Teaching Clyde a Lesson

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As I’ve mentioned, War of Nytefall: Savagery works differently than previous volumes.  It has more of a quest feel to the story, which isn’t something that plays to Clyde’s strengths.  If he can’t hunt it down and fight it then he comes off as a little lost and confused.  Then again, that’s kind of the point here.  Probably helps that I felt the same way while writing this book.

With Clyde needing to become stronger for the first time in years, he has to battle some alien emotions.  The idea that he’s weaker than someone and that he has to be cautious or afraid throws him off.  It leads more to impatience and frustration at his own failings instead of despair.  That does push him forward, but not in as smooth a way as my other characters.  Sometimes it felt like I was dragging a filthy dog to a bath and it was battling me every step of the way.  Clyde desperately wanted to battle his way to the end, but that wouldn’t be much of a story.  Mestra doesn’t work that way either since it’s supposed to design itself around strengthening its visitors.  So, how do you make a Dawn Fang like Clyde stronger?

Well, that’s a tough one to answer without giving the whole thing away.  It revolves around an internal issue that has appeared due to this past and overall personality.  This isn’t told to him outright either, so there’s a lot of guessing and wrong moves.  In fact, a big part of this book is to show that Clyde isn’t infallible.  He’s stumbled a bunch in previous adventures, but not to the extent that he’s going to here.  Hopefully, this brings out a more human side of him that people tend to ignore.  They see the fangs and terrifying strength, so they forget that he has feelings.  This means that this story is going to be a personal turning point for him.

I think when trying for an internal lesson to be taught instead of a physical one, you run into a lot of doubt.  It’s difficult to know how well it comes across.  Did I have Clyde put up too much resistance?  Did I make the lesson clear to the audience?  Does he even use this knowledge once he’s out of the training?  Unlike a new skill, learning something about yourself isn’t something that you can easily demonstrate.  Not without it feeling unnatural like openly declaring this difference.  It requires a change of personality, but not too big that you lose the character.  The only people who can say you truly got it right are those who read the entire book.  That makes it a very shallow opinion pool at the start, especially before you publish.  Doubts and worry won’t go away that easily from this path either since you can’t entirely trust your own instincts.  At least, I don’t think you can 100% because you know what you’re aiming for.  If it’s a little off the mark, who would notice?

One trick that I added to this training is giving him a partner.  This gives me a mouthpiece to criticize his decisions and suggest possibilities.  Of course, you have to read the book to see who gets to join him in Mestra.  This character helped me out a lot even though they were in an awkward position.  Being the companion, I couldn’t let them do much, if any, of the heavy lifting.  Clyde needs to face the challenges and put in the work to learn his lesson since it definitely isn’t to let others fight his battles.  So, I guess I switched out one complication for another since I had to let this person run up to the line and then stop before taking over.  They could only go further if it made sense for Clyde to ask for them to do so.  This isn’t so much obedient, but closer to being backup that you have to politely summon.

Overall, I did have fun writing this since it was new and posed some challenges for myself and Clyde.  Has anybody else written a story where an internal lesson had to be learned?  How did you do it and did it succeed?

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Some book love

coldhandboyack's avatarEntertaining Stories

Will O’ the Wisp got some book love recently. I love the idea that these older stories still attract readers from time to time. Pete from this book makes occasional appearances in The Hat series, and I have plans to have Patty show up as well.

Will O’ the Wisp

by C.S. Boyack

“Will O’ the Wisp” is a YA paranormal tale that focuses on fifteen-year-old Patty Hall. The Hall family seems to have been cursed, and Patty is determined to find out why. I love that this story is set in the 1970s. The high school dance and well-placed details of that era brought back some memories. The strained relationship between Patty and her mother is realistic, and Patty’s rebellious side is portrayed nicely, especially with wearing her leg braces. That side of her not only showed her determination, but her inner strength that’s needed to overcome evil. There…

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Teaser Tuesday: The Perfect Being #vampires #fantasy

Cover Art by Alison Hunt

We’re back with Teaser Tuesday!  Why?  Well, War of Nytefall: Savagery is on the way and it’s time to get some hype going.  Let’s start with the very beginning of the newest volume, which gives us a big look at the new baddie.  Also, an older baddie isn’t starting off in the best position.

