Villains with Hearts of Evil Ice

Frieza continuing a tradition

Villains can make or break a story.  You need some type of adversity for the hero to overcome and having another sentient being to face can push them to new levels of strength.  Many times these antagonists become more popular because people become fascinated by how someone can go evil.  We remember what drove them to the edge more than what pushed the hero forward.  This is why sympathetic and redeemed villains are fairly common . . . We’re not here to talk about those.

I’m thinking more about the villains who cannot step back into the light.  They are dripping with sinister intentions and indulge in their acts of cruelty.  Some may have a sad backstory, but others are nothing more than sadistic psychopaths.  That isn’t to say they don’t have depth, but they aren’t going to make a hero turn or reveal that they consider themselves the good guys.  You know they will have to die or go to prison for life in order to put them down forever.  Their hearts are ice cold and this allows them to commit heinous crimes that can cause an audience to turn on an author.  Honestly, I’ve only made one character that fits this bill.

For those who were going to say Lloyd Tenay, Clyde, or Baron Kernaghan, you’re missing a key component.  Each of those characters possesses a redeeming quality or a spark of decency.  Lloyd lives in a savage world, but won’t kill innocents.  Clyde is similar in that he only kills on the battlefield.  Baron Kernaghan shows compassion in some instances and doesn’t really enjoy inflicting pain.  I’m sure those who have followed the blog for years and read at least the first five volumes of Legends of Windemere will know who I’m going to mention.  Stephen Kernaghan is the biggest monster that I’ve ever met and fits the cold-hearted/remorseless villain for the following reasons:

  • He enjoys inflicting pain and misery.  There is never a moment where he thinks he went too far.
  • He kills others with no hesitation including innocent bystanders.  Some of these deaths are for no other reason than to hurt others.  Other times, he uses these murders for even darker purposes.
  • He will betray anyone because he only cares about himself.  That’s why he talks about killing his own father once the old man has ‘served his purpose’.  It’s another reason why none of the other villains fully trusted him, so you have these villains causing paranoia and distrust in their own ranks.
  • I can’t think of anything he wouldn’t do.  Keep in mind that he wanted to break Nyx and make her his.  It’s implied he did this to Trinity.  By break, I mean the guy is a full on rapist, which is why I was always disgusted whenever I wrote his scenes.  It was suggested that I temper him since I hated him so much, but I really felt like I needed such a horrible creature in the story.  Stephen is someone who will never be redeemed and his presence drew out more humanity from his ‘allies’.

Now, I know this might not fit the ‘cold-hearted’ definition for people.  That denotes a villain who has no emotions and does not care about anything.  Yet, I see many of these types care about themselves.  So, you can have a cold-hearted villain who simply doesn’t care about anyone else and is a full blown narcissist.  There is still ice in there, which makes some sense because it’s encased the heart.  You won’t get anything through there to warm them up, so they will stay cruel and evil.  The only thing that can change it is an internal shift and a path of self-recovery, but those are difficult to pull off.  In fact, I find them hard to believe.

You see, these villains will commit some of the biggest crimes of a story.  They may be defeated to make room for a more powerful antagonist.  Then, they return with a new outlook on life and wanting to help their former enemies.  My issue here is that it’s always too easy and past sins are typically glossed over.  Recently, I finished reading ‘Naruto’ and it bugged me how several big name villains went hero near the end with nothing more than snark aimed at them.  I was finding their sudden nobility and respect by the heroes rather forced.  This could be cynicism on my part, but there was something off about the flow of these heartless, selfish characters suddenly being selfless and helpful.  I won’t say it’s impossible, but it’s a really big jump to make.

So, I’m more interested in to thinking about what other people think about this kind of villain.  Is it believable to you?  Do you think they can be easier to redeem than I’ve made it sound?  How would you write one?

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Sally’s Cafe and Bookstore, New on the Shelves – Pre- Order for August 7th – Racked: Grafton County Series, #4 by Sue Coletta

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Where You Can Find Content for Your Newsletter

P. H. Solomon's avatarStory Empire

Hello and happy Monday to all the Story Empire readers. PH here and back this week with more about newsletters. There are two previous posts about this topic which you can find here and here.

