October Blog Post Polls

From Final Fantasy

So, I’m going to do the Dawn Fang interviews, but I’m putting them in groups.  People will get to vote on the combos.  There will be some repetition in names since they don’t always match up perfectly.  I will give thoroughly explanations with the post and people can vote multiple times.  Here’s the poll:

That’s Monday, so here is Wednesday.  People really enjoyed voting for Windemere Monsters, so I’m going to do it again.  This time with the ones that didn’t make the cut in 2017.  Here’s the poll and you can vote for multiple monsters:

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First Week of School is in the Bag

(One of the big songs of the summer.)

The big event is that I went back to my Teaching Assistant job on Tuesday and got a taste of what the future holds.  I’m working in what is called the Life Skills program, which is a lot of fun.  Now, I can’t go into what the students are like because that’s confidential, but I do think this program is amazing.  Thought so when I helped for one period last year and I’m thrilled to be in it for most of the day.  We do cooking, help out around the school, go out into the community down the road, and focus on real world skills.  The days are busy, but I end them with a smile because I really like this.  It’s making me want to take courses on special education and work towards a masters in that, which I can add a literacy part to as well.  Anyway, that’s the big fun of the week.

In other news, I managed to edit War of Nytefall: Eradication and now I need to contact my cover artist.  The goal is to release around Christmas time.  Probably should work on the blurbs next weekend when my son is with his mom.  I’ll go over the outline for the next volume too.  I’m still not 100% certain on how this came out even though I did some big rewrites and jumping around near the end of the process.  I went back to earlier scenes to make sure the reveals fit better and cleared up some things I remember that no longer made any sense.  This is why I prefer to edit in one big run and not have long breaks between days.  It isn’t easy since it’s rare that I get a lot of time in a row, but I think this worked out.  I’m going to begin writing War of Nytefall: Ravenous once I get the blurbs and outline done too.  Need to do a big rework there to remove part of the story or at least move it into more of a secret.

Managed to get back into biking, but I’m inconsistent.  Can’t do it in the morning and I don’t always make it home from work in time to bike and shower.  I might have to fit it in when I can at night since I’m only using weeknights for blogging and puzzles.  Managed to finish all of the November posts and Derailing Bedlam is all scheduled until it ends just before the end of the year.  No real idea what to do after that for Thursdays and I make a post about that in December.  Oddly enough, I considered being really bad and posting section by section the two books I wrote in high school.  Unedited and raw, but it might be funny to show where I started from.  Seriously, I designed it when I was 15 and wrote both before I hit college and developed any sense of structure.  It could be painful though, so we’ll see.

My son came home from his mom’s on Tuesday night and started 5th grade on Wednesday.  There was a lot of panic and fear leading up to the day, but he was brave and got on the bus without a problem.  He was whimpering and cuddling up to me before I left for work, which may have been an act to get attention.  Seems he was fine as soon as I was gone.  He got a few rewards for a good week too.  Buying a plush Princess Peach today to go with his other Mario toys and I bought a Lego Slave One (Boba Fett’s ship) for us to put together . . . This may also be a reward for daddy making it to the weekend.  I’m his assistance on these projects now, so we’ll see what happens.  Both of us just need a relaxing weekend before we tackle our first full weeks of school.  I’m already dreading that this school year is going to go by so fast that I’ll miss on getting other things done.

Not much else to report.  Tried banana bread for the first time both in tasting and baking it.  I . . . Yeah, I got nothing.  I have another set of polls going up tomorrow to get the rest of October set up.  It’s going to be ‘War of Nytefall’ interview groups and ‘Windemere Monsters’.  I’m almost done setting up the ‘Monster Maker Fun’ posts.  Life caused a few issue with the nights, but we’re almost back on track.

So, what are the goals?

  1. Enjoy weekend with son.
  2. Continue working hard at school.
  3. Tinker with outline, tip notes, or book list.
  4. Contact cover artist.
  5. Finish Monster Maker Posts.
  6. Get better at fitting biking in.
  7. Eat healthier . . . At least try to.
  8. Drink more water.
  9. State that I really do mean water and not vodka.
  10. Finish season one of ‘Wynona Earp’ and start either ‘Dark Crystal’ series or ‘Cannon Busters’.  Depends on what I do next Saturday.  Tackling the outline means I need something solely for background noise.
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Gods of Windemere: Powerful or Powerless

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In Legends of Windemere, people are introduced to the gods and the only law that they are guided by.  This is called the Law of Influence and was created by Zaria along with a council of other gods.  It states that they cannot get involved in mortal affairs beyond visions, casual chats, and blessing their priesthoods with magic.  Crossing the lines that are fairly vague results in being sealed.  The length of containment depends on how badly you messed up.  For example, a god might be sealed for a month if they slightly redirected a stream to help a farmer.  Another might be sealed for a decade if they created several new species after drinking too much.  The extreme is causing a big even like a war, which can result in eternal sealing.  These punishments haven’t really been dealt out because the perpetrators can state their cases.

