1st Anniversary and book sale

A sale that starts tomorrow for all you Western fans or Western curious.

Briana (Vedsted) Atkisson's avatarWhen I Became an Author

Today is the one year anniversary of my blog. Yah!!!

To celebrate, I’m marking down the price of A Girl Named Cord to 99cents for the next week, starting 1-13-14 through 1-18-14!

a girl named cord (2)

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That Awkward Feeling of Done

Well . . . Legends of Windemere: Curse of the Dark Wind is done.  At least the first draft.  I focus on outlining, reading, resting, and everything else until . . . I don’t know.  I’m unsure if I should start in on Legends of Windemere: Sleeper of the Wildwood Fugue the last week in January or wait for February.  I’m at that strange point where I don’t want to leave Windemere, fear I wrote a bad story, wonder if I wrote a great story, thinking about other projects, and feeling simply lost.

I’m not ashamed to admit that I’ve laughed and cried within the last 5 minutes.  It isn’t even like this is new to me.  This is the 8th book I’ve ever completed if you count the two from high school.  10 if you go for Bestiary of Blatherhorn Vale and Catalysts.  It’s hitting me rather hard this time.  Prodigy of Rainbow Tower and Family of the Tri-Rune levels of oomph.  Maybe the high emotion of one of the final scenes or knowing the tragedy brewing in the next book has me on edge.

Anyway, it is done and . . . uh . . . I need a hug and the toddler’s out of the house.  So quiet in here now that I don’t have my characters running around in my head.  I mean, it’s like crypt level quiet . . . I think I’m going to go hide now.

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Goals on an Empty Stomach

Sidekick the Morning

Sidekick the Morning

Writing this with the toddler sticking his head in front of the laptop.  We’ll see how this goes.

Well, it’s been a busy week with whacky weather and the toddler returning to school.  A few delays tripped me up, but some of them were productive delays.  I should be getting my missed goals done this week.  This is good because I might be away away later this week into next week.  What is away away?  Here:

Away = Being out while still being able to interact here and do promo work.

Away Away = Being out and not having access to wifi, which means I will be a rarity here with little to no promo work.  This one means what little wifi openings I get will be spent cleaning out email and handling my blog comments.  If I can slip in a few blog reads then I will, but mostly I’ll become a ‘liker’.  I’m more concerned with no promo work because Hootsuite isn’t getting along with me right now.  No Tweets, No FB posts . . . I’m not sure I’ll survive.

Here are the goals:

  1. Finish writing Curse of the Dark Wind.  2 chapter sections to go as of this post.
  2. Get that haircut since storm and cold stopped me this week.  Seriously, this is getting ridiculous.
  3. Toddler Goal: Let little boy have the big Henry.  This stems from him getting in trouble for not sharing toys at the library.
  4. Plan for possible trip.
  5. Schedule posts for time away and beyond.  Maybe cover January.
  6. Toddler Goal: Go to bed . . . with head on daddy’s hands.  *Delay in typing*
  7. Design characters and main events for War of the Tainted.  This is my between book project.
  8. Make Penne with Homemade Vodka Sauce for dinner tonight.
  9. Read a book, but not sure which.  I have Halt’s Peril and a long list of eBooks.  Not sure where to even start.  Maybe clear out some of the short ones.  I let this thing get far too long.

That’s the plan, so we’ll see what happens.

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Featured on GoodKindles

Goodkindles Feature!

S.K. Nicholls's avatarS.K. Nicholls

good_kindle_books“Red Clay and Roses” is featured on GoodKindles today here http://www.goodkindles.net/

I am going into Author Central today to make a note to readers concerning the true events and the fictional account of the story.  It seems like that is necessary to clarify how this can be a true story and not be non-fiction, like a memoir.

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Present Tense Tips: Use At Own Risk

I have to say that the above scene from Spaceballs is very close to how some people have reacted to present tense writing.  I know this is a topic I beat to death, but it’s my style and I take several hits because of that.  There are also times I get asked for my opinion on this and advice.  Maybe I said these before, but I guess it needs repeating.  Now, I use present tense third person, so keep that in mind.  More difficult and controversial than present tense first person.

