Goal Post: Not Bad, But Still Came Up Short a Bit

I need to revaluate my writing ability and speed.  My goal was to write chapters 6 and 7 of Darwin & the Demon Game.  I missed the mark by one section, which is rather frustrating.  To be fair, I lost most of Saturday to a plumbing emergency in the morning and then a doctor appointment that went into the early afternoon.  By the time I finished lunch, it was nearly 3 PM.  So, I could only get one section chapter 6 done.  Managed to get 3 done on Sunday and was home sick on Tuesday to get another under my belt.  Pushed myself too far and that was it for me.  Maybe I’ll finish chapter 7 on Monday night and then I’ll be ready for next weekend . . . Won’t hold my breath.

The problem I keep running into is that I wear down mentally and physically fairly quickly.  I thought it was because of the sleeping issues, but I’m starting to wonder if something else is going on.  I mean, doing a full day of writing never used to phase me, but now it leaves me dragging the next day.  The weather might be a factor too.  Yet, none of this was going on prior to me catching Covid in the summer.  It’s possible that my brain is still foggy, which is combining with the anxiety-induced insomnia.  I mean, I can’t recall ideas as well as I used to.  Really need my notes these days.  It scares me that I simply can’t be an author any more.  Not like I’ve felt like one in years since nothing sells and nobody seems genuinely interested in my books.

Updating people on the anxiety and insomnia issues, I’ve gotten to the point where I can get 6-6.5 hours of sleep during a weeknight.  Keep in mind that I wake up at 5:30 AM on these days.  I also wake up around 3/4 AM, but now I’m getting the panic attacks under control within 5-10 minutes and then I’m out again.  Last Saturday, I went to a doctor to talk about it, but the answer I was given was medication.  Haven’t started it yet and I’m unsure if I should bother since I’m getting better.  Always been iffy on any medication that messes with my mind in any way.  Still on the fence about the whole thing and I might ask if it’s really necessary next time.  That would be next Saturday along with a separate eye exam, which is why I’m not holding my breath for writing time.

On the plus side of things, I got all of the April posts done and will start working on the May ones whenever I don’t have any time to write books.  I really need to touch the ‘Phi Beta Files’ notebook again too.  Kind of forgotten some of that information, so I need to study it again.  Not this Monday, but the following one will be something that has me stuck in a room for 4 hours.  I won’t be alone, but maybe I can do some notebook work.  Guess we’ll see since it depends a lot on the company I’ll be stuck with.

Another highlight to the week was a field trip to an aquarium.  Remember that I work with special needs students, so this was a big event.  Can’t go into details here, but all of them did amazing.  Everyone had fun.  Everyone behaved on the bus ride there and back.  Not a single thing went wrong and everyone left smiling.  It was definitely the best day of the week for me.  Just love seeing our kids showing how far they’ve come with all of their skills and behaviors.

What else went on?  My son had a bunch of tests, so we had to do a lot of studying.  I’m really glad that was this week because we’re going to see ‘Wicked’ on Broadway tomorrow.  I would hate for us to have to cram in a bunch of studying on a weekend where we have a special event.  Been planning this for a while since tickets to this autism-friendly showing don’t come up often.  Think it’s the first time we’ve seen them for ‘Wicked’ too.  Nice way to relax before a busy week leading into Winter Break.  Not sure what the weather is going to be like when we have off, so we need to enjoy events as they come.

A lot is going on this week, so I won’t get my hopes up for much to happen beyond work and parenting.  Tuesday and Thursday have appointments.  Monday and Wednesday might give me some writing opportunities.  The next two sections are talking ones, so that might make them more doable.  I still need to make sure I get enough sleep and give myself about an hour of quiet time before bed.  The ashwagandha gummies are starting to make a visible impact on my anxiety, which is good.  I still shouldn’t push myself until I get more under control.

So, what are the goals of the week?

  1. Make Penne with Vodka Sauce tonight.
  2. ‘Wicked’ tomorrow.
  3. Help son with schoolwork or just have fun if he doesn’t have much.
  4. Write more Darwin & the Demon Game.
  5. Start reading ‘Naruto’ again.  A student started the series and wants me to read it too.
  6. Continue working on Lego Bowser.
  7. Continue improving sleeping habits.
  8. Tinker with ‘Phi Beta Files’ if possible.
  9. Gather pictures for the May posts.  Maybe set up Teasers and Poems.

That’s something else I need to figure out.  What should I do about the teaser posts?  They don’t seem to garner any attention beyond people who have already read the books.  Is there anything else I could do on Tuesdays?  Maybe repost the character posts from many years back?

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Dueling Narrators

Rafiki

Narrator 1–  This is the bad guy.  You can tell because he’s leading an army of soldiers in black armor.

