Hero Hypocrite: Do As He Says, Not As He Does

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This one might be quicker than the rest because I can’t think of any clear examples.  It mostly stems from a few responses I’ve gotten about my books and discussions I have had about heroes.  It seems there are readers who want a character who is tough, noble, brave, and has no qualms about killing people.  The slightest transgression results in this hero attacking and then they go back to claiming to be pure or noble.  Not even because that is their persona, but they’re written that way.  This is different from the Antihero because those tend to either be conscious of their hypocrisy or never claimed to be noble.  The Psycho Hero is different too because they’re established as violent and enjoy the chaos that they cause.

So this list might be more about how to avoid writing a noble hero who can’t hold onto his/her own morality.  Again, not that they’re tricked or pushed to go against their code, but they do it without question or even realizing it.

  1. If your hero talks about how life is precious then make them show grief about killing.  It brings more weight to their beliefs and creates consistency.  Otherwise, you think the author isn’t paying attention to what they’re doing.
  2. Create an honor code for a noble character even if you don’t explain it in the book.  You should also STICK TO THE HONOR CODE!  If your character says ‘I don’t fight women’ then don’t have them throw down with a female warrior in the next chapter.  If she’s disguised and her gender is revealed then this hero should suddenly go on the defensive and try to get out of the fight.  Suddenly adding, ‘unless she fights me first’ is a cop out and can only be done within the same scene.  Otherwise, people might think the author hasn’t read their own book.
  3. If you do have a character who counters his own moral code then have other characters call him out on it.  Don’t just have the other heroes shrug and ignore the fact that a Paladin of the Magic Goddess just set fire to an ancient magical tapestry.  In that specific case, the Magic Goddess might want to revoke his status since those types of deities are all about preserving magic.  In other words, don’t let the other characters give these inconsistent jerks a pass.  Otherwise, people might think they’re just as stupid as the badly written hero.
  4. Remember that there are laws in a world that isn’t plunged into anarchy or simply a wilderness region.  This means that killing is still illegal.  There is leeway that can be made, but you need to be careful.  Even if a hero murders the pickpocket that tried to rob him, there still needs to be some explanation to the guard or someone telling the reader that this is okay.  Also, if the hero butchers a person for spilling his or her drink and is not arrested then it’s strange when any other characters are punished or hated for violent crimes.  So keep the meaningless violence to a minimum or with explanation if you MUST use it.  Otherwise, people will think the world is shoddy and the author merely wants to satisfy a blood lust.

Anybody think of any other tips to avoid a Hypocritical Hero?

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Book Marketing and Promotion Part III

91canderson's avatarChristine F. Anderson Publishing & Media

From the Editor’s Desk
By: Dr. Andree Robinson-Neal III
We hope you gained some insight from the first portion of our interview with Charles. Today, we offer you the rest of his advice on marketing and promotion. There is quite a bit of great information here, so let’s take it bit by bit.

Charles’ left us with his thoughts on social networking sites and marketing, so let’s start there:

What do you post on these sites to help with promoting? Pictures from your most recent trip to the zoo probably won’t work, but you’re on the right track. First, it differs depending on the medium you’re using. Twitter only has 140 characters and some of those will be taken up by the link to your book. A tweet requires a quick pitch that mentions the plot, a character, a Top 100 ranking, or anything that can get immediate attention. For…

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Legends of Windemere Campaign on Thunderclap

Help Support Legends of Windemere on Thunderclap! Deadline is OCTOBER 4th!

Please lend a hand and help me reach 100 supporters by the deadline.  It’s a great way for anyone who wants to campaign for anything to get a blast of support, but it only works if I reach or surpass my goal of 100.

If you have Facebook, Twitter, and/or Tumblr then CLICK ON THE PICTURE BELOW!

CLICK HERE!

CLICK HERE!

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Sacred Band on Thunderclap

A fellow fantasy author is doing a Thunderclap promotion and they need to reach 100 supporters by September 25th in order for their campaign to be successful.  I hear people wondering what this means and I think I have it figured out:

Thunderclap allows you to create a campaign for a cause, book, or whatever.  You choose a deadline and set a goal for supporters like Kickstarter sets a money goal.  People can sign up to spread the word on Facebook, Twitter, and Tumblr.  You don’t need all 3 to participate.  The messages don’t go live until the deadline and only if you reached your stated target.  For example, Sacred Bond is trying for 100 supporters.  If they get 100+ then the day that their campaign ends, all of the promised social media sites will send that message.  Think of it as loading a promotional Roman Candle.

So CLICK ON THE PICTURE BELOW and give a fellow author a helping hand. Feel free to reblog this too and help spread the word to reach that 100 supporter.

