Why I Love/Hate Eucatastrophe?

Hero–  I’m rather torn on this subject.

Villain–  I flat out hate the thing.  Almost as much as not having a name for this skit.

Hero–  We can agree on that second problem.

Villain–  Hear me out on eucatastrophe.  It sucks.  I spend all this time before the story begins and while it’s going on to prepare for this schmuck-

Hero–  Hey!

Villain–  I don’t like you, so shut up while I’m talking.  Anyway, I spend an ungodly amount of time and money on my plans.  I do what I can to stop this . . . gentleman from getting in my way.  Then, he shows up, I’m on the verge of victory, and some ridiculous event hands him the win.  Imagine training for a race, you’re almost at the finish line, and then someone goes by on a rocket bike which became legal while you running the last quarter mile.

Hero–  That was a clumsy analogy.

Villain–  So’s your face.

Hero–  Rude . . . I kind of enjoy eucatastrophe in that I can win and avoid death.  All heroes like that option.  We can live happily ever after.  Well, maybe not that.  Many of us develop PTSD thanks to our ordeals, but that’s not on the page.  The eucatastrophe doesn’t have anything to do with that.

Villain–  Why have a I not stabbed your rambling face?

Hero–  Because the guy writing this didn’t give you weapons.

Villain–  Bastard.

Hero–  The real downside is that I don’t really feel like the victory was mine.  I’m happy to live and the world is safe, but a part of me wonders what all of the work was for.  It helps if it’s shown that I did something to help the eucatastrophe to occur. That isn’t always the case, which is sad.

Villain–  Sounds similar to what I said.  These things can really make the idea of training and growing stronger become moot.  Not really for me because one can assume I grew too powerful for the original plan to work.  That is a decent reason for a eucatastrophe to occur, but really only once.

Hero–  That doesn’t make me look good.

Villain–  It is realistic in that you won’t know exactly what I’m capable of or what I’m doing until we meet.  So, there’s no way to perfectly prepare.  An outside force may be what’s needed to at least weaken me.

Hero–  So, a eucatastrophe can also open the door for me to create the win by my own hand.

Villain–  I don’t see why it can’t since it’s all part of the same event.  You’ve been brought from the brink of destruction, but that doesn’t mean the threat is entirely gone.  Only that you’re in a better position to act.

Hero–  I changed my mind.  I like eucatastrophes.

Villain–  I still hate it.

Author–  I hate typing the word.  Glad this topic is over.

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Immortal Wars: Light, Blood, & Tears Part 21

(Disclaimer: A warning to those who continue.  This is a sequel to a previous story.  Both of these were written in the mid-1990’s.  While the first one was slightly edited and vanity press published, this one has not been touched in over 20 years.  I figure I should do something with it and people may get a laugh or fright from how I used to be.  Every author comes from somewhere, so this is part of my origin.  To that end, I am deeply sorry for whatever nightmares I will inflict on the literary world and the American English language.  Enjoy?)

PREVIOUS ENTRY CLICK HERE

The house was like every other house on the block.  Blue siding and a flower garden in front of the porch.  A concrete walkway goes from the driveway to the front porch.  The front door has been recently painted creamy white and the number has been painted gold above an eyehole.

Adriana is standing on the front step for a few minutes before someone opens the door.  She has changed into a dark red dress suit and she carries a leather briefcase in her right hand.  Her hair has been tied up and a pair of thin glasses is on her face.  A police badge and identification are in her.  Both of these items she stole from a cop in one of the mall’s she visited.

“Can I help you?” asks the small woman that answers the door.  Behind her is a stern looking man with dark black hair on his head and chin.

“Yes.  My name is Jennifer Haley.  I’m an investigator for the local police.  A few people at the local high school have been wondering about your son.  He has been missing for a very long time.  I was sent to ask you and your husband some questions.  Do you mind if I come in?” asks Adriana in a serious tone.

“Not at all.  Please come in.  Edward has been gone for over a year.  Why are you investigating his disappearance now?”

Adriana takes a seat at the dining room table and fixes her skirt.  “The department has been kept busy searching for the Mandervale child.  They have a lot of pull with the community, so we have been unable to get any other missing people investigations done until recently.  You and your husband have also been making up excuses for the disappearance that have put many people at ease.  Am I correct?”

“Yes.  For awhile, we thought Edward had just run away or was pulling another of his pranks.  That boy can be such a handful with his antics.  We were told that he had run away from several families beforehand,” explains Mr. Slane.  He sits across from Adriana and crosses his arms on the table.