Newsletter content is the topic today, one with which a lot of writers surprisingly struggle. Well, maybe not everyone, but certainly a good number. If you write non-fiction, your newsletter should cover your chosen topic with lots of ongoing information about it. This should keep subscribers well-informed and reading your work.

Many fiction writers are searching for content in their newsletters, it’s usually right under our noses. If you write fiction, that can be much tougher because you may not have easily identifiable topics that interest your newsletter readers. But the important thing is to keep readers – old and new – reading the newsletter so they don’t miss announcements about your upcoming work and…

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Songs That I Can’t Help, But Sing To

Since we’re going to see ‘Frozen’ on Broadway, I’ve been thinking about songs that I end up singing to if I hear them.  I can stop myself if I’m aware of it, but being caught unawares means I’m going to get nailed.   Here are a few and feel free to share your own in the comments:

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A Heaven for Toasters: Chapter 2

Nicholas C. Rossis's avatarNicholas C. Rossis

A Heaven for Toasters | From the blog of Nicholas C. Rossis, author of science fiction, the Pearseus epic fantasy series and children's book After relaunching A Heaven for Toasters, complete with new cover, I promised to publish it here in installments. If you’d rather not wait, I will leave the book at $0.99 until mid-June, when I’ll raise the price back to $2.99.

Note: You can find a link to all published chapters at the end of this post.

A Heaven for Toasters

Detective Mika Pensive has a new partner. He’s hot. Smart. Funny. And an android.

Set in the near future, A Heaven for Toasters is more than a sci-fi crime adventure with plenty of romance and wit. It’s the book that will make you look at your toaster in a whole new way.

CHAPTER 2: Baichis

Sunday, April 18, 2117, 11:37 a.m.

Baichi,” I swore under my breath as Richard’s zoomer swayed wildly to avoid the transparent sphere that overtook us—red stripe cutting it in half. It swished…

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A Long Week Ending with a Short Post

What can I really say about this week?  I went to work for test proctoring (classes on Monday) and then I got maybe two hours to get to training for my summer job.  This was every day except for Friday, which was a doctor appointment.  By that point, I was too tired to do anything since the training periods went to about 9 on most nights.  Dinner was either really early or late because of the timing.  I tried to get extra sleep, but other things reared up whenever I got back.  This was just an exhausting week.

And that’s pretty much it.  I can’t see anything else to talk about since that was all I did.  I kind of finished another puzzle, but the reality is that someone else decided to put in the last 10 or so pieces while I was out.  Couldn’t get to anything on TV that’s worth talking about.  Wrote one blog post for August, but couldn’t get near my writing.  That makes it almost a month since I touched my book, which is wearing on me.  I probably shouldn’t, but here’s one thing I really should mention.

People really don’t get why I think it’s a nightmare to have such a big break between writing sessions.  Continuity and flow of mood is going to be atrocious unless I sacrifice a day to read over a few chapters.  The reason it takes a day is because shit keeps happening here.  I tried this once a few months back and it was a glorious failure.  Used Saturday to read things and planned on Sunday being a writing day.  What happened?  I was thrown off by my ex-wife suddenly texting me about things and was thrown off.  That’s the problem I face here, which people don’t understand.  I’m routinely derailed and it’s reached a point where I wonder what the point is.  You can’t start writing a book, especially part of a series, and disappear on it for months.  There’s no way to remember every piece of foreshadowing, tone markers, and everything else that helps with a proper flow.  Not with the types of books I write.

Many people have also stated that I’ll get back to writing one day . . . I don’t see how this is helpful.  I’ve stated many times that I have 100+ books in various states of outlining.  If I get back to writing in my 70’s, that gives me maybe 10-20 years to write all of those.  At that point, I feel like I shouldn’t even bother doing more than outlining and staying in the shadows.  Even if I was just writing the books to have them written, I wouldn’t be able to finish them before I died at that age.  So, the possibility of me getting back to writing doesn’t fill me with hope.  It brings up the question of ‘will it be too late?’ and another question of ‘what was the point of all of my previous work?’.  I can’t even get to my notebooks these days because I’m either busy, dragged away on free days, exhausted beyond belief, and emotionally crippled by another incident.

