Using Giant Monsters in Books

Godzilla

There have been times when I’ve used a huge monster in my stories.  Legends of Windemere had dragons and various giant species.  War of Nytefall had vampirized giants and other massive beasts.  They were fun to write, but I always wondered if I did them justice.  After all, they depend a lot on suspension of disbelief and the audience’s imagination.

Television, video games, and movies have it much easier.  They show you how big these creatures are, so everyone gets the same visual.  There’s no questioning how big Godzilla is because you see him there.  When show in contrast to people and cities, you get a sense of how dangerous it is to be around him.  It’s instinctive in a way since we’re working entirely off our senses.  Our imagination doesn’t have to put much effort into crafting the scene since it’s right in front of us.  Sadly, books don’t have this luxury.

Authors have to craft the scene and stir the imagination to bring these monsters to life, which can dance around the ‘show don’t tell’ accusation.  To some extent, you have to tell the person that this threat is BIG.  Showing that they are through actions and adjectives doesn’t always work.  Sometimes you simply have to say ‘the giant dragon’ and beat the reader over the head with the fact that this thing is massive.  Otherwise, you get a few people who downplay the scale in their mind and that can change the way that the scene works.  Part of is that because everyone has their own definition of what constitutes a huge monster.  One person may think elephant while another one thinks skyscraper even if the story gives hints of size.

I try my best to describe my giants with terms that make it clear that they’re big. If they’re in a forest or city then I make sure to note that things are getting damaged as they move around.  Objects that are typically impossible to move are thrown or knocked around like they’re made of paper.  For example, a wagon or shed getting hurled across a clearing can be a good indicator of size.  Having someone view them from a distance and note how they tower over nearby things helps.  Describe the setting in a way that focuses on how everything around the giant appears smaller and fragile.  Combining these tricks should help in getting the point across.

With fantasy, I believe giant beasts are a staple whether it be humanoid, demon, dragon, trees, or golems.  Even mythology used giants because there’s something epic about facing an opponent that is bigger than anything natural.  I’ve seen people try to steer away from these monsters because they aren’t scientifically sound.  Yet, that’s part of what makes them frightening.  You know they aren’t able to exist in reality, but here they are in this fantasy world.  It makes them more mysterious and unnatural, so you can’t even be sure they can be killed the same way.  This is probably just me though.

So, what do you think of giant monsters?  Ever use them or do you avoid them?

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#Newbook – No Such Luck by Staci Troilo – Romance Novella 99¢

I am very excited to have Staci Troilo visit Fiction Favorites today. She is a Story Empire fellow team member, a very talented editor, and a best-…

#Newbook – No Such Luck by Staci Troilo – Romance Novella 99¢
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Teaser Tuesday: A Sadistic Father’s Tears

Cover Art by Jason Pedersen

This excerpt from Legends of Windemere: Warlord of the Forgotten Age comes really close to spoiler territory.  Have to wonder what comes next since it doesn’t cross that line.  Enjoy!

Continue reading →

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The Massive Monster Mart

Monster Size Chart from D&D

Welcome to our island chain store.  Yes, I know we only have one island, but there are hundreds across the world.  You can’t create giant monsters in city limits or the suburbs without getting into trouble.  Best to keep them isolated and let the customer be responsible for all damages.  Oh, sign this waiver before we begin.  It’s exactly what you think it is and more.

Now, here is our size list.  We don’t sell anything smaller than a two-story house, which doesn’t count tall hair or horns.  It’s from sole of the foot to top of the skull, so anything over that isn’t included in the size.  Of course, putting too much on the head of even one of our creatures will cause balance issues.  Not to mention the neck snapping and we don’t provide refunds after the final sale.  I see you’re on the Empire State Building example, which is our best seller.  Many go for the Shanghai Tower package, but they inevitably return to get a smaller model.  The reason is because the monster requires too much maintenance and there’s no way to hide it again once it’s been released.  The ESB is huge, but can be stashed in a variety of locations found within your average city.  Invisibility isn’t an option here.  Sorry.

