Schools of Magic in a Nutshell . . . Maybe

Schools of Magic

There are many schools of magic in fantasy.  For those who don’t know what that means, a school of magic is an area of expertise.  Most spellcasters take one and work within that area for their entire life.  They’ll branch out a bit at times or eventually evolve into a powerful being who uses everything including God Tier spells.  Anyway, we’re just going to go through a silly list of schools with brief explanations for those who aren’t sure or wish to have a laugh:

  • Divination–  I can see things others can’t and end up telling fortunes at some point in my career.
  • Conjuration–  I can call things to me or send them away like a magical Postal System.
  • Summoning–  Like above, but it’s usually me calling a monster to kill people.
  • Protection–  Shields, barriers, wards . . . They all mean the same thing, which means people hide behind me.
  • Combat–  I have no other use than to kill and destroy.  Sometimes when I’m meant to do so.
  • Nature–  Don’t mess with me outside of a city or I’ll have the forest put you in the hospital.
  • Necromancy–  I play with dead things because I wasn’t hugged enough as a child.
  • Charm–  I play with the emotions of others because I was hugged too much as a child.
  • Illusion–  As long as you don’t know it’s fake, I can do anything.
  • Wild Magic–  Control?  Never heard of it.
  • Healing–  The reason warriors never learn to dodge.
  • Transformation–  I change things to whatever I or my employer wants then drink away the ethical concerns.
  • Holy–  I can bring your soul to peace, but I really just smite things with divine magic.
  • Dragon–  The unique power of dragons and the long list of humans who find some way to steal such a special ability.
  • Elemental–  I play with all of the elements without claiming to be either a combat or nature caster.
  • Mental–  It’s the same as psychic powers, but we have to do finger wiggles to activate instead of squinting.
  • Death–  It’s really just one spell, but we change the effects and words.
  • Enchantment–  Somebody has to make all the magical gear that ends up stuck in a dungeon.
  • Traps–  Just going to leave this spell here and never come back.
  • Forbidden–  The naughty spells that nobody is allowed to use, so you know they’re going to show up at some point.
  • Dance–  Keeps goblins and babies entertained.
  • Techno–  Magic that mimics technology, so you really aren’t sure which genre it falls into.
  • Potion–  I have cauldrons, ingredients, and my nose stopped working a year into the career path.
  • Cooking–  I create food with magic then order out anyway.
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Teaser Tuesday: Apparition vs Survivor

Cover Art by Jason Pedersen

Legends of Windemere: Path of the Traitors was one of my favorite books to write because it focused on supporting characters.  It allowed me to step away from the champions and show events that would impact the finale.  This worked better in my mind than having the sudden changes appear out of nowhere and then show the book that revealed the cause.  I was also given a chance to focus on Queen Trinity, who earned the shot at redemption.  Enjoy.

Continue reading →

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Is There Ageism in Publishing?

Yahoo Image Search

Pretty sure I’ve already said too much and at least one person has skipped right to the comments.  I haven’t seen many posts and articles about this topic, but I know it’s going to ruffle feathers.  In fact, I can guess what people will say and it will be determined entirely by their own age.  So, I’m going to do the same.

In my experience, it feels like age plays a fairly big factor in getting published or attention from readers.  There are other factors that I won’t get into, but age does seem to play out in two common scenarios:

  1. The child prodigy who wrote a great book (may have been edited by an adult) and their age is a selling point.  Experience doesn’t factor in because it’s amazing that they could do something that most adults can’t accomplish.  This is a great feat and should be praised, but let’s not lie and say the age isn’t a reason the story was picked up.
  2. The person is older, retired and has a lot of experience to make their bio as interesting as the story.  This can happen at any age, but I do see a lot of ‘publishing a book in their golden years’ stories.  Honestly, I can totally understand this one because a person who has lived through so much will have stories to tell.  It helps a lot with non-fiction and fiction based around real world events.  People are fascinated by the author as much as the story in these scenarios.

Now, I’m in my early 40’s, which some people say are young, but it feels a lot more like middle age to me.  For my age group, I don’t see the years being factored into our promotions and influence.  In fact, I’ve been told things that make me feel like those previous categories are the best ways to go.  I should stop because I’m not young anymore, so I can’t be a prodigy is one such statement.  Another is that I have plenty of time to write and I’ll get more attention for my books when I’m old and retired.  Both of those concepts are what drove me to this post because my age shouldn’t be an obstacle.

