Sally’s Cafe and Bookstore – Author Update – Toni Pike, Charles E. Yallowitz and Sally Cronin

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‘Legends of Windemere: Ritual of the Lost Lamb’ LIVE on @Amazon! #fantasy #asmsg

Dark times are waiting for the champions in
RITUAL OF THE LOST LAMB!

Cover Art by Jason Pedersen

Death is a blessing that the Baron is not ready to bestow upon his new toy.

In the chaos surrounding the Spirit Well, Luke Callindor has disappeared and the only clue the psychic scream of agony that Dariana cannot ignore. Knowing that a journey to Shayd will result in their ultimate battle, the champions have devised another way to rescue their friend. With permission from the gods, Nyx has begun the Ritual of the Lost Lamb. It is a long and exhausting spell, which is made even more difficult by a new threat that is out to make all of the Baron’s enemies suffer.

It is a race against time where every minute lost brings Luke Callindor one step closer to a fate worse than oblivion.

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Excerpt: Audience Granted

Having said her piece, Nyx gnaws on a hunk of jerky and sips at a waterskin while the others discuss her idea. She refuses to admit that she is having second thoughts about breaking a god seal even with permission. The last time she accomplished such a feat was by accident and resulted in her magic being sealed for days. Nyx shudders at the memory of feeling so many lives ending at her hands and takes a sloppy drink of leathery water to steady her nerves. The result is a full body convulsion of disgust and a hacking cough as the liquid goes down her windpipe. Flicking a green beetle off her shoulder, the channeler impatiently paces in a circle and wonders why the others are taking so long.

The hairs on the back of Nyx’s neck rise and her arms become covered in goosebumps as a pulse of energy ripples through the clearing. She is about to ask her friends if they feel anything, but stops when she sees that they are frozen in time. The half-elf’s heart pounds in her chest as she fears that the Baron is about to attack. More terror seeps into her mind when she expects to turn around and find Luke’s tortured body dangling before her eyes. Not wanting to be caught by surprise, a flaming disc appears in her palm and hums as she searches for the source of the powerful spell. The snap of a twig to her left causes Nyx to hurl the fiery circle, which splits into a swarm of deadly copies that would destroy any normal enemy. Against the ebony platemail of Gabriel, the discs puff into balls of harmless smoke that remain hovering in place.

“Your friends have agreed to your idea,” the Destiny God states, ignoring the mortal’s amusing attack. He removes his black cape, which becomes a vague chair for the nervously bowing channeler. “Now, this is unique. In fact, it is quite unheard of, which is why I am granting you an audience. The Law of Influence says I cannot get involved, but nobody has ever asked for permission to do something like this. Needless to say, all of us are very curious to see how all of this plays out.”

“I want to unseal the Ritual of the Lost Lamb,” Nyx politely requests while she takes a seat on the cape. An enchanting warmth rises from the cloth and she nearly falls asleep from the blissful energy that infects her body. “This is the only way to save Luke without marching into the Baron’s territory. We both know that is what he wants. With the forbidden ritual, I can gather my little brother’s residual energy and bring him home. None of us will be at risk since it’s a combination of a summoning and teleportation spell.”

“Strange that you know about a spell designed by channelers. Especially since it has not been used since the ancient Race War,” Gabriel says with a nod of his head. Urging voices in the back of his head causes the god to hum with his mouth closed, the spell jolting the sources of his rising irritation. “The Ritual of the Lost Lamb was taken from mortals before my time, but I understand the reason it made the gods worry. Such a thing could be the first step into summoning a deity against his or her will. Possibly even stealing immortality. Though I believe times have changed and we should reconsider the sealing.”

“Time is also running out,” the channeler replies, shying away when the powerful deity stares at her. A flickering realization that the Baron’s power might be on the same level of Gabriel gives her the courage to meet the man’s piercing eyes. “I apologize for sounding like I’m rushing you. Yet, it has been said that the gods and goddesses have no concept of time since you exist forever. That means I have to push even though I want to speak with respect.”

“In other words, you want a decision now.”

“That would be best, sir.”

“Sadly, I cannot agree to your terms.”

“I haven’t made any terms.”

“Exactly.”

Need to catch Legends of Windemere from the beginning? Then click on the covers below!

You can start for FREE . . .

Cover art by Jason Pedersen

Or grab the $4.99 ‘3 in 1’ bundles!

Cover Art by Jason Pedersen 3D Conversion by Bestt_graphics

Cover Art by Jason Pedersen
3D Conversion by Bestt_graphics

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

 

Also Available in Single eBooks:

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Cover art by Jason Pedersen

Cover art by Jason Pedersen

Cover Art by Jason Pedersen

Cover Art by Jason Pedersen

Interested in a new adventure? Then grab your Kindle & dive back into the world of Windemere! Don’t forget an apple for Fizzle.

