The Tradition of Summoning Servants

Saber from Fate Series

In fantasy, it’s fairly common for servants to be summoned.  It could be for battle, healing, terrorizing, and the list keeps going.  You see it in books, cartoons, and video games with a countless number of systems.  The methods to summoning can range from mundane to pure evil.  It always results in the same thing though.  You get a sentient being to do your bidding.

I was thinking about this concept when I was watching a ‘Fate/Zero’ series.  The story is that there are 7 ‘wizards’ and each one has to summon a servant for a contest to claim the Holy Grail.  There are seven different classes with each wizard getting one of them, which is what made me realize this stems from a video game.  The mechanics aren’t important here because the point is that beings from time were being pulled to be worries.  Each one was granted powers too.  Honestly, I don’t understand it as well as I should, but the series can get confusing.  That’s another reason why I wanted to consider this topic for the entire week.

Summoning shouldn’t be easy to do within the mechanics of the world.  That is unless everyone is able to do it.  If only a handful are going to have this power, it has to be complicated or rare.  Maybe the materials are hard to find or a person has to be born with a gift.  Another option is that summoning is a lost art, which only a few select groups have managed to retain.  Even in a world of magic, there should be some level of amazement and specialness to summoning.  Imagine the power it would take to pull a being from another world or timeline.  It should be immense.

Summoning differs from magic in that you aren’t throwing out a basic attack, but conjuring a being for a certain amount of time.  They have their own thoughts and personality as well as some level of independence.  A summoner can order them around and they may obey without question, but they also have some ability to adapt.  That’s if they aren’t independent and uncontrolled to being with.  Remember the Isekai topic from September?  Many times the protagonist goes to another world because they were summoned.  This is a niche, but it shows the flexibility of the summoning concept and how it can be more than a cool addition to a battle.

From my own experience, I’ve noticed that summoning in video games tends to be a special power given to heroes.  In books and cartoons, you see it more often in the hands of villains.  The biggest use is when the antagonist’s goal is to summon a powerful entity to do their bidding and destroy the world.  It’s usually an ancient evil that they want to bring back, so the summoning doubles as a resurrection.  Having this does open the door for smaller level summons, but it’s still done by villains. I think part of this is because many authors immediately think of demon summoning and don’t branch the practice out to other options.

I guess it makes sense that characters would be evil when summoning servants in most fantasy settings.  This tends to happen with a level of enslavement, so it has dark and controlling undertones.  Can you write a summoning system without it?  It’s been done plenty of times such as when the summoned hero is the main character.  It’s just that people don’t always think of that unless it’s a core point of the story.  If it’s just an ability that can be learned or appears at times, many gravitate towards having it be used for evil instead of good.  At least, in Western fantasy because I can now think of several times in anime/manga where heroes summon things.  Guess it could be a cultural thing too.

So, what are your thoughts on summoning in fiction?  Have any favorite summoning systems?

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Writing the End – Part 1

Greetings Storytellers! Diana here today. Since recently posting about Writing First Chapters, I thought it might be interesting to post about the …

Writing the End – Part 1
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The Umbrellabirds! (Sounds like a Decent Rock Band)

Been looking for some birds to do, but so many species have tons of subspecies.  So, they seemed to massive to tackle.  Then, I found these guys who were named by Sir Alfred Wallace in the 1800’s.

Umbrellabirds get their names from their distinctive hoods.  There are only three species and two are endangered due to habitat loss.  These solitary birds are found in the rainforests of Central and South America.  Umbrellabirds aren’t great fliers and can really only go for short distances.  This is due to their larger size, which forces them to usually bounce among the branches.  To be clear, they aren’t huge, but they are big (14-19.5 inches; .77-1.26 lbs; 26-28 in wingspan) for their body structure.

These birds have a wattle, which can inflate to create a booming call.  This has earned them the nickname of ‘Piper-Bird’ from Native Americans.  Umbrellabirds have one of the deepest songs of their genus, which helps them stand out in the wild.  At least, for bird watchers/listeners.

Some other facts:

  • Umbrellabirds are altitudinal migrators, which means they migrate up and down mountains instead of north/south.
  • Females lay a single egg, which takes a month to hatch.  Sometimes, they will have two.
  • They hide their heads and feet while sleeping to make themselves look like a lifeless pile of feathers.
  • They are also called bullbirds.

That’s really it.  Couldn’t find much else that was shocking, so let’s get to the pictures and videos.