Let’s talk about species. For obvious reasons, apes and dinosaurs are popular.  Wolves are common for our northern customers while squids are a favorite of those who are focused on the sea.  We are currently out of sharks due to another movie being made.  You can combine up to four beasts using this chart.  The divisions are head, torso, extremities, and tail.  I will warn you that we do not prevent our customers from crafting faulty beasts.  For example, a large chicken that only breathes through gills and has barbed tails.  Such a creature would suffocate out of the water and the feathers would hamper swimming.  In other words, choose your pieces carefully.  Okay, you will have the grizzly bear body with an alligator’s tail, limbs of a gibbon, and head of a condor.

Finally, we have special additions that don’t normally come from the pieces that you have just chosen.  Think of this as the miscellaneous category.  As you can see, the book is big enough to cover that entire table.  Seems one of our employees got crushed underneath it too.  Mop and bucket in the special additions room!  Do you have anything in mind?  A blast of lava from the mouth is possible.  We will have to charge extra to reinforce the digestive system to protect it from burning.  A fan on the end of the tail . . . We can work something out.  Waterproof the fur, webbed extremities, heat vision, and a single bellybutton harpoon.  Strange combination, but all of those are on our list.  Sorry, but we don’t have any regeneration abilities.  If your monster loses a part or needs repairs then you will have to bring them back here.

Well, that covers all of the basics and extras.  As you can see, giant monsters aren’t as complicated to build as one thinks.  The real challenge is in crafting the proper origin to explain it’s existence.  Please follow one of our free range, coffee-fueled authors to the back room and they will help you with that.  It doesn’t matter if it’s true or not.  Most people will be too busy running to correct you, but it helps to be prepared.  Thank you for your business.

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1984?

Hello SE friends, Gwen with you today, and I’ve an unusual topic to share. It was generated by recent comments made by neighbors, friends, and family…

1984?
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A Dwindling Idea that Keeps Hanging On

Neon Genesis Evangelion

The above picture is from an anime that I really liked in my 20’s.  I haven’t watched it in a long time, but I remember it fondly.  That’s weird because it’s a really messed up anime by the end.  That part aside, I was inspired to design my own story that was similar to this and . . . Well, this is what I remember.

I had it take place on Earth after the entire planet became polluted.  Humans did something that awakened these giant beasts that contaminated the environment and fed off the toxins.  A few colonies survived within domes that are under constant attack from the beasts and mutated wildlife.  Occasionally, they manage to erect new ones, but that’s rare because the crew are typically attacked within 24 hours of starting.  So, humans are facing extinction since it’s only a matter of time before the domes fail.  Yeah, I’ve seen this setting turn up a lot.

The only defense is something new coming out of one colony.  Soulless beasts (chariots) have been found and a machine was made for a person, typically a child, to put their souls into the empty husk.  Once inside, they can attack and kill the pollution-creating monsters with the hope that eliminating them would purify the planet.  I based each beast off a mythological creature too.  Think there were 4-5 of them.  All I really remember is that I had one called Gullinbursti after the Norse boar.

The characters . . . I remember a girl who was immune to the toxin.  There was a boy who was just learning how to use his chariot.  A snobby girl and a nerdy boy were in there too at some point.  I think there were a bunch of adults as well.  The thing is that I really did carbon copies of the Evangelion characters, which is all I can remember.  Think there was a twist at the end . . . Time for me to fess up.

‘Chariots of the Soul’ keeps getting added to my ‘Works in Progress’ list, but I can’t find the notes.  There are scraps of ideas, but the original stuff hasn’t been located yet.  Not that it would help me out much.  I discovered enough to show I had begun working on a way to bring the concept to Windemere, but everything ended in question marks.  This was from a time period where I was desperately outlining and writing notes at jobs that were eating away at my soul.  There wasn’t any time to write, so I did this and jammed the notes into the nearest folder.

From what I can gather, I was going to have the story take place on an island that is polluted from people digging up treasure.  This reduces the scale of both the story and the terrain though.  I’m thinking now that I have the dome be over the hole and those who live there do so to stop the beasts from getting out.  The chariots can be constructs that the heroes use and take into an underground realm where they take on whatever is down there.  Guess the goal would be to find a way to permanently seal the hole and discover what exactly they uncovered.  Does this make any sense?