Author PhotoAbout the Author:

Charles Yallowitz was born and raised on Long Island, NY, but he has spent most of his life wandering his own imagination in a blissful haze. Occasionally, he would return from this world for the necessities such as food, showers, and Saturday morning cartoons. One day he returned from his imagination and decided he would share his stories with the world. After his wife decided that she was tired of hearing the same stories repeatedly, she convinced him that it would make more sense to follow his dream of being a fantasy author. So, locked within the house under orders to shut up and get to work, Charles brings you Legends of Windemere. He looks forward to sharing all of his stories with you, and his wife is happy he finally has someone else to play with.

Blog: www.legendsofwindemere.com
Twitter: @cyallowitz
Facebook: Charles Yallowitz
Website: www.charleseyallowitz.com

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Smorgasbord Book Promotion – Air your Reviews – Paige Addams and Linda Bradley

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I Did It!

Minion

Not sure how I pulled it off since Monday was a disaster in terms of distractions and time management.  Yet, here I am.  Edited 200+ pages in about 2 days.  Hitting publish tonight, so by tomorrow morning:

Legends of Windemere: Ritual of the Lost Lamb will be Live!

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7 Tips to Fighting with Speed

One of the best ways to handle strength is speed, which is what we’re going to look at this time.  Luke Callindor and Sari are the big speed fighters.  Their styles are familiar similar, but Sari uses more magic and stealth.  One would call her a cautious warrior while Luke is aggressive, using his speed to charge in and dodge while delivering blows.

  1. We’ll start with body type again.  Speed requires strong legs and not as much as weight as a strength fighter.  This is why you tend to see shorter and skinnier characters using these styles.  Unable or unwilling to develop large muscles, they focus on their reflexes and foot speed.  Reaction time is very important when one is fast in battle because you need your eyes and body to respond at the same time at whatever pace you’re going.
  2. Heavy weapons and armor are a hindrance to these characters.  They need to remain light and flexible, which is why leather tends to be the strongest material that they are found in.  Daggers and lightweight swords are fairly common as well as less common weapons that can be hidden or strapped to an arm.  For example, a claw on one hand won’t weigh a speed hero down.
  3. Injuries and exhaustion take a big toll on them.  While a strength fighter can stand their ground to recover some energy, a speed fighter needs to keep moving.  This is why many will try to end a fight quickly or depend on stealth at the beginning.  They are a lot more cautious in this way even if they are the type to charge in.  Note that Luke tends to get hurt a lot more than Sari.  Another tactic, which is one Luke uses, is to slow down enough to ease the muscles and dodge to recover energy.  Seeing an opening means a burst of speed, which can catch an enemy by surprise if they think you’ve been going full tilt the whole time.
  4. I mentioned reflexes here because speed fighters aren’t always about the legs.  The arms are where most attacks will come from if the character doesn’t use a kick-based style.  Think of Bruce Lee punching and you’ll get the idea.  You can also show this through how quickly a character blocks and parries.  You can’t always get out of the way, so this can be a lifesaver for a hero.
  5. As weird as it sounds, think about the clothing of a character who has to move around a lot.  For example, laces are something to consider even though they never get untied unless it’s important to the plot.  Still, a character who is cautious and needs to depend on mobility will think about their outfit.  You don’t want anything that will trip you up like long cloaks and capes.  Too many objects hanging off you can increase the risk of snagging on something.  This is one reason why I think about fighting style very early in character creation.
  6. Just like with strength characters, there should be some mention of training and maintenance.  Some speed fighters end up having big appetites because they use more energy, but this tends to happen for comedic effect.  It’s fairly easy for this to be done if there’s traveling in a story.  At least if they do it by foot.  Stationary heroes can do morning runs and training, which you show by having them return from such an activity during a scene.
  7. Quick of body doesn’t always mean hyper.  Seriously, why are so many speed fighters fast-talking, always moving, and kind of annoying?  It’s almost like people don’t want you to forget that they’re fast.  The only aspect of this that I can understand is the insults and teasing during a fight.  If done correctly, it acts as a way to make a stronger opponent drop their own style and work off rage.  Then the speed fighter can take advantage and reduce their own chance of getting hit.
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Sally’s Cafe and Bookstore – Book Reading and Interview – Jena C. Henry

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Book Spotlight – Damned If You Do – Erotic Romance/Paranormal

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Originally posted on Library of Erana:
? Out Now—Damned If You Do by Lisabet Sarai (@lisabetsarai) #bdsm #eroticromance #lisabetsarai #bondage #discipline #dominance #submission  #demon #pnr ? Excessica, 2017 Paranormal BDSM erotic romance (Five flames) Approximately 29,000 words HEA ending Blurb…

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Opening Scene: Ichabod Brooks & the Jester Flute