“Then, why did you not report it sooner?”

Mrs. Slane clears her throat before replying, “Edward tended to disappear for days before this last time.  He was old enough to take care of himself, so we couldn’t do anything to stop him.  My husband and I have a lot of faith in the fact that he can take care of himself.  Besides, it isn’t like we are his real parents.  There’s only so much influence we can have on him.”

Adriana takes off her glasses and puts them in a jacket pocket.  “So, he isn’t your natural child.  Can you tell me anything about his parents?  He could have gone back to his old home or gone off in search of them.”

“I’m sorry we can’t be much help there.  We adopted him from an orphanage outside of New York City.  I don’t remember the name offhand because it was so long ago.  They would know more about the parents than we do,” says Mrs. Slane.  Adriana pulls out a pad and starts to write some notes on it.

“Is Edward in any trouble?”  The question catches Adriana off-guard and she stops for a brief second.

“I’m not sure.  I have only been asked to investigate his disappearance and try to locate him.  I can’t tell if he would be in trouble or not.  Would he be in some kind of trouble?  They told me very little about him before I came out here.  Does he have any problems with drugs or does he have a record?”

Mrs. Slane walks out of the room before she starts to break down, but her husband stays at the table.  “I’m sorry.  She grew very attached to Edward while he was with us.  He was a troublemaker and had been caught for shoplifting and trespassing.  I doubt he was into any type of drugs.  Can I just say something about all this?”

“Go ahead.”

“I think you and your department should just leave him alone.  It’s been over a year and the police had problems finding Edward in the past.  Since he doesn’t want to be found, you should let him stay lost.  He is always welcome in this house and I will not turn him away.  But he’s had a tough life, so he deserves to be left alone,” mentions Mr. Slane.

“We have all had tough lives at some point,” says Adriana.

“Not like him.  His father has been dead since he was brought to a hospital at the age of five.  Most of the families that he lived with just wanted the money that came with him.  He’s been abused and neglected for a very long time, which is why it is nearly impossible to control him.  That is why I think you and your department should leave him alone.  He’s been through enough already,” explains Mr. Slane.

“Thank you for that insight, Mr. Slane.  But I have a job to do and I have to see it through to the end.  Have a nice day, sir,” says Adriana.  She picks up her stuff and sees herself outside.  Without looking back, she goes across the street and makes her way to the local park.  When she finds a secluded spot, Adriana pulls her regular clothing out of the briefcase and changes into them.

“Did you discover anything?” ask Tegam as he appears next to her.  She jumps back and takes a fighting stance before she realizes who it is.

“Geez.  Don’t do that to me, jester.  I’m on edge enough as it is with two crazy guardians in the same galaxy.  But I didn’t really discover anything new.  Fate was adopted and was more of a delinquent than a hero.  I did get the distinct feeling that those two were hiding something.  It was like they didn’t want anyone to find Fate, but I don’t know why,” explains Adriana as she sits on the ground.  A spider lands on her shoulder and she let’s in wander around until it touches her hair.  Then he flicks the thing off and sends it sailing across the park.

“Maybe they know the truth,” says Tegam.

“What truth?” asks Adriana.  Her voice has a tinge of nervousness behind it, but she quickly covers it up with a cough.

“He could have come to them after our first meeting and told them about him being an immortal.  They might know everything about us and that is why they were protecting him.”

“Don’t make me laugh, Tegam.  They wouldn’t know everything about us even if Fate had told them about the guardians.  We don’t have time to figure out if that is true or not.  I hope you got some information while walking around the house.  Did you get an address?” asks Adriana as she gets up.

“I couldn’t take the paper, but I know where to go.  Follow me,” says Tegam as he turns invisible.  Adriana just stands there with her arms crossed.

“I should have taken Cybro with me.  At least I can turn him off when he does something stupid,” she mutters.

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7 Tips to Using a Eucatastrophe

As we established on Monday, eucatastrophe is when a story ends with the protagonist being rescued from the clutches of doom by an event beyond their control.  So, how can you use it intentionally?

