Up, Up, and Away for a Bit: Burn the Mail While I’m Gone

I just realized it’s April Fool’s Day, so me saying I’ll be away for a bit could be perceived as a joke.  Well, it’s not and I’ll be doing my best to respond by phone until I get back online around Monday evening.  Don’t hold your breath though considering what’s going to be going on.  I’ll probably be able to mention it directly next weekend.

As far as this week went, it can be summed up in one question:

Ever have a day where you just don’t want to bother with pants?

I mean, you still wear underwear or pajamas, but you just don’t want to go out and do anything.  This was basically me after I finished Raven’s Dawn on Monday.  I’d get stuff ready for the weekend, but I spent a lot of my time with the TV on and staring at my notebook for the next Sin book.  Probably did this for 4 days and all I did was design two characters.  5 if you count noting the changes in 3 recurring ones.  Guess I just didn’t have my mojo this week due to a stress, fatigue, chaos, and my teeth giving me trouble.  Not sure what the trouble is beyond hypersensitivity and inflammation, so I can’t do much about it.  Been flossing like a madman though.

So . . . Here we are.  All I can really talk about is where I’m going and I mean that in the writing progress sense.  I’m hoping to release Ritual of the Lost Lamb this month, but it’s not going to be easy.  Things have been crazy, so I’ve been rather slack on my prepping time.  Most of the pieces are there, but I haven’t put them together since I need the final one.  I think the fact that I go from this weekend to my birthday/Passover/start of 1.5 week Spring Break has me wondering what the point is.  Any project that I start will get a long pause unless I get a day where the kid is being watched or I maintain enough energy to function at night.  Energy seems to be lacking these days.  Not to mention I know other events are coming.

This is what wore me down last year since it felt like every third week had a holiday, birthday, or something.  It’s only rough because I’m trying to get so much done and I’m always asked what progress I’m making.  Well, I can’t really make progress if I’m battling to carve out time just to do the writing side of things.  I can’t read anything beyond graphic novels or short stories due to me having to choose between reading, writing, and resting.  Yes, I know there’s the whole ‘take care of yourself’, but I can’t spend days on my ass and let things build up.  Especially since me resting is perceived as wasting time and brings on stuff that undoes the resting.  In other words, there are penalties for sitting on my laurels even though I’m not sure I have laurels.

I’ve definitely got some thinking to do.  I won’t be contacting the Ichabod Brooks cover artist suggestion until after the Spring Break because I want to be freer to respond and give feedback.  Nothing says professional like trying to get a signal while standing next to an aardvark enclosure.  Beyond that, I have 5 possible projects to tackle and a feeling of hopelessness standing in my way.  The whole ‘think about 2018’ is maintaining my depression and the advice of just doing it isn’t helping.  Again, how do I prepare for next year if I’m going to be forced out of the game?  I seem incapable of balancing work, family, and writing, so a full-time job would mean I go buh-bye.  Not even trying to sugarcoat that level of looming misery any more.

More than likely, I’ll tackle the blog only Bedlam story since it’s the low impact one.  I can take breaks from it and churn it out to start posting it in June.  Still on the fence about making it canon or not.  I’m leaning toward sort of with them not talking about the events, but one or two survivors might show up from time to time.  Really this one crazy character that I think would be fun to bring back.  It’ll depend on responses to her.  Over all, this might be more of a Bedlam year than Windemere since I only have editing and publishing to do on that one.  It’s still weird waking up and not spending the day with the old cast of characters.  Kind of fear that I’ll forget them as I move on.  At least with the other series, I was working towards them.  Never left one behind and whole before.

So, what’s the plan for the week?

  1. Recover from weekend.
  2. Contact Jason about cover art.
  3. Start writing Conquering Bedlam.  Might be able to get 3-4 chapters done.  Keep in mind that this is going to be a full-sized book posted 3 days a week over the course of 3 months.  Kind of like a Hail Mary to get attention to the series.
  4. Decide on birthday movie and prepare for judgement over choice.
  5. Cooking, biking, yadda, yadda, yadda
  6. Try to get my head together.
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Have You Gone Too Far?

Ziggy!

Ziggy!

I’ve probably touched on this subject enough last week since I mentioned darkness and torture.  So, this time I’m only going to leave a question here for people to reply to in the comments.  Primarily because I won’t be around much this weekend.  One of those things where I’ll get a lot of dirty looks if I whip out my phone.  Dear god, I pray I’m not the person who forgets to turn his phone off.  Maybe I’ll just give it to my wife until I’m free to reclaim it.

Anyway, have you ever written a story where you pushed some limits?  I’m talking about having a character cross a line that you’d never cross in real life.  If you did, how did you handle it?  If you didn’t, would you ever want to?  (I do hope to get more than yes and no answers here.  Enjoy the weekend.)

