Poverty by America by Matthew Desmond

Title: Reflecting on “Poverty, by America” – A Confrontation with America’s Poverty Crisis In “Poverty, by America,” Matthew Desmond, who previously …

Poverty by America by Matthew Desmond
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We Used to Live Here by Marcus Kliewer

“We Used to Live Here” by Marcus Kliewer “We Used to Live Here” by Marcus Kliewer is a masterful addition to the horror genre, and I find it to be …

We Used to Live Here by Marcus Kliewer
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To Cuss or Not to Cuss? Swear Words in Fiction.

Greetings to one and all. Beem Weeks here with you again. Today, I thought I’d share my thoughts on cuss words in fiction. Some years ago, I had a …

To Cuss or Not to Cuss? Swear Words in Fiction.
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Questions 3 and Looking Back at ‘Family of the Tri-Rune’

Cover Art by Jason Pedersen

This is the fourth volume of Legends of Windemere and one where I felt like I had to do a lot of clean up.  Not in terms of handling sloppy writing, but I had to make a few plot points come together.  Timoran Wrath and Delvin Cunningham were officially introduced to the story.  Luke Callindor and Sari began their relationship, which kicked off the love triangle that I will forever have a love/hate feeling towards.  Mistakes made by characters came back to haunt them too.  So, I found myself in another juggling act.

Family of the Tri-Rune had another challenge.  This adventure was the one where the player behind Sari left the game.  Unfortunately, it was after Luke Callindor and Sari became a couple.  Now, the DM had the idea of just killing her off, which I didn’t like because I couldn’t see Luke going on with his heart crushed.  He’d become vengeful and angry, which didn’t make me want to use the character.  We agreed on an alternative, but that meant I had to alter things in the book to head towards that event.  Keep in mind that this was all before Kira Grasdon existed.  Anyway, this book marked the point where I really deviated from the game.

I mentioned that Timoran and Delvin joined up too.  Both had shown up briefly in previous volumes, but with no sign that they would be more than supporting cast if they returned.  Now, a bulk of Family of the Tri-Rune is spent with Timoran.  Delvin kind of shows up in the final act, which may have hurt the character for a bit.  The other champions all had a book that highlighted their debut.  Delvin just showed up, hung out with everyone, and then discovered accidentally that he was a champion.  I think it was Fizzle who noticed it, but I don’t remember exactly.  Either way, he really did get the short end of the stick, which I would try to fix later.

Another piece of Windemere world-building that came out of this book was the mercenary system.  I hinted at it, but now I had the Mercenary Queen.  Originally, it was just a title for one person.  While writing this story, I ended up expanding on it a bit and laid the groundwork for more.  This really took what is typically a third-party group that can be hired by anyone and turned it into a political/military force.  Even though the mercenaries of Windemere operate independently, they still have a central core that can be used to unite them in times of crisis.  Not that I now if I’ll ever do that since it feels like an extreme situation.

I can’t think of anything I would do differently though.  This book felt like the opening of the next stage of the adventure.  Almost like I was beginning fresh even though I was also tying up some loose ends.  Nyx’s mistake from Volume 2 was a big thing that I needed to tackle, but that may have really been it.  This does feel very much like a DnD game since it comes off with a little old and a lot of new.  Just like when an adventuring party begins a new quest.  Might be why I always find myself being fairly fond of this book and going back to it when I want teasers.  Really encapsulates how adventurers would operate instead of doing one quest and calling it a day.  At least, in my mind.

Let’s have some questions:

  1. How can one deal with the fallout from past mistakes coming back to haunt them?
  2. How important is forgiveness?
  3. If you could be shrunk down to the size of a mouse, what would be the first thing you try to eat?
Posted in Family of the Tri-Rune, Legends of Windemere, Questions 3 | Tagged , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 11 Comments

Discovering a New Land in Fiction

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The exploration of a new land is kind of a staple in fantasy adventures.  We don’t really pay much attention to it unless it’s the main plot of the story.  It’s usually seen as a shift to a new location where the plot continues.  For the author, it can be so much more behind the scenes.

First, I want to explain that I am talking about wilderness and not heroes entering a new city.  I was going to go that way, but it’s all about culture shock.  This is when the heroes enter a new environment that the know nothing or very little about.  No locals to warn them about things.  Those they might find could be hostile.  All the characters can do is walk forward and hope they survive long enough to leave.  This isn’t always the main plot too, so a reader might not consciously notice the challenge.