This brings up a question as to how powerful the gods and goddesses are.  Some have even asked me what the point of them are if they can’t do anything big.  I’ve been told that Windemere could operate perfectly without them if they aren’t allowed to get their hands dirty.  This isn’t true though.  The gods still watch over their spheres and each has a pocket dimension where those who worshiped them go after dying.  So, they act like caretakers for the world and spirits in this respect.  Priests wouldn’t have holy powers without the gods to bestow blessings, which is a subconscious action on their part.  It’s only when they cut a mortal off for an established reason that they are fully aware of this power.  Still, this is fairly minor in turns of influence since mortals are asking for the magic and use it as they see fit.

The main reason I added the Law of Influence is because I was seeing how people reacted to these powerful beings in other series.  Audiences always ask why something didn’t bring about an easy solution.  Gods are a big target for this.  I find it a strange argument because you’re basically asking why the story even happened.  Sometimes people who could solve a problem simply don’t care enough to take action or are unaware.  That doesn’t work with semi-omnipotent deities though.  This is why I made the Law of Influence because it explains why they don’t just wipe out threats like Baron Kernaghan and depend on mortal champions.  It negates that argument and brings the weight of success entirely on the protagonists.

Still, some people found this silly because such powerful figures imposed a massive restriction on themselves.  To understand the reason, one has to know the history, which is mentioned at times.  Not the specifics, which will come out later and even be a few future stories.  I’ve noted that there have been various disasters that have befallen Windemere and some of these threatened the gods.  One of these was self-inflicted because they had been messing with mortals as they saw fit.  This continued until a woman seduced the God of Innocence and used him to get her hands on the Staff of Solar the First God.  She used this artifact to cast several gods out of their homes, transform others into monsters, and enslave the rest.  It was only Zaria and her friends, one of which would become Baron Kernaghan, who saved the gods.  It was revealed that Windemere would unravel if they weren’t put back in place too.  She ascended to become the Goddess of Purity and created the Law of Influence to make sure mortals weren’t pushed to the point of attacking the gods again.

Does this make the gods less powerful?  No, but they are hampered in a way that they can’t flex their muscles all the time.  Gabriel the God of Destiny gets some flexibility since his job requires that he craft vague destinies for mortals.  He can bestow this flexibility on others, but there are limits.  He can’t kill whoever he wants, so he has to create agents that he can help to some extent.  The Law of Influence prevents him from saving them from danger too.  So, it gets a little convoluted at times, but that stems from the gods needing to have some interactions.  This is why they hold court instead of going right to sealing and many can rationalize their actions.  It comes off as them being powerless, but they can do a few things that help move the plot along.

The biggest challenge here might be preconceived notions of gods.  We expect them to be the most powerful beings in the world as well as having no care about what they do to mortals.  Mythology has taught us that gods and goddesses will always get involved in human affairs.  This works for that, but it makes a mess with modern fiction.  You can pose them as bad guys that need to be stopped, but everything else brings in that frustrating question I mentioned.  You need to hamper them in some fashion, especially if they are physical presences.  If they never appear then audiences can assume that they are more fictional beliefs of the world instead of actual entities.  Maybe I should have gone that route, but that would make things weird with the Baron being a former god and Dariana being the daughter of him and Zaria.  That would reveal that they are physically there somewhere.

I hope this helps clear up any questions about the Law of Influence and why the gods don’t get more involved.  I’m looking forward to those stories that touch on how they got to this point.  Hope I can get to them.

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Check This Out: A Mother for His Twins and An Apple Orchard Reunion

A fun interview to end the week on. Impressed by the cayenne pepper fact.

L. Marie's avatarEl Space--The Blog of L. Marie

Hello! With me on the blog today is the amazing Jill Weatherholt, who has three publications to discuss: her latest Love Inspired novel, A Mother for His Twins; her novella, An Apple Orchard Reunion in the Autumn Hearts anthology, and “A Labor Day Reunion,” a short story in Woman’s World Magazine—just in time for Labor Day, the holiday that just passed.

      

    

Jill is represented by Jessica Alvarez. After Jill and I talk, stay tuned for a giveaway announcement.