This week being so busy and next week not looking any better until Saturday really drove this issue home.  Only finding one person who seemed to get why I was on the verge of tears about it didn’t really help.  Why are artists always told that their time will come or talked to as if they’re overreacting?  History is filled with artists who could never find the time to work on what they love or were talked out of even trying.  Society really doesn’t like creative people until they’re household names, which means those who aren’t there are treated like they’re wasting their time or simply impatient.  For God’s sake, there is a layer of dust on the outline of War of Nytefall: Eradication.  I’m not even kidding on that one.

As I said, this week is going to be busy too.  I have more tests to proctor and 3 weekdays require that I go off to camp right afterwards.  One is setup and the other is when camp starts, but my job doesn’t end until Friday.  Got training on Friday night too.  Because I have to go rushing between locations, I can’t bring my laptop to work on my book in the library like I did once during midterms.  I’d have to leave my laptop in the car with a lot of people around.  My hope is that I can get 2 of the 3 remaining chapters done next weekend, but I’m already seeing that some people demand that I be social.  All I need is 3 days to finish this book and I can put it aside for the summer then return to edit it once camp is done.  Was that really too hard to ask for since I’ve been working for 7 months on a book that I used to finish in 1.5 months?

Yeah, this is more of a rant than goals, but my schedule is fairly set.  Can’t talk a lot about the stuff that happened too.  Test events are kind of private.

Goals for the week?

  1. Parenting
  2. Work
  3. Camp
  4. Sleep
  5. Try to eat better
  6. Puzzle for some relaxation
  7. Maybe write next weekend
  8. Maybe tinker with an outline at school if I have the time
  9. Never eat rainbow cake again
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Finding the Strength to Carry On

Clefairy!

This is another one of those situations where I jotted down a shorthand note about a blog post and forgot what I meant.  ‘Carrying on’ must have sounded good at the time and I swore I’d get to it quickly.  I didn’t and now I’m in another awkward moment.  Most people would trash it and do something else, but I always continue with the idea.  Maybe I’ll get it right.  So, what does carrying on mean?

  1. Ranting.
  2. Loading items onto something.
  3. Continuing to push forward.
  4. Activity done by wayward sons.

As you can guess, I’m going to focus on #3 because that feels like where I would go considering my life lately.  It’s been rough and I’ve been struggling to move ahead in various aspects of my life.  Writing is a big one since I don’t have nearly as much time as I would like.  It’s difficult to find a few minutes to focus and my weekends aren’t running that smoothly.  Something always comes up, which adds more sadness and frustration to the author side of my personality.  I fear there will be a day where the little bit of outlining I get done will no longer be enough.  Going to be really crazy once the summer hits too, so we’ll see how much of me will be left.

It’s funny because I spent 10 post-college years only outlining and editing the same 1-3 books.  You would think I’d have a way to carry on in that fashion once more.  Yet, I learned at the end of that period that you aren’t going to get anywhere if you sit and wait for someone.  I tried to control my path with self-publishing and this blog, which gave me more author success in 5 years than I ever had in the previous 19-20.  I’m going back to high school there.  It’s really hard to put the genie back in the bottle and throw the thing under the bed.  Keep thinking that I missed a key element in getting to the next stage, but I know I can’t put all my time into it now.  My focus is on my job and my son.  Of course, this makes me feel that I squandered my indie author time.

The thing with finding the strength to carry on is that it is both powerful and fragile.  It can propel you forward even if it’s a different path.  Yet, it can be lost or hampered the instant you look backwards.  This can be either by your own actions or somebody simply asking how the old stuff is doing.  I think of it like climbing a very high cliff and you’re told to not look down.  Just don’t do it even though everyone does.  It really isn’t easy to carry on after feeling like you’ve lost so much.

What do you think about carrying on?  Any advice on how to do it?

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Infographic: Online Safety for Children

This is very useful.