  1. Flashbacks–  These don’t really work in the traditional sense.  In present tense first person, you can have the narrator talk about an old event.  Actually having the event play out is where your timeline and tense can get muddled.  Use this classic tool carefully and sparingly if you use it at all.  There are other ways to get the history of your world and characters out into the world.
  2. Historical Description–  One of the traditional methods of flushing out a fantasy world is to include the history of the setting.  You go beyond the five senses and mention what the land and the people used to be like.  This is nearly impossible with the style that I write.  Talking about the past with a nameless narrator requires switching to past tense, so it becomes jerky and disruptive to the flow.  As with flashbacks, you need to find another method.
  3. Talking–  Character conversations is one thing you can depend on for world history building.  If a character wouldn’t know about an old event or how something works then they’ll have to talk about it.  For example, Luke is a warrior and doesn’t understand magic.  So, he has to talk to Nyx when he’s confused.  You see, this is also how life works in that we learn by asking questions.  Unfortunately, many readers don’t enjoy lengthy dialogues.  This means you need to pepper the conversations with actions and keep the explanations clear.  Using humor can help too, but that apparently can have some people calling your characters immature brats.
  4. Actions–  Present tense is about the now, so the now has to be exciting.  Battles, chases, traps, or whatever fits your genre to physically move the story.  I know fantasy more than other genres, so fight scenes are the most common usage.  Even a friendly sparring match or spat between heroes can help.  You have to understand that your narration can be limited in present tense because you can’t go back too far, so you have to make the present interesting.  Add actions in dialogue scenes as well to give a tighter sense of the scene.  In present tense, ‘he said, she said’ can be thought of as characters standing rigidly together talking with no movement.
  5. Observations–  The five senses are still important and can tell you a lot.  I use a flourishing language to paint my world because I’m attempting to trigger the senses of the reader.  Within dialogue and action, you can say what the characters see, hear, taste, and smell.  It’s another level of description that can really pull the scene together.
  6. Emotions, Voice Tones, & Facial Expressions–  Another trick to helping with atmosphere and action is to use facial expressions to denote emotions.  Voice tone can help as well when in a conversation scene.  Emotions are very important in present tense because they change as scenes change.  As events unfold, the characters need to react in real-time to things, so there is more fluidity and rollercoaster evolution.  It helps to have realistic characters in present tense.  Not so much in what they can do, but in their imperfections and reactions to the story.  You can run into a problem here because many people don’t like emotional heroes.

Now a lot of these can go for Past Tense too, especially the last one.  The point here is that there are some things that Present Tense authors need to depend on more than the Past Tense authors.  It’s a rough path to walk because some people never realize what you’re doing and assume it’s just bad writing.  Others can’t get used to the change in style.  I won’t deny that it limits my audience, but I think it helps me stand out too.  Not that standing out is my goal.   In truth, I’ve been writing in Present Tense for at least 18 years and I never knew it was ‘wrong’ until 2013.  It’s how I write and it’ll probably be how I always write.  That’s more important to me.

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Miserable Weather Blues

I hear the wind
Upon the glass
Joined by a pounding rain

I feel so drained
All muscles cold
As if my body hates the day

I fight my eyes
They strain to close
A morning battle with my lids

What is it with this weather?
That makes me turn to corpse
Cursing the day that will not let me sleep

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The Lich: Loyal and Deep?

By Kayla Matt

By Kayla Matt

The Lich is an interesting character because he evolved more than I expected.  A lot of the villains did, but he pulled the biggest trick.  He was never meant to be the main villain and it’s revealed that he has a master at the end of Beginning of a Hero.  In fact, he was going to be the first tier bad guy and fade away.  Then, he grew into something else and adopted a few themes that rounded him out.

Loyalty

Believe it or not, the Lich might be one of the most loyal characters in the series.  Sure, his loyalty is to an ancient evil that wishes to conquer Windemere.  That doesn’t make much of a difference here.  Some of the other villains are loyal, but the Lich grew into having the highest level.  He swears by his dark master and will put himself in danger for this person, which I can respect.  It makes him more human, which I think makes him a much more solid villain.  In fact, it can lead the readers to wonder what he’s really up to at times.

Impatience and Self-Destruction

The Lich is very cunning, but he still fails.  It is pointed out in one book that he used to be more patient, but multiple loses to Selenia Hamilton and now Luke Callindor have made him a bit crazed.  He struggles to regain his self-respect and forethought as his role evolves in the series.  For the Lich, it shouldn’t be about getting physically involved, but manipulating others to do his bidding.  He’s almost the reverse of Luke whose impatience tends to pay off.  Part of this is because the Lich gets impatient and his mind fumbles while Luke becomes sharper.  In this way, I think they really compliment each other as enemies.