  1. First big rule is that these are typically happy endings.  The hero is being saved and claiming victory, which tends to be a good thing.  While this can have a dark twist afterwards, a eucatastrophe holds a moment of optimism that things are going to work out for the best.
  2. Unlike Deux Ex Machina, eucatastrophe works within the rules of the world.  You cannot change how magic works in the final hour just to save the day.  Not unless you have noted that what’s about to occur is possible and the circumstances are there to make it so.  Readers need to see the rescue happen and go ‘I can see how that makes sense’ instead of ‘where did that come from’.  Seriously, you never want to hear that second option.
  3. Eucatastrophe doesn’t always have to involve a villain falling into a volcano because of their own actions.  You have cliffs, meat grinders, bottomless pits, whirlpools, alligator pits, icy chasms, man-eating pits, and a whole variety areas that are ripe for plummeting villains.  That or you can do something other than that option.
  4. If you come up with a eucatastrophe idea near the end, but it doesn’t really fit then add it anyway.  There’s always the option to do an editing run where you change things to make the ending plausible.  It could involve a rewrite or adding a single legend/scene to establish what you need.
  5. Try not to immediately undo a eucatastrophe as a way to trick the audience.  You get your shock value, but it also means you didn’t actually use a eucatastrophe.  It was a red herring since it wasn’t the real ending.  People may argue this point, so it really is an opinion.  Still, you will damage the trust of readers if you keep pulling the happy endings away.
  6. Even though this event is going to happen beyond the protagonist’s control, they still have to work towards their goal.  They don’t usually know that this is about to happen, which is why they aren’t controlling it.  So, they need to be fighting to the end or falling into sorrow because they think they’ve failed.  Otherwise, it feels like they knew their butts would be saved, which makes one wonder why they were needed in the first place.
  7. The protagonist having no control over the event doesn’t mean they lack any influence over it.  While it might not be in the moment, it helps for them to have done something that made the eucatastrophe more of a possibility.  For example, being nice to a hermit who they ran into near the beginning.  This hermit may turn out to be a god who now owes the protagonist a favor.  It’s out there and cringe-worthy, but it’s plausible in the scope of the story.
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How to Write Point of View, Part 1, Overview

Image by Gerd Altmann from Pixabay Hi SErs! Harmony here 🙂 Today, I’d like to introduce a series of posts on how to write Point of View (POV). Below…

How to Write Point of View, Part 1, Overview
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Teaser Tuesday: Big Puppy

Cover Art by Sean Harrington

Coming in at number was Kira Grasdon.  I’m happy when she comes up in a poll like this because I don’t get to promote her solo adventure very often.  Enjoy this piece of Quest of the Brokenhearted.  

Continue reading

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Eucatastrophe: It’s a Real Word, Spellchecker

Gollum

Coined by J.R.R. Tolkien, this type of event is one that closely resembles Deus Ex Machina.  That means people don’t like it.  Tolkien did say that this could happen with the use of Deus Ex Machina, but that isn’t easy to pull off.  So, what is it?

Eucatastrophe–  Combining the ‘Eu’ prefix for good with ‘Catastrophe’, this is when a sudden event at the end of story helps the protagonist.  It ensures that the hero doesn’t fail or die.  For example, Frodo having succumbing to The Ring still accomplishes his goal due to Gollum taking it, and the connected finger, into the volcano.  Clearly, that wasn’t the intention, but it saved the day.

It really is hard to see how this is different from Deus Ex Machina if you are only looking at the basics.  That would be the hero being saved by an event that is out of their control, which is how they both operate.  Frodo is not in control of Gollum’s actions or aware of the attack being what saves the day.  In this way, many people get the two types of endings mixed up.

The big difference is that eucatastrophe is plausible even if it happens beyond the control of the hero.  It doesn’t come from nowhere.  We know Gollum wants The Ring and will do anything to get it back.  We can believe that he would pounce to stop it from being destroyed and claim it for himself.  We can believe him biting Frodo’s finger off even though it gets him killed since his obsession is shown to be all-consuming.  Nothing that happens at the end of this story is implausible.  Surprising and unexpected?  Yes.  Yet, still possible under the rules and continuity of the story.

Another aspect of eucatastrophe is that it’s optimistic.  Hence, the ‘eu’ or good prefix.  It’s basically a disaster in favor of the hero.  Weird way of putting it, but that’s how the word kind of translates.  This connects the term to ‘Plot Armor’ as well, but it’s not as blunt and ridiculous.  Again, there is evidence that the event can occur even if you have to read a second time to see it.  It also means that this is a ‘happy ending’, which can strengthen the Deus Ex Machina idea.  Such a delicate literary term, but I think it’s because you don’t see it very often outside of certain circles.