Sacred Band by Janet Morris and Chris Morris

Sacred Band by Janet Morris and Chris Morris

I have one too now!  Please help both of us! (I’ll be making another post for me later today!)

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Another featured article

Pamela Beckford's avatarPoetry by Pamela

I have another featured book article on Linze Brandon’s blog over at blogger (oh how I wish it was easier to reblog across other platforms).

Anyway, here is the link to her blog – go ahead and give it a look and look around while you are there. And it would be okay if you bought my books too 🙂

http://linzebrandon.blogspot.com/2014/09/romance-in-september-love-lost-and.html

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The Psycho Hero: Lunacy for Good?

Marv in Sin City

Marv in Sin City

This falls into the Anti-Hero category, but I’m putting this on the extreme side of the spectrum.  The Psycho Hero is off his rocker and would probably a villain if the writers didn’t make him a hero.  These characters are violent, destructive, not really loyal, and typically indulge in mayhem.  Some might not so much indulge, but they have no restraint when it comes to violence. Honestly, you read about them or see them in a show and realize that one tiny tweek of perspective could result in this character being a villain.  I will note that comic books love this character type.

How do you use these characters without going too far?

  1. Always be aware of how other characters interpret their actions.  If the surrounding people have no problem with the slaughter then your Psycho Hero loses some of his/her pep.  Also, it hurts your overall story and world because it makes it look like mayhem is the natural order.  So why wouldn’t everyone else jump on the chaos train?
  2. Putting these characters in a team can promote growth and conflict.  Look at early Wolverine on the X-Men and how he butted heads.  Giving a Psycho Hero someone to care about can evolve them to a more stable persona, which can bring in the question on if they still have an edge in combat.
  3. If you go with a loner Psycho Hero (Punisher and Marv) then you should have some type of law enforcement organization being against them.  Don’t make this group bad guys and corrupt because they’re doing their jobs.  Realistically, your average police force would try to stop a murderous vigilante instead of going out for coffee.  Their laid back mentality would only work in an anarchy state, which then begs the question of why there are police anyway.  Still, someone would have a problem with the violence and try to put a stop to it.
  4. If you’re going for a whacky, crazy persona like Deadpool then PLEASE try not to overdo it.  It’s all funny and amusing for a character to start beating a bad guy with a frozen burrito, but the act gets stale after the 4th or 5th time.  Heck, maybe even the 2nd.  You see, you still want this character to be taken seriously as a hero.  By making them do nothing but joke, your more mature audience will walk away and consider the character rather worthless.  There’s funny random and then there’s stupid random, which seems to be mixed up these days.
  5. Accept the possibility that this character might go too far and have to be moved to the villain side of a story.  You may love writing the Psycho Hero, but you have to distance yourself.  If they take out a bus full of innocent bystanders then they’re going to have to face a punishment.  The character simply can’t continue on after a big event with a high non-villain body count.  Remember that this hero is already walking a fine line so it takes a lot less to knock them over the dark side.  For example, Marv was executed in the first Sin City movie for what he did.  That actually made him a stronger and more believable character than if he was allowed to get away with things.
  6. It can help to give a few quirks to focus the crazy.  Maybe the character has a trigger or has a favorite method of dispensing mayhem.  Deadpool’s verbal diarrhea and walking Family Guy episode stuff is extreme, but it’s a good example.  By doing this, you can give a little depth to an otherwise simple character.  I guess what I’m saying is put some method behind the madness to make them a hero.

So, any other ideas on how to write a Psycho Hero?  Any favorites or guilty pleasures that you can think of?

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Readfulthings Writing Exercises 2 and 3

Some more fun from Ionia and Readfulthings!

Exercise #2

My life would have turned out so much differently if only I had not _____________.

Fill in the blank. See if you can write a paragraph, or fit this in to a WIP that you are stuck on.

“My life would have turned out so much differently if only I had not gone to college.  That’s a big one, but it is where everything changed.  Made a lot of new friends, first time away from the family, and most of my story ideas came about during that time.  It’s where Windemere was created through my imaginary and real experiences.  Would I even be a writer if I hadn’t gone to college?  Would I have an entirely different world without Luke Callindor and the others talking inside my head?  It does make one wonder if there are alternate worlds out there that would answer these questions.”

Exercise #3

Come up with five to ten descriptive words. Then use antonyms of them to write a paragraph.

Opposites are a fun and creative way to get your mind working.

Words–  Sweet, lanky, friendly, brave, foolish

The sour taste of the cherries made him cringe and throw the rest of the bowl into the festering garbage can. His portly body moves to the bed as he hears his neighbors throw a party. He was always too gruff and cowardly to make friends, so he was never invited to such events.  The man closes his eyes and firmly believes that he is very wise for staying away from people.