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…when minor characters loom large in an Author’s narratives…

Seumas Gallacher's avatarSeumas Gallacher

…there’s no doubt major characters in a novel carry the storyline to the reader-at-large… the confluence of their highs and lows (in the scribblers’ jargon – ‘the crisis – the solution – the next crisis – the subsequent solution, ad inforeverum’) are the meat and drink of most dramas… but, right here, I must ‘fess up… the delight in having lesser lights intrude is important to this ol’ Jurassic writer… it’s more than just the scrivener’s equivalent of wallpaper music in the  elevator, or the colour of the restaurant’s backdrop… the insertion of wee players at pivotal points in my books relieves the main characters from having do everything themselves to move the chapters along… more often as not, they can also provide much needed humorous interludes in an otherwise heavy-duty regimen… Master Billy Shakespeare was an expert in doing so… tragi-comedies are built on such techniques… but I…

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Sally’s Cafe and Bookstore – New on the Shelves – Author C.S. Boyack

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Legends of Windemere: Ritual of the Lost Lamb Volunteer Request

Bugs and Daffy (Looney Tunes)

This is going to be quick.  I do have a list of volunteers who say they’re always willing to help and I just have to send the email.  I’m very thankful for that help because it wipes away some of my stress.  Still, I would be remiss . . . foolish . . . not sure what word I’m going for here.  Let’s just step right into it.

Volunteers
Needed!
All Blogs Welcome!

The book will hopefully be out in April.  I have to admit that things are even more scattered as usual over here.  Big event, looming vacation, might have another busted tooth, and the list keeps going.  Honestly, I must have been a horrible human being in a past life because nothing I’ve done in this one deserves this much karmic retribution.  I can’t even find evidence that I’m doing bad things in my sleep unless you count the snoring.  Yeah . . . I’m going to stop now.

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What is the Ritual of the Lost Lamb?

Queen Bavmorda from Willow

Queen Bavmorda from Willow

Some people might be surprised to learn that there is a ritual within the pages of Legends of Windemere: Ritual of the Lost Lamb.  Before people start hurling bibles at me, it isn’t a real one because our world doesn’t have auras or the necessary type of magic.  You would be surprised how necessary that disclaimer is.  Anyway, I should probably explain what this ritual is, which means some spoilers might be gleaned from below.  Nothing too shocking, but you might get an idea of who ISN’T being sliced, diced, and healed by the Baron.

The Ritual of the Lost Lamb is a forbidden spell that requires the allows the caster to summon a person to their location.  It doesn’t matter if the target is behind wards, thousands of miles away, unaware of the ritual, or willing to go.  The spell is completed and the person appears along with anyone who is touching them at the time.  This ritual wasn’t sealed away to prevent embarrassing summons, but because the gods feared it could be used on them.  Imagine the power you would have over such beings if you could call them to your side without their permission.  This also could have been a stepping stone to mass summons, which could lead to mass death and most of the gods have a hang up about that.

So, how does the Ritual of the Lost Lamb work?  Today, a powerful caster starts the spell by getting permission from Gabriel to use it.  This clears up all the red tape and avoids the gods getting angry.  It can also prevent someone from doing something stupid.  Can’t use the ritual if it isn’t on the shelf.  Anyway, the caster becomes attuned to the target’s aura and is able to absorb it.  To complete the ritual, the caster must gather enough of the target’s magic to power the summons.  This entails finding the people, places, and things that are important to the target.  People in Windemere tend to leave aural traces on everything, but these typically fade within a few minutes.  Some don’t because it is a close bond.  Parent to child, lovers, best friends, wedding site, first battle, and anything else that the target is connected to will hold some aura.  It’s the strong memory that retains the trace even if it isn’t a conscious act.

You might be wondering if this has any side-effects.  Well, the traces don’t disappear completely and will gradually return as long as the target is alive.  The only negatives happen to the caster who begins to develop physical and mental traits of the target.  The longer the ritual takes and the more aura gathered, the more traits the caster develops.  So there is a risk that they can go too far and transform into their target instead of summoning them.  This would be a failure and then they would have to find someone to reverse the effects.  Only certain beings can pull off this ritual without this risk since their bodies are able to handle immense levels of aura.  They still transform, but they can complete the ritual.  They also have a good sense of when they are reaching the necessary levels.

I’m probably writing more about the ritual here than in the book.  The reason is because the champions aren’t really concerned with the side-effects and seeing this spell as an act of desperation.  Maybe I’ll revive it for another story where it goes wrong, but most people don’t even know it exists any more.  The chances of the Ritual of the Lost Lamb reappearing is slim, but I wouldn’t rule it out.