I don’t think this is as difficult a trick to pull off either.  For a Plotter, you have the good ending in your head and know how to set the stage.  Even if you switch to another idea, it will probably be something else that turned up and proved to be a better option.  For a Pantser, it could end up being a cool idea that comes up from something else you did.  There’s some connection to what’s been established, which is what eucatastrophe is built upon.

So, what do you think about Eucatastrophe?  Have you ever used it even by accident?

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Songs of the Past Year for Me

The last year and a half have been brutal.  More so for me if you count the divorce stuff beforehand.  Anyway, I noticed a few songs really grabbed me during the pandemic and hit me harder than others.  Part of the reason was that I had been paying a lot more attention to lyrics and my own mental state.  I’m sure I’ve used most of these on the blog at least once.  They’re all Alternative/Pop/Rock too.  So, nothing old school because I typically don’t run into those songs when driving.  Sorry.

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Goal Post: I Have No Witty Title Here

It was a week . . . Think we can all agree on that.  I mean, 7 days equal a week and that’s how long it’s been since I do a goal post.  Thank you for your time and I’ll see you next weekend.

Things were a bit crazy lately.  A few dramas caused stress and caused activities to be moved around.  My son started his first camp of the summer and was having problems in the morning.  This camp only goes for 2 weeks and then another for 3, so I’m sure this is going to be a morning ritual for a while.  He’s scared of the changes even though he acts brave before he has to face it.  Same thing that was going on during the school year, but it’s exhausting when I’m trying to recover my own energy.  My hope is that a relaxing weekend helps him get in the right mindset for next week.

A current issue is that I’m in pain . . . again.  Why can’t my body develop injuries during periods I’m not trying to do things?  This time it’s my lower back again, which is making it hard to sleep.  Of course, my fatherly duty required that I grit my teeth and follow through my promise to take my son here:

Osprey on Nest

There’s a nature area with nesting ospreys and we had agreed to go see if they were about this weekend.  Regardless of the pain in my lower back and the difficulty in walking, it was worth it to sit with my son and watch the osprey standing guard.  Other animals were about, but this guy or girl was the goal.  Now, I can rest up for the evening and hope my spine fixes itself.  Although, there are signs that it’s actually an IBS (irritable bowel syndrome) flare up, which can also set off my lower back.  The opposite is possible, so it’s always a mess.  Ibuprofen, icy hot, heating pads, and ice packs aren’t making much of a dent, but the Pepto Bismal did something.  Guess we’ll see what happens.

Television wasn’t that interesting.  I watched the ‘Transformers: War for Cybertron’ shows upon recommendation.  They didn’t grab my interesting.  Felt like a big thing would start up and then fade away by the end of an episode.  Definitely rushed and I was having trouble keeping track of names that weren’t Megatron, Optimus Prime, Bumblebee, and Starscream.  I had to look at Wikipedia for a character list and then guess as to who was who until someone was named.  Never been the biggest Transformers fan, so maybe that was an issue.  Think I’m going to step away from animation for a bit and watch ‘Leverage: Redemption’ once I get more TV time.

Am I forgetting anything?  Oh yeah!  This is an author blog even though I don’t do a lot of author stuff.  First, I keep getting messages on social media asking if I want a book review or to be promoted.  It happens right after a follow someone back and with no real communication beforehand.  These always turned me off because it felt pushy and I remember getting taken advantage of in the past.  Either the person made off with a free book or money without leaving a review or responding to an email.  Not sure if I’m just paranoid or this is what I’m looking at.

I did manage to get most of War of Nytefall: Anarchy edited.  3 chapters to go, so I’ll finish on Monday.  I’m genuinely surprised because so much was going on that I never noticed getting through 15 chapters.  Parts of the story still gnawed at me, but it was more because I felt like I should add more with one character.  This one doesn’t have a lot of personality, so all attempts fell flat.  I added stuff that explained why they weren’t as active as one would expect though.  Another new character kind of stole the show because they have a big personality.  Not sure when this will be published.  I’m hoping for the Fall, but I need to contact my cover artist first.

I’m aiming to start writing my next series next Friday because I have work for 2 days and time with my son.  This would be Slumberlord Tales: Darwin & the Fate Bracelet.  As you can see, I’m trying to see how ‘Slumberlord Tales’ fits instead of ‘Tales of the Slumberlord’.  This shortens the overall title a bit.  If I’m feeling ambitious then I might do one section on Thursday.  A lot of it depends on my energy, back, and if people try to get me to do things.  Seems like a big theme of the summer is that me being on break is a signal for others to give me errands or make me socialize.  Normally, I would be fine with it, but my social battery is low due to stress and drama.

