Unedited Excerpt from Family of the Tri-Rune

“Don’t cast any magic,” Isaiah warns her.

Nyx ignores the chattering monkey as her eyes glow bright yellow. Isaiah retreats toward Timoran while Nyx looks down at the krypters again. The monsters shift in and out of her vision as if they are not really there while a void marks where the Lich is standing. Focusing her sight on the krypters, she notices hundreds of black aura threads in the air. Following the strings, Nyx realizes that they are running from her body to the krypters. With a choked cry of fright, she watches several of the krypters stare in her direction and screech at her. None of them are moving toward her, which makes her incredibly nervous. She is about to slowly wiggle away and retreat when one of the bigger krypters reaches into the air. Nyx watches in terror as the krypter wraps many of the aura threads around its hands. The other krypters begin to do the same thing as the first krypter starts pulling on the threads.

“Timoran!” Nyx screams before she is yanked off the ground. She closes her eyes, expecting to slam into the waiting jaws of a horde of krypters. Instead, she feels someone wrap a massive arm around her waist and yank her back to the ground.

Nyx opens her eyes to see Timoran standing over her with his great axe in his hands. The krypters are soaring through the air toward them, which Nyx initially assumes is a new power they gained from tasting more of her magic. Getting a longer look at the monsters, she can see them flailing and awkwardly twisting as if they have been pulled against their will. She grins when the krypters get close enough for Timoran to cleave three of them in half with a single swing. The remaining krypters crash to the ground around them and scramble to their feet, but they refuse to get too close to the barbarian.

“They really don’t like you,” Nyx mentions as Timoran reaches down to pick her up and put her over his shoulder.

“We have had words with each other in the past,” the barbarian says with a chuckle. “I do not wish to put you in danger, so we are going to run. I can retreat without your magic. Please hold on tight.”

Timoran roars at the krypters, causing them to shrink away from the terrifying warrior. A clear path to the forest opens up and he rushes through the hole, chopping a krypter’s head off as he runs by. He is deep within the trees by the time he hears the Lich scream at the krypters, which is followed by an explosion. The forest suddenly erupts with the sound of screeches and growls from the panicked krypters that have begun their pursuit. Timoran charges through the forest as fast as his powerful legs can carry him. He glances at Nyx every few seconds to make sure he still has a solid grip on her tense, bouncing body.

“I’m going to throw up,” she mutters after being jostled for five minutes.

“If you think it will help then feel free,” Timoran says. He barrels through a patch of thorn bushes, ignoring the sudden pain on his bare stomach and trampling the bushes beneath his feet.

A krypter suddenly bursts through a tight clump of trees to Timoran’s right. The monster leaps at the barbarian, but it is taken down by a skull crushing blow from the side of his great axe. Another krypter takes advantage of Timoran slowing down and tries to drop on him from the thick branches above. A bolt of green magic strikes the creature in the throat and it falls apart at the joints.

“Keep running! I’ll take care of the krypters!” Nyx shouts, firing her crossbow at another monster on her left. She grins as the krypter melts into a puddle of muck.

Timoran continues his steady pace while Nyx destroys one krypter after another. He can feel her body steadily lose its warmth and the small hand on his shoulder eventually becomes clammy and moist with sweat. He skids to a stop and gently places Nyx on the leaf-covered ground as the remaining krypters catch up to them. With a savage scream, the barbarian rushes toward the approaching monsters. His great axe cleanly slices through the first krypter and he spins around to viciously knock a second into the air. It lands at his feet and he crushes its head under his boot while chopping a third monster into pieces. The last four krypters jump out of his reach and scamper into the trees, swiftly retreating through the branches.

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Syndicate Spotlight #4: Tribesman

Syndicate Spotlight on Tribesman by Paul Freeman. 166 page Epic Fantasy worth reading.

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So You’re Going to Give Your Character a Pet

Drizzt and Guenhwyvar from R.A. Salvatore's books.

Drizzt and Guenhwyvar from R.A. Salvatore’s books.

So, you want to use a pet in your story.  Good idea.  There’s a long tradition of helpful animal companions of both natural and magical varieties.  It all comes down to what you want you’re looking for.  Here are some tips to get you started and know what to do with them:

  1. You can’t go wrong with a dog.  Even Riddick has a dog now.  The thing about dogs are that they’re loyal and come in a variety of shapes.  You can do a lot with a dog because of how they act in real life.
  2. You can go wrong with a cat.  Wild cats like tigers and panthers seem to work for primal characters like barbarians.  They can come in magical varieties too.  Sadly, a house cat might not work out too well for all characters.  Something to consider is that many villains have cats like Skeletor and Blofeld.  Although, He-Man has a cat too, so you can do whatever you want there.
  3. Birds are popular among thieves and wizards.  When dealing with birds, you need to remember coloration.  A brightly colored parrot can work for a pirate, but not a shadow-loving thief.  Wizards tend to have a bird with colors that mimic their temperament.  Owls and ravens are used because of their intelligence and wisdom.  I can neither recommend or speak against the use of an ostrich as a mount.
  4. Horses are second to dogs in terms of use because they appear in many genres.  Cowboys and adventurers use them as well as romantic characters out for a trip through the countryside.  Best part about a horse is that you can get some unique reactions from them.  They are very emotive and sensitive animals, so you can make them react more acutely than dogs.
  5. Fish . . . yeah . . . you better be writing about mermaids or Aquaman.  Fish don’t do well outside of the water.
  6. Large animals such as bears and elephants.  Go right ahead, but you better have some reasoning behind such things being tamed.  Also, they can’t be stabled like normal animals.  You need to factor that in before going this route.  Think it’s easy to get a giraffe into a horse stable?  It isn’t any easier getting it out.
  7. Rodents are an unusual choice.  Again, you find them more with thieves and wizards, but also with children.  Mice, ferrets, and rabbits are popular among children stories because they are less common than dogs and cats.  These animals tend to be caged, especially the mice.  You might be able to get away with a free range rabbit or ferret if you explain it easily.
  8. Use apes and monkeys at your own risk.  By that I mean expect to be sued by the ghost of Edgar Rice Burroughs if you’re not careful.
  9. Magical creatures can be the sky’s the limit, but that’s part of the danger.  Sure, your character can be riding a dragon and destroying everyone.  Where is the threat and why is such a powerful beast listening to a human?  Especially if you do this in the first book and the dragon is obedient to an untested character.  It’s best to have this relationship grow within the book and over time.  Think of it as a subplot as long as the dragon doesn’t eat the hero immediately.  That would a quick end to the book and mean the dragon isn’t a pet.
  10. Bats are cool.  I like bats.

There you have it.  It’s really up in the air about pets in literature because you can go in a lot of directions.  The key here is to make them important.  You can make them the main plot, give them a chapter or section on their own, or any number of ideas.  To give them impact, they have to be around for events.  Those events will shape them.  Giving them roles in both action and downtime scenes increases their connection to their master.  Who knows?  The pet character might end up being the unsung hero in your story.

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Genre Maker

individual2

You are forging your own path
Too many cliches to burn and avoid
Time for a new category
Chime the bells to scare the masses
For a new genre has emerged
Torn from the essence of your being
Beast that cannot be contained
Least of all by those the scoff
Enjoy this new realm of literary quirk
Employ preconceived notions at your peril

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Syndicate Shout Outs! #2

Literary Syndicate’s Three Author Shout Out!

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Papi Talk… With Paul Freeman

Check out PapiZ’s interview with Paul Freeman.

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Genre Hugger

ComfortZoneTried and true
Changes make him blue

A one trick pony perhaps
Critics write in all CAPS

Yet he stays within his box
Locked up tighter than Fort Knox

The genre author writes away
Happy no matter what you say

His work is crisp and clean
Why are some snobs so mean?

No interest in diverting path
He will incur his haters’ wrath

A career in a single field of art
This author and his genre shall never part

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Genre Jumper (Sestina Style)

Yahoo Image Search

Yahoo Image Search

He departs upon the road
With pen clutched within his hand
Never knowing his return
Because his quest is a dream
To be seen by the world
Once he makes it real

So many genres in the world
Each a fork along the road
Beckoning to his dream
Promising to be more real
And his work will return
As money in the hand

He realizes he can return
Each path he shall make real
Randomly pointing with his hand
Confidently striding down the road
Following his endless dream
To a kaleidoscopic world

Fantasy is was starts the dream
While drama makes reality return
Western and romance are real
Science fiction is truly another world
And horror shakes his hand
Each one propelling him down the road

An aching in his hand
Signing a completion to his world
Yet he sits in the dusty road
Hesitant to return
And remember what is real
Because some might hate his web-like dream

A voice asks him what is real
Why be confined to a single dream?
Authors can play in every world
Their truth is in their ink-stained hand
Nodding he stands up from the road
And walks back for a victorious return

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Guest Blog: Charles E. Yallowitz

Check out my guest blog on fantasy creature usage for When I Became an Author.

Briana (Vedsted) Atkisson's avatarWhen I Became an Author

Classic Creatures: To Alter or Not to Alter

Thank you to Briana Vedsted for asking me to do this guest blog.  Her question was how difficult it is to give creatures new abilities.  This stems from how many classic monsters are taken and changed to give a new twist or suit a genre change.  Dragons without fire, sparkling vampires, tall goblins, and other examples can be found throughout literature.  Some are successful and others come off as horrible insults to the creature.  I’m going to start with the most extreme example from my writing: Orcs of Windemere.

I decided that I wanted to make a major change to the orcs in my fantasy world.  Now, you can change the appearance of a lot of creatures relatively easily as long as you keep a few key features.  For orcs, this is large size and pronounced incisors of either overbite or underbite variety.  I…

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Anne Rice Goodreads interview

Enjoy this Anne Rice interview that Ionia was involved in!

Ionia Froment's avatarreadful things blog

Anne Rice Goodreads Interview

The pronunciation of my  name was slaughtered for a good cause

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