Yet, it does wear me down and cause a little depression.  I was trying to write books in 2nd grade and then got back to it in 10th grade.  Would I have been a prodigy if I was supported the right way back then?  Did I miss my chance?  All of these ideas will take years upon years to write, so maybe it is retirement that I need to shoot for in regards to publishing.  Of course, this means I have to live long enough for that and earn it.  Keep in mind that I’m from the generation that doesn’t believe retirement will be an option due certain systems.  So, was I simply born with an ability and dream during the worst time period to have such things?

I know this is a foolish concept because people will think it’s either nothing or I’m making excuses.  Plenty of people my age have gotten published.  Damned if I know how I can there at this point since I lack the resources and contacts to sell even 99 centers.  This is why the possibility that I’m either too young or too old really gnaws on me.  I’ve either missed my chance or am stressing myself to the point where I could die before my time has come.  There’s an impatience that comes with authors who want recognition and have been slamming their heads against the walls for decades, especially now when the methods have changed.  That’s what I’m feeling and it makes the age situation feel even heavier since I realize I’ve been at this for nearly 26 years.

Let’s open up the floor.  I’m sure I’ve touched a few nerves or turned some people away with this topic.  Do you think age factors into an author’s success?

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The Three Acts: Act 2, Part 2

Hi again, gang. Craig with you once more to continue my series on Three Act Structure. If you’re coming in here, the previous posts were Act 1, and …

The Three Acts: Act 2, Part 2
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Another Collection of Son Art: My Hero Academia Chibis

Took a while due to scheduling, but my son finally finished the 6 Chibi versions of ‘My Hero Academia’ characters.  A chibi is a cute, small character found in Japanese cartoons.  They can either be that way originally or a version of another character. He was using ‘Cartooning Club How to Draw‘ for guidance on these:

All Might

Deku- Izuku Midoriya

Bakugo

Todoroki

Tsu- Froppy

Dabi

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Goal Post: First Quarter Down and 3 To Go!

This was the last week of the first quarter of the school year.  I’m explaining it that way because I don’t know if everyone will understand a simpler explanation.  That and I’m still wrapping my head around events.  It was busy.

First, I work in a school, so it was a lot of testing and organizing.  Things started smoothly . . . I think since that feels like years ago.  Middle of the week is when things got crazy because we had Thursday off for Veterans Day.  So, I was doing my best and ending every day collapsing on the bed.  Tried my best to stay awake and interact with people, but I was drained.  The weather didn’t help, but it was really the work.  At least the days went quickly and I had stuff to do.

The other reason the end of the quarter had me exhausted is that I was handling it on the parent front too.  My son had the last test of the quarter and some homework to help bolster his grades.  We still haven’t figured out a good system to help him remember to write his assignments down, but we’re getting there.  A few rough mornings due to the weather giving us post-nasal drips too.  Through it all, he got really good grades and I’m wondering if he actually got on an academic list.  It might not happen because of one grade he got in October, but I’m still proud of him because he worked hard.

I touched my notebook, but only to get at the phone charger it was covering.  My only author victory is writing the blurb for War of Nytefall: Eulogy.  I’m on track to release it on the weekend of December 3rd with a few volunteers on the list.  Starting to wonder if I should just release books, announce them here after the fact, and see if anybody feels like reblogging.  I have so little time to do real promos that I’m wondering if nothing is a better way to go.  Besides, we all know that reviews are what you really need to promote a book and those are hard to come by, especially if you can’t afford them.

Sorry.  I’m kind of down because of life drama on top of the exhaustion from a busy week at work. Worst time for that to happen, especially since I couldn’t do much while I was working.  So, I would see messages coming in that I couldn’t do anything about even after I pointed out that I was busy.  It’s frustrating when people are told you can’t talk or interact at the level they require, but they keep going.  Always makes me think the other person smiles weakness and is going in to gain an advantage.  This really rings true when the person suddenly goes silent during evenings when they become aware that you’re free to talk and think.  This is why I prefer the characters in my head some times.

Veterans day was good because my son and I both had off.  Last week, he had 2 days off and I had none.  We lucked out this time.  To celebrate his good grades, I got tickets to a movie and had him guessing which one it would be.  He thought ‘Eternals’ since it was the only one he knew was out.  Nope.  It was ‘My Hero Academia: World Heroes’ Mission’, which is an anime.  One of my son’s favorites, so he was excited.  The plot was simple, but the fight and chase scenes really popped with IMAX.  They could be a little difficult to follow at times, but I only noticed that after the fact.

Next week should be calmer, but its the holiday season.  Thanksgiving in 2 weeks and Hanukkah 3 days after that.  Then, we’re in December and I’m releasing a new book, which might be my last one for a while.  Think I want to get art for Do I Need to Use a Dragon? (Fantasy Writing Tips) and let that one out before I do more than write Darwin stories.  Leaving both alone until 2022 though.  I’ve got too much going on to tackle anything more than outlining. Next weekend is the release of the live action ‘Cowboy Bebop’, so I won’t be doing much then.