Strangest thing is that I keep putting it in my superhero list, but they should probably be with the organizations.  Creating a group around this issue can help to expand on Windemere’s overall society.  Maybe I can connect it to a kingdom that was looking for resources.  I could also have it be one of the races that lacks a capital/kingdom, which is why they were digging around.

Personally, I don’t think I can have this go for longer than a book.  It would run like Quest of the Brokenhearted with each chapter involving a monster or some type of challenge.  It could be a short story set up too.  This is why I needed to do a post like this.  Helps clear my head because hitting ‘Schedule’ makes me take it seriously.

Doesn’t help with one pain in the ass series, but you can’t win them all.

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Goal Post: At Least I Have Legos

I’d say I’ll save the Legos for the end, but I’m sure people will just skip to the Slideshow to see what I made.  Hope people come back to here.

Not that I have a lot to talk about.  The week was entirely about work and helping my son studying for tests.  The hardest part was that my son had Election Day and Diwali off, but I didn’t.  I know it is what it is, but it bummed me out a bit.  This was made worse by all of my time with him revolving around studying.  He passed everything and even got 100 on one of them, so it was worth the work.  The stress was a lot on us though, so we had plenty of rough patches.  I ended every day collapsing on my bed and watching the new season of ‘Jojo’s Bizarre Adventure’.

I covered a lot in one paragraph.  Wait.  HALLOWEEN!  I can’t show a picture of my son in his costume for reasons.  Only on sites where I can lock out most people who follow, so this ain’t it.  His costume was a combo where he wore the clothes for Kakahis from ‘Naruto’ and the hat/antlers of Tony Tony Chopper from ‘One Piece’:

Kakashi

Tony Tony Chopper

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It was a great combo and he had a blast, especially when he got to trick or treat with his baby cousin.  She’s 13 months and dressed a witch.  She only made it around the block, so my son and I did the rest on our own.  He ended the outing with 3 bags worth of candy before going to his mom’s for the rest of the holiday.  Kid is set for candy until next Halloween.

Writing-wise, I haven’t gotten anywhere with anything.  I hope to finish the December posts this weekend and then work on the War of Nytefall: Eulogy blurb when I get a chance.  I have 7 posts to do without counting the teasers.  I’m still deciding on if I should set those up now or wait until the book is out.  Then again, that’s during Hanukkah and I might be too busy.  Probably best to set it up now and add the links once the book is live.  It’s going to be a low key release too because I’m not getting many volunteers and things are too busy for me to go crazy.  Maybe I should be happy with just releasing books and hoping people stumble onto them.

Nothing else is going on here.  Sorry that I’m so boring or I can’t talk about the big events due to privacy issues.  Really wish I could vent about some things without causing trouble for myself.  Guess that’s life.  This time of year tends to get iffy with the weather changes, holidays, and busy work schedule too.  Tests too.  My son has one more to go before the end of the quarter and it’s the toughest subject: math.  I’ll find some way to celebrate him doing well next weekend.

Goals of the week:

  1. Finish December promo posts.
  2. Help my son with schoolwork.
  3. Take him on an adventure on Thursday.
  4. Watch TV
  5. Puzzles
  6. Pizza
  7. Sleep if possible
  8. Holiday shopping?
  9. Contemplate the point of existence.
  10. Post a slideshow of my Lego project:

This slideshow requires JavaScript.

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The Limitations of Zany Series and Stories

Bugs Bunny

The biggest danger with writing a series that is designed to be crazy and off-the-wall is that you can easily go too far.  You feel like you have to up the insanity with every episode or chapter, which eventually hits a point of incoherency.  Nothing will make sense and most of the audience will drop out.  After all, why continue watching when the rules are broken and the story no longer makes sense?  Better to stop, especially if the experience is no longer funny.