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Opening Scene: Ichabod Brooks & the Phantom Archer

Ichabod Brooks

After a long journey down a road that he is sure had more bumps than a wart-covered toad, Ichabod Brooks is happy to pull himself out of the carriage. The dark-skinned man pauses in the doorway to enjoy the warm sun on his face and a salty breeze that cleans the smell of body odor out of his nose. Turning to help the elderly couple down, the adventurer does his best to ignore the aches in his joints. He frowns at how his traveling companions show no sign of discomfort, but he knows that this is what he gets for being reckless in his youth. The teasing words of his wife echo in his mind, adding a pang of homesickness to his list of minor maladies. Getting the heavy luggage off the top of the carriage, he waves for the wild-haired driver to focus more on the horses. Ichabod can tell that the animals are exhausted and the road was worse for them than his creaky knees. It helps that stretching for the bags allows him to subtly work the kinks out of his back, which pops to remind him of his age and mileage. By the time he is done helping the old couple, the tall and muscular man feels more like himself and walks with ease into the coastal city of Yew Cove.

Ichabod stops in the middle of the road when he notices that people are staring at him and the conversations are dying down. Fearing that he is about to be attacked, he grips his simple longbow and lets his other hand fall to the leather quiver on his side. His blue eyes dart from side to side, allowing him to take in his surroundings with more detail. There are banners of every color hanging from the rooftops, each one depicting either an arrow or a bow. Rickety carts with souvenirs are scattered about the main street, none of them close enough for Ichabod to get a clear look at the merchandise. Noticing that the citizens keep looking from him to something at the entrance to town, the adventurer cautiously turns around. He groans at the sight of a large illusion of himself straddling the main street and aiming a golden longbow in at the sun. The towering figure grins to reveal teeth that sparkle in a way that makes Ichabod wonder if the caster responsible has ever seen the real things.

“Do you like it, old friend?” a chuckling elf asks as he approaches. The brown-haired man adjusts his sleeves and waves for a band of archers who are following him to relax. “Personally, I think they should have gone for a more rugged look. You seem so soft here. Reminds me of the day you came to me for training. Who would have thought you’d grow up to be a legend and judge one of my tournaments? How’s your family?”

“My wife says hello and apologizes for not making the trip. Our son came down with a fever, so she had to stay behind,” Ichabod answers while shaking his teacher’s hand. He stares at his rough fingers holding the elf’s smooth-skinned hand, the contrast making him sigh. “Every time I see you, Corso, I’m made to feel older. Be nice if your kind could at least pretend to age before you hit three-hundred. Sorry to hear that you stopped teaching last year. Strange to have the great Felgrass Tournament without a Felgrass student involved.”

Corso nods his head at a large wall of names, which is being raised to add another at the bottom. “Well, it was bound to happen eventually. People wanted me to block my students from entering after you won five tournaments in a row. I know I say this all the time, but thank you for resigning from future contests. That was a difficult decision and I always feel like it is what put you on the path of an adventurer. Without the tournaments, you had nothing to work towards and this is a conversation for another time. Today, we celebrate after I introduce you to the youngsters vying for the winner’s quiver.”

“You always do that.”

“Do what?”

“Start that junk about me being an adventurer because of what happened here then stopping before I can respond.”

“I wouldn’t have to if you visited for more than happy events.”

“Me being in the area and swinging by is not a happy event.”

“It is when I haven’t seen you in three years.”

Ichabod rolls his eyes and runs a hand through his black hair while remembering how stubborn his teacher can be. He gestures for the elf to lead him to the group of archers, who have moved away to get some food from a vendor. All of the competitors are young, the oldest-looking one a tall, female orc whose blonde hair has been tied into a braid that goes down to her waist. Standing in the middle of the group, the beautiful archer appears to be the most popular with several of the boys buying her beef skewers. A flash of her polished tusks is enough to make them blush, which Ichabod guesses is her way of gaining an advantage over her enamored enemies. Scanning the group, he spots another teenage girl that is on the edge of the group with a beardless dwarf. The quiet pair are tending to their longbows, hers a smooth ivory and his a ruddy oak. While the boy nervously glances at the others, his red-haired companion pays them no attention even when she is done with her gear maintenance. The only sign that she is anxious about the tournament is a repeated twisting of a silver ring, the movements leaving a red welt on her finger.

“You don’t look like much,” a bald halfling states as he approaches Ichabod. The well-dressed competitor licks his lips at the sense that everyone is watching him. “The stories say you carry a bow that is twice as big as you. That thing in your hand is pathetic. Where is your golden quiver and magical horse that can crack the ground in half? You really shouldn’t go out in public if this is the real you. Best to stay in hiding, old man, and let people believe the legends.”