Continue reading →

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Mestra: The Vampire Training Grounds

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About a third of the action in War of Nytefall: Savagery happens in the long lost island of Mestra.  Well, it isn’t really long lost.  Those connected to it knew where it was, but the door got taken away.  Due to events in Nytefall, a familiar figure has appeared to give it back.  That will be a fun surprise for Friday.  Still, what exactly is Mestra and why is it important?

Historically, Mestra is the training grounds for the vampires of Windemere.  If one wanted to become stronger, they would enter through the doorway and appear on the island.  One could return at any point or be sent back once they completed the challenges that are laid out before them.  It’s a curious place too because it’s always a little different.  It isn’t even clear if the locals are the same for every visitor.  This is because the gateway reads the vampire and Mestra changes to hold the optimal challenges for the person to become stronger.  There is more to it than that, but you will have to read the book to get the details and the reason why it was taken away.

In terms of the story, this was a headscratcher for a while.  I needed Clyde to go off training somewhere to become stronger.  I also realized he was incredibly powerful, so it couldn’t be a series of physical challenges like my original idea.  There was also the issue of his personality and that of his opponent.  If the newer monster could get to Clyde then the fight would happen very early.  We’re talking short story length.  If Clyde wasn’t in a place that he had to earn the way out of then he’d leave as soon as he got frustrated.  We’re back to short story length.  The best option that I could find was crafting an isolated land with a single way in or out that nobody knows about.  Also, I had to give it a guardian strong enough to whack Clyde on the head if he tried to run off.

Even after I created Mestra and was comfortable with the surroundings, it was a challenge to get it to work.  Clyde isn’t a questing character.  He’s a warrior, a hunter, a thief, and a brawler.  This required that he be a student, a wanderer, and an adventurer.  I didn’t think his personality would be that much against it, but he really hated the situation.  Who could blame him?  He’s training while his friends and loved ones are stuck dealing with a terrifying monster.  So, there’s a lot of impatience, mistakes, and rushing when it comes to this story.  Mestra may get slightly shafted here too because there’s not true exploration like there could have been.  It didn’t make any sense for Clyde to be curious about things and wander off his path, so I tossed a bunch.  This also turned it into an oddly short story type of adventure with him traveling into a new challenge every other chapter.  Still, it did all merge together nicely.

I think Mestra will be something that I keep in my back pocket in case I have a story where a vampire wants to become stronger.  It could work again.  Maybe I could have a local from there cross into the rest of Windemere.  The worry I have here is that I’ll stretch out a concept that is only useful for this scenario.  Guess it all depends on how well people take to it next month when War of Nytefall: Savagery is released.

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Don’t Talk Like That: How to Write Good Dialogue–Name Dropping

Good advice for those struggling with dialogue.

Harmony Kent's avatarStory Empire

Image by Gerd Altmann from Pixabay

Hi SErs! Harmony here 🙂

Today, I’d like to take a look at dialogue. Because this is such a large topic, I plan to break it down over a few posts. As the post title suggests, we’ll look at ‘name dropping’ within dialogue today.

‘I’m sorry, Jake, and sorry to be bothering you on a Sunday. But this situation can get dicey and needs a steady hand. I trust you, Jake, and that’s why I’m asking you to step in. You know, Jake, when I was a young lawyer I learned that we don’t always get to choose our clients, right?’

The above quote comes from a recently published book by a big-name traditionally published author. I believe this is the first ever time I’ve actually seen a name used THREE times in one single piece of dialogue. It’s bad enough used once in…

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Odd Question about Fantasy and Languages

This will probably be quick and I’m sure I’ll get plenty of strong opinions.  Now, I have a future series that involves a school for mercenary groups.  This takes place in Windemere, so it’s fantasy-based.  It’s based on the group of friends I had in freshman year of college, which turned into a fake fraternity.  Seriously, it was just a name we gave ourselves and then hung out.  Still, it was fun and led to bonding with some memories that I cherish to this day.  The name?

Phi Beta

There was a ‘Kappa’ at one point, but it got shrunk really fast.  Again, this was nothing official and plenty of fraternities have those two in the name.