Amazonian Umbrellabird

Bare-Naked Umbrellabird (Endangered)

Long-Wattled Umbrellabird (Vulnerable)

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Smorgasbord Christmas Book Fair – New Book on the Shelves – #Poetry #Short Stories – Variety is the Spice of Life: A Blend of Poetry and Prose by Sally Cronin

Smorgasbord - Variety is the Spice of Life.'s avatarSmorgasbord Blog Magazine

Delighted to share the news of my latest release this week of a poetry and short story collection Variety is the Spice of Life: A Blend of Poetry and Prose – the book is available in Ebook and print.

About the collection

Variety is the Spice of Life is a collection of poetry and short stories about relationships with others, including pets and animals inhabiting the world around us. The connection with others brings love and friendship, excitement and sometimes surprises, danger, mystery and sometimes the unexpected.

The poetry explores human nature, the fears, desires, expectations and achievements. Nature offers a wonderful opportunity to observe animals both domesticated and wild. Even in a back garden you can observe a wide variety of creatures and the daily challenges to survive a harsh environment.

The short stories introduces you to a healer whose gift comes with danger, a neighbour determined to protect…

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Goal Post: A Short Week is Coming Up

I was 50/50 on the goals I made for myself last week.  I did help my son with schoolwork, used my bike twice, went to work, and finished ‘Lupin’.  I DID NOT finish January posts, sleep better, do any paperback formatting, or start the February posts.  So, what would I say the verdict is?

‘Adulting won and creative free time lost.’

I was definitely toiling away from dawn to dusk this week.  If I wasn’t at work, I was helping my son with schoolwork.  If I wasn’t doing either of those things, I was passing out while watching ‘Warrior Nun’.  Had to restart episodes so much that I gave up trying to stay awake past 10 PM.  Just wasn’t happening with everything going on.  Things aren’t even worth talking about.  They were just busy.  A few things did happen to explain the upheaval a bit.

First, my son had an allergist appointment.  I’ve mentioned before that he has a peanut and tree nut allergy, which causes some concerns.  You don’t realize how much those things are in food until you can’t eat them.  Freaking everywhere!  It had been a while since he was tested, so we got him checked.  All but 2 of his food allergies may have disappeared.  Fingers crossed that it’s the case because it would make his life a lot easier if he only has to avoid two things.  This required a bunch of conversations with him after the fact.

We also had parent-teacher conferences, which took away another night.  This is probably why I didn’t get as far as I wanted.  All of the reports were stellar because he’s a great kid and student.  Participates, works hard, studies, and most of his grades are good.  A few stumbles here and there, but that’s normal.  I knew it would be like that, but it gave me a chance to get some questions answered.

At least I’ve only got 3 work days coming up and they’ll be fun.  I get to rest up this weekend, so maybe I’ll finish Legends of Windemere paperbacks.  I’ve got 10 more to day.  Then the 8 War of NytefallsQuest of the Brokenhearted, Life & Times of Ichabod Brooks, and the 2 Bedlams.  That means I’ve got 22 paperbacks to format and submit.  It’s possible to get that done by the middle of December, which means I can do promos on the Tuesdays in January.  Might take a bit longer because I might do something else on Thanksgiving.

Since I don’t have my son for the holiday, I’m strongly considering tackling at least one of the Tales of the Slumberlord outlines.  That way, I can start writing Darwin & the Demon Game during the Holiday Break.  Having 6 days to work with, I should be able to get 3-4 of the 16 chapters done.  Maybe even 5 if I’m really lucky.  Probably shouldn’t push my luck there.  If I can finish the book before the summer, I’ll be in good shape, especially if I’m working during that break.

This is what I need to figure out.  I have to be able to write my books during the school year.  That way, I can work over the summer.  Be nice to make enough money that I can be more flexible, but that’s not possible.  This whole thing is a challenge when you add the blogging into the mix.  My weeknights would have to go to that and my non-parenting weekends/holidays would go to writing.  Of course, I’ll be pulled away for family events and such too.  Means it’s going to be a lot of slow progress, which hurts for someone who was able to dig into a project and work on it for days without a break.  This is why I feel like I’m in a holding pattern.  Just not used to being slowed to a crawl when it comes to creativity.

Guess we’ll just see what happens.  Got nothing else to really talk about.  Hoping to find some good Black Friday deals online.  Mostly tech for my son’s holiday presents and some specific Lego sets.  Fingers crossed.  Not sure I’m going to tackle a store, but we’ll see if they’re still crazy during the late morning.  Never really tried in-store shopping during that day, but the presents aren’t simple this year.