“I don’t even know how to respond to that level of rudeness and stupidity,” Ichabod admits as he looks at Corso. Turning back to the halfling, he sees that the young man’s name is embroidered on both sleeves and his boots. “Magris, I’m going to be honest with you. Bards embellish to make money for themselves. Those stories do nothing more than get me in trouble, so I will proudly walk around in public if it means undoing those tales. All I am is a man who puts food on the table.”

“I told you that he wouldn’t take the bait,” the red-haired archer says before standing in front of her opponent. Bowing low, she flicks the halfling’s nose with the tip of her bow and drives him a few steps back. “My name is Holly Jesvel and I’m honored to meet you. I became an archer because of you, but not through the stories. You probably don’t remember me, but I was kidnapped seven years ago by a man named Vulker. You saved me. I’m happy to finally thank you in person since you were gone before I woke up from his drugs.”

A grumble runs through the crowd, many of them glaring at Holly in the hopes of boring a hole in her back. “I remember that and I’m glad to see you’re over that event. Vulker was always a thorn in my side even when we were both training under Corso. I’d be lying if I said I wasn’t sad to see him turn into a kidnapper instead of someone good. Then again, he’s been quiet for the last three years, so maybe he’s given up on being a criminal. By the way, don’t go thinking our past will give you an edge. This is all about focus of mind and skill with the bow. My personal thoughts and connections have nothing to do with this.”

The competitors stare at Ichabod for a few seconds before dividing into their cliques and heading in different directions. Only Magris looks back and sticks his tongue out at the adventurer in a final attempt to get a fight out of the confused man. There is a brief temptation to give the arrogant kid what he wants, but Ichabod already feels exhausted at the thought of wasting energy on someone who would pose no real challenge. Corso cannot stop himself from laughing at the expression on his former student’s face, the elf wiping away a few tears that roll down his angular cheeks.

“I should have warned you that they were going to try that,” Corso says once he regains his composure. Hearing a cart coming from behind, he steps to the side and waves to the workmen who have arrived to set up for tomorrow’s tournament. “Holly is the one that people expect to win since she has the discipline and skill one normally only finds in veterans. She isn’t worried about anyone here, which I think will be her downfall. Even someone like Magris can be a threat since he’s good enough to reach this level. What do you think?”

“I think I need some sleep,” Ichabod replies with a yawn. His eyes fall on the inn that is holding a room and private bath for him. “Let the kids be kids. We’re only young for a fraction of our lives. The gods know I wasn’t much better than Magris at times. Remember the time I challenged that forest tracker to a contest?”

“I remember you getting pinned to a wall when you called him a coward.”

“Not my proudest moment, but I learned to watch my mouth.”

“Are you planning to terrorize some of the cockier competitors?”

“That depends on if you make me go to that boring banquet that you always plan.”

“It’s a shame that your travels left you unable to attend.”

“Thank you from the bottom of my heart, old friend.”

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Princess of the Light: A Success Story and a Sale! #POTL #99cents #TuesdayBookBlog

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Danny Introduces a Friend…

Chris The Story Reading Ape's avatarChris The Story Reading Ape's Blog

Good morning, everybody.

It is I, your favorite dog, Danny the Dog.

I thought I’d do something a little different this month and not complain about my human, Andrew.

He was very pleased to hear that news and even gave me an extra turkey slice this morning.

Right now he’s out celebrating his good fortune, which means I’ll have to bail him out of the drunk tank later this evening.

But enough about him.

Today, I want to talk about my new friend.

Her name is Aoibha Walsh. Aoibha is an Irish name and it’s pronounced Ava.

I’m told “BH” is pronounced like a “V” in Irish Gaelic.

Anyway, she is a pretty little Irish lass who is eleven years old.

She has a dog by the name of Bailey—here’s a picture of him.

I guess he’s okay if you like dogs.

Aoibha also has a cat and some kind…

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Guest robot: Lisa Burton – An invitation

Sue Vincent's avatarSue Vincent's Daily Echo

How much would you pay to reach a potential audience of say, a hundred thousand readers? And what if, instead, you could do that for FREE, with no strings attached?

Writers need to promote their work… interviews, guest posts, radio shows…they are all excellent ways of getting your work seen and, hopefully read. There are any number of sites willing to make holes in your hard-won and often meagre royalties by offering you advertising space, or nameless (and possibly non-existent) followers and who will charge you to appear on their blog or website. While everyone needs to make a living, and while there is nothing wrong with investing money, as well as your time to promote your work, why pay for what you are being offered for free?

There are very many people offering guest spots to writers. WordPress bloggers will also post their links across many social media platforms…

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