego, Soul, and Self.  Now . . . I think I missed something.  Oh yeah!  People might not have any idea what this is, especially since I can’t call myself even close to an expert.  I really stumbled onto this and remembered hearing a little during my psychology classes in college.  That’s why I’m doing this post to help people get an idea of what I’m going to discuss on Monday, Wednesday, and Friday.

First, this site has a great amount of information and I will be using it to help me formulate my posts.

I’m going to talk about how these archetypes help with writing characters, which brings up the idea that understanding psychology can aid fiction authors.  This sounds like a no-brainer, but not everyone thinks this.  The more you understand the human mind, the more varied and deep your characters will be.  It doesn’t have to be a thorough understanding, but learn enough to prevent yourself from birthing only two-dimensional beings.  Carl Jung’s archetypes alone can be very helpful, which is why I’m going to do my best to introduce them throughout the week.

Archetypes are originals, typical examples, or recurrent themes that can be identified, but we’re going to look at the second one more.  Jung found 12 archetypes that cover the full range of human motivations and everyone has a dominant.  He believed that the psyche can be defined by these and the 12 have been analyzed to great extent.  Each one has a weakness, strength, something they seek, fears, and talents much like how we look at zodiac signs.  There are various divisions for the archetypes as well, but I’ve seen two very common ones:

  1. Ego, Self, and Soul is one of them, which I will touch on throughout the week.  The 4 in each category share the same focus in what to fuel.  It’s very similar on the surface to Id, Ego, and Super Ego, which shows the connection between Jung and Freud as you see in the picture above.
  2. The other is 4 orientations that focus on what the archetypes desire.  They either seek to leave a mark on the world, provide structure, connect to others, or seek utter freedom.  You can already tell how this can be used to forge characters both good and evil.

Going back to the point about each person having a dominant archetype, this doesn’t mean that you only use one for a character.  They can have multiple ones with a single being at the core.  This gives them multiple facets and the person may even change as they progress through the story.  It is for this reason that an author using Jung’s work to help in their writing needs to understand and look into all of the categories.  Cherry-picking here will prevent you from getting the full picture and leave out some very valuable pieces of the human psyche.  We might not like all 12 archetypes, but that might be because there are those that are opposite of our own personality.  This is when we have to step out of our heads and be neutral.

What are the 12 Archetypes?  (Ego 1-4, Soul 5-8, Self 9-12)

  1. The Innocent
  2. The Everyman
  3. The Hero
  4. The Caregiver
  5. The Explorer
  6. The Rebel
  7. The Lover
  8. The Creator/Artist (All of us probably know this one to some extent.)
  9. The Jester
  10. The Sage
  11. The Magician
  12. The Ruler

As I look over these, I can see that they are fairly basic and straightforward at times.  Each one has a motto that I’m going to share since they’re very clear.  The bluntness of some of these makes it clear why you need to mix them up.  If someone was solely a Ruler who believes in power then that’s a bland villain.  Combine a Ruler with a Caregiver to get a benevolent leader.  There does seem to be polar opposites here at times and they show how the human psyche is designed to be balanced.  You need one archetype to temper another even if it’s not as pronounced.

Well, this is only an overview to get people ready.  I don’t want to go into too many details and leave myself nothing for the week.  Hope people check out that site, which I’m going to mention again HERE.

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9 Ways To Market Your Book With No Money

Nicholas C. Rossis's avatarNicholas C. Rossis

This is a guest post by Kurt Walker. Kurt is a digital marketer and a college paper help writer at Easyessay.org. Besides that, Kurt is a guest blogger at AustralianWritings, UK.bestessays.com, and Superior Paper writing service. Kurt specializes in email and social media marketing. He is the father of three kids and a passionate New York Knicks fan.

Books | From the blog of Nicholas C. Rossis, author of science fiction, the Pearseus epic fantasy series and children's books

9 Ways To Market Your Book With No Money

While publishing has never been easier, selling one has never been harder, especially for independent authors who have to rely on their own skills and professional networks. A report claims that 2.2 million new titles are published worldwide each year, so you definitely have a lot of competitors to deal with.

The situation gets even more difficult for authors who want to promote their works on a shoestring budget. It’s a very tricky situation, but don’t fall into despair…

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Goal Post: Notes from the Comedy of Errors Weekend

Last weekend, I could have feasibly written 9 chapter sections since I had three days to work.  Minus one for helping a friend and another for a gathering, so I should have been able to get 6 down.  I only wrote 3 . . . What went wrong?