One thing I love about having characters enter new regions where they don’t know the dangers is that it creates tension.  I get to play on the senses with smells, sounds, and sights.  People know what a city is like, so I find it harder to create the same level of tension.  The unspoiled wilderness can evoke primal senses of fear for the characters if I push the right buttons.  Nature isn’t all noise and chaos, so I write calming sections to describe the beauty of the area.  I have the characters revel in what they see even while there are hints that things can go wrong.  Then, nature shows its fangs with a beast or a local weather event or anything that puts the heroes at risk.  To me, this feels very realistic because you never know when things can turn in the wild, especially if you have never been to the area before.

Another part of this that I enjoy is simply creating the world.  After doing cities, academies, and whatever the characters start in for a while, I like changing things up and throwing in new terrain.  It gives me a chance to research a few things, take flora and fauna inspiration from other areas, and add set pieces that you can’t do in the previous locations.  You really get to expand the world and make it feel more like an actual planet than a setting.  This is what I think of when I say that I treat Windemere like a character because the addition of a new setting is like character development.

There are challenges with doing this besides having to create the world.  You need to avoid depending on terrain cliches like waterfalls, quicksand, etc.  Using them at times when it seems believable and appropriate is fine.  Having the characters deal with the same danger every chapter without making it a constant threat is going to be tedious.  People do this with lightning a lot.  Many authors will have this be a danger and give it disturbing amounts of precision.  I’m probably guilty of this too.  In order to make this work, you need to make it clear that this threat is bigger than it would normally be and be a hallmark of the new region.

Anyway, what does everyone else think about characters entering new wilderness regions?  Not as important as one would think?

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Let’s all welcome Mae Clair

Mae is one of my oldest author friends, and she always writes a great story. Let’s all make her feel welcome, and if you can’t pre-order her newest, …

Let’s all welcome Mae Clair
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I’ll take Death for $1000, Alex

Hi, gang. Craig with you again today to discuss a serious topic that seems to have been rendered less serious these days. This was sparked by a …

I’ll take Death for $1000, Alex
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Happy World Wildlife Day

So, I was going to do a specific animal post. Not sure which animal, but I was going to take one off my list.  Then, I noticed that it was World Wildlife Day.  Why focus on one animal when I can show pictures of some of my favorites?  There are so many animals out there and I’m sure there are some I’ve never heard.  So, share your favorite animals in the comments.

Binturong (Smells like popcorn)

Tiger (Loved them since I was a kid)

Capybara (Seen them once in person and want to see them again one day)

Otters ( I think I took this shot)

Wolf (Always drawn to this one)

Humpback Whale Breaching (Didn’t get a good shot of this when I saw them over the summer)

Parrot (Any parrot since they’re fun to watch)

Frilled Running Lizard (Another childhood favorite)

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Goal Post: A Week To Remember

I took a day off from work on Thursday because my body was so battered that chronic conditions were rising up.  That should tell you how the rest of the week went in regards to work and life.  Going to be a long year since none of this mess is showing any signs of calming down.  Be nice if I could go into details here, but I’ll just say that body parts hurt and my mind is shaky.

I managed to get a little more of the Darwin & the Fate Bracelet edits added in, but I still have 6 chapters to go.  I should be able to get that done by the end of the weekend then I’ll start in on Darwin & the Halfling Hunt.  Might not get to start in on that until later in the week, but we’ll see.  The sequel is going to be a bigger challenge since I haven’t edited it before.  So, I’m expecting a longer, more difficult editing process.  Then again, I’ve been rather meticulous during the initial writing with a lot of pauses to check stuff for continuity.  That might be a reason I’m a slower writer since I’ll pause after a page or two to think about it all, check it, and see if it flows.  Maybe it’ll work out for me.

Last week was the end of February break, which I got to spend with my son.  It was two days of Pokemon Go outings because they had a big event.  Walked about 9 miles on Saturday and 12 on Sunday, which was rough and fun.  Got a movie and some cartoons in as well.  Nice ending before he returned to school and I went back to work.  Those stressors came back hard for both of us, so it was nice to get the most out of our break.  I hope things settle next week though.

Geez, I really can’t think of anything else that I’ve done.  Finished watching ‘The Dresden Files’ on Thursday while I rested.  Realized I wasn’t ready for another series with hour long episodes, so I’m doing an anime first.  ‘The Tsubasa Reservoir’ is one that I tried to watch many times and lost interest.  Figure I’ll get it off the list while I rest and edit.  Then, I’ll try ‘Resident Alien’ when I feel more invested in television instead of needing background noise while I work.

