Smorgasbord Invitation Blog Magazine – The Literary Column with Jessica Norrie – O is for Loneliness

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Winter Warmer – Last Few Days!!!!

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Close to Finishing Your Book? Guest Post by Professional Editor, Susan Uttendorfsky…

Chris The Story Reading Ape's avatarChris The Story Reading Ape's Blog

Maybe you’re saying, “I don’t know! How will I know when it’s finished?” Here’s one way to tell…

Remember when your book was so cute and tiny? You loved it and couldn’t wait to spend every minute with it. Thoughts of it filled your days and nights. Every new achievement was cause for celebration—“It’s now 20,000 words!” or “I’m halfway done writing the first draft!” If you’re in this stage, your book is still an infant. It’s not finished.

Then things got hard and the newness wore off. The first draft was finished, and sometimes when you looked at sections, you beamed with pride. But most of it still had the literary equivalent of sticky fingers and muddy jeans and gum in its hair. When asked how it was coming, you mumbled, “Leave me alone” or “Shut up.” If you’re in this stage, your book is like a nine-year-old child…

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Creatures of Fear: Hungry Little Bats

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The more I look into bats, the less I understand the fear.  At first, I thought it was because they were associated with vampires.  That might not be the case as I look at people talk about it.  Also, bats were chosen for that mythos for a reason.  Not like I can judge considering my issues with spiders.  A flying mammal is definitely unique, but there is a difference between bats and the previous entries.  I mentioned the ancient human’s fear of venomous animals creating an instinct in modern humans.  That works for snakes and spiders, but bats aren’t venomous.  They don’t even attack humans like the other two.  So, what is it about these guys that makes so many people shudder?

Let’s get to the elephant in the room, so we can shove it out the door.  Many people are afraid of getting rabies from bats.  This is a common fear, which one can’t really fault a person for having.  First, I’m getting info from THIS SITE.  The thing is that bats contract rabies less than other species with the number being less than 1/2 of 1% of bats being carriers.  Yet, it is true that human rabies cases are more commonly caused by bats because they are smaller than animals like raccoons and skunks.  A person is more likely to try and handle a bat that is acting funny.  This is an oddity in this fear because it seems we’re more scared of them when they’re in flight than when they’ve landed.  So, what could be the reason for that?

Best I can come up with is we’re terrified of things flying in our faces or getting stuck in our hair.  Bats get it worse than insects because they have leather wings and teeth.  They can barely break our skin with their teeth, outside of the vampire bat, which means there’s no real threat.  Still, nobody would want a flailing animal getting getting on them in the dark.  Humans don’t like the dark to some extent anyway, which is why we put lights up along roads and turn them on in our homes.  Add that with the concept of a leather-winged critter unexpectedly landing on your face or in your hair.  Now, you can get an idea of some of the fear.

Yet, this really doesn’t feel like enough.  Perhaps it’s just ancient misunderstanding that has continued due to modern fiction.  Someone heard the odd sounds and saw the bats in the dark.  It wasn’t a bird or an insect, so it got the imagination going.  Maybe farmers kept catching vampire bats on their livestock and came up with the vampire mythos.  This is not as believable though since I’m sure the animals are named after the legend.  Actually, from what I can find, bats weren’t added until Bram Stoker.  That means I just countered my own idea and am going in circles.

All I can really do is guess here.  Why do people think the bat gets associated with horror and fear?  Is it all because of vampires?

Besides, these guys are far too cute to be scary:

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Friday Book Cover: A few tricks

coldhandboyack's avatarStory Empire

Hi gang, Craig here once more. Toward the end of last year we adopted a group of alternating topics for Story Empire, and when the debate was going on, I was probably late for class. My first friday assignment is to bring you something about cover art. I’m making this up as I go, but my idea is sound … if I can pull it off.

I’m going to pick on fellow Story Empire author, P. H. Solomon. This isn’t a blatant attempt to promote his work, but rather because he did everything so well here. Even so, I have to acknowledge his Bow of Hart Saga is outstanding, if you’re inclined to dig deeper.

One of the things to remember about visual arts is that the rules are more like guidelines. Sounds a lot like writing doesn’t it? Once upon a time, back when I could still buy Kodachrome…

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The 2018 Interview Series Featuring Cage Dunn

Unknown's avatarDon Massenzio

Welcome to the 2018 author interview series. Author interviews will be posted every Friday throughout the year.

I am honored to continue this series with author Cage Dunn.

For those of you that have read my interviews in the past, you’ll find a new set of questions in this series. You can catch up with all of my past author interviews (nearly 200) on my Author Directory page.

If you’re an author interested in being interviewed in this series, I still have limited spots available for 2018. You can email me at don@donmassenzio.com

Now, please enjoy this interview with Cage Dunn:


Do you try more to be original or to deliver to readers what they want?

Original isn’t the goal. Nor is expectation. There’s a story idea, a germ or seed that wants to grow. It’s my job to find the best position for that seed, to give it the…

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Questions 3: Fear in Reality and Fiction

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I’ve been told that talking about one’s fears is helpful.  Though the last post didn’t really do me any favors.  At least it’s winter and those eight-legged, big-eyed, fang-wielding . . . Moving on.  I’m sure this could get awkward, so don’t worry about skipping a question or ignoring this completely.  Some questions about fear.