Saturday–  I wrote in the morning and went to help my friend with some packing.  This involved a lot of old things and the dust was flying.  I returned home with a bad cough, so I was chugging tea to clear my throat.  The night did look promising, but I never start writing until I do the phone call with my son.  It was almost 9 PM when I heard from him, so there went that night.

Sunday–  Wrote in the morning and hoped to do some more before heading out.  It didn’t happen because I got stuck with errands and that cough came back a bit.  Had fun at my friend’s and headed home thinking I had Monday for a full day of writing . . . Oh, what a fool I was?

Monday–  WTF!?  My television died!  You might think this is a godsend, but I have a 1o-year-old.  He isn’t going to agree that it being dead is good because daddy can get more writing done.  So, I spent the morning hunting for a new one.  $500 later, I have a new Smart TV that I tinkered with for a few hours.  Got some writing done afterwards, but I ended up having to rush through several other things.  This resulted in me getting locked out of my house.  Thankfully, my neighbors have a spare key and I got back in, but I was off to my son’s martial arts class to say hi.  No writing at night because I had to pick my parents up and there was an . . . issue with the ex-wife.

That was that and the week commenced.  I had a lot of fun at work, but Friday was rather crazy.  Had to stay behind from a field trip, which I understood.  This had me covering classes left and right, so I wasn’t bored.  That’s really all I’ve got as far as work/school goes.  I’m 15 days away from being able to hand in paperwork to become a TA Level III, which is cool.  Kind of slowing a bit because I’ve had so much on my plate, but I can’t do much else until next year.

Let’s see . . . I’m looking at a February release for War of Nytefall: Eradication, so my 2’s of fans should be happy.  I added a few more Clyde necklace mentions in the book, but I noticed that I kind of stopped halfway through.  He’s still wearing it, but I couldn’t find any easy spots to make note of it.  Need to work on a blurb too, which might be in December since I’m having trouble figuring one out.  Been so long since I wrote one, so I’m a little stumped.  Want to keep my ‘opening hook, 3-4 sentences of plot, and closing question/hook’ setup though.

Not sure what else to talk about here.  I’ve been looking more at my superhero stuff, which I might make a Sunday post again soon.  Need to get all of that together and figure out what goes under the umbrella.  Does it make sense that I’m putting them and my alien bounty hunter in Windemere?  Superheroes are everywhere, so I think having them operating in a fantasy world would be a unique twist.  I’d use them to flush out one of the other continents like Legends did for Ralian and Sin will do for Cerascent.  Not much happens on Canst’s Fields beyond ‘Ruins of the Zodiac Gods’, so I need to do something there.  Maybe categorizing books and talking about them when I need a Sunday post will work for a bit before I give them individual posts next year.

Okay, I’ve done enough rambling.  I have my son this weekend, but I might be able to get a little writing done.  He has activities this morning, which gives me 2 hours to get something started.  My sister is visiting too, so she wants to have an outing with him and that can give me the afternoon.  Nighttime may help as well, especially since I’m out of television stuff to watch for now.  This can make next weekend when I already have an appointment and a gathering easier to handle.  Will I finish 10 of the 20 chapters before 2020?  Doubt it, but I may be close.

Going back to the television thing, I finished ‘Wynona Earp’ and have been searching Netflix and Prime for something else.  Got another season of ‘Glow’ left, but I’m not feeling like I’m in the mood for it right now.  Looking at ‘Altered Carbon’, ‘Haven’, ‘Man in the High Castle’, ‘iZombie’ and ‘Carnival Row’.  Got ‘The Witcher’ coming in late December, but that’s a ways off.  Anybody watch any of those other shows or knowing anything fantasy/sci-fi that’s worth watching?

Goals of the week:

  1. Finish Chapter 4 of Eradication.
  2. Tinker a little with my series/book list.
  3. Tinker with the fantasy tip book.  This is taking a lot longer than I expected.
  4. Get stuff ready to cook a dish for school Thanksgiving Feast.
  5. Play video games with the munchkin, but not too much.
  6. Read more ‘Cardcaptor Sakura’ . . . Don’t judge me!
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The Infamous Retelling of An Old Story (7 Tips!)

The meme is right, but I’m going to talk about retellings more than remakes.  Is there a difference?  At first glance, I thought there wasn’t.  Then I considered the nuances a bit more and realized it was subtle.  A remake/reboot is when an idea is totally overhauled almost to the point where it’s only related to the original by a few scraps.  These are left to retain the minimal level of connection for nostalgia purposes.  Retelling is when much of the original is kept, but is changed to suit the new narrative.  Perhaps the perspective is being done from the villain’s side or it changes the time period.  The audience can still identify many similarities while getting a sense of new.  Not an easy thing to pull off, so what are some thing to do?