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Here is my interview with Pamela Beckford

fionamcvie1964's avatarauthorsinterviews

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Name Pamela Beckford
Age Not as old as dirt, but closer than I would like
Where are you from – northern Indiana
A little about your self `ie your education Family life etc
I have never left my hometown, a small rural community in northern Indiana. It was a great place to raise my daughter. Of course, she wasted no time in leaving and moving to a large city. Sigh. I have an adorable five year old grandson. I know everyone says that, but really he is adorable. He actually has done some modelling (it helps that my daughter is a fashion designer and has been able to expose him to many photographers).


Fiona: Tell us your latest news?
I published my third book in July this year. What an exciting adventure this has been.

Fiona: When and why did you begin writing?
I started writing poetry about 18 months…

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The ‘Pacifist’ Heroes: Saving Without Killing

vash

Vash the Stampede from Trigun

Rurouni Kenshin

Rurouni Kenshin

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For anyone who doesn’t know the above characters, Vash and Kenshin are from anime.  Vash is a skilled gunsman and Kenshin is a deadly samurai from the Meji Era.  Two entirely different heroes from entirely different settings.  Yet, they are the best examples of a Pacifist Hero.  Both follow codes to never kill with Vash doing it to honor a deceased loved one and Kenshin doing it to atone for his role a Manslayer during the war.  It is a key part of their stories and personality.  Their different reasons also take a new angle that I’ll get into during the list.  By the way, I know Pacifist tends to mean no conflict, but it’s the best word that I could find for this.

Now, some people might say that they’re like Batman because Batman doesn’t kill.  At least not on purpose . . . most times . . . depends on the movie.  They might actually be closer to Spider-Man and Superman here, but I’m still throwing in one major difference for these Pacifist Heroes.  Unlike American superheroes, Vash and Kenshin don’t usually go looking for trouble.  They will step in when they find trouble, handle ghosts from their past, and try to stop the problem through talking first.  Violence is shown to be a rather regrettable decision for these characters while you get the feeling that Spider-Man gets some joy out of throwing down with his enemies.  So, I would say a Pacifist Hero is one that does not kill and wants to stay out of the fight entirely.

How can you use a hero like this?

  1. DO NOT make this character a pretense jerk who thinks he/she is better than everyone because they don’t kill.  You can do this if they’re a minor character and supposed to be obnoxious, but a main hero with this path should be very casual about it.  They can try to talk others out of killing and be upset if it’s done (looking at you, Vash.), but having them preach too much hurts them as characters.
  2. Create a deep and realistic back story to the decision not to kill.  A promise to a friend can be a good start, but there should be more to that relationship.  Don’t just say ‘I refuse to kill because it is wrong’ and leave it at that.  People want main heroes to have some depth of morality.  Take a little time with this and you might even pull an enemy and/or subplot from it.
  3. You can have a Pacifist Hero be terrible in a fight.  Unlike the examples given, it is entirely reasonable to have a main hero who refuses to fight be unskilled.  This means they’re a liability in action scenes, but not everyone is a badass.  To counter this type of uselessness, give them a strong area like healing, knowledge, or anything that helps them retain their main character status.  Otherwise, readers will wonder why the capable warriors don’t ditch the main guy and finish the story on their own.
  4. Contrary to #3, you CAN make your Pacifist Hero a dangerous opponent and skilled in combat.  Just because they refuse to kill doesn’t mean they’re going to avoid learning how to defend themselves.  This brings an interesting dynamic to them because it means they have the ability to easily take a life, but still refuse to do so to their enemies.
  5. If you have a character who has lived the pacifist life since childhood and never killed then you may want to put in something that tries to break their path.  Vash is such a character and one of the goals of his enemies is to prove that his pacifist ways are worthless.  This does cause problems for him and makes him question his faith at times, which is great for character development.  You can also toy with the idea of the character either intentionally or unintentionally taking a life to throw them into a whirlwind of emotion.
  6. It can help to have a foil for this character.  Either a rival or an ally who sees no problem killing in certain situations or for kicks.  This creates a clash of beliefs and it will put the most pressure on the Pacifist Hero.  After all, how do you stop a Psycho Hero without falling into their level or making him/her an enemy?
  7. Enemies and allies from a character’s past works great for an atoning character if you go the Kenshin route.  You get to unearth more of their pre-pacifism persona and this can bring out the ‘threat’ of the old version reappearing.  You get a lot out of teasing that a hero like this will fall off the wagon and take a life.

So, what do you think of this hero type?  Can you think of any others that fall into this category?

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Picture Sneak Peek: Gabriel and His Unicorn

Sometime in October or November there will be a week of picture posts.  What kind you ask?  Those done by Kayla Matt who has done several of the characters from Legends of Windemere.  Now she’s doing more and here’s a sneak peek:

By Kayla Matt

By Kayla Matt

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