The Frustration of Inconsistent Deathblows

Krillin from Dragon Ball

Long ago, I started watching Dragon Ball Z.  Early on, one of my favorite movies was Krillin’s Destructo Disc.  It’s a large disc of energy that can cut through anything.  At least, that’s how it was presented.  This thing was a nasty one-hit kill maneuver that I couldn’t wait to see used to win a fight . . . I’m still waiting.  The damn thing has been dodged or had no effect on a powerful enemy.  Best he did was cut off Frieza’s tail if I remember that correctly.  Highly disappointing.

Anime is full of moves that are hyped up to be deathblows and never do.  Heck, this is basically a running gag in ‘Inuyasha’ where ever big move that would kill the main villain failed.  I’ve read stories that do this as well with the intention of playing a ‘gotcha’ with the audience.  I can kind of get behind this idea for comedies or if there’s some lesson about not depending on a single thing.  Yet, it gets old and makes one suspicious of any stories where learning a deathblow is part of the story.

It makes sense since these are moves that would end the adventure if they ever hit the main villain.  Still, you would think they’d get used on supporting villains at least to show what they’re fully capable of.  That’s not the case all the time.  You see it used against an inanimate object like a mountain then it never works on an enemy.  I wonder if these are created with the intention of it being used, but the author changes their mind at the final moment.  It’s kept in the story because it’s cool, but then it doesn’t really have an impact on the story.

This leads to another issue, which is that the character who possesses the deathblow loses importance.  If it’s the main protagonist, they can pull out of it by using another move or finding a different way to reach their goal.  Supporting characters, like Krillin, end up getting defined by this big move that never works.  They won’t lose all their popularity, but it becomes a stain on what they bring to the story.  Having it work even once at an essential moment would go a long way even if it turns out the move is useless against really strong threats.  Otherwise, readers might wonder why not only the deathblow exists, but the character as well.

Personally, I think every move, weapon, and item needs to be used in some fashion.  It’s not easy and you may have a few designed to fail.  For those that won’t work, I try not to hype them up that much.  Once I see that they’re going to flop in an actual battle, I try to give them some kind of use outside of action or making it clear that they are more of a gamble.  People are better with a failed deathblow if it’s not a sure thing even if it manages to hit.  Not the smoothest method since you still have a character walking around with a useless move, but it can be easier to swallow when it fizzles out.

So, what do you think of this rather obscure subject?

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Should you edit your published book?

Greetings, Storytellers. Diana here to talk about whether we should edit our published books, and if so, when. This post also applies to those …

Should you edit your published book?
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Poetry Day: Catching Snowflakes

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(Only point I want to make is that I made sure my son was okay and warm before I wrote this poem.)

The child can barely walk

Toddler legs still growing

Unable to find footing

But strong enough to move

Following the falling crystals

With an open mouth

Tongue stretching for a taste

Of crisp and chilly snow

At times he stops his chase

Bending down for easy prey

Letting excitement push him down

To the point of no return

Little face embraced by snow

A shock of bitter pain

Rushing to the warmth of home

Still chewing on his mouthful of snow

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The Trouble with Misusing Words

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This is one of those topics that’s been on my mind, but I’m not really sure how to fully explain it.  I don’t mean using the wrong words or typos here.  I’m thinking more about how people will take one word and use it the ‘wrong’ way.  Mostly to manipulate the emotions of others.  Let me give an example:

A person begins standing up for themselves against a controlling family member.  In response, the bossy family member takes on the role of the victim.  They begin calling the person ‘rude’, ‘disrespectful’, ‘mean’, and other phrases designed to the shame.  Pretty sure I’m talking about gaslighting here.  Yet, it’s the intentional misuse of words in an exaggerated state that gets the job done.