Don’t have anything interesting as far as TV shows this week.  I was falling asleep too easily, so I just tossed on the news and old sitcoms that I dozed off with.  I tried to start a new anime, but no luck.  I need to restart it because I feel asleep around episode 2 and woke up around episode 14.  It’s called ‘Plunderer’ and it has an interesting concept, but the tone is weird even at the start.  Might just be something I say I watched and I can garner a few blog post ideas from it.

Goals of the week:

  1. Working as usual
  2. Homework fun with the kid
  3. Puzzles if I’m tired
  4. Notebook work if I can muster it
  5. January blog post writing
  6. Maybe tinker with the second Slumberlord outline
  7. In the mood for tacos
  8. Wrap Hanukkah presents when my son isn’t around
  9. Prepare to watch ‘Cowboy Bebop’
  10. Sleep
  11. Remember the thing I know I’m forgetting
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7 Tips to Using Giant Monsters in Your Story

Rampage the Movie!

You think it’s easy to add a giant to your story?  Just slap it down, make it declare a rhyming threat, and then call it a day?  Well, that could work to some extent, but let’s try to be a little more creative here.  After all, this monster is more than a character.  It’s practically a setting once the action starts.  So, what are some ways to make it work when you only have words?

  1. Keep describing the destruction!  Every move should come with something.  Steps need to shake the earth and crush whatever is in the way.  Buildings should topple.  Flying giants can create winds that tear trees out of the ground.  These are beings that cannot enter a city or forest without smashing their surroundings.  They don’t typically tiptoe around trees and buildings.  Well, some might if it’s for a comedy.
  2. Adjectives are your friend even though many writers find them to be evil.  You don’t have to go overboard, but use them to clarify that this creature is of an immense and intimidating size.  Big might not get the point across.  A rhino is big.  A truck is big.  A pro wrestler is big.  These things are supposed to be gigantic, enormous, towering, and whatever else your thesaurus suggests.
  3. Characters who are of normal size cannot survive a hit by these things.  Maybe a gust of wind or a sneeze, but a human fighter cannot take a giant’s punch head on.  This means, they have to dodge and hide.  It’s a different type of fight because it doubles as a puzzle or chase.  How can you kill such a massive enemy?  How can you escape something that can see for miles?  Done right this is a scene filled with action, tension, and surprises.
  4. If you’re having giant monsters fight each other then remember that at least one won’t care about their surroundings. This goes back to #1, but authors may focus on the battle and forget about what happens to the area.  Don’t think you’re in the clear if you use the wilderness too.  Mountains and forests can be broken just like buildings.
  5. Yes, it’s funny to have giant monster pass gas and call it a poison attack.  Just think before you go that route.
  6. Consider how your giant creature is going to look if it’s humanoid.  Specifically, do they wear clothes?  This brings up some questions.  You may have to explain how they’re able to find enough material for even just a loincloth.  Either they’re harvesting thousands of small animals (extinction event) or there are enormous beasts that they use.  If you go for naked then be prepared to be asked about genitalia by at least one reader.
  7. Giant monsters don’t necessarily mean savage and uncivilized.  They may have a language or a culture that can be shown if you wish to make them more than a temporary challenge.  It doesn’t have to be in their first appearance, but it can be down the road.  This will help your monsters stand out and open more doors for their use if you wish to expand the world.  That or make readers angry that such a cultured being was killed earlier.
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Testing the Blurb for ‘War of Nytefall: Eulogy’

Cover Art by Alison Hunt

Pretty much what the title says.  I wrote up the blurb for ‘War of Nytefall: Eulogy’ yesterday and played around with it.  Think the more I do these, the more I hate doing them.  It’s rough trying to entice a reader without spoiling anything, especially for a final volume.  Anyway, let me know what you think:

*****

On the cusp of peace, Clyde will face his darkest challenge.

With the Dawn Fangs’ existed exposed, the time for negotiations has begun. Mortal rulers and the council of Nytefall will gather to discuss terms, but chaos is already stirring. It does not take long for Clyde’s dream to become a nightmare as villages are slaughtered by a Dawn Fang who looks and acts like the newly crowned Vampire King. Bodies of friends and enemies pile up as this mysterious imposter shows the mortals why they should fear Clyde. Will Clyde’s final adventure see his dream of peace be destroyed?

The truth will be more horrifying than the Dawn Fangs ever imagined.

