
Marcia is doing the kick off hosting duty for the Eternal Home – The final stop blog tour. Here is a link to the post this morning. I hope you will …
Today I am at Marcia Meara’s Beautiful Place Talking about Eternal Road -The final stop.

Marcia is doing the kick off hosting duty for the Eternal Home – The final stop blog tour. Here is a link to the post this morning. I hope you will …
Today I am at Marcia Meara’s Beautiful Place Talking about Eternal Road -The final stop.

I’ve had a few posts on gore thanks to War of Nytefall. It’s not surprising since we’re talking about vampires here. Limbs and heads have been removed. Bodies cut into various pieces with the mention of blood. A few mentions of guts when an organ gets removed or damaged then regenerates. In my opinion, it’s been fairly tame, but you never now how people will react. I had people dislike the violence and gore in Bedlam, so it’s best to cover bases.
So, why would I be bringing this up again? Well, Ravenous has a gore-dependency in it, but not in the way you would think. There aren’t bodies getting shredded every few pages or blood getting splattered around for shock value. It all revolves around Desirae Duvall’s main power, which is at the core of the story. This isn’t a neat and tidy ability, so having her use it requires a lot of yuck. I try to minimize it as much as I can, but there is only so much that I can do. Honestly, it’s probably milder than I realize, but we’re back in that ‘you never know’ category. Since there’s no way for me to have this character and story without the gore, it has to stay.
Of course, this brings up a question. Over the years, gore has been used primarily for shock value and gross outs. There hasn’t been any real story use to it when you look at mainstream. It can be done to create a rather visceral reaction of hate, anger, fear, or disgust. For example, a TV series where characters are routinely killed in grotesque fashion can get fans to react in certain ways thanks to the gore. Yet, this is still shock value and loses its impact after a while. Not only for that series, but for everyone else because the audience goes ‘seen one intestine lasso battle, seen them all’. This means gore in general loses its ability and only those who are easily flustered by it will be having a real reaction. So, is there another use for gore besides the commonly used shock value?
My personal opinion is that you can use it for story if done in a certain way. Anything that deals with cutting people open either legally or illegally will have a level of gore. If you’re going to write a story from the perspective of a doctor or a serial killer then you may need to point out some gross parts. It doesn’t have to be extremely detailed, but the blood and guts can be seen as a necessary aspect. Maybe the gore is what drives a character to act or think a certain way. Using it sparingly will increase its effectiveness in the story, but you still have to be careful about utilizing it solely for shocking people. It’s easy to prepare someone for what they’re about to see here. With Desirae, I made it a shock once or twice when she used her powers early on, but after that was at least one action that warned people what was coming. You can point out that a surgeon is putting his scalpel against the skin, which acts as a warning. The serial killer can brandish the knife and get closer, so a reader prepares for it. These help move the story along, establish parts of a character/world, and doesn’t rely on shock.
Now, gore isn’t for everyone and you can find ways around it. Heck, I do that when it comes to sex scenes. You know it happens and see the aftermath, so you can always go the route of a character describing what they saw. So, I can’t really say that gore is a necessity in anything.
So, what do you think about gore and if it has any uses beyond shocking people?

