Cover Reveal – “The Darkness Will Understand”, by Leila Samarrai

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#RRBC Selects My GRL as One of the Books of the Month

John W. Howell's avatarFiction Favorites

a book-club-badge-suggestion-copy-1

I am very honored to be one of the three selections for Book of the Month by Rave Reviews Book Club. As most of you know, I am a member of the club and this is just one of the many benefits of belonging. The club currently has over six hundred members and any one of these fine authors could have their book picked for such an honor. In addition to the listing on the Club’s website which is HERE the book selected will be included in the Book Club Discussion which is an on-line interactive program taking place on February 24th. The location will be announced and I’ll give you an update when I know.

The three books honored are:

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Scarring Your Characters

Bruce Lee in Enter the Dragon

Bruce Lee in Enter the Dragon

It’s actually taking me an hour to find a picture for this post.  I never realized how hard it is to find a character with scars that aren’t over the top, barely visible, or on a character that’s simply over done.  Basically I wanted to avoid Harry, Joker, Freddy, Scar (Lion King), and Scar (Fullmetal Alchemist).  We’ll see what I grab after I write this post and go back on the hunt . . . eh, fudge it.  Bruce Lee will work because you know those wounds won’t heal completely.

I recently hit a point in my series where the heroes got brutally trashed.  Just writing up the injury list was painful and only one of them was in a condition that wasn’t life-threatening.  So this brought my mind to the idea of physical scars.  Luke is already sporting 2 and might be getting a third.  Timoran has a bunch and Nyx is sporting one after an earlier incident.  Then there’s Sari . . . I don’t know what to do here.  It’s hard to put a scar on her because of her personality and the importance of her physical beauty.  This isn’t going to be an easily seen mark though, but it does feel like I can’t casually give her one.  Right now I’m leaving it up to her, but it’s really hard to believe that she wouldn’t be scarred because of this.  Healing magic could do it since she was the one person not to be hit by a spell in the beat down.  Of course this brought my mind to a few other things when it comes to scars and characters:

  1. Scars on heroes are typically made to look and sound attractive/noble.  Scars on villains always seem to be scary and intimidating.  Any good guys with ‘ugly’ scars tend to be gritty and angry like Jonah Hex.  At least in American culture since Vash (Trigun) and Kenshin have scars and are nice.  Yet we seem to see scars on a heroes as a sign of prowess and manliness.
  2. Very few heroines have scars and those that do fall into two categories.  Barely visible and you simply have to take their word for it.  I forgot the movie or show where a man and woman are comparing scars, but I couldn’t see what the woman was pointing at even when I paused the TV.  If it isn’t barely visible then it looks like somebody tore up the woman’s face with a vengeance.  The trade-off ends up being the body of Aphrodite, the combat skills of Ares, and the mind of Athena.  There’s rarely a middle ground with female characters that are scarred.  Again, this might only be in America since I know some anime woman with scars that are in the middle.
  3. It’s funny how authors can overlook an injury that should scar, but doesn’t.  Even stranger is how readers don’t notice either.  Imagine if scar-worthy injuries actually got the scar in comic books.  Every superhero would be a walking scar instead of the unblemished skin of a baby that they seem to have.  In non-visual fiction, it rarely crosses our minds that an injury can’t be fully healed.  Yet it happens all the time in real life even with wounds that aren’t life-threatening.  Burns are a big one in here because those can scar easily outside of fiction.  In fact, fictional characters are hard to set on fire unless the story calls for it.  How does Spidey never ignite when he’s running through a burning building in spandex?
  4. Does a scar really take away from a character’s attractiveness?  In real life, we notice blemishes and it alters our perception.  Some people wonder about the story behind the scar or the hygiene of someone riddled with acne.  Keep in mind that it is rude to make these thoughts public.  Yet I don’t know if this carries over to books since you don’t see the character.  How many people remember that Luke is scarred if I don’t mention it when he takes his shirt off?  What about the scar that Nyx keeps hidden? Some readers didn’t even pick up on her losing her long hair in Family of the Tri-Rune.  So do we really have to worry about scars in our books outside of our own interest?  This entire thing might only be to satisfy my own curiosity and thoughts when the readers gloss right over it.

So, what do people think of characters earning scars in fiction?  Is it necessary?  Would you even notice a severe injury not leaving a scar?

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Support Nonlocal Science Fiction–A New Kind of Sci-Fi magazine that’s Out of this World!

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Spotlight on Wednesday

Katie Sullivan's avatarThe D/A Dialogues

Once upon a time, there was an author who liked to talk to a character – a mighty Druid warrior – in her head, and share her meanderings with the world.