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Immortal Wars: Light, Blood, & Tears Part 37

(Disclaimer: A warning to those who continue.  This is a sequel to a previous story.  Both of these were written in the mid-1990’s.  While the first one was slightly edited and vanity press published, this one has not been touched in over 20 years.  I figure I should do something with it and people may get a laugh or fright from how I used to be.  Every author comes from somewhere, so this is part of my origin.  To that end, I am deeply sorry for whatever nightmares I will inflict on the literary world and the American English language.  Enjoy?)

PREVIOUS ENTRY CLICK HERE

When the two beaten immortals wake up, the first thing they notice is that there is nothing solid under their feet.  They have been tied together, facing each other, and are hanging from a large hook in the window-covered ceiling.  The enormous room, that is forty feet below them, has several shining suits of medieval armor and ancient weapons.  Next to the captives is a long, sharp lance that a mounted knight, on a marble pedestal, is holding up.

“This isn’t going under one of my best weeks.  Do you think he found our weapons?” asks Adriana as she struggles against the thick, glowing ropes.

“He did.  They’re over by that red-armored knight and the war-horse armor.  I think he might want to use them or let us use them in a fight.  Would you stop struggling?  It’s totally useless.  These ropes are made of energy draining fibers,” replies Fate, who is looking for another way out.

“That does explain their pink glow.  I wonder if your present is still in the dinosaur exhibit.”

“Would you forget about the damn present!  We’re about to be painfully tortured and killed.  What is in that box that seems to be more important than your life?”

“I can’t tell you exactly what’s in it.  Don’t roll your eyes at me, Slane.  All I will say is that it is something special that I have to get rid of before I leave this planet.  Now, it isn’t a cursed object or a new kind of spy sensor.  But it is about time that I gave this. . . soul-soother to another weary warrior.  That weary warrior is you.  So, let’s kill Draveon first and then go open your present.”

“At least, we can agree on killing Draveon.  Any ideas on how to cut these ropes while we have the strength of a weakened mortal?”  Fate tries to pull a knife out of one of his boots, but it only lightly passes under his fingertips.  Adriana, meanwhile, is pressing her arms against her chest and trying to use her teeth to pull something out of her skin-tight shirt.  Instead, she accidentally bangs her forehead against Fate’s chin.

“Damn it, Fate!  Move out of my way!”

“I’d love to, but I can’t.  My dagger is just out of my reach.  Uh, why are you doing that?” Fate whispers as Adriana continues pressing her chest.  The disappearing sunlight suddenly bounces off a tiny bit of metal between her breasts.

“Doing what?”

“You’re pressing your arms against your chest.  Why?”

“Because I’m desperate and lonely.  What the hell do you think I’m doing, Mars guardian?  I put a small knife in my uniform top.  Of course, it slipped too far down for me to get at it with my own teeth.  The next time I keep a knife or dagger in here, I’m going to have to remember to wear a damn bra.”

“That’ll be a first.”

“Shut up, Eddie.  Now, whose knife is the easiest to get a hold of?  You can’t get your foot close to either of my hands, so you’re basically useless.  Well, I guess there’s only one thing to do.  Were you ever any good at bobbing for apples?  Or should I say knives.”

“No way!  I am not going to put my mouth anywhere on your body.  I don’t even know where in the universe you’ve been.”

“That makes two of us.  Look, I don’t like this any more than you do.  I mean, I severely don’t like this idea.  But we have no more options that I can think of.  You get the knife and use it to cut through the rope.  Then we simply plummet to the ground, get our weapons, and wait for Draveon to return.  So start using that mouth of yours for more than an insult spewing hole and get that knife,” orders Adriana.  Taking a deep breath, Fate tries to get the hilt of the knife between his teeth.  All he can accomplish is tapping the weapon’s smooth hilt with his tongue.  At one desperate point, the Mars guardian misses the knife and bites Adriana in the chest, but she barely seems to notice the twinge of pain.  In fact, she seems to enjoy it.

The sweat-covered knife is just in his mouth’s reach when Adriana suddenly starts moaning, “Yes.  Don’t stop.”

“Hey!  Do you mind not doing that!  It’s disturbing!” yells Fate when he jerks his face out of her cleavage.

“Sorry about that.  Force of habit.  Although, you do have a very nice technique.  Miracle is really lucky to have a guy like you.  But you really shouldn’t have stopped trying because you almost had it.  I promise that I will not do any more moaning and groaning.  At least, not out loud.  Just try again.”  Fate closes his eyes and works a lot faster this time.  In a few long, tortuous minutes, the blue-eyed guardian pulls out a small, golden knife.