Let’s get to the goals since I’m exhausted from multiple busy days.  I’m writing this late Friday night and have to get up early for a doctor appointment too.  So, we’ll see how coherent things are:

  1. Go over Darwin & the Demon Game outline.  Might be in better shape than I realized.
  2. Finish January posts.
  3. Complete paperback formatting.  Hopefully finish Legends of Windemere.
  4. Help son with homework.
  5. Father/son time when possible.
  6. Keep using the bike.  Might be shaky this week.
  7. Black Friday shopping.
  8. Sleep in on Sunday.
  9. Try to stay out of trouble on Twitter.  Getting harder and harder every day.
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What Is It About Dragons? Guest Post by Jaq D Hawkins…

Chris The Story Reading Ape's avatarChris The Story Reading Ape's Blog

As a Fantasy reader, I love a good dragon character in a story, yet sometimes I have to wonder, why dragons? Why do they get more attention than other mythological creatures?

In traditional childhood stories, dragons usually fill the role of antagonist. You have dragon slayers who go out to save the village by killing the fell beast and getting rewarded with marriage to the princess for his heroic bravery. Not a great basis for a relationship if you ask me!

To be fair, a lot of modern children’s books have presented less threatening and even comical dragons, for which I credit Peter Yarrow who wrote Puff the Magic Dragon, both a story and a long favoured children’s song.

Sometimes the dragons in stories can speak to humans, like in The Hobbit. In most early stories, they are tricky and seek to use clever ruses to defeat the dragon slayer…

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Dynamic vs Static Characters

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I was on the fence about writing about this because I thought it was a given.  Then, I ran into people who didn’t know the difference.  Others swore that a good story is one where the main character doesn’t change.  Guess we live in a world where ideal heroes are preferred over flawed ones.  I mean, really flawed characters instead of slapping arrogance or a mild shellfish allergy, which don’t cause any issues.  Okay, I’ll get back to this rant in a bit.

What are we talking about here?

Dynamic Characters–  These are the ones that change over the course of a story.  They are your protagonists and antagonists, but can also be supporting characters.  The whole point of them is that they do not end a story where they started.  Their flaws are conquered or accepted, which makes them stronger.  It isn’t the toys and powers they get either, but the way they change as people.  This need and ability to change creates a personal story arc, which adds tension to the overall tale.  For example, a superhero who starts off being selfish and ends knowing what it means to be a hero.  (Nobody say Iron Man because he had this story arc in at least 4 movies. Guy has the memory of a brain damaged goldfish.)

Static Characters–  These are typically found in supporting areas where they have no need to change.  They end a story the same they started because none of the events forced them to evolve.  A reason for this is that they aren’t designed to be anything more than pushing the story, evolving the main characters, and showing that there are other beings living in this world.  They have no story arcs and their personalities can revolve around one aspect without causing harm.  You find your comic reliefs, mentors, goons, henchmen, and other limited roles in this category.

I remember this being a very basic lesson that I learned in middle school.  It wasn’t about writing either, but about identifying the two character types.  You were shown how the dynamic ones had the spotlight while the static ones came off more as set pieces.  It helped us understand the concepts of protagonist and antagonist because those were always the dynamic ones.  Didn’t take long to get the concepts, especially when it was paired with talking about conflict.  Dynamic characters are heavily affected by conflict while static characters aren’t.  Seems simple.

Yet, I keep seeing people push for characters who won’t change to be the protagonists.  I don’t think I’m seeing a majority, but it’s enough to make me worry.  People attack heroes for their flaws even though these are things that are going to be worked through.  They complain about the hero being anything other than the ideal, which means they want them perfect from the start.  These readers are fine with the flawless protagonist gaining more abilities and toys, but they don’t want quirks.  Arrogance disguised as rude confidence seems to be the exception because it’s ‘strength’.  Fairly easy to get rid of arrogance too with the hero having one loss, acting sad, and then coming back to save the day.  They change a little, but not enough to alter their personality.

As an author, you have to decide on if you want static and dynamic characters as your main cast.  It’s fine to do either, but you have to accept the cons.  As I said, dynamic means the heroes can start off rough, unlikable, and weak.  Readers with no patience for the hero’s journey will be vocal about their boredom.  Those who enjoy the long evolution of a flawed character will be quiet because they know it will take time.  So, you can get hit hard with negativity.  It can cause you to consider rushing the evolution, which will be sloppy and annoy the other group.  I think it’s best to do what you feel is right for the story and the readers who want to see it through to the end will stick around.

Static characters avoid the initial negativity of those who don’t like their heroes with any real flaws.  You may get a false sense of confidence here too.  People who expect protagonists to change will read along expecting a plot event to knock the hero down and force them to evolve.  A static character doesn’t do that unless you switch them to being dynamic.  If they’re static the whole time, some readers will leave because they feel the story is boring.  There’s no sense of tension or possibility of the hero really failing.  All their mistakes are minor or swiftly fixed with no long-standing consequences.  Some even fail into victory.  This is why static characters don’t really make good protagonists for long stories.  They could work for short stories and parodies where they don’t need to evolve or the action always resets.  Kind of like a sitcom where everything goes back to ‘normal’ at the end of most episodes.

