The 2019 Interview Series Featuring David Faucheaux

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Don Massenzio What do you think are the elements of a good story?  My favorite genre is historic fiction. To do it well, the author must pay close attention to setting. The reader should be made to understand the culture, … Continue reading

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Derailing Bedlam: Trust Us. We’re Semi-Professionals Part 1 #fiction #adventure

As usual, here is your warning that this story has cursing, sex (not graphic), innuendo, and violence.  It’s my Rated-R action adventure called Derailing Bedlam.  This is the fourth outing (third official) for Cassidy and Lloyd, so feel free to click on one of the two covers to see how it started.  Each one is 99 cents!

Cover by Jon Hunsinger

Cover Art by Jon Hunsinger

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When Friends Fight in Fiction

Luffy vs Sanji

So, I’ve been reading a lot of manga and watching a lot of anime over the last year.  I also watched a bunch of a movies and TV shows.  One thing seemed to show up a lot and that was a plot or scene where friends fight.  I saw it was Luffy vs Sanji in One Piece, Meliodus vs Ban in Seven Deadly Sins, Superman vs the Justice League, and the list keeps going on as long as the story was action-based.  Even those that weren’t had at least a yelling match between friends.  So, why does this keep happening?

All I can do is look at my own stories and see if I’ve done it, which had me running through Legends of Windemere.  Luke Callindor and Nyx fought during their first encounter, but I don’t remember any real throw down among the champions.  Maybe it’s been so long that I forgot, which is possible.  For some reason, I seem to always want to through body switching or mind control into the scenario.  This removes a lot of the real tension and weight of the fight because at least one combatant isn’t in their right state of mind.  I know some much later books on my ‘to write’ list will have some feuding friends that tests the relationship, but I don’t think I really tried this yet.

I might have answered my own question too.  These types of fights result in a massive test of the relationship.  Instead of a simple debate or disagreement, two established friends have decided to come to blows.  In some stories, this is explained as men only being able to settle differences with their fists.  This gets used even if one or both of the men are actually women.  It works off the personality type that needs to either give or receive a thrashing to see clearly, which isn’t that common a thing in reality.  At least, it isn’t one that can legally settle problems the way they want to.  For this, you really need to establish the right culture, world, and characters for it to work.  Beyond that, you have friends who have come to a major impasse and lose their tempers.  Some fights can be for one of their own good to stop them from making a mistake and others are to see who will get their way, but the result is always a change.  Real people and characters don’t get into a slugfest and stay the same.

Change is an important part of this event too.  It can show how the two characters have changed in a way that they are not as compatible as they once were.  A fight may be the catalyst for a new stage of growth between them too.  As weird as it sounds, they might need that release to get over a hill that would erode the entire story.  Much of this depends on personality and the stress put on the characters over the course of the journey.  If you have one becoming cynical and the other staying optimistic then you can see an easy source of conflict.  A fight could result in one finding more positivity in the world and the other seeing that there is more darkness out there than they realized.  This still borders on being something that only happens in fiction, but it’s been done a lot as a method of character development.

Personally, I think you need a long build up for this type of scene to work.  It has to be done in stages if you want a good emotional payoff:

  1. You need to establish the relationship as something solid and deep.  Having casual acquaintances get into a fight lacks the same weight as best friends.  An example that will get me in some trouble is Iron Man and Captain America.  In the comics, they had been friends for years with a lot of established history.  So, the Civil War story line in the comics had a lot of emotional impact because they were truly close friends that decided to resort to violence against each other.  In the movies, (at least to me) they never really hit that note with them butting heads in Avengers 1, actually battling in Avengers 2, and then the big war.  Forgetting the opinions on why I could be wrong here, I think an issue is that there wasn’t enough time put into establishing a truly solid bond between the characters.
  2. Gradually build up the issue that will cause the conflict.  Don’t drop something into the mix and then have them begin fighting.  That will seem out of character because they were tight only moments before.  Have them voice differing opinions to each other or secondary characters.  Give them some solo time where they make decisions that will feed into the looming conflict.  As time goes on, make it clear that there is one thing that these friends will disagree on.  This way, the actual event feels like an inevitable point of the story.
  3. Do not go overboard if you want to maintain the relationship.  There are some things that you cannot come back from.  We’re mostly talking about friends fighting and then staying friends here too.  Not one going villain and the other staying hero.  You need to make sure the issue is not so big that they can never go back to being friends even if it’s not as strong a bond.  It can even come from a third party who manages to snap them back to their senses.  Helps to do some research into previous uses of the plot ‘twist’ or consider your own friendships.  Talk to your best friend about what would happen if you two were in the situation and you might find an answer to this part.