El Space: Four quick facts about yourself?
Jill: 1. I’m afraid of heights and will not ride on an escalator, but I’ve always wanted to go skydiving.
2. When I was twenty-years-old, I was diagnosed with Crohn’s Disease.
3. I once won a limbo contest while vacationing in Key West.
4. I love cayenne pepper and I put it on most foods.

El Space:

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Derailing Bedlam: Which One of Us Is the Predator, Again? Part 1 #fiction #adventure

As usual, here is your warning that this story has cursing, sex (not graphic), innuendo, and violence.  It’s my Rated-R action adventure called Derailing Bedlam.  This is the fourth outing (third official) for Cassidy and Lloyd, so feel free to click on one of the two covers to see how it started.  Each one is 99 cents!

Cover by Jon Hunsinger

Cover Art by Jon Hunsinger

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More teaser fun

coldhandboyack's avatarEntertaining Stories

Time for another teaser leading up to publication of my next book. Tap the video and turn your speakers up. Then ponder Lisa’s poster and see if you’re imagination gives you any clues about this story.

Lisa Burton

As always, feel free to use Lisa’s poster for your phone background, or whatever. She makes for great Pinterest pins.

How about it, gang? Any idea what this Halloween story might be about yet?

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Romance and Heartbreak

Hate to say it, but that quote is pretty spot on.  The human heart is a very fragile thing when it comes to love.  If one person in a relationship changes without the other and no attempts are made to bridge the gap then pain is the only result.  Our emotional state is tied to our physical and mental states, so heartbreak can have a domino effect that some people never get out of.  Depression, gaining weight, anxiety, phantom pains, lethargy, and the list of ailments that can be traced by to heartbreak is pretty long.  Geez, I’m started to get some phantom chest pains just writing this one.  We’re going to see how far I get because this is a subject that hits pretty close to broken home.

As authors, I think many of us enjoy the concept of romance.  There’s a complaint that it’s found too often in fiction, but it’s a journey that most people go through or hope they can experience.  If we are to create believable heroes then we have to consider if they would be interested in dating or getting married.  Romance makes sense for some heroes because they are already caring about other people, so it’s almost like they’re destined to fall for somebody.  There’s a higher level of emotional connections from them and love is the most powerful positive one in the book.  That isn’t to say it’s mandatory, but it can make a lot of sense that these characters have romantic encounters.  A way to avoid this is to make them cold and interested only in sex if they have any interest in relations at all.  Still, I think this is one reason why relationships turn up even in non-romance stories.

The other side of the coin is heartbreak.  With romance, you always have the risk of things not working out.  That’s just how reality works and this might be harder to do than the initial connection.  You need to build up a reason for things to go south because a sudden ‘we are through’ might hit with a dull thud.  The dumper would be seen as a jerk and, if a hero, would have a cloud over their heads for the duration of the story.  If it is sudden then you need a reason such as a villain forcing them to do it or something that clears up any mystery.  Yes, there are break-ups that happen in real life where one party will never learn the reasons, but fiction does require more.  Even shock value heartbreaks need to be explained later or they come off as empty.  This can be as simple as the character no longer being in love and admitting that they didn’t know what else to do.  My point here is that you need to plan your breakups almost more than you plan the initial romances.

Another part of the romance and heartbreak that some authors forget is that you need to maintain the emotions.  Lovers need to show their affections to some extent either physically or verbally.  Almost used the wrong word there.  You can’t have them start a relationship and never act like a couple.  Saying ‘I love you’ means nothing if you don’t act like it too.  On the other side is heartbreak where at least one of the characters needs to be in pain.  I’m sorry, but very few people shake off heartbreak after one night of drinking and a pep talk from friends.  Even if they are significantly better, you can still see flickers of the anguish from no longer being in a relationship.  Much of this is determined by the degree of the relationship too.  Breaking up after a week won’t hurt nearly as much as a divorce after decades.  Unless there is a mutual agreement to split, you’re going to have to write about the characters getting through the inner turmoil.  This is a great place for growth and development too.  We talk about how obstacles build heroes and heartbreak can be one of the worst.

I’m running out of steam here since this is a difficult topic for me.  I’m writing this up in late June too, so I might be in better spirits come September.  Anyway, tell me what you think about romance and heartbreak in fiction?  Not if it belongs in there, but how you think it should be used and any tips you have for using it.