Ichabod Brooks

Slapping a few gold coins on the bar, Ichabod Brooks helps himself to a mug of ale and the last bowl of an old stew. He cautiously sniffs at the reheated meal a few times before taking a tiny bite, which he immediately spits out. With a sigh, the dark-skinned man tosses the dish into an empty sink and walks out from behind the bar. Pushing a pair of rainbow-tinted glasses back up his nose, the nervous adventurer takes a seat and tries to relax his aching muscles. Finding a jar of pretzels, he grabs a handful and does his best to eat the stale snacks. It requires several gulps of the decent ale to get the food down, his stomach complaining about the abuse after days of meager meals. He stares out the open window even though the streets are empty, except for stray animals. Watching a hungry dog in the distance, he considers leaving the abandoned stew outside. The foul taste still on his tongue, he decides that the wandering beasts have done nothing to earn such harsh treatment.

Finishing his drink, Ichabod leans back and taps on his newest contract. The parchment is damp from being on the bar, but there is not enough damage to void the document. He tenses at the sound of distant music and reaches for his longbow, which clatters to the floor. Slipping off the stool, the adventurer draws a stun arrow while bending down for his weapon. With it having been years since he used a shield, the metal and glass buckler on his forearm forces him to adjust his technique. He aims out the window, his blue eyes darting from side to side while his mouth goes dry. With all of the strays outside, he is hesitant to fire at signs of movement until he knows it is an enemy. To Ichabod’s relief, the singing disappears and he is left to continue gathering his courage and thoughts.

“Not sure what you’re nervous about since I told you it was a flutist,” a sharp voice says from above the startled man’s head. Wooden boards creak as if someone is walking around upstairs, but there are no footfalls. “Can’t blame you for being scared considering what you’ve already seen. Always imagined the great Ichabod Brooks coming prepared for anything, but how can you be ready for this kind of magic? You able to bring some flowers to my wife and daughters before you leave? They’re over in the cemetery.”

“I’ll make a stop when I head out,” Ichabod replies as he goes for another drink. Frowning at the thick foam that fills most of the mug, he settles for a glass of water and rummages for anything more palpable than jerky. “To be honest, I’m still trying to wrap my head around what I’m dealing with. You told me illusions, but this seems to be more. We’re talking magic that I’ve never run into before. Transformation, conjuring, necrocasting, and other fields all rolled into one from what I saw around town. At least it’ll be easier to follow whoever or whatever this thing is. Means I only have to figure out a way to stop it.”

“Oh, this is most certainly a man because I know him,” the voice proudly declares. Pots and pans clatter in the kitchen, the noise ending with a loud splash. “Rebec is a bard who regularly sings about you. He says he has met you several times and you support the accuracy of his stories. My favorite is about you taking on the entire Badger Tribe and using earthquake magic to crush them in a narrow valley. That’s why nobody has ever heard from them again and all barbarians fear your name.”

The adventurer groans and puts his head on the bar, the throbbing behind his eyes making him wish he stayed home. “Rebec and I certainly have a history. Some of it is even true. You know, I didn’t use any magic to beat those rogue barbarians. We just happened to fight in an unstable valley and they didn’t make it out. There was only four of them too, which isn’t really a tribe. Rebec might want to add that he was there and nearly got both of us killed on five separate occasions. Speaking of that yodeling fool, what is he doing with a flute? He uses some lyre-like thing.”

“Perhaps he has changed his instrument.”

“Bards may change their stories, but never their mediums.”

“Well, I was unable to ask him before the incident.”

“From what the guard in the gate said, questioning his new appearance and style is what set him off.”

“Then best to not repeat our mistakes.”

“Don’t worry. I tend to make my own.”

The tavern shakes as Ichabod’s employer laughs, the noise coming from the kitchen and then the ceiling. A hacking cough causes the mirror behind the bar to shudder and warp into a grimacing face. The image disappears as an open barrel gurgles, the clean water inside moving as if being roiled. The liquid splashes onto the floor, which absorbs the drink and creaks in a way that reminds Ichabod of someone clearing their throat. He barely stops himself from jumping back when a young man’s face appears in the top of the bar, his curly hair puffing out of the dirty surface. Hands struggle to rise out of the mottled planks and grab the contract, which is nearly shredded when the phantom extremities slam back into the wood. Ichabod carefully takes the document back before moving away from the violently shaking bar. Floorboards shake for a minute, the tremors stopping when the transformed owner finally gives up trying to assume a more physical form.

“I told Rebec that this place was my life and he merged me with it,” the man explains with a sigh. The front door opens to let in fresh air, but closes before a large door can get inside. “From what his more mobile victims have said, my wife and daughters said they wanted to see my mother again. He turned them into dirt with eyes and put them over the coffin. Similar things have befallen others, so please be careful, Mr. Brooks.”