That’s right . . . I’m going back to the post title and making this a 7 list.  Mostly because my brain keeps going into that layout.  Damn thing has gotten bossier ever since I cut back on the rum and vodka.

  1. Read the original and as many retellings as you can.  Do not go in with only a general idea of the source material.  You might think that knowing too much many influence your own take too much.  I’d say that isn’t as possible as being ignorant and botching the delicate union of new and old.  You may find some unique angles in the plot that haven’t been explored or discover minor characters that can be flushed out.  There’s no telling what might happen, but at least you will know enough of the past to show it the respect it deserves.
  2. Do NOT badmouth the source material and act like it’s an inferior product that should be honored by your attention.  Seriously, I’ve seen people do a retelling, remake, or reboot then spit on the original.  This makes you come across as an asshole who wants the built-in nostalgia and possible money of the original, but thinks very little of the fans and story.  Again, you need to demonstrate some respect unless upsetting people is part of your marketing scheme.  That’s entirely possible in this day and age.
  3. Ask yourself questions about the original.  This can lead to covering plot holes in your own version.  It may be something that other people are curious about, so you can help to give an analysis of the original.  With it being in your story, it won’t be true canon, but it fits into the fun of discussing stories.  These questions can be about characters, plot, setting, or anything that will help you build your retelling.
  4. Any major changes need to be thought out beforehand.  If you’re going to retell ‘The Little Mermaid’ and put it in a desert then you’re going to need to explain yourself.  It can’t be done on a whim since her being in the ocean is pretty central to being a mermaid.  Maybe they’re sand mermaids or live in an underground sea.  Just imagine this issue like you’re working with dominoes.  When you knock down one, a few more are going to go.
  5. Don’t be obsessed with originality to the point where you’re barely touching on the source material.  The goal is to tell a known story with a new twist instead of something entirely fresh.  If you’re that focused on being 100% original then retelling isn’t the genre for you.  Even if you’re hoping to get a foot in the door, you need to realize that there are major limits here.
  6. Please take notes.  Whether it be on the original or your ideas, this can really help you keep things on track.
  7. Accept that you will be compared to the original and other retellings.  Some people won’t like what you do.  This is the nature of the beast and some is better than everyone hating your work.  Don’t get into fights after publication.  You can explain why you made some decisions, but be respectful even in the face of venom.  Stepping into the arena of beloved stories means you’re going to make enemies, so the sooner you realize this, the easier it will be.
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The Horrific History of St. Albans Bible

Nicholas C. Rossis's avatarNicholas C. Rossis

You may remember Erik Kwakkel or Leiden University from earlier posts like A Fantasy Tip From History: Medieval Spam. Erik recently shared the incredible history of St. Albans Bible. I hope you enjoy it as much as I did!

A Horror Story

In 1964, the New York rare book dealer Philip Duschnes (d. 1970) bought and subsequently broke a splendid medieval Bible produced in early-fourteenth-century Paris.

St. Albans Bible | From the blog of Nicholas C. Rossis, author of science fiction, the Pearseus epic fantasy series and children's booksLeaf from the St Albans Bible auctioned at Christie’s on 10 July 2019 (now part of the McCarthy Collection). Source

Every page is adorned with exuberant decoration, usually with gold leaf. With so much beauty on each page, to Duschnes the manuscript must have seemed ideal for breaking and selling by the leaf. In 1965, he began offering individual leaves for sale in his catalogue 169, stating that others from the same manuscript were available. Cut to order.

Yikes!

Breaking a book

St. Albans Bible | From the blog of Nicholas C. Rossis, author of science fiction, the Pearseus epic fantasy series and children's booksSt…

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Derailing Bedlam: End of the Brakeless Line Part 1 #fiction #adventure

As usual, here is your warning that this story has cursing, sex (not graphic), innuendo, and violence.  It’s my Rated-R action adventure called Derailing Bedlam.  This is the fourth outing (third official) for Cassidy and Lloyd, so feel free to click on one of the two covers to see how it started.  Each one is 99 cents!

Cover by Jon Hunsinger

Cover Art by Jon Hunsinger

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Continue reading

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What is an Homage?