Nicholas C. Rossis's avatarNicholas C. Rossis

With the wee one growing up faster than I ever thought possible, I’m already starting to think about her online safety. She’s almost four and uses my tablet more than either her mother or I do, knows how to find anything she wants on YouTube or Netflix (even though she can’t read or write yet), and can download, install, and play pretty much any game from the PlayStore. Even though we’re always around and I’m proud of the way she has mastered the tablet at such an early age, I also feel the need to be constantly vigilant.

My increasing paranoia is fueled by the fact that the Internet can be a scary place for adults, let alone for kids. This was brought home by some sobering statistics I came across the other day on SafeAtLast:

  • 70% of kids encounter sexual or violent content online while doing homework research

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Derailing Bedlam: Not You Again Part 2 #fiction #adventure

As usual, here is your warning that this story has cursing, sex (not graphic), innuendo, and violence.  It’s my Rated-R action adventure called Derailing Bedlam.  This is the fourth outing (third official) for Cassidy and Lloyd, so feel free to click on one of the two covers to see how it started.  Each one is 99 cents!

Cover by Jon Hunsinger

Cover Art by Jon Hunsinger

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Continue reading

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7 Tips on Writing Characters with Healing Factors/Regeneration

Wolverine

One power that I use a lot in War of Nytefall is the regenerative powers of the Dawn Fangs.  They can heal quickly and keep fighting as long as their head and enough limbs are attached.  That second part is debatable for some characters too.  Parts can be reattached if pressed to the wounds as well.  It means that their fights can be very bloody, but only because of how I use this power.  I consider every usage to make sure it still fits, which makes me realize how healing factors might not be as easy to write about as I thought.  It can fall into abuse before you know it.  So, what are some things to consider?

  1. Consistency of the healing factor is key in terms of rate and severity of wound recovery.  You can’t have them struggle to heal a small knife wound to the arm while rapidly healing half of their body getting blown off.  Not without explaining why small wounds take longer than large wounds.  You would also need to make sure it stays that way.  Otherwise, it comes off as a power that works only as well as the story needs it and readers will lose interest in the character.
  2. Not every character with a healing factor is the time to rush into battle and take on damage.  Being able to regenerate doesn’t mean they don’t feel pain.  They still need the right kind of personality to be like Wolverine or Deadpool.  For example, a hero who doesn’t like getting hurt will be more inclined to avoid damage even if they can heal it.  Have them act accordingly.
  3. Leaping off #2, you have to be careful in making a clone of popular healing factor characters.  The rest of the powers and the name might be different, but you need to avoid giving them the same personalities.  Not easy when you have them revel in being hard to kill.  You can still go this way, but you have to prepare yourself for the comparisons and find some other way to make them stand out.
  4. Consider downsides to having a healing factor because they come up more often than you think.  Your audience has thought of them though.  Can someone with regeneration lose a tooth?  If not then do they still have their baby teeth?  Giving blood or anything with an extended piercing of the skin could pose a problem.  Has the healing factor made it that they are subconsciously less careful?  This could lead to them taking unnecessary risks.  Can they shave since hair can be regenerated as well?
  5. If you do have a combat-oriented character with a healing factor then really have some fun with it.  Downplaying it can work at times, but there should be at least one time where the power gets a ‘spotlight’ moment. Fighting heroes will have these much more than others. They love the thrill of battle, so have them abuse their power.  As long as it’s consistent, of course.
  6. While not something to do a lot, regeneration and healing factors can open the door for some extreme physical comedy.  There’s no worry about permanently hurting or killing these heroes.  So, accidents can happen or another hero can lash out in comedic rage with no concerns.  Much of this requires certain characters, story tones, and author preferences.  So, do this only if you’re sure it makes sense.
  7. At some point, you need to establish a threat to this character.  They can’t spend the entire adventure feeling invulnerable and the audience shouldn’t think they are either.  It can be anything that bypasses their hardiness.  You can have special weapons, magic, psychic attacks, devices that block the power, and any number of things that forces the character to think with more caution.  This is how you can evolve the hero or villain beyond their regenerating starting points.
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