“Think I’m going to send a letter to my wife and son before I leave here,” Ichabod mutters, a chill repeatedly running up his spine. He leans out of the window to check the sun, but ducks back in at the sight of a floating cat. “Seems like Rebec has developed a dark sense of humor and a love of pranks. Always used to tell me that such things were more entertaining to the performer than the audience. Tended to disagree, but I’ve yet to meet a bard who enjoys being questioned about taste and art. Any idea which way he went?”

“I saw him go that way!” a dog shouts as it leaps into the window. The animal points to the east with its ears, which are nearly half the length of its barrel-like body. “Colorful man with bad voice and pretty music went on that road. Said he would entertain those that were lucky enough to meet him. Had a gift for the world, which I can tell you is not a bone or anything edible. I asked and he gave me rabbit parts. Can I go into the kitchen?”

The window shutters slam closed to knock the animal back into the street, but all of the slats fall onto the floor. Hungry and figuring that asking is all it needed to do, the dog hops back to the tavern and barrels inside. A flood of strays follow, none of the bizarre beasts giving heed to the owner’s wild screams of anger. Pieces of floor crack and rise up to swat at the animals, some of which devour the wood like termites. Furniture comes alive to combat the invaders, who continue to call for reinforcements. The dogs and cats stop when the mirror opens to reveal the kitchen, which is being manned by a portly man made entirely of cookware. Snapped out of his confusion by the ringing of a pot hitting a metallic dog, Ichabod carefully backs out of the building and prays that this is the weirdest sight he will see on this job.

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7 Tips to Fighting with Strength

There are many ways to fight.  Possibly as many as there are protagonists since everyone is a little different.  Yet, there are three schools that can be focused on.  As long as you don’t include magic and range weapons, which is why Nyx has been sent on vacation for the next three posts.  Although, she does get her picture here since her non-magic fighting style is strength-based.  So, what are some tips to fighting with a focus on strength?

  1. The character needs muscles or a reason why they’re slender with the power of a heavyweight boxer.  Body type is always something to consider to make the style seem believable.  Timoran destroying enemies with his axe doesn’t really work if he’s 5 feet tall and 90 lbs.  Now, I did mention that Nyx uses a style like this because she has been trained by Timoran.  She has a toned physique and uses a different strength style that involves multiple full-power blows instead of one.  So, you can already tell there will be exceptions to these rules if you’re creative with them.
  2. Training and body maintenance should be considered as well.  A muscular character should have something in their background to explain their physique even if it’s a life of hard labor.  They also can’t subsist on a diet of cake and beer unless they have a bizarre metabolism.  Have them work out a bit or watch what they eat.  Constant battles and sparring can help here, which is how Timoran stays in shape.
  3. Always remember that with great strength comes a greater ability to break fragile things.  Sometimes it’s on purpose and other times it’s an accident, but it should be a factor on the battlefield.  Armor dents, weapons nick, and shields can crack when repeatedly struck by a powerful opponent.  This goes for the character’s gear as well since a mundane weapon in the hands of a power fighter needs to be able to handle their force.  These are not always gentle battlers, so equipment (and bones) should show this.
  4. Big muscles do not always mean small brain.  A strong character can still use tactics that fit their abilities.  They could have even studied while working out.  Just put a book on the treadmill or have a friend read to you.  In Timoran’s case, his training included discussing barbarian tactics and philosophy while he worked on his body.
  5. Strong characters that aren’t powered by magic, tech, or inhuman abilities tend to be larger targets.  Going back to the need for muscles, those don’t make a person small when trained for power.  So, you have to factor in that these characters have a higher risk of getting hit or seen.  Not only you realizing this, but they have to be aware of this problem.  Their tactics should include some level of defense because veterans would know that you don’t always get the first strike.
  6. Brute force is a useful tool, but it’s like a lump of steel.  You need to refine it and think about how the character will use this power.  Just like a sword needing to be forged from that steel, a technique should be formed from the brute force.  Perhaps the character focuses on breaking bones or stays on the defense until they can deliver a stunning blow to the head.  Yes, you can have a bashing, smashing, crashing powerhouse running into battle.  It’s just that I said big muscles don’t always mean small brain.  Smart warriors have strategies and techniques.
  7. Just because a character is really strong doesn’t mean he or she has to carry enough gear to stock a Home Depot.  Yes, they can carry more and might do so to help the rest of the group.  This does come with a cost.  If ambushed or drawn into a fight while holding everything, the strength hero will be a lot slower than normal.  Speed might already be limited, so this is a deadly situation.  Adding the big target problem and you better pray the strong hero can drop the extra weight quickly because they’ll be overrun faster than the others.
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A Perfect 10 with Deby Fredericks

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Don Massenzio Today we sit down with prolific author Deby Fredericks. She has published fiction under her own name and has produced work for children under the name Lucy D. Ford. Please enjoy her responses to these 10 questions and … Continue reading →

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