You know, the work schedule and everything threw off my meals too.  So, I’m going to be happy to get back to chopped salads and rice bowls.  Tried to only do rice bowls and I grew tired of it really fast.  I say this as I plan to get a fancy rice bowl for dinner tonight since I’m on my own.  Maybe it’ll give me some ideas of what I can add to my own since I only have tofu/roasted corn and tofu/edamame combos.  Tried pickled baby corn this week, so we’ll see how that goes.  Pickled ginger is always added too.  Considered doing pineapple, so that might be in another week.  Still not losing weight, but the gaining back is slow.  I might be able to get it pushed back down once the weather warms up and I can go walking for several hours again.  Maybe I’ll push the bike up to 7 or 8 miles instead 5 too.  Used to be able to do 10 in 30 minutes, but that was long ago.

So, how was everyone else’s week since I’m coming up short this time?

Goals of the week:

  1. Finish inputting edits for Darwin & the Fate Bracelet.
  2. Start editing Darwin & the Halfling Hunt.
  3. Sleep and exercise.
  4. Help son with school when he’s with me.
  5. Get through work.
  6. Return to salads and rice bowls for lunch.
  7. Puzzle time when I need to rest.
  8. Do laundry once the dryer is fixed.
  9. Keep reading ‘Fairy Tail’.
  10. Do more April blog posts.
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The Moral of the Story

Funny thing about stories with morals is that we typically grew up with them.  Then, we get upset when entertainment has messages.  Sure, there’s a trend of the message overshadowing the fun, but I’ve seen people get upset at the slightest twinkle of a moral.  Why is that?

Well, I’ve thought about this long and hard.  Not really.  It just popped in my head and made my own theory.  When we are younger, the morals we are taught tend to be fairly universal.  We are also too young to critical think our way into diving into an Internet flame war over things.  As adults, we have a ‘stable’ moral code, which we hold onto with no real attempt to change it.  Right is right, left is left, wrong is wrong, and nobody can change our minds.  This might happen subconsciously, especially if we run into something that may force us to introspect.  One thing I’ve learned in my 43 years is that humans hate gazing into their own psyche and admitting their own flaws.  It’s painful and brings past actions into question.

The funny thing is that every story has some kind of moral or message.  Characters need a moral code in order to be seen as more than 2-D.  The more nuanced they are, the more interesting they can be.  People who are very ‘black and white’ in their mindset have trouble with nuance, so they can take things the wrong way.  Still, authors really need to consider a character’s moral code in order to give them more meat.  Feels like you can’t win in that situation since you’ll inevitably have a character who acts in a way that readers don’t agree with.  If it isn’t a villain, you’re in trouble.  After all, authors are judged by the morality of their least noble non-villain.

An interesting aspect of fiction is that there really is a moral somewhere in them.  Fairy tales are blatant since they are for children, but those for adults use these as themes.  It is either the full plot or for an individual character.  These morality struggles are designed to get audience’s thinking and talking, which can lead to revisiting the story for more information.  At least, this is how it used to be, but there has become an issue of messages being so blunt that there is no real discussion.  It makes people declare that they hate messages in their entertainment even though you find it everywhere.  For example:

I played a simple game called ‘Kirby 64: The Crystals Shards’.  You play as Kirby who is a pink puffball that eats everything and can steal abilities.  The story is that he has to help a fairy girl find pieces of a broken crystal to fix the galaxy.  I think because there isn’t any dialog.  Anyway, it’s a game where you can only go forward and back as well as eat or use abilities to defeat enemies.  Is there a message?  Yes, you can see one in the small parts where Kirby needs help from one of his three allies.  It’s small and innocuous, but it does show how one can’t save the galaxy without a little help.

Did that sound ridiculous?  Maybe, but that’s how morals in fiction tend to work once you get older.  Authors expect their readers to be thoughtful enough to figure things out and develop their own answers.  If they miss it, the story could still be entertaining, but there might something missing to bring people back.  This is difficult to pull off these days since many people find their echo chamber and stay in there.  More often, adults feel like they’ve matured enough in their morality and don’t have to consider any other possibilities are nuances.  The parade of bludgeoning messages doesn’t help since it makes people dig deeper into their dens.  So, I think this makes the addition of morals nearly impossible in some genres.  At least, nothing that could be taken in a variety of ways and isn’t ‘good is good and evil is evil’.

Anyway, what do you think about morals in fiction?  Are they even possible in a world where everyone is out to be offended?

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