Is this really a personal preference?  Maybe.  Certainly feels that way considering how often I argue with people about protagonists.  I really can’t wrap my head around heroes who start off perfect and stay that way.  Even Goku and Superman lose fights and have to evolve over the course of their adventures.  There’s no harm in having a hero who has flaws and needs to grow.  Not only grow, but work hard to survive and become the perfect version of themselves.  If they’re just handed everything, they’re going to stay static because nothing happened to alter their personality.  Anything changes after they are given things feel superficial and forced.  As if the author did it because they felt they had to instead of being natural.

So, what do you think about dynamic and static characters?

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Tracking Unfollowers in Twitter

Hi SEers! You’re with Mae today. This is going to be a short post, but one I hope you find as valuable as I did when I first discovered the trick I’m…

Tracking Unfollowers in Twitter
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Poetry Day: Curse of the Bloodlines

(This is heavily inspired by Luke Callindor’s storyline throughout Legends of Windemere.  First book is still free.)

*****

Is it a blessing?
To be born to fame?
Descended
From heroes
And legends
Of many bardic tales
Holding the respect
Of thousands
Without a single deed

People praise you
For what you may do
Ignoring
That you did nothing
It is called
A gift of birthright
Impossible to revoke
Driving many youths
To a destructive path

Many indulge
In the life of ease
And grow no will to try
They feed off the fame
Hiding behind stories
Of what their priors did
They add nothing to prestige
Tainting the legacy
For generations

The others fight
Refusing to accept
What they have never earned
With a passion
Rivaling the hottest dragon fire
They set out
To prove their worth
Swearing to the gods
That they will die trying

Both paths will destroy
Breaking bodies
And eroding spirits
Yet some will overcome
To live a happy life
Retiring in wealth
Or humility
With a fame
They can call their own

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Third-Person POV: Omniscient vs Limited

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The one issue I have with writing this post is that omniscient is a pain to write.  I get it wrong half the time.  So, I might cut this short to stop getting frustrated.  That and I think it’s fairly straightforward.

Now, I write in a present tense 3rd person style with a limited POV.  I went with limited because it never felt right to have characters or the audience know things that weren’t shown in the book.  I push the boundaries whenever I can when describing new locations, but I really have to use dialogue and discovery to get the facts out.  This includes character thoughts because I always imagine others standing around waiting for inner monologues to end when I picture a scene.  Still, that’s just me and I probably work fast and loose with the rules here.  Might even have it wrong now that I think about it.  It’s another reason why I needed to look a bit more into this.

So, what are omniscient and limited POV?

  • Omniscient is when the narrator knows everything.  They are aware of all events, thoughts, and feelings in a story.  This also means that the audience is aware of all these things as well even if the characters are not.
  • Limited is when the narrator relates only what they are aware of.  They cannot share any thoughts, feelings, and knowledge that they do not have.

Right off the bat, I can see why my own style is going to require a third category later in the post.  Anyway, these POVs work off stable and established narrators even if that role changes by the chapter.  It’s why people don’t like things switching in mid-chapter and get confused on who they are viewing the world through.  After all, POV is the lens that you use to reveal the story.  So, you need it to be clear on who is talking and showing the world even if it’s a faceless/bodiless narrator.

I’m sure most people would agree that one is not better than the other.  With omniscient, you can share a lot and not be restrained by having to holding some things back.  The feelings and thoughts of characters are out there.  With limited, you can’t be as free, but you can easily establish more tension and mystery.  You’re hiding a lot until the right moment and people will understand why it wasn’t shown at the start.  There are different levels of this too, especially since you can be flexible.  Most audiences are only subconsciously aware of POV, so that gives you wiggle room.  Means beta readers are helpful to see if the ‘feel’ is right.

Now, I did find that there is a third category: Limited Omniscience.  This is probably what I use without realizing it.  Part of this is due to the present tense since past tense makes it easier to use the two main POVs.  Now, this one has the narrator experience actions through a character, but not the thoughts and feelings.  You can get that through actions and expressions, but the inner workings of a character are kept hidden until they reveal them.  That is the limited part while the omniscient part is knowing all of the experiences and actions that are going on.  For example, Luke Callindor’s actions in battle are omniscient POV while his feelings and thoughts are predominantly limited until he makes them known.

I really like the combo, but that’s because it’s what I’ve been using for years.  So, I’m rather biased on this.  What do other people think about this topic?  It’s both fairly simplistic and complicated, which makes it hard to write about.  I think it doesn’t help that we all use POV differently even slightly.

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