El Space--The Blog of L. Marie
I love featuring books on the blog, especially books written by my friends. And I couldn’t be more pleased to welcome to this space my friend and fellow Secret Gardener, the awesome Sandra Nickel, who is here to chat about her fabulous picture book, Nacho’s Nachos: The Story Behind the World’s Favorite Snack. It was published by Lee & Low Books on August 11 and illustrated by Oliver Dominguez.
Sandra is represented by Victoria Wells Arms. Let’s give it up for Sandra! (There will be a book giveaway at the end of the post, in case you wondered. 😁)
El Space: Four quick facts about yourself?
Sandra:
1. I adore writing picture books, absolutely adore it!
2. I grew up in a small town and still live in a small town—except the small town I live in now is in Switzerland.
3. I’ve been a colossal…
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Hi SEers. John, with you today. I would like to continue the discussion that I started last time. (you can view it HERE) As you will recall (or not), I discussed some research I did on preorders on Amazon. I came to the conclusion that preorders unless you are a famous author, pretty much work against the idea of Amazon deeming a book worthy of promotion. That is because Amazon only promotes books that show steady sales and not peaks and valleys.
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Today I would like to point out the benefits of running a preorder.
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After all, like the sign implies, not everything in life is directed to the purpose of getting recognized by Amazon. There are several benefits of pre-order, so let’s dive in and cover them.
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Benefit One – Author sanity. When you set your book up for a preorder you…
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Ciao, amici! I promised quick releases, and I’m keeping that promise. Today, I’m delighted to share with you book 4 of the Astral Conspiracy Series: THE TWINS.
They took the world’s best hope. Took the father of her children. Now she’ll take revenge.
Landon Thorne was abducted by the Astrals. If there were still newspapers, that definitely would have been a front-page headline. But Reverie Sterling doesn’t have time to dwell on his absence. She has twins to raise in this dystopian world.
Twins with psychic powers.
She was trained to rise to any challenge, so that’s what she does. Vowing revenge against the Astrals, she partners with an unlikely ally — the Nine, the mysterious organization that’s been thwarting the Resistance since Astral Day.
The tenuous alliance converges on Wright-Patterson Air Force Base. Or rather, what’s left of it. There they wage a war against local zealots and…
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The bubble was popped
Hope lost
Love soured
The heart beats
With an undertone of pain
Numbness at the edges
Anything
To make the agony pass
Will the horror end?
*
Hope can be revived
Love found once more
If life goes on
Crawling out of darkness
To stitch the heart anew
And rebuild
A broken soul
Time will be the witness
To hope and love’s endurance
(Really liking this song. Though, parts of it seem to hurt when I listen too closely.)
Sad, but true. This was my last full week of summer break, which really didn’t have an impact because of Covid-19. Aside from one day of subbing last month, I haven’t stepped foot in my school since March. That’s about 5-6 months and life has really been strange since then. Weekends mean nothing. Days all meld together. I’ve counted the time more by custody split than anything else. Don’t even get me started on how that’s going to go once school starts. It’s going to be rough because there are 3 different schedules that have to be considered. Needless to say, I’m dreading the coming months unless things change quickly.
My son was with his mom this week, so I spent my time preparing for going back to school next week. Well, that and writing War of Nytefall: Eulogy. This is the finale for the series, which means it’s going to be big. At least, that’s what I thought. It’s coming out more like a mystery. There’s a big death at the beginning and that sets the scene for things to go south. I can’t explain much because of spoilers for the preceding books. All I can say is that Clyde is going to be put through an emotional wringer, which is difficult for a character who’s main feelings are rage and calm. I’ve made it that Dawn Fangs have stronger emotional reactions than mortals, but Clyde hasn’t really shown this like the others. From how the book is going, this is the time and it might be due to things happening that should affect him. Facing a villain like Jewelz, Leo Kandrel, or Desirae Duvall is one thing. They aim primarily for the body and he can regenerate that. This time . . . the villains are aiming for his heart and soul. Huh, maybe this is going to come out better than I thought. Compared to Legends of Windemere, this series is turning out a lot heavier and gut-wrenching. Really wish I could promote it better.
Speaking of promotions, we have a little less than a week before the debut of War of Nytefall: Ravenous. I’m hitting publish on Thursday night before I go to bed and then announce it the following morning once I wake up. Thank you to everyone who has offered to help me promote this book. Due to time and money, I can’t do more than a simple blog tour. That doesn’t net me any reviews, which is something I really need to figure out. Anyway, if anybody wants to lend a hand with spreading the word then let me know and I’ll add your email address to the list.
Well . . . Not really sure what else to talk about today. I’m just numb. Nervous about going back to school because I don’t know how it will go. The unknown and things being beyond my control have always been sources of anxiety. Doesn’t help that I’m someone who feels like he has absolutely no control over his own fate. I should have the first 6 chapters of Eulogy done before my son is home and I can add another 2-3 chapters to done pile before school officially starts. I might be writing evenings on the days that I don’t have my son, which is becoming a more painful phrase to write. If I finish this book/series by mid-October then that clears the rest of the year for other projects since I’ll be 3 books ahead of the publishing side of things. Gives me plenty of time to outline Tales of the Slumberlord and write Do I Need to Use a Dragon? (Fantasy Writing Tips). You can see I’m just ranting now. Wait. I know what I can talk about.
I’ve watched a bunch of shows recently because new seasons were showing up:
Well, that’s all we have for updates. Goals for next week?

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They had a place
Settled in your chest
Adjusting your beats
And nurturing the soul
Existences entwined
Allies in life
And now you are alone
*
A mix of pain
And numbness
Denial may rear its head
Along with anger
And despair
Left to limp through life
Like a wounded beast
*
Time is said to heal
It never says how long
A week for some
Years for others
Never is an option
Life has been shaken
From your insides
*
A beating heart
That does not feel whole
An invisible soul
Marked with a scar
Signs of loss and pain
Earned throughout life
Which all will wear
Ciao, SEers. We’ve been talking about Jill Chamberlain’s Nutshell method of plotting as it relates to Aristotelian comedies and tragedies. Last time, we discussed the protagonist with respect to flaws and strengths. (You can find the introductory post here, and the protagonist post here.)
Today, we’re going to talk about the catch. But just as the protagonist can’t be discussed without defining the strength and the flaw, the catch can’t be discussed without defining the point of no return.
The Point of No Return
The point of no return occurs at or around the 25% mark of the story. It’s when the protagonist’s life changes. If you’re a student of other plotting methods, you might think this coincides with the inciting incident.
It is related, but it is NOT an interchangeable term.
The inciting incident takes place around the 10% part of the story. It is…
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