Anyway, time for the goals:

  1. Time with son.
  2. Work days.
  3. Finish editing War of Nytefall: Anarchy
  4. Rest up my back or clear my IBS.
  5. Tinker with notebooks a few times.
  6. September posts
  7. Start Slumberlord Tales: Darwin & the Fate Bracelet
  8. Hit the restart to install updates on laptop . . . Well, bye.
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What’s an Idiot Plot?

Yahoo Image Search

I was trying to find what would be the opposite of ‘Plot Armor’ when I came across this term.  It is:

Idiot Plot–  The story is only able to continue because everyone involved is an idiot.  This means that they either cannot recognize the easy solution or are unable to gain the knowledge needed to get to that conclusion.

Pretty sure all of us can think of a movie, show, or book where we thought the characters were idiots for not seeing the clear answer.  This happens a lot in horror movies, but fantasy and science fiction get it too.  These genres are filled with characters who aren’t that bright or their IQ drops at the worst possible moment.  I think that second option irks me the most because it’s so blunt.  At least with people who are idiots from the beginning, you expect them to screw up.

Funny thing is how realistic the ‘Idiot Plot’ is, but we still get annoyed.  It’s frustrating to see an answer that the characters don’t notice, which causes the story to keep going.  Yet, we run into situations where people make decisions that we see as clear mistakes.  Then, disaster occurs and we’re left steaming over feeling like the only ones in the room who know what they’re doing.  In this way, I think the ‘Idiot Plot’ is more believable than ‘Plot Armor’.

Even with the realism, authors can get crucified for using this concept, especially since we don’t always realize it’s there.  In our minds, we see a perfectly good reason for the characters to make certain decisions.  Maybe we couldn’t find a way for them to get all of the information that they need or it’s simply in their personality.  Either way, the ‘Idiot Plot’ is camouflaged until a reader gets into the story.  They add their own experiences, knowledge, and personality to the scenarios, which shows them the obvious answer that the characters miss.  Gets hard for some readers to continue following heroes who seem to be their own worst enemies.

My methods for injecting the ‘Idiot Plot’ into a story have been simple, but they still kind of backfire:

  1. I make it so that the character’s personality drives him or her to making a bad decision that keeps the story going.  Luke Callindor is a great example.  He’s impulsive and reckless, so he’s prone to creating messes or deviating a story.  He utilizes the ‘Idiot Plot’ to keep going because that’s his nature.  Readers still complain about him not seeing the obvious.
  2. I create situations where the characters don’t have time to think.  People make mistakes when rushed, especially with delicate problems.  If it’s clear that they can’t step back and think then a reader can see that they will jump to an idea that isn’t the real solution.  Again, some readers will ignore the time constraint and complain about the blunder.

It’s a fairly simple concept, which might be why it can come under fire.  Have a character make a mistake and watch the story continue.  Heck, the biggest one that I just thought of is the infamous ‘why doesn’t the villain just shoot the hero?’.  I genuinely wonder if people who ask this realize that this would end the story so quickly that it isn’t worth paying attention to.  Unless it leads into a revenge tale, but that needs to be established earlier too or saved for a sequel that will be met with a similar question.  Really is an endless cycle that requires stupidity in there to make it interesting.  Think that’s why I really like this term and using the technique at times.

Have you ever used the ‘Idiot Plot’?  What do you think of it?

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Immortal Wars: Light, Blood, & Tears Part 20

Because I don’t want to leave this unfinished.  We’re back to this unpublished story, which I have nothing else to do with.  Gives me time to figure out a Thursday replacement for when the time comes.

(Disclaimer: A warning to those who continue.  This is a sequel to a previous story.  Both of these were written in the mid-1990’s.  While the first one was slightly edited and vanity press published, this one has not been touched in over 20 years.  I figure I should do something with it and people may get a laugh or fright from how I used to be.  Every author comes from somewhere, so this is part of my origin.  To that end, I am deeply sorry for whatever nightmares I will inflict on the literary world and the American English language.  Enjoy?)

PREVIOUS ENTRY CLICK HERE

“She has been lightly sedated.  You can put her on the bed, Draveon.  What exactly happened when you returned to the shuttle?” asks Cybro while the villains stand in a fancy hotel room.  Adriana is quietly drugged and laying peacefully on the bed while the others watch over her.