One thing to realize is that crazy antics are to comedy what gore is to horror.  They require a little bit of shock to hit their target.  If you see them coming then they lose some of their impact.  Doing both too often can result in desensitization, which means the audience has no reaction.  They will expect things to go wild, so there’s no longer any tension that can help in getting people to laugh.  Imagine if Bugs Bunny spent 10 minutes doing the same anvil gag to Yosemite Sam.  It wouldn’t be long before you go ‘here goes the anvil’ and roll your eyes.

Another limit is that the craziness can overshadow the story and run it off course.  A writer might think a joke is going to be amazing.  They could very well be right.  Unfortunately, this can come with a sacrifice.  If a character is a target of the gag then it might be hard for them to stay in their role, especially if it was a serious one.  The crazy can ruin the mood of a scene if it required the tension.  Depending on the story’s baseline coherency, you might not have this problem.  Yet, any level of seriousness can take a hit if a joke is timed incorrectly.

As usual, comedy is subjective, so you aren’t going to amuse everyone with every gag.  A reader might enjoy the 4th wall breaking, but be turned off by the slapstick.  Others will get confused by the puns because they don’t understand them.  It helps to have a variety of humor sources to appease multiple groups.  They will scowl at the ones that aren’t for them, but switching up enough will get the point across that there’s something for everyone.  Well, people who are interested in a serious story might have to go elsewhere until they’re in the mood for crazy.

A final limitation is that you cannot predict if people will get a joke.  It could fall completely flat outside of your own mind or social circle.  The further it travels from you, the higher the risk of it running into someone who doesn’t get it.  Never take this to heart or try to explain the joke.  Similar to magic tricks, explaining things will only do damage, especially if other people are paying attention.  This might work for puns, but that’s a stretch too.

What limits do you think a crazy, zany, wild story has?

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Immortal Wars: Light, Blood, & Tears Part 36

(Disclaimer: A warning to those who continue.  This is a sequel to a previous story.  Both of these were written in the mid-1990’s.  While the first one was slightly edited and vanity press published, this one has not been touched in over 20 years.  I figure I should do something with it and people may get a laugh or fright from how I used to be.  Every author comes from somewhere, so this is part of my origin.  To that end, I am deeply sorry for whatever nightmares I will inflict on the literary world and the American English language.  Enjoy?)

PREVIOUS ENTRY CLICK HERE

The inside of the museum is very dark and quiet as Fate wanders around the empty hallways.  Every now and then, the guardian comes across a group of people that are cowering in the shadows.  A few quick words of comfort are all he uses to get them to leave the museum.  When he gets to a room with a blue whale hanging from the ceiling, a sadly predictable sight greets him.  Suspended from the whale is a dead cop, whose neck was snapped like a toothpick.  There are big, red blotches of lipstick all over his silent, smiling face.

“I hope you like it.  Originally, I was thinking of doing the traditional head on a pike.  But this way is so much cleaner and a lot less nauseating,” says Adriana from atop the stuffed whale.  She gracefully jumps down and leans against a display case with a fake Portuguese man-of-war in it.

“Why did you kill him?  I was the one you wanted,” responds Fate as he draws the magic sword.

“The guard?  His death was an accident, but I decided to make some use of him.  You were taking far too long, so I found a new playmate.  As you can see, I was a tiny bit too rough with him, but at least he died with a smile.  Human beings are such fragile creatures.  Can you please put your weapon away before you do something that I will regret?”

“Not a chance.”

“Look, Eddie.  I left my staff on top of the whale and I want you to put your sword up there.  Personally, I think we would have much more fun in a no weapons battle.”  The Mars guardian begrudgingly throws the sword of light onto the blue whale while Adriana runs to the doorway.

“I thought that you wanted to fight me.  So, why are you running away?”  Fate leaps over to her and lifts the blond off the floor by her tight shirt.  Adriana simply laughs before slapping his hands away.  She begins to back away while silently beckoning the guardian to follow with a quick movement of her fingers.

“Show a little patience, Fate.  I have something important to discuss with you.  So, let’s walk and talk.  The problem is that I have had to be secretive with this for a very long time.  Hard to break habits that one has had for so long.  It will be a lot easier once I give you your present,” mentions Adriana while they walk through a two-floor room with a large elephant herd.