“Was it as good for you as it was for me?” laughs the blond villain as Fate starts to cut through the pink rope.  When he hears the joke, Fate shoots his head up to glare at her.  But the knife accidentally cuts into Adriana’s neck and it leaves a quickly healed wound.  She curses a blue streak at him and kicks the Mars guardian repeatedly in the shins.

“Cut it out!” Fate yells.  But once his mouth opens to yell, the golden knife falls all the way to the ground.

The immortals are silent until Adriana says, “What do we do now?  Without anything to cut through this rope, we might as well be a side of beef in a meat locker.  What are you staring at?”

“I think I know of a way down if we finally have some luck.  Since we aren’t fighting each other, our immortality should help us out of this mess.  Can you see that lance behind you?  Just twist your neck to the right and you’ll see it,” responds Fate, who is starting to swing them back and forth.  His eyes turn a bright yellow as his luck powers are slowly turned on.

“Yeah.  I’ve seen bigger and better in my time.  What’s so important about that obsolete, medieval weapon?  Oh no!”

“It’s sharp and can easily cut through the rope.  We can slide down it as soon as it frees us.  Although, the lance will probably go straight through our abdomens.  Either way we cut the rope.  Do you understand?”

“Go for it, partner.  I’ve been put through a lot worse on this trip than simply being impaled by a sharp object.”

They begin swinging back and forth at a faster pace and the lance eventually slices through the pinkish rope and both of the captives feel it pass through their tense bodies.  As they painfully slide down the weapon, it begins to shake and bend.  When they’re halfway down, the lance falls out of the silver knight’s hand and crashes to the hard floor.  The next ten minutes are spent getting the lance out of them and healing major injuries.

“Ouch and a half.  Is that your large intestine or mine?” Adriana inquires as she gets her staff and charges the soft, blue light to full strength.

“Must be yours.  I still have mine.  So, should we stay here or hide somewhere else?” answers Fate.  Adriana uses the Venus weapon to heal them, so the only sign of the injuries are the gaping holes in their uniforms.

“Damn it.  The uniform’s repairing fibers are damaged.  What do you mean stay or hide?  I can’t believe you have to actually ask that question.  Besides, I know the perfect ambush area.  Come on, lucky guardian.  This will all be over within a couple of long, painful hours.  And don’t expect it to be even close to easy.”

“I wouldn’t dream of it.”

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Using Giant Monsters in Books

Godzilla

There have been times when I’ve used a huge monster in my stories.  Legends of Windemere had dragons and various giant species.  War of Nytefall had vampirized giants and other massive beasts.  They were fun to write, but I always wondered if I did them justice.  After all, they depend a lot on suspension of disbelief and the audience’s imagination.

Television, video games, and movies have it much easier.  They show you how big these creatures are, so everyone gets the same visual.  There’s no questioning how big Godzilla is because you see him there.  When show in contrast to people and cities, you get a sense of how dangerous it is to be around him.  It’s instinctive in a way since we’re working entirely off our senses.  Our imagination doesn’t have to put much effort into crafting the scene since it’s right in front of us.  Sadly, books don’t have this luxury.

Authors have to craft the scene and stir the imagination to bring these monsters to life, which can dance around the ‘show don’t tell’ accusation.  To some extent, you have to tell the person that this threat is BIG.  Showing that they are through actions and adjectives doesn’t always work.  Sometimes you simply have to say ‘the giant dragon’ and beat the reader over the head with the fact that this thing is massive.  Otherwise, you get a few people who downplay the scale in their mind and that can change the way that the scene works.  Part of is that because everyone has their own definition of what constitutes a huge monster.  One person may think elephant while another one thinks skyscraper even if the story gives hints of size.

I try my best to describe my giants with terms that make it clear that they’re big. If they’re in a forest or city then I make sure to note that things are getting damaged as they move around.  Objects that are typically impossible to move are thrown or knocked around like they’re made of paper.  For example, a wagon or shed getting hurled across a clearing can be a good indicator of size.  Having someone view them from a distance and note how they tower over nearby things helps.  Describe the setting in a way that focuses on how everything around the giant appears smaller and fragile.  Combining these tricks should help in getting the point across.

With fantasy, I believe giant beasts are a staple whether it be humanoid, demon, dragon, trees, or golems.  Even mythology used giants because there’s something epic about facing an opponent that is bigger than anything natural.  I’ve seen people try to steer away from these monsters because they aren’t scientifically sound.  Yet, that’s part of what makes them frightening.  You know they aren’t able to exist in reality, but here they are in this fantasy world.  It makes them more mysterious and unnatural, so you can’t even be sure they can be killed the same way.  This is probably just me though.

So, what do you think of giant monsters?  Ever use them or do you avoid them?

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