The picture above really does answer the question, but you would be surprised how often people don’t consider the possibility of an homage.  It might not be a common phrase, especially in these days of reboots where it’s more likely to be a copy.  Still, it is a thing and one that I’ve had to consider because of the following:

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On the left is the cover for the first ‘Castlevania’ video game.  On the left is the cover for my story Quest of the Brokenhearted.  I did research and talked with my cover artist about the concept of an homage.  The story is heavily inspired by those games and I wanted to do a tribute with the cover.  I asked what the limits were and we stuck to those, but I get someone calling me a copycat about twice a year.  People see the picture and jump right to the conclusion that I copied with the hope of not being found out.  It can be frustrating and frightening, especially when it’s a public call out.  You’re stuck deciding between responding, which is dangerous, or leaving it alone and coming off guilty.  I’ve yet to know exactly what to do, but I’m lucky that things have diffused.

So, what are some things to consider if you’re doing an homage?

  1. Check the limits of what you’re about to do.  Homage does come very close to plagiarism regardless of ‘imitation being the sincerest form of flattery’.  That really doesn’t save you from a lawsuit and Cease and Desist letters.  Research is important here and you may have to follow your instinct.  If you think something goes too far then don’t do it.
  2. Don’t hide that it’s an homage.  Dive into it and wear it as a badge.  I wouldn’t say it in the blurb, but mention it on social media.  If you do an interview to promote the book then slip that in there.  Talk about it before your creation is available.  Make sure it is out there that you were inspired by another work and this will make it easier to prove this is an homage.  As I said before, people are more inclined to jump to the plagiarism idea than consider an alternative.
  3. Do not confuse retelling with homage.  The latter is a work that acts as a tribute to a previous creation by way of nods and influence.  The former is taking that original creation and remaking it.  If you do this and try to say it is an homage then you have made a mistake.  People will hold you over the coals for it.
  4. If called out for plagiarism while you know it’s an homage and did your research, do not get nasty.  People make mistakes and they get defensive of stories and characters that they love.  They don’t want to see someone steal from their beloved tales.  You can ignore the comments, which may work.  It can also leave the accusation hanging for others to latch onto.  Responding may be easier if you’ve already done #2 because you can prove it is an homage.  Be polite even if facing insults.

What do you think of when you hear about an homage?  Have you ever done one or would you do one?

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Revisiting Legends: Timoran Wrath the Noble Barbarian #fantasy #adventure

Cover Art by Jason Pedersen

This might be a shorter post than the others.  Within the pages of Legends of Windemere, Timoran Wrath stands out at being the most stable character.  He doesn’t change much over the course of the adventure in terms of personality.  There is a major revelation of his past and evolution of his future, but he never suffers from doubt or wanders from his path.  Funny thing is that I never considered this a problem and would carry on like this is normal for a character.  He became the calm eye in the storm of bolder, more fluid personalities.  That was very different than the game.

Timoran has a unique growth when you include the Dungeons & Dragons game.  Unlike the other champions, he began as a Non-Player Character.  He was designed to guide us when we needed it and cover the brute force that our team lacked.  At the time, it was Luke Callindor, Nyx, and Sari who were all rather immature.  Timoran became the wise and noble big brother to them, which is how he remained in the book.  Eventually, a player was assigned to him and things went awry.  For some reason, the player focused on his drinking and made him a brutish booze hound.  For example, there was one point where we cleared Luke’s temple and the first thing Timoran did was run off to drink the rarest liquor in the ancient vault.  I decided not to include this evolution because it felt like a step back and only caused friction.

Through Timoran, I developed the barbarians of Windemere and went in a very different direction.  Typically, these are stupid characters who resort to violence for even the smallest problem.  That didn’t work with the wise and calm Timoran, so I made them powerful warrior philosophers.  They live in harsh terrains such as swamps and mountains with some tribes being more primal than others.  Yet, they all have honor instead of being bestial in their connections.  As for the rage that barbarians are known for, I had it that they have established control over it.  It’s like an internal fire that they can access for extra strength and durability.  All of them are born with this and they learn control at an early age to prevent accidents.  The truth is that unleashing their full theory is dangerous to everyone, including the barbarian.  All injuries are ignored and no caution is taken, so they can easily get themselves killed.  It’s considered a move of desperation that nobody comes back from.

Going back to the man himself, Timoran does stay in the background a lot.  I had him more of a listener during the group conversations and he’d only speak when he had something solid to say.  There wasn’t a lot of chitchat from him when important things were being discussed.  This fit his milder personality and I could easily imagine him taking in everyone’s thoughts before voicing his own opinion.  Unlike the other champions, I don’t think there was ever a time he was truly a jerk or made any big mistakes.  Even when his secret past was revealed, he spoke with respect and only lashed out once when he was provoked by a friend.  For those curious, read Tribe of the Snow Tiger and enjoy his time to shine.