Not Born Evil

A friend of mine is always complaining that the Lich’s real name (Tyler) is terrible for a villain.  Part of this is ribbing.  Yet, it does bring up an aspect of fantasy where many villains have sinister names.  The truth behind the Lich is that he wasn’t born evil, so he has a normal name.  He wasn’t even a necrocaster in life, so he’s an oddity among Liches who were typically casters when they were alive.  It’s only recently that I designed the true reason he fell into the dark arts, which can be a little understandable.  The Lich really epitomizes the idea that most villains are more than evil beings.  By keeping his birth name in the story, I believe this drives that home some more.

Persistence

Say what you want about the Lich, but he never gives up.  Destroy his body, scatter his soul, and ruin his plans, he will come back.  Among the Legends of Windemere villains, the Lich has the most amount of failures.  One has to respect that he keeps going forward and trying to prove himself.  This ideal is typically admired in heroes, but villains have this too and that’s where we getting recurring enemies from.  I love this aspect of the Lich because it means I can have him bounce back from utter defeat quicker than any other character in the series.  Heroes have to mope and come to terms with their failures.  The Lich simply takes the loss and pushes to prove he’s still a force to be feared.

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Recurring Minor Characters: Why?

People talk a lot about protagonist, antagonist, secondary characters, and sidekicks when it comes to writing.  When writing a series, you can have a big cast of characters that fall into these characters.  You can also have a small group of recurring minor characters.  I might be misinterpreting what Misha suggested here, but I’m going with the background guys that you can still notice.  Like ‘Cabbage Man’ or whatever Last Airbender fans call him.  I’ll touch on a more serious versions too, so I cover all bases.

  1. Comedy– Many times you’ll find a minor character returning for laughs.  They’re bad luck incarnate who happen to be at the wrong place at the wrong time.  Hit by a stray spell or lose their third house to the main characters.  Maybe they keep getting captured by the villains and ending up in a dungeon whenever the heroes have to sneak into a lair.  The key here is to have the character interact briefly with the major characters, but not be plot essential.
  2. Shop Owners–  Every time the characters need supplies, they go to a store and talk to the shopkeeper.  After a few times, a reader realizes that it’s the same guy.  This can fall into comedy or perceived as laziness on the part of the writer.  Yet, it can also help your world with an odd piece of continuity.  It shows a character is moving around the world and developing a business chain.  This can also be a fun treat for readers who are paying attention.
  3. Small Time Crook–  I’m noticing that a lot of these will have a comedic approach, but this one can be serious.  A nameless pickpocket or bandit that runs into the heroes at times.  They can always fail or even become a brief plot point where they take an important item.  These characters can create a sense of the world having a criminal element that isn’t at the epic proportion level.  This is depth and makes the fictional world feel more believable.
  4. Old Friends–  Many series have those characters that shift from main supporting cast to no longer around.  In Legends of Windemere, Selenia Hamilton and Kira Grasdon would fall into this.  They play big roles in the first book and barely appear in the second book.  By the third, neither of them are around except by name.  This creates the opportunity for ‘The Grand Return’.  A character in this category can be brought back in with some fanfare and get readers pumped.  They think that something big is about to happen if one of these characters is back.  In terms of Selenia, it means a battle might ensue.  With Kira, it means Luke Callindor’s love life is about to take center stage and he’ll be praying for the Lich to appear.  The point is that this creates an atmosphere of suspense and tension birthed from excitement.
  5. Cameo–  The final category that I can think of is when a main character from another series or the previous books appears in a minor role.  You typically find this in long series, comics, or an author’s new series.  These character usages are nods to the previous work and gifts to loyal fans.  Though, it can also be done to lock in fans for a new series.  That might seem necessary if the author or the fans are having trouble letting go of the past.

There might be a ton of categories for these characters and they’re flexible enough that you can do nearly anything with them.  If the story is write, you can even have a character that dies every time they appear.  This was done in the God of War video game series with a luckless Boat Captain.  Again, these tend to be humorous Easter Eggs for those that are paying attention.

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Cooking

Fun poem about cooking from Poetry by Pamela. Give her blog a look and follow.

Pamela Beckford's avatarPoetry by Pamela

Cooking can be relaxing
Maybe just a tad bit taxing

Cooking can be tasty
But it shouldn’t be too hasty

Cooking can make a mess
It is best done with a kiss

Cooking is a great way to spend a day
Especially if it leads to play

Cooking is all of the above
Best of all, cooking can equal love

http://lindaghill.wordpress.com/2014/01/01/jusjojan-1-the-rules-are-easy/

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Curse of the Dark Wind Excerpt: The Woman (Potential Spoilers)

I know it’s an issue to post excerpts of future books and this one won’t be getting published until December since it’s book 6.  Still, I’m very proud of this scene even in its raw form.

By Kayla Matt

By Kayla Matt

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