The original title of this series was the ‘Phi Beta Files’, which I’ve brought up from time to time.  It can be a little bit of a problem.  One issue that I never really voiced was using Greek letters in Windemere.  Some days I don’t mind it because I take names and words from other languages already.  The characters are speaking English too.  Then there are days when I can’t shake the feeling that something is off about using Greek letters without an explanation for them being there.  I know I have a samurai culture that will be introduced way down the road, which is explained by hints that a person from another world showed up to start the civilization.  Do I do the same with the Greek alphabet showing up?  Do I even need to give it a real explanation?  I guess I fear the backlash that seems to come from anything that could be seen as controversial.

Another issue is that I’ve found if I remove ‘Phi Beta’ from the story, I stop feeling like it’s about that group.  The characters are still the 4 idiot boys who are determined to not flunk out and manage to succeed through cunning and chaos.  Yet, not having those two letters as their group name really shifts my mindset.  Maybe because it’s so close to my memories, which could be the sign that I have to keep the series as the ‘Phi Beta Files’.  See how my mind is going in circles here?

Figured that I would open the floor to see what people think.  As I said, I’m sure there are some strong opinions on this.  I’m terribly at designing my own language, so that’s not an option.

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99 Cents While They Last

Originally posted on Andrew Joyce: https://www.amazon.com/Yellow-Hair-Andrew-Joyce-ebook/dp/B01LXOXHBI

99 Cents While They Last
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Goal Post: At Least I Made It In One . . . That Shouldn’t Have Fallen Off

Princess Bride

I did say last Saturday that I was going to have a rough week.  Didn’t expect it to be as stressful as it was, but I didn’t delude myself into thinking things would go well.  There was a disturbing theme though:

Destruction!

To be specific, it felt like everything I had worked hard to create was being destroyed by an outside entity.  It’s not even one thing, but several things that are both internal and external.  So, there was definitely a lot of pain and anguish.  I didn’t really have a desire to do anything once the evening hit too.  This worked out though because I kept passing out around 9:30/10 PM.  To be fair, I’d crawl under the covers, which included a weighted blanket.  Still, I did get frustrated when I wanted to watch TV and my eyelids decided to clock out before the rest of me.  Never believe yourself when you think you can watch TV with your eyes closed.

Funny aside on the sleeping issue too.  I began watching an anime called ‘Scrapped Princess’, which I couldn’t explain to you.  Not as interesting as I thought it would be since it’s a fantasy, science fiction, drama thing.  Anyway, I was watching it and feel asleep, but woke up in time for credits.  Figured that it was best to go to bed because I didn’t want to miss any episodes.  I’d only lost 10 minutes, right?  Well, I sat down for dinner and TV the next day and realized I’d slept through 3 episodes.  Why were they on a boat?  Where did those two come from?  Ugh, I wasn’t in the mood to backtrack.

I don’t have any real writing news.  I decided to start a final edit on War of Nytefall: Savagery to give me something to do, but I ended most nights too drained to give it a shot.  I can finish it before April though, so the release schedule shouldn’t be in any jeopardy.  I played around with a future series that involved a six-shooter wielding character who used to be my super spy.  He’s been moved to Windemere and shows up in Ether Thief, but I wanted to give him his own 6 book series like I’d planned way back in college.  Should be fun, but I’m having trouble thinking up titles.  I came up with ‘Arctic Heart’ for one because ice is involved, but I’m not sure.

Blog-wise, I got all of April scheduled and about half of May.  I’m actually thinking of making June a poetry month.  Part of me wants to grab random topics while another part thinks I should do characters or books.  I would have 13 weekdays to fill or 19 if I skip Teaser Tuesdays.  Considering I have 23 big books (15 Legends, Quest, 6 Nytefall, and Ichabod), I couldn’t do it by book.  Not unless I pause ‘Immortal Wars’ and include the Bedlam books.  The other problem is that people will get bored of it being all about promos.  There’s an alternative I just thought of:

  • Monday- Series
  • Tuesday- Teaser Tuesday
  • Wednesday- Character (Done after a poll)
  • Thursday-  Immortal Wars
  • Friday- Random poem

That might be a better plan.  Need to figure out what to do with Thursdays once ‘Immortal Wars’ is done.  I don’t have another book to start posting.  Naively, I thought I’d have another Bedlam book, but time forces me to focus on the series that I’m actually publishing.  Maybe one day Cassidy and Lloyd will return, but I don’t make enough money from writing to quit my day job.  Time goes to the bigger projects.  I have time to figure things out.  It could be promos or I can do a series of Ask-a-Characters, which I haven’t done in a long time.  They tend to fail, but you never know.