Narrator 2–  Don’ t be ridiculous.  Armor color doesn’t mean evil.  Besides, he’s leading a charge against the descendants of those who murdered his family.  The man simply wants to reclaim his homeland.

Narrator 1–  It’s been a few hundred years.  Stop living in the past.  The current rulers shouldn’t be punished for their ancestors actions.

Narrator 2–  They are benefitting from it.

Narrator 1–  That doesn’t mean you lead an army to kill them and destroy everything in your path.

Narrator 2–  Those villages have sworn allegiance to the false rulers.  They refused to dissolve their oath of loyalty and join him.  Do you think it’s a smart idea to leave enemies at your rear?

Narrator 1–  Why would they agree to join that guy?  The legends say that his family had ruled the land through fear and torture.  They wouldn’t want that type of system to return even if they did believe the guy.  He has no proof that he’s a descendant of the first set of rulers.

Narrator 2–  He has more proof than your destined hero.  Nobody was around when that talking cow told the kid that he was going to save the kingdom.  Let the audience know that the kid was sneaking cups of alcohol before that encounter.

Narrator 1– What are you talking about?  That never happened.

Narrator 2–  It is now because I’m adding it in.

Narrator 1–  You can’t just add history like that to my characters.  Stay in your lane and handle this like a mature author.

Narrator 2–  The female lead is going to fall in love with the ‘bad guy’ and realize that she has been lied to.  She’s going to betray the hero for the sake of the kingdom.

Narrator 1–  They were childhood friends and have a telepathic link.  How is that going to work without him turning to?

Narrator 2–  Then they’ll both join the villain.

Narrator 1–  I think you’ve effectively ruined the story.  This is why you can’t have two narrators working at the same time.

Narrator 2–  The current king eats babies.

Narrator 1–  That’s it!  *sound of a laptop bouncing off a human skull*  It’s worth the repair bill.

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Writing Personal Essays!

Greetings, SE’ers! Beem Weeks here with you again. Today, I’m discussing personal essays as a form of storytelling. Writers tell stories. It’s the …

Writing Personal Essays!
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Poetry Day: Devil Angel Duet

Kronk from Emperor’s New Groove

(This one is fairly straightforward.  It’s the devil and angel on the shoulder concept.  Not sure what triggered it back then.)

Don’t you want it?
Aren’t you tempted?
I’ll help you decide
Just a little
Don’t resist it
I’ll be by your side

 

Do you trust me?
Then ignore her
I know what you need
And it isn’t that
Put faith in my words
I’ll never leave your side

 

Did you hear him?
He wants to trick you
You don’t need that kind of friend
Stick with me
Let’s have some fun
He’ll leave you in the end

 

She’s talking about herself
You know her type
Don’t fall for her lies again
She will lead you to fun
Then abandon you in need
Without bail money

 

Ha! Common sense?
Its a given right
To enjoy the path you choose
Take the risk
Just once wont hurt
It’s win/win -you cant lose

 

Maybe you’ve forgotten
You promised you would stop
This is a path you left
Proud to cast it to your past
I insist that you tell her to shut up
Before you fall back down

 

You let him talk to you like that?
Sounds desperate
Stick with me
I’m more relaxed
No pressure here
What will be will be

 

Don’t come bitchin’ to me
When your belt explodes
And your gut blocks your toes
I’m sure your wife will be fine
It’s only a broken promise
And a decimated diet

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7 Tips to Using an Unreliable Narrator

Harley Quinn

The Harley Quinn series is what prompted this topic.  I stumbled onto people complaining about how some villains were being shown in the series.  They thought they were too goofy or made to be stupid.  Other people eventually arrived to point out that this series is probably from Harley’s perspective.  She’s not sane, which makes her a rather unreliable narrator.  So, that’s how I started thinking about this topic.  Now, let’s see if we can get a few tips on how to do this.