“What present?” Fate asks.  Adriana starts swinging on an elephant’s tusk like a playful, and adorable, monkey.  When she gets enough momentum, the voluptuous immortal flips onto the guardian’s shoulders.

“That is my little secret.  But I can tell you that this item is something that you lost a long time ago.  And you can’t even begin to guess what it is.  So, don’t waste time trying.”  She kisses Fate on the forehead before she gets off of him.

“Are you feeling sicker than usual?  You’re acting much too weird for me to possibly take you seriously.”

“I’m fine.  It’s just that I thought you loved girls who are playful and sweet.  Or I am reading Kelly’s usual behavior the wrong way.  But since you insist and you are the guest of honor, I’ll try to act serious.  But it won’t be easy.”  Adriana lies down on a bench and slowly calms down while Fate cautiously sits next to her.

“Let me see if I understand this.  You acted like that in order to make me give you all of my attention?  You’re losing your touch.  Why not use your powers and make it easier and a lot less embarrassing for yourself?  Anyway, I won’t join you.  So you shouldn’t waste time your time.”

“Good point.  Although, I do so love a challenge and, if you remember, my powers don’t work so well on you.  Besides, I was only trying to get you to relax and have a little fun, which obviously didn’t happen.”

“So, why did you even mention me loving you?  That won’t happen in a few million years.”

“It will happen.  By the end of this day you will love me like you never dreamed.  Or maybe you have dreamed about it and don’t know it yet.  Just wait until you get your present.  Well, that’s enough resting time.  Follow me for the surprise of your life.”  She swiftly leads him into one of the dinosaur exhibits.  When they stop near the large Tyrannosaurus skeleton, Adriana spin kicks Fate in the face.

“I guess we’ve stopped with the walking and talking.  You’ve gotten stronger since our last bout,  Adriana,” says the Mars guardian.  He grabs the woman by the arm and tosses her over the towering skeleton.  She bounces off of the wall and lands gracefully on her feet.

“I’ve been working out just for this particular fight.  Well, it’s not really a fight.  I prefer to call it the party’s entertainment.  Wouldn’t you agree, birthday boy!” she hollers while Fate leaps at her.  She falls onto her back in order to push the younger immortal over a display case by using her legs.

“This isn’t my birthday.  It’s not for another six and a half months.  How would you know when it is anyway?”

“I’ll tell you later.  All you have to know is that your entire life has been one big lie since you hit the age of five.  And I am the only one who knows the truth.  Today you are going to be reborn into what you were supposed to be.”  Both of the immortals attempt to hit each other with flying kicks and they miss completely.  They land on their feet, but Adriana moves fast enough to elbow Fate in the back.  He stumbles forward as Adriana tries to hit him again, but the guardian clumsily rolls into her.  They fall onto the ground and Fate quickly pins the blond on her back.

“What do you mean?  How can you know anything about me beside my name and powers?  Answer me or I swear I’ll rip your beating heart out!”  Adriana wraps her legs around Fate’s waist in order to flip him onto his back.  She jumps up and bounces off his stomach like a trampoline.

“Looks like I nailed one of your nerves.  You see, I’ve been aware of you since you were born.  In fact, I was a very good friend of your father.  Startrix told me all about the new Mars guardian, so I went to enter this young child’s life.  It was you, but after your father died and your mother . . . disappeared, I lost track of you.  My daughter’s problem took my attention away from you and I nearly forgot about your existence until we met about over a year ago.  Are you buying any of this story because you look a little doubtful?”

“That’s because I don’t believe you.  That excuse is the lamest story that I’ve ever heard.  What’s the truth?”  Adriana gives a little shrug before she uppercuts the guardian in the face with all her strength.  Fate sails into the towering Tyrannosaurus skeleton with enough force to shatter the bones and knock the entire display over.  From out of the cracked skull bounces a blue present with a sparkling, gold ribbon on it.

“There’s the real truth.  Go ahead.  Open it up.  I swear on my child’s life that there is no danger.”  Just then, Draveon punches through the floor and kicks the present behind a case that holds a nest of fossilized eggs.