“I already told you everything I know.  Hydrana attacked us and the sword of light temporarily blinded me.  When my eyesight returned, Adriana was slipping in and out of consciousness.  She was still trapped in the frozen lake.  Who ate all of the food in the tiny fridge?  Anyway, Adriana mumbled something about the guardian implanting some bad memories into her brain.  She also said that most of the memories were destroyed by her defenses, but the mental fight took a lot out of her.  She barely had enough energy to talk,” explains Tegam.

“This is not a long-term condition.  It is not even a short-term condition.  She should be fine in a few minutes.  Your explanation does tell us why our leader’s mind was attempting to self-destruct.  It would appear that it was the only way to prevent the memory exchange from doing anything to her.  It was a very drastic, but necessary, action.  I just wonder where Adriana learned such a technique.  Mental self-destruction at that magnitude is not one of our powers.  What are you staring at?”

Draveon snaps out of his trance and replies, “Adriana.  She looks so peaceful that it’s very hard to believe what she really is.  If I were seeing her for the first time, I would actually think that Adriana was a sweet, innocent human being.  Instead, of the cunning seductress that wants to rule the universe for eternity.  She’s probably the sanest of us all, yet she acts more evil than all of us.”  Tegam begins chuckling in the corner as he uses his whip to turn a plotted plant into a pile of chocolate bars.

“It is no act.  She was born evil and will always remain evil.  If Adriana had her way, all of us would have been killed and resurrected just so she could enjoy killing us again.  Adriana cares about no one,” retorts Cybro.

“What about her precious daughter?  You’ve witnessed what happens when Kilanus is either hurt or missing.  If given another choice between being good and being evil, I honestly believe she would turn against us.  That makes her even more dangerous to us.  Adriana’s compassion is what helps her lead us, Cybro.  It proves that even the darkest of souls can hold some amount light,” mentions Tegam, whose voice is suddenly deeper than his usual high-pitched tone.

“Amazingly poetic, jester.  Of course, you’re wrong with that thing about me changing sides.  And thank you for saving me,” says Adriana as she tries to sit up in the bed.  Draveon lets her lean on his muscular shoulder like an innocent child until she can stay upright on her own.

“It looks like sleeping beauty awakes without a kiss.  Course I don’t think any of us would volunteer for that job.  Are you feeling better?” whispers Draveon after he tries to hand her a glass of water.  She quickly starts to shy away from the liquid, but her thirst makes it impossible to resist.

“Water is the last thing I want to see right now.  Slight change to our plan.  Tegam and I have to take a trip to Long Island.  There are some more questions that I need answers to.  You two can start causing havoc with the police like we had planned from the beginning.  I don’t want any screw ups, guys.”

“Very well.  But is there anything you know about the Neptune guardian that Tegam couldn’t tell us?” Cybro questions.

“A little.  Hydrana is still out there hunting us and she is getting crazier every hour.  And Fate may be joining her side at any given moment.  She did the same stunt to him that failed on me.  Thank god I’ve been around long enough to build some psychic defenses.  So, try to avoid Fate and Hydrana unless you know for a fact that they are back to normal.”

“Calm down, Adriana.  They are mere children compared to my power.  Why should I be afraid of them?” asks Draveon.

“Why?  Because I said so, you brainless idiot.  Both of them are dangerous enough when they aren’t crazy.  If I find out that one of you took on either of those guardians, and you happen to survive, I will personally put you out of my misery.  The only exception to this rule is if they hit first and you have to fight to survive.”

“But, Adriana . . .”

“No buts, Draveon.  Now, go before I get really nasty and do something that I’ve wanted to do ever since you were created.  Leave!” orders Adriana.  She slides out of bed and grabs her staff before leaving.  Tegam is a few steps behind her before he turns invisible and closes the door.

“Where should we go, Draveon?  She has left all options open for us.  Well, all except the option of destroying Hydrana and Fate.  But the chances of us meeting either of them are near impossible in a city of this size,” says the cyborg, who is on the balcony.  He flies down to the ground while Draveon silently leaps from balcony to balcony with inhuman ease.

“There is one place that I have always wanted to visit.  But there are many children there and I swear that none of them will be hurt.  Or else I will destroy you, robot,” answers Draveon.

“Fine.  They cry too much anyway.  Where are we going?”

“It will a lot be better if I show you.  Come on.”

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