As I start working towards War of Nytefall: Rivalry, which has a version of this, I’m curious to know what people think of this topic.  Have you ever written a fighting friends scene?  Do you think this always has to end in the death of a friendship or can it be done without sacrificing the entire relationship?

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Expanding on living documents

coldhandboyack's avatarStory Empire

Hi gang, Craig here again. I’ve written about my living documents here before. You can check out this post from 2016. I’m still a big believer in living documents, but it’s become more of an expanded library now.

Turns out, these don’t have to be limited to documents. My story boards are living documents, in a way. They evolve slowly, and I harvest them when they’re ripe. You can read more about story boarding here.

My newest one is Pinterest. I know we’re supposed to use everything for promotion, but I find that tiresome. It’s also overlooking some genuine value in the format.

I started off making book specific boards. Those are helpful when it comes time to write a story. Maybe there is a setting, or car, or something you want to use in the tale. It’s nice to have a reference point or two.

Then it occurred…

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New Release – Here Be Unicorns Bundle – Preorder #Unicorns #Bundle #Fantasy

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Originally posted on Library of Erana:
I am delighted to announce the forthcoming release of the latest in the Here Be series. Here Be Unicorns From fable to legend, these wondrous beasts enchant us. Healers or harmers, no one truly…

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Teaser Tuesday: Casing the Joint #vampires #fantasy

Cover Art by Alison Hunt

Not much to say about this part from War of Nytefall: Loyalty.  Enjoy.

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Free Story: Two’s a Crowd

Nicholas C. Rossis's avatarNicholas C. Rossis

*** Read Infinite Waters for free on Kindle Unlimited ***From the blog of Nicholas C. Rossis, author of science fiction, the Pearseus epic fantasy series and children's books

In April 2018, I posted my thousandth post on this blog. To celebrate, I started sharing here all my short stories. Every couple of weeks, I’ll be posting one story from my celebrated Exciting Destinies series for you to enjoy. With over 30 stories so far, I hope you’ll have lots of fun in the coming months!

This week, it’s “Two’s a Crowd,” a story from Infinite Waters. Click here to read some more free stories.

Two’s a Crowd

“Can you believe that idiot?” I spat the words as soon as I slammed the car door shut.

“Honey, that idiot is your older brother.” My wife looked at the mirror and patted her lips with her index finger. She opened her purse, oblivious to my rage.

Older brother? He’s, like, ten minutes older than me!”

Susan pressed her…

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The Decoy/False Protagonist: Fooled You!

Gurren Lagann

I kind of stumbled onto this concept while looking for something else.  I don’t actually remember what I was searching for because this was more interesting.  At first, I thought I did it with Beginning of a Hero when I introduced the paladin, but Luke Callindor had shown up first.  It was also clear that he was the hero of the story, which means I haven’t attempted a False/Decoy protagonist yet.  Now, what is this?

A False Protagonist is a literary trick where the author creates a hero that they build up as the main character.  At some point in the story, this character is either eliminated or turned evil to reveal that he/she/it is not the true protagonist.  Various methods of removal include death, memory wipe, disappearance, retirement, crippling injuries, or simply giving up.  This is typical done for shock value, which is why it’s called a trope, but it still works.  Now, the real protagonist could be a supporting character or someone that shows up with a connection later.  Normally, the audience has already met the real hero or at least has heard of them.  This character carries the story to its finale in a way that makes sense, so you need to work on a good transition.

You do have some risks here because people might become so attached to the False Protagonist that they refuse to continue.  An example here is Gurren Lagann, which has Kamina as the hero for the first leg of the story only to be replaced by Simon who proves to be the real protagonist.  This worked because they were friends and Simon stepping into the role felt natural.  Still, I’ve met many people who liked Kamina so much that they stopped watching after he was gone.  Is there a way to counter this?  Not perfectly because you can’t force readers to bond with every character.  Everyone picks their favorites and gamble on those characters getting a lot of page time as well as surviving.  So, a False Protagonist really needs to be done with the idea that you’re going to lose some readers with the transition.