“Am I interrupting anything important?  Well, if I am then you both have my sincerest apology,” says the ultimate genetic weapon.

The other two immortals look at each other and Fate replies, “So, Infinity didn’t stop you.  Well, you can’t kill both of us.”

“Of course, I can kill both of you.  Tegam and the two female guardians have left the planet.  Cybro and Infinity are off hiding somewhere while healing and resting.  The two of you are alone and weak.  I can’t possibly lose this fight because the two of you are incapable of working together.”

“Over our dead bodies.  Oops.  I don’t think I should have said that,” mutters Adriana.  Both of the blond immortals pounce on Draveon as if they discussed doing it beforehand.  But the larger villain grabs both of them by their necks before they can get any shots in.

“I’m not even going to reply to that overdone cliché.  Although, you will be happy to know that I won’t kill either of you any time soon.  I plan to torture the both of you first.  Sweet dreams.”  Draveon continuously slams the struggling immortals together until they are left limp and barely breathing.

“That was much easier than I expected.  I guess you two were planning on fighting each other.  Didn’t even see me coming,” whispers Draveon as he drags them away.

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7 Tips to Writing a Zany Story

Animaniacs

Writing a crazy or zany series isn’t easy.  Many people think it is because they believe you just throw everything out there.  Yet, there does have to be something to hold the events and characters together.  Otherwise, you have an utter mess that nobody can make any sense out of.  How do you do it?  Well . . .

  1. It helps to have a serious character in the mix.  This character becomes an eye in the storm of insanity.  Maybe they try to stop it or they simply go for the ride while pointing out the crazy to the audience.  These characters can act as vehicles for the audience to use as their focal points.  This will help in bringing some coherency to the antics.
  2. Running gags have their limits.  I remember reading that comedy has the ‘Rule of 3’ where a joke can happen 3 times in succession.  First is a shock.  Second is a surprise that it happened again.  Third time is a surprise that it was done once more.  Beyond that, the audience will be ready or get bored with the repetition.  This doesn’t seem to be the case due to certain popular shows smashing it and people have more limited attention spans.  Still, this is something that works best in books because it requires more focus.
  3. Zany doesn’t mean 100% nonsensical.  Sure, it’s funny to see logic go out the window and physics break.  That still requires you have something to show that this is an actual story.  For example, the Animaniacs were random and wild, but they got into clear situations such as renting a room from Dracula or trying to sell cookies to Albert Einstein.  They had a goal, which traveled through the comedy.
  4. Read and watch stories that are designed for comedy to get a better sense of timing and flow.  Fight the urge to think all you need are jokes and a basic idea of story structure because you have a lot of chainsaws to juggle here.  The chainsaws are also on fire and singing ‘The Lion Sleeps Tonight’.
  5. Place moments of seriousness and sanity in the story to prevent desensitization.  This doesn’t break the flow like you may believe.  It can dial back the mood to center, which allows for the comedy to strike as hard as it did before.  Otherwise, you’re going to be battering against a steadily crumbling wall that will eventually decide it’s best to watch a documentary on chia pets.
  6. Breaking the 4th wall is a popular choice when it comes to these series.  You can’t make this the centerpiece.  If every character is repeatedly talking to the audience then they’re spending less time in the story.  This tactic is funny, but it also erodes the suspense of disbelief.  Every time you use it, the audience is edged back into reality for a brief moment.  One method that can allow you to do this more often is to pick one character to do so and the others get confused about who they are talking to.  Still, it comes with the same risk.
  7. You have to abide by your own rules even if the world is crazy.  One character can’t be immune to anvils falling on them while another is killed.  Not unless you establish that they come from two different species or systems.  For example,  Roger Rabbit (a toon) could survive things like a toon while Eddie Valiant (a human) will die.  This needs to be made clear.  Otherwise, the story appears to be working off the whim of the author and that can cost you readers.  They’ll pick up on that nothing is stable and swiftly become numb to the antics.  A big part of the zany is that it happens within the backdrop of established norms, which it breaks.
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