I bounced around with Timoran’s core because I kept thinking he was too close to Delvin Cunningham at times.  Part of this was due to me not knowing what to do with the latter, so the former was being affected.  In the end, I realized that I had Timoran established from the beginning.  He is the symbol of loyalty because he never leaves his friends behind unless he is told to go ahead.  Since the cores give their champions power and affect the specific virtue of those around them, Timoran was the secret glue of the group.  Being around him, the others felt an increased loyalty for each other.  Keep in mind that it was there, but he hardened it against outside influences.  Since Timoran was always loyal and raised to be that way, he never dwindled in power.  He’s actually the only champion to avoid a dip because he never strayed from his path.  I believe this is pointed out in the last book, but it’s been a while.

So, that’s Timoran Wrath.  The series wouldn’t have gone as smoothly without his stability.  I couldn’t even break it when I tried, so that tells you something about his level of power.

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Diving Into Public Domain: The Pool Might Be Deepening

There’s going to be a few steps here because I’m sure people have questions.

What is Public Domain?

These are works that are no longer under copyrights because they have existed for a certain amount of time.  That’s a very basic way of explaining it.  I’ve found exceptions, but this is the general idea. Anyone can use these ideas as long as they take their own twist, which should be obvious.  I won’t go into the gritty details here.  The point is that works in the public domain are open to everyone and more works enter this field as time passes . . . At least they’re supposed to.

Why the Opening Shot at Disney?

I stumbled onto this when I was researching public domain for an idea that incorporated as many pre-existing characters as I could find.  The idea was junked because ‘Once Upon a Time’ and ‘Fables’ entered my radar.  Still, I was looking at lists of available characters and places only to find out about Disney being it’s usual greedy, evil self.  Sorry, people, but they are.

Originally, a person would have an idea for 28 years after publication and then they can renew for another 28 to give the creator 56 years.  Then, it enters public domain.  Steamboat Willie aka Mickey Mouse was going to enter public domain in 1984, so Disney set about lobbying Congress to extend the copyright years.  It worked and it went from 56 to 75 years, but not only for Mickey Mouse.  This meant for EVERYTHING!  Now, Mickey was set to enter public domain in 2003 and would be followed by Pluto (2005), Goofy (2007), and Donald Duck (2009). . . You will notice that they’re still owned entirely by Disney, so you can guess what happened.  Disney lobbied and upped the number again to 95 years.  Mickey’s number is up in 2023 and we haven’t seen any movement to save him yet.  More details can be found here.  My personal theory is that Disney no longer cares since it owns Marvel, Star Wars, Muppets, Simpsons, Aliens, Avatar, Die Hard, Fraggle Rock, Home Alone, Planet of the Apes, Pixar, and the first born child of anyone who has seen ‘Endgame’ more than twice in the theater.

Now, some people might be saying that it makes sense since they were simply defending their property.  Here’s a scenario though.  Say you’re in a crowded theater and a fire breaks out.  You want to save your child, which is natural.  Instead of trying to find a way to do it without hurting others, you pick your child up and rush out.  People are knocked away and you even kick other kids to the ground in the hopes of distracting their parents.  Once you reach the doors and get out, you close them and lock everyone else inside.  Kind of a rough analogy and it might be more intentional than Disney was.

You see, their desperate efforts to protect Mickey Mouse from being the plaything of artists everywhere prevented EVERYTHING ELSE from hitting public domain.  Not only movies, tv shows, and books too.  Not only music and art.  Scientific papers follow public domain rules, so older findings that current scientists would want to use for their experiments were blocked.  They don’t always have the money and would need to either find another way or hope that the copyright owners of the needed papers were willing to be generous.  Imagine the scientific delays that we’ve had because one company was terrified about losing the copyrights to a shirtless mouse.

FYI- January 2019 is the first time in 20 years that published works moved from copyright to public domain.

Anyway, that’s enough about Disney. I know I’ll ruffle feathers by criticizing them.  Let’s move on.

Should People use Public Domain?