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Teaser Tuesday: A ‘Minor’ Challenge #fantasy #adventure

Cover Art by Jason Pedersen

I’m still amazed that I’ve barely done any teasers for Legends of Windemere: Path of the TraitorsStarting to wonder if there’s something up with the search function for my posts.  This is a section that takes place when Queen Trinity, Quail, and their friends are traveling cloud paths high above the ground.  You’ll quickly recognize their allies and get a much bigger sense of the title.  Enjoy!

Continue reading

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The Indie Writer’s Handbook

Nicholas C. Rossis's avatarNicholas C. Rossis

I was lucky enough to be sent an ARC for The Indie Writer’s Handbook by one of my favorite authors, David Wind. David has included a kind mention to this blog in his book, which is specifically aimed at Indies, hence the ARC.

“A great primer for new Indie authors (as well as ones who have been around and are wondering if they are doing everything they can to succeed). The easy, conversational style makes the fact that it is packed with information painless, the screenshot walk-thru’s of how to fill-out and accomplish various tasks online were a great idea – I’d definitely recommend!”

USA Today and WSJ Bestselling Indie Author Amy Vansant

David Wind

David Wind is a Hybrid author with 40 books of fiction published both Traditionally and Independently. He is a member of the Authors Guild, The Mystery Writers of America, The Science Fiction and Fantasy…

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The Art of Dimension Jumping in Fiction

Blink from Marvel

There’s a difference between teleportation and dimension hopping that some people don’t always realize.  The former involves jumping from one location to another in the same world.  The latter is about moving between different worlds.  You can call it dimensional teleportation, which works.  Yet, the two words aren’t interchangeable.  Obviously, I’m here to talk about the more complicated one.

Why is dimension jumping more  of a challenge than regular teleportation?  You have to build a lot for it to work.  If the character is moving between worlds that are identical to each other then there isn’t much of a point.  You need to make slight differences to the worlds in order for it to feel like multiple dimensions.  It could be something minor like a mountain moved to another place or major like it rains worms that are devoured by the hungry grass.  Basically, there has be a clear change for it to be called a different dimension.  This requires building multiple worlds instead of one, which can be daunting for people.  If you have too many then you begin getting desperate and can design a dimension that the audience can’t take seriously.

Another thing about dimension jumping is that you can’t really have it is a ‘power’ that characters use.  It may work in comics where characters simply pass through pocket dimensions, but they always come back to the first world.  If your hero or villain is leaping through dimensions then that’s a major plot point.  Same thing goes for chases that cross time periods.  With that, you’re trying to save the timeline or something connected to the time stream.  When you have dimension jumping, you need to have a threat to all of those worlds or some goal that incorporates the powers.  Perhaps the heroes got lost and want to get back home like in the show ‘Sliders’.  It’s the main goal, which incorporates this big power.

I’ve considered dabbling with dimension jumping in the past and I still might add it to Windemere at one point.  It’s kind of there with the Chaos Void being a side dimension of demons, but I’ve contemplated making a connection to Earth.  At one point, Clyde from War of Nytefall was going to end his series by disappearing from Earth and appearing in Windemere.  Going even further back, I wanted to have the main female characters of my various series team up for an Earth-based team.  This is in high school and I had it that the fantasy character chased a villain through a portal into the superhero world.  These were all tossed for various reasons, but I also had a story where a tear between dimensions draws two Earthlings into Windemere for an adventure.  I’m on the fence about doing this because it can open a lot of issues and can cause people to demand that certain things get added to Windemere.

All that being said, I do have one story that I’m holding onto that involves dimensional jumping.  The northern pole of Windemere is called the Ice Crown, which is a huge circle of ice that even the gods can’t get through.  Inside is an angel who has the power to pull people through dimensional portals and she’s been populating this little world for centuries.  This is because she is all alone and wants friends, but none of the kidnapped stay with her for long.  They always go adventuring or live in one of the cities, which she doesn’t find interesting.  One day, the angel found a world that she wanted to join since she was still lonely after drawing others into her world.  She disappeared and this caused all of the inhabitants to be cursed.  The story is about a group of pirates (people gathered from different dimensions) finding the angel and bringing her back.  Of course, she’s on Earth and just retrieving her isn’t enough, but dimensional jumping is a major part of the story.  Mostly the after-effects when one is dragged out of their world against their will.

So, I haven’t tackled this power yet, but I really want to.  It’s a doozy when you actually analyze it.  What do other people think of stories where the characters leap between dimensions?  Remember that we’re talking other worlds instead of locations.  I don’t know if I’d put time travel under here though.  I guess they can work together because other worlds can be created by changes in the time stream.  A lot of overlap between powers like this, which can help with the world building.

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