It isn’t always gaslighting too.  Sometimes a person will use certain words and phrases to gain attention and sympathy.  I know a few people on social media who do this.  Years ago, they were claiming to suffer from anxiety and depression when those were the big topics online.  They were really nervous about a situation or simply sad if even that.  Then, they started claiming to be introverts or ‘extroverted introverts’.  One began claiming to be bipolar with it being clear they couldn’t explain the mental illness.  As you can see, much of this comes from self-diagnosing, which is usually wrong.  Yet, people will do it and use online sources to ‘prove’ what they have to get attention.

This is all in the misuse of words.  You drop the right ones into what you’re saying and you can manipulate the emotions of others.  It’s what author’s do, but this is coming from a different source.  There’s no desire to entertain an audience for their own sake.  It’s to be in the spotlight and garner sympathy that one sees other groups get.  It’s to manipulate the mind of a person who might be trying to gain independence or become stronger.  One could even say it’s author skills from the dark side.

Really is an iffy topic here.  I can’t really connect it to writing because this was triggered by seeing it in action.  This is about life and a method of manipulation that I’ve seen far too often.  In fact, I’m pretty sure everyone has done it at some point.  Not always to a truly abusive level, but we get riled and start flinging strong words to defend ourselves.  We want to fight back and use the strongest words we know.  Not that different than the example, is it?  Maybe the difference is in what triggers us.  An abusive person doing this to keep a person down is a negative while a person doing it against abuse is more of a positive.  Guess that makes sense.

So, anybody have any thoughts on what I’m trying to say?  Am I making absolutely no sense?

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Guest Post – Jaye Marie – Ghost of a Chance #newbook

Today I am pleased to have Jaye Marie with me on Fiction Favorites. She has a new book titled Ghost of a Chance now available on amazon. So, Jaye, …

Guest Post – Jaye Marie – Ghost of a Chance #newbook
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Expansion Pack: Prequels

Hi Gang, Craig once more to wrap up this weird series about cautionary tales for writers. You can check out the two previous posts at these links: …

Expansion Pack: Prequels
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Teaser Tuesdays: Should I Include Destiny?

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A favorite topic of mine.  For those who have followed the blog since the Legends of Windemere era, you knew it would have to be in there.  A reminder that this is only part of the entry.  Enjoy.

Should I Include Destiny?

Very few tropes are as common in fantasy as the destined heroes. This motivation has existed since the days of mythology and continues to be used today. Authors find twists and variations on the concept of destiny and fate, but it tends to boil down to the same thing. The hero is on a path that was chosen for them by a greater power, which brings up the question of if they are in control of any of their actions. Needless to say, readers and authors have railed against the concept. Does that mean it should be shunned and ignored? I’d be a hypocrite if I said yes since the God of Destiny is a major player in my stories. In fact, Legends of Windemere is all about destined heroes . . . Of course, there’s more to it than that, which I will get into after we go over ‘Fate vs Free Will’.

This has been a debate for years if not decades. It shouldn’t be surprising since the concept of destiny has been overused to the point of ultra-cliché. Audiences see the use of destiny or fate or being chosen by a higher power as a cop out by the author. Why does the hero go on this dangerous adventure? Well, they don’t have a choice. More importantly, it goes against our desire for freedom, which is shown through free will. Readers want to connect to the characters and destiny can be a glaring obstacle.

After all, if destiny exists in our world, then it’s not something we’re aware of or fully grasp its influence. This is different than in fantasy where it’s stated as a known force on the characters and plot. Either the heroes are told directly or the audience knows they are reading a story about fate. Even revealing this in the middle or near the finale of a story can have negative effects. This is because we don’t live in the times of older stories where destiny was accepted. It comes with a lot of baggage now.

The biggest problem with using destiny is that it removes the sense of control a character has on their own life. Readers will question every decision and action the hero makes because they aren’t seen as having freedom.