I ask this because you see people complain about these characters and stories being used time and again.  How many Robin Hoods, Snow Whites, Sherlock Holmes, etc. can we see before we get bored?  The funny thing is that you see complaints until it’s done in a way that gets praise.  Taking ‘Sherlock Holmes’, I’ve seen tons of versions and many get eye-rolls.  Yet, the Robert Downy Jr. movies were beloved and the BBC series is iconic because they brought something new to the characters.  The former had him edgier than previous movie/show versions while the latter had him in modern times and socially problematic.  I think the versions of Watson helped here too.  My point is that they succeeded because they took a public domain idea and made it fresh.

In comparison, think about all the failed attempts at Peter Pan.  They’re always doing the same thing at the core and there’s never much of a variation.  So, it does feel like the same story always being told.  That’s the reason why public domain should still be used and not attacked immediately.  You never know when someone will take an old idea and doing something amazing with it.  Heck, Disney’s entire business plan is about taking pre-existing ideas and remaking them . . . That might be the last shot at them here.  I make no promises.

That’s only my warning to audiences.  For authors, I say go for it if you think you can do a fun twist to an old story.  The idea I talked about was called ‘The Fable King’ and it was about a person from Earth getting chosen to rule over a world of public domain characters.  He had to fix it because our world had created too many versions, so things had become chaotic.  I think I had Dr. Doolittle and Jane Eyre as his advisers.  I went everywhere with this idea and it really stuck out as something I could get to work, but I lost interest.  This will bring me to my finally question/entry:

What is the Most Important Thing About Using Public Domain?

This is a personal opinion, but I stand by it.  RESEARCH!  Make sure what you’re going to use is definitely public domain.  You might see a story or character being used a lot, but that doesn’t mean those people didn’t pay to do it.  Make sure you aren’t stepping into a legal issue.  I believe it was either Tarzan or Conan the Barbarian that I discovered wasn’t public domain for some reason when I was working on my old idea.  You also need to make sure that the twist you’re using hasn’t already been done.  While this might not get you sued, it can lead to you being called a plagiarist and losing whatever career you’ve established as an author.  Accidents do happen, but nobody will believe it.  Better safe than sorry and find a way to date your initial creation to protect yourself.  It’s weird that people battle over these public ideas, but they do.  The battling has gotten even worse since it’s been the same ideas being used with nothing new for retellers and revampers to sink their teeth into.  At least that dark period is over . . . Until anything from Marvel is about to come up and Disney shrieks like the first girl killed in a ‘Friday the 13th’ movie.  Do they own that franchise yet?

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Possible Blog Ideas for 2020 Unless Nothing Works

I’m With Snoopy

I’ve been wondering a lot about what I’m going to do on the blog next year.  Some things have ended like ‘Bedlam’ and others really don’t work like interviews.  I’m having a lot of trouble thinking up Ye Olde Shoppe ideas lately too.  It doesn’t help that I’ve covered so many topics (some multiple times) that I keep running into copies when I check to see if I have a new idea.  This means it’s going to get dicey for a bit.

On the other hand, I will be using Thursdays to put up sections of a book I wrote in high school and it’s sequel.  These are the ‘Immortal Wars’ books and you’ll be able to see how different they are from what I do now.  Might be good for a weekly laugh.  Beyond this addition, I’m toying with a few other ideas:

  1. I have those 100 monsters for a possible series and I can occasionally make a post where I create 2-3 of them.  I have none of them in mind right now.  Thought about using some from Monster Maker, but they didn’t really sit with how I saw the adventure going.  I’ll have to check to see if any can be used for that.
  2. There are plenty of ideas that I have, which I might share on the blog for some feedback.  This would include that monster story and a variety of organization short story collections.  Not so much an origin, but ideas that are currently in the mental workshop.  (Mental Workshop might be what I call it.)
  3. Character origins is another topic, but I will have to go with those who haven’t turned up in books yet.  It would be spoiler free, of course.  This would include characters like Sin, Darwin Slepsnor, Ryusuke, the Project Phoenix crew, and a variety of others.  This can also help me jog my memory on the ideas that I haven’t been able to touch on since the divorce started.
  4. Speaking of Project Phoenix . . . I might dedicate a month where the Fridays involve this series.  I constantly have trouble with it because I can’t figure out exactly where I want to go.  Many changes have been made and it’s absorbed several other stories like Savior, The Psi-Child Saga, Starlets, Rose of the Damned, Jack, Gearhead Princess, Experiments and Ninja Never Wins.  Maybe this will be tackled next Sunday and I can get some focus on what to do next year.  After all, I don’t have a plan for February and that’s a short month, so I can dedicate a chunk of it to this headache.

I’m always willing to take requests too.  Beyond that, this is the plan.  If you can call it that.

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