  1. You can’t make it 100% obvious that the narrator is being bias or unreliable.  People can figure it out from clues, but there needs to be some level of faith in being told some real facts.  If the audience knows that they are being lied to entirely then they can lose both interest and investment in the story.
  2. An unreliable narrator doesn’t always have to be confident.  Their shaky perspective can stem from uncertainty instead of a desire to manipulate.  This works best in first person where they can have thoughts and lines admitting that they are not sure about an event.  They might admit to overreacting or not wanting to get more information in a situation.  This doesn’t make them a full liar, but it shows they aren’t coming from a neutral position at all times.
  3. Don’t get upset if the audience claims you have an unreliable narrator when you don’t have one.  This happens at times.  If multiple characters have solid reasons for what they are doing then some readers might side with someone other than the central POV character.
  4. Unreliability doesn’t only come from what they are telling the audience.  Much of this position can stem from what they aren’t mentioning.  They will be describing a situation and making themselves out to be either the good guy or at least an innocent party.  Doing this requires that they leave out any negative/bad/evil actions that they have taken.  For example, a hero might talk about firing back at the bad guys, but they leave out that they shot first.  Yeah, they’re the hero, but now you see that they have provoked an incident and tried to play the victim.
  5. I know I said that you can use an unreliable narrator in various POV styles.  Yet, it is easiest in first-person POV because you are restricted to only one perspective.  There is less of a chance of the narrator being blatantly outed by the opinions and thoughts of another.  So, first-person is your best bet if you want to make things both easier and more solid.
  6. Consider the personality of the POV character because an unreliable one should have some level of charm.  These people are trying to get the audience to believe them, which means they are putting themselves in the best light.  At least they would be if they’re being unreliable on purpose.  So, make them likeable, polite, or anything else that would garner trust.
  7. While not a necessity, you can make the other characters be hints that the narrator is unreliable.  If the hero is nearly perfect while everyone else is heavily flawed without a clear reason then the audience might start to suspect there is something going on.  The supporting cast should still be helpful and effective, but maybe they also create a bunch of problems.  The narrator might be the only one to come up with plans or save the group in a pinch.  This stems from a possible narcissism, which causes the narrator to paint others in a negative light to make themselves look better.
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Joan Hall Guesting Today to Talk About Her #newbook – Menagerie

I am so happy to have Joan Hall visit today. Joan is a fellow member of Story Empire, and she has a new book that sounds fascinating. Come on in, …

Joan Hall Guesting Today to Talk About Her #newbook – Menagerie
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BIRTH ORDER AND CHARACTER DEVELOPMENT: Firstborn

Hello Story Empire friends, Gwen with you today to focus on character development related to birth order. Here’s a link to my prior post on this …

BIRTH ORDER AND CHARACTER DEVELOPMENT: Firstborn
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Teaser Tuesday: Sari’s Psyche

Cover art by Jason Pedersen

Going to revive a some old teasers to draw attention back to the series.  Maybe a few eBooks or paperbacks will sell.  Here we have a fun one from Legends of Windemere, which will probably take up a bulk of the revivals.  Enjoy.

Continue reading

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Dealing with Narrator Bias

Google Image Search

The terms ‘Narrator Bias’ and ‘Unreliable Narrator’ come up from time to time.  In general, they denote that a story is being told with a skewed point of view.  You get a sense that you aren’t seeing events as they really happened or there are aspects that are being left out.  Either the narrator didn’t have this information or they are purposely leaving things out that don’t fit their version.  I’m sure I’ve already got a few people ready to bring this issue into reality.

I’ve noticed that you can’t always tell if narrator bias is happening.  Not only the audience, but the author as well.  If you’re working with one perspective then you’re not going to have any outside information.  This is especially true for 1st-person POV, but can happen in 3rd-person as well.  One could even say it’s inevitable since you can’t write a story that shows everyone’s perspective at the same time.  That would lead to mind jumping every paragraph and it being difficult to keep track of who is showing you what.  This is why authors tend to choose a specific POV for a story/scene/chapter.

Now, you might be ready to argue that a POV character isn’t always the narrator.  You’re right, but the narrator bias falls on whoever is showing the events. If the narrator is simply doing exposition and describing the physical scene then the doubt would be aimed at whoever is speaking.  It is harder to believe in narrator bias here since it would be primarily through actions and dialogue.  One could shift the suspicion back to the formless/nameless narrator again.  This is what makes this rather confusing.

It doesn’t help that an author doesn’t have to intentionally add narrator bias.  By making deep and multidimensional characters, one can inadvertently get the audience to think they’re being lied to.  This happens a lot when you write a villain who is supposed to be sympathetic or make some kind of sense.  For example, the villain is trying to help humanity deal with limited resources by going on a murder spree instead of trying to create more resources.  A reader who thinks this is a good idea might think the heroes, who would be the main source of information, are skewing reality.  They’ll look for hints that this isn’t the real story, which can make for interesting conversations.

Now, say that you want to make a narrator come off as unreliable.  There are several tricks that you can use, which I’ll go over on Wednesday.  You need to garner some level of trust even if you also want some doubt.  This tactic works best if the audience isn’t sure that they’re being tricked.  Of course, this isn’t easy to pull off and you may need to do edits specifically to make sure you’re both hiding and revealing the truth.  It does help to decide on if the narrator is being honest or not too.  If the author isn’t sure on some level then the whole thing can fall apart.

So, what do you think of narrator bias?

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Metaphysical Elements in Writing – Gemstones

Hello, SE’ers! It’s Jan again with the first part of the new series that’s all about including metaphysical elements in fiction writing. Today, I’m …

Metaphysical Elements in Writing – Gemstones
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