  1. Have you ever implemented a phobia in your writing?  What was it?
  2. What are you afraid of?
  3. What advice would you give someone who is scared?
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Xavier Tempest: Lord of Nyte

Alucard from Castlevania

This was a character who joined the series later than many of the others, but has risen pretty high up the ranks. In the book, Xavier Tempest is a nobleman that would hire Clyde to help him and has now asked him to help with the war.  He is on the vampire council and protects one of the capital cities.  You learn that he’s been working with the survivors of Clyde’s gang too.  Being a noble, he doesn’t get involved in the messy adventures, so he would be seen as a benefactor.  NONE of this existed when I was playing him in another Vampire game.  All he retained was the silver hair and old nobleman clothes . . . Just like in the picture above.

I never had the intention of putting Xavier into Clyde’s stories because I created him as a gaming experiment.  In Vampire: The Masquerade, you have clans to choose from, but you can make a non-clan vampire for a collection of powers.  I never tried it and wanted to do it for once.  My favorite game at the time was Castlevania: Symphony of the Night where you play as Alucard the Son of Dracula.  I went so far as to name the character Alucard Tepes (surname from Vlad the Impaler) and give him powers that mimicked stuff you could do in the game.  He had amnesia too because I needed to take a big flaw to earn enough points for fire powers.  This put his origin in the hands of the guy running the game.  You wouldn’t believe what that was too.

Not that I know because poor Alucard’s storyline went down in flames.  We had captured a vampire that had some info, but another player wouldn’t let me near him.  This guy was a soldier and didn’t get along with Alucard, so we butted heads.  All within character, but it ended with the prisoner being executed before I could ask questions.  The rest of the game had Alucard simply there because he couldn’t find any more clues and it was difficult to rationalize him sticking around when he felt like his allies just betrayed him.  Eventually, the game ended because the players who were the main plots movers left college and I was given an opportunity to join another game as Clyde.

In retrospect, this was for the best because it meant Alucard was a blank slate and I could transform him pretty easily into Xavier.  No more amnesia and I gave him a lot of magic, which made him different from the more physical Clyde.  He’s one of the few vampires in this series who utilizes attack spells like mortal casters.  This might be a spoiler, but I’m thinking of hinting that Xavier is a channeler turned vampire.  Since the series is prior to Nyx’s adventures, nobody will realize this because channelers are still thought to be extinct during this period.  Just another fun twist for this character who I’ll admit I find it difficult to write at times.

One of the issues I have with Xavier is that he operates with more refinement and tact than most of the other characters.  To switch from Clyde to him and back again proved to be a challenge since I played both characters in the past.  It’s almost like talking to myself, but needing to use two different voices.  Doesn’t help that two more of the main cast are my former game creations.  Although, those two are further down the importance scale as you’ll see when I get to them.  Xavier and Clyde are certainly higher profile with more scenes and evolution.  It might take a little more practice to get these two perfect, but I might be too hard on myself.  Mostly, my writing speed when it’s their interactions is rather slow because I have to keep checking to make sure I’m not mixing up their habits and voice patterns.

Keeping up the funny story with characters, I have one that isn’t as much fun as the previous entries.  Alucard was fairly serious and straight-laced to make him different from my more emotive characters like Clyde and Luke Callindor.  Because of this, he tended to fall into the background a lot.  This led to me being allowed to put him aside for one game session and bring Clyde in.  I believe this was an apology for my plot line getting destroyed in the previous session.  Now, this was a fully-powered, day walking Clyde and that caused a small problem.  He was his mouthy and arrogant self, which caused a confrontation with the group werewolf and the soldier.  It was getting heated and then something happened, which resulted in the cops showing up to the vampire haven.  Things were destroyed, cop cars were stolen, and Alucard was brought back immediately with nobody speaking of the incident again.  Guess the game was better off with the bland pre-Xavier character than wild and violent Clyde.

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The Graveyard Girl and the Boneyard Boy, on #LisaBurtonRadio

coldhandboyack's avatarEntertaining Stories

Lisa Burton

Hello, and welcome to another edition of Lisa Burton Radio, the only show that brings you the characters from the books you love. I’m your host, Lisa the robot girl, and today we’re going to talk about Craig’s new book–. Hold that thought, we have an early caller.

“Hello, caller. You’re on the air with Lisa. What’s on your mind, honey?”

“Oh, hey… I’m on? This is live? Wow, this is so cool — I love Craig’s books — wait, is he there? Probably busy, right? That’s okay, I love girls and robots, too. I mean robot girls. Uh, I guess I’m trying to say I’m a big fan… Anyway, I’m Drake Stevenson. I’ve been wanting to call in for a while — long time listener and all. I guess I’m calling tonight because I have this weird problem. It’s kind of a girl problem…uh…wow, that sounded so lame…”

“That’s…

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Fantasy Authors Unplugged: Leonora Meriel’s The Woman Behind the Waterfall

Unknown's avatarArcher's Aim

Today, I’m pleased to interview Leonora Meriel, author of The Woman Behind the Waterfall. Set in Ukraine, this magic realism come highly rated by readers. Read on to find out more about the author and the book:

About The Woman Behind the Waterfall

Heartbreak and transformation in the beauty of a Ukrainian village.

For seven-year old Angela, happiness is exploring the lush countryside around her home in western Ukraine. Her wild imagination takes her into birds and flowers, and into the waters of the river.

All that changes when, one morning, she sees her mother crying. As she tries to find out why, she is drawn on an extraordinary journey into the secrets of her family, and her mother’s fateful choices.

Can Angela lead her mother back to happiness before her innocence is destroyed by the shadows of a dark past?

Beautiful, poetic and richly sensory, this is a tale…

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