I don’t have much planned for this week.  I have my son and things might be super stressful for him.  Schedules are changing, which means he will need me to be around and ready to handle any issues.  I might be able to do some editing or at least finish the May blog posts.  Everything is going to be up in the air.  Promised a friend that I would help them put together furniture at some point too.  It’ll be good to have this kind of week even if it’s going to be messy.  Nights will probably be where I try to finish up that spy story.  Am I avoiding moving on to the Slumberlord stuff?  Maybe I’m just waiting for me to reach a level of calm in my life, so I’m not distracted.

Goals of the week:

  1. Work
  2. Time with son
  3. Blog posts
  4. Watch a new anime
  5. Puzzle time
  6. Editing if possible
  7. Pizza
  8. Figure out some titles for the spy/agent series

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The Path of Kai Stavros

Alucard from Hellsing

In War of Nytefall: Savagery, I have a lot of supporting characters step up into the spotlight.  The one that is not a surprise to readers of the series would be Kai Stavros.  For those who don’t know, he is the spymaster and top advisor to Xavier Tempest.  I never had much of a plan for him since I had so many versions of this series that omitted him.  So, I was amused that I found a great storyline for him to follow for a while.  He might not be one of the top characters, but he’s certainly found a niche and way to develop while remaining in his role.

Of course, I can’t go into details without spoilers.  This means that I have to be vague and then open the floor for comments.  Kai suffers a lot as the series progresses.  I had him be the mastermind of the agents, which worked at some points.  Yet, he continued to get undone at times.  Probably one of his greatest moves wasn’t even on the page, but he talked about it.  I would have added it, but it stole the momentum from everything else going on.  This made me feel bad, so I tried to get him more involved and things went downhill from there.  At one point, I thought that I was simply going to kill him off since he’d fallen so low.  If not dead then ship him out of the story and never have him return unless I could fit him into the ending.  Would have been a really sad state of affairs for Kai Stavros.  Though, a little fitting since he’s an RPG character I played for one session and then he got junked.

Kai was saved and rose from his ashes though.  Part of it was because I realized Xavier would be incredibly kind and helpful to his agent.  This wasn’t Baron Kernaghan or the Lich that I was working with.  Lord Tempest actually cares about his people, especially Kai who has been his advisor for over a century.  This faith and loyalty was returned, so Kai wouldn’t willingly leave.  Because of this, I couldn’t remove him from the series and had to figure out what to do.  The only plan I had was to gradually rebuild him while events were unfolding.  He couldn’t be the mastermind during part of this, but maybe he needed some humbling.  Of course, I didn’t really know where I was going and what I would do with him.

That is until War of Nytefall: Savagery.  I think Kai really comes into his own here and gets the rebuilding that he deserves.  He got to be cunning and manipulative like I wanted him to be.  Maybe he simply had more to fight for this time instead of a slow-moving civil war.  The stakes are really high and he’s in more danger even compared to when he started his fall from grace.  Kai doesn’t have the offensive powers and reduced weaknesses of a Dawn Fang either because he’s an old-world vampire.  Yet, I have him being able to handle the monster that forced Clyde to retreat.  It was a really fun game of ‘how can he keep his plans moving’ with every chapter.  That’s why I think he deserved what he got in this volume.  Lots of fun to read.  Hint, hint, wink, wink.

Well, that’s the vague tale of Kai Stavros’s past.  Has anyone else ever written a character that fell to the bottom and then surprised you by rising back out?

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Another reason to read and write…

Hi, SEers! Gwen with you today. After learning that March is Brain Injury Month, I thought it might be interesting to share some medical benefits of …

Another reason to read and write…
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