This is extremely true when they are successful or a convenience happens. Every victory is seen with the lens of there never being any other option. Failures are considered to be destiny forcing the hero to go in the right direction instead of a legitimate mistake. Once this factor is introduced and shown to be the major motivation of a character, it leads to many inferences that revolve around there being no threat of defeat. How can a destined hero lose before the finale? It’s hard to believe even if they routinely make mistakes. In fact, I would say that makes it worse because it shows that the heroes can fail upwards. If a loss doesn’t cause them to fall off their path, even a little bit, then it’s not seen as true. Readers will see it as an empty ploy meant to make them believe that destiny isn’t at play here.

While failures in a destiny-driven story are viewed with suspicion, there is a plot event audience’s rarely see coming. That would be the death of a character, especially the one who has been chosen. Authors may do this to shake things up and shock the readers, but it isn’t an action that can be taken so casually. People will see the destined hero as untouchable from the beginning. Every dangerous situation lacks the proper tension because they won’t believe death can occur. So, you have that issue right out of the gate. This is what can drive an author to drop a flaming bowling ball into their own story by killing off the destined hero.

See? Fate can be fickle and isn’t always written in stone! Now, you have to accept that . . . I can kill . . . Uh, where did my plot go? Yup, an author can derail the entire story by killing off a chosen hero and having no explanation as to how the adventure continues.

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Welcome to the Magical Apple Orchard: One Bushel Per Person

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Hello there.  Welcome to the orchard where all of our apples have a little bit of magic in them.  No worms in there either.  We have the same rules as all other orchards where you can eat while gathering.  Best to read the list before you go munching away though because some abilities might make it hard to continue.  Don’t worry though.  We have a resting area over there if you need a break before finishing.  By the way, we don’t have all 7,500 species of apple here, so I hope you don’t mind the limits.  Enjoy.

  • Golden Delicious–  Popular as you would expect.  Covers your body in a thin layer of gold, which dissolves over the course of an hour.
  • Gala– Good source of energy in that you can discharge lightning from your fingers.  Lasts for as long as the apple is in your stomach, but stops after it passes into the small intestine.
  • Enterprise–  Teleports you to a fantasy world where nobody else has visited.  You return after a few hours with whatever you’re holding.  This doesn’t include living things, so no hugging dragons in the hopes of bringing them home.  You’ll just be eaten.
  • Honeycrisp–  Grants an ooze form that smells of honey and is immune to all damage.  It is susceptible to cold and wears off after two hours.  Entire apple must be eaten for full effect.
  • McIntosh– Not that exciting.  Gives you immunity to cold temperatures, so it’s more popular in winter.
  • Fuji–  Shrink whatever you touch into a palm-sized form.  Does not work on living things.  Everything returns to normal after power disappears.
  • Granny Smith–  Increased speed, but only when knitting or making pies.  My grandmother made this one.
  • Liberty–  A medical apple that cures most diseases, but you need to know what you’re curing first.  Requires you write the name of the disease on the apple before ingestion.
  • Breakey–  Grants the ability to spit fiery acid.  Can hurt your throat.
  • Red June–  One of our juiciest apples.  Every bite gives you the ability to read the future using fire.
  • Parry White– This is a white apple that allows you to turn invisible.  Doesn’t affect your clothes.  People always forget that.
  • Croncel–  Increase jumping ability to that of a flea of human size.  Safe landings aren’t guaranteed.
  • York Imperial– Unbreakable equilibrium along with a body that can contort into any shape.  Everything will snap back into place once power disappears.
  • Ambrosia–  Random power once you finish the apple.  We have a list online of possibilities and you can add to it if you get a new one.  Popular with kids even though we don’t recommend it.
Posted in Olde Shoppe Stories | Tagged , , , , , , | 12 Comments

Rewrites and Second Drafts: A Necessary Evil.

Greetings, SE’ers! Beem Weeks here with you again. Today, I’d like to talk about rewrites and second drafts. Some writers have all the skills needed …

Rewrites and Second Drafts: A Necessary Evil.
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Happy Rosh Hashanah!

Rosh Hashanah is the Jewish New Year and it starts tonight.  Figured I would post up some memes to celebrate the event.  That and I became too busy and tired to research an animal for the usual Sunday fun.  Enjoy!

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