Personally, I find this technique intriguing and keep thinking about how many times I’ve run into it.  Probably not as much as I believe since I read a lot of stuff this is fairly straightforward.  Video games do this a bunch like Metal Gear Solid 2 and Final Fantasy X, which I enjoyed.  Not really sure I could pull this one off either.  Partially because I blog a lot and love introducing characters, so I’d probably ruin it by accident.  The other is that I tend to be fairly straightforward and blunt.  Yet, I could probably pull it off for a few chapters if I put my mind to it.  There is one story where I was thinking of doing that, but the blurb might out me as well as the series title.  Guess there are some tricks I’m simply not designed for.  Wonder if Crossing Bedlam counts since it starts with Cassidy having a team and then Lloyd kills everyone except her.  Eh, I’ll count it for now.

So, what do you think about the False Protagonist?  Have you ever used it or do you think you will?

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This Week in Indie Publishing

Unknown's avatarDon Massenzio

Amazon makes it easy to buy the wrong version of your favorite book

Amazon_Books_ _Star_Rating

  • Anyone can publish text that’s in the public domain, meaning there are plenty of bizarrely formatted versions of classic novels out there.
  • Amazon conflates the reviews for multiple editions of a title, making it difficult to tell what you’re actually buying.
  • One customer’s story of getting a bizarrely-formatted version of “Pride and Prejudice” led me to track down the copy’s origins — and publish my own edition of a classic book using Amazon’s tools.

Danielle Kurtzleben wanted a copy of “Pride and Prejudice,” so she went on Amazon and clicked on one of the first links that came up in the search results. When the book arrived in her mailbox, there was a surprise.

First of all, it was huge — the size of a children’s coloring book, not like a typical paperback novel. Things only got…

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Semi-Review: How to Train Your Dragon: The Hidden World

So, I saw How to Train Your Dragon: The Hidden World back in February.  It was really good and I wanted to write about it, but I also didn’t want to stumble into any spoilers.  Makes this relatively simple task even harder because we’re talking about the end of a trilogy here.  It’s interesting how the franchise has been so popular, but it still seems to be on the fringe instead of front and center like the MCU, Star Wars, and *insert other Disney properties here*.  That’s probably a big part of the charm too.  I’m getting off topic here.

Now, I watched the first two movies leading up to the third.  I didn’t have time to watch any episodes, but I have seen many in the past.  All of this might have contributed to me tearing up at the end.  I kind of did the same with Kung Fu Panda, but this sense of finality really stuck with me throughout the day.  It was really a beautiful send off to the franchise.  Every character that we’ve seen grow throughout the series got time to shine and show a little more growth . . . Well, not the twins.  I was actually surprised how active the twins were this time.  Not a bad thing, but an unexpected treat.  Heck, I can’t really think of anything I didn’t like about this movie.  Visuals were great.  Villain was deliciously evil, but not to the point where I wanted the bastard to win.  The character’s challenges were agonizing at times since they really played up Hiccup’s inner conflict.  A lot romance for some audiences.  Lots of action and new dragons for others.  Seriously, I really think this one hit all of the marks you would want to hit with a movie aimed at children that needs to keep adults interested.  Also, a finale.

There was something the local reviewer said that irked me too.  It was a complaint that it was a cursory goodbye.  Now, I can’t tell what he meant by this.  At first, I thought it was that the ending was too kind and positive.  That it was a mild, mellow ending, which isn’t a bad thing.  You don’t have to unleash destruction on a franchise in the final installment.  I know many in society don’t like the ‘happily ever after’ thing (even though this isn’t a perfect one of those), but it does happen.  One could even say that seeing a positive ending to a franchise is good because it can give people hope that it’s possible in reality.  That being said, he could have also been saying that the series was ended too soon.  He might not have watched the TV series, but I do understand how one would like to see this series continue.  It was never overpowering and would be a lot of fun whenever it showed up with a new installment.  You didn’t get sick of it either.  It never seemed to get dull, which is why many might think this is too early a finish.  I can see that.  Though, I also worry about things going on for so long that you have to do a mercy kill.

That’s what I had to say about How to Train Your Dragon: The Hidden World.  Hard to do without spoilers, but I tried.  I recommend you check it out for yourselves and see what I mean.

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