Okay “liked” might be too strong a word to use. “Endured talking to” might be better. And I’m not so sure “mighty Druid warrior” is really how we want to describe D – in fact, I’m pretty sure he’s been messing with my post drafts…

Ahem. . . To expand their reach, and because they liked to catalogue the curious – their very own cabinet of curiosities, so to speak – said author and Druid curated other bloggers. And so, “The Druid Tells the Tale” was born. It further evolved into “Interview with a Druid” or “The Druid asks the Questions,” to help shine a light on those bloggers they knew had something to…

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Making Your Own Ebook – Part Eleven – Fonts

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#Authors #Marketing Yourself and Your Work Part ONE

Chris The Story Reading Ape's avatarChris The Story Reading Ape's Blog

writer_398245

Cartoon from Toonpool.com

The following is an extract from a talk delivered at the Calgary Public Library in Feb. 2011.

Part 1

Before I begin, please watch this video:

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I’ve named these two characters Wannabe Author (WA) and Real Author(RA).

How many of you have ever said any of the things Wannabe Author says in this video? Come on, be honest. Okay, then, how many of you have heard other writers say any of these things? And, like Real Author, haven’t you just wanted to put them and everyone else out of their misery by ignoring whatever they say? Obviously, Wannabe Author is the least promotable kind of author. First of all, Wannabe is never likely to be published, so will be of little worry to the publishing industry anyway. WA is not listening to an experienced author, knows nothing about the publishing business, and thinks the path to…

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Shannon Thompson Author Services

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Character Development by C.S. Boyack

The Cock of the South By C.S. Boyack

The Cock of the South By C.S. Boyack

Today I have a guest post from C.S. Boyack.  Enjoy!

Character growth is something all authors struggle with. I’m not an expert, but I have some seasoning. There are many ways to weave character growth into a story, but I’m going to limit this to what I know. Maybe we can have some good discussions in the comments.

All of my novels are stand alone stories. I don’t have the length of a series to get to the point. The goal is to give the reader a powerful emotional experience through the character’s growth. In a stand alone story this could be an emotional roller coaster.

Keep in mind that emotions aren’t limited to tears and heartbreak. If that’s your thing, go for it. You could be writing about humor, fear, patience, or other emotions.

I’m a believer in showing the character in his/her natural habitat. Modern writing demands this section be short if it exists at all. This is where we meet the character for the first time. Choosing the character can influence the emotional experience.

To illustrate, I’ll make up a problem. Someone has to rid the village of a man eating ogre named Stinkhorn. Fair problem. You could probably write a pretty good story by sending a runner after Sir Meatpuppet. What if you called upon a nine year old – girl – with a runny nose. She has a soup ladle, but it’s a heavy cast iron soup ladle. Let’s call her Lilly.

When you introduce Stinkhorn, he’s massive and brutal. Maybe he’s surrounded by bones, so many bones. Have him tearing down whole trees with his bare hands just to roast his next victim. We’ve just defined the gap between antagonist and protagonist.

Lilly isn’t just an underdog, she’s a virtual redshirt. You get an automatic emotional tug. She certainly is brave, but that ladle isn’t going to do much more than chip old Stinkhorn’s toenail. — I agree, we should get her a really pretty tombstone.

This story has some promise, but whatever Lilly has in mind has to fail. Maybe she drove off some mean kids with the ladle once before and just knows it’s going to work against Stinkhorn. It doesn’t work, and maybe old Stinkhorn takes the ladle as a butt scratcher.

Now we’re at the moment of character growth. Lilly has to make a new plan and step outside her comfort zone. The minute a character steps into unfamiliar territory, you have the makings of a hero.

Maybe Lilly absolutely hates her grandfather’s sauerkraut, and has sworn to let the tradition die with him. She will never make sauerkraut as long as she lives. As it turns out, sauerkraut will kill ogres on contact. Lilly must back down from a vow she swore publicly or fail. The villagers will ridicule her if she breaks her vow. Maybe vow breaking is a serious crime in Lilly’s village.

This is another growth point for Lilly. Gramps is out of town. She should really sweat this decision. Maybe she tries making kraut in secret somewhere. Maybe she gags and spills it on accident. Maybe it stains her only dress. This would be a good time to give up, and she ought to consider it.

The ogre steals away with one of the mean kids. This doesn’t offend Lilly, the other kid was mean. She has another moral dilemma. It isn’t right to let Stinkhorn eat the little brat. Still, he is a brat, and she really hates sauerkraut. The harder this decision is, the bigger the payoff at the end.

Ultimately, Lilly breaks her vow, faces her loathing of all things sauerkraut, and saves the day. She retrieves her beloved soup ladle, the mean kids want to be her friends, and sauerkraut cures snotty noses. (Who knew.)

What we just did was take a sacrificial lamb, forced her to change her beliefs, take an uncomfortable action, and become a hero. This is character growth.

***

Craig writes Science Fiction, Fantasy, and Paranormal novels as C. S. Boyack. His most recent story is a Dwarven fantasy set in a Greco-Roman era. It’s called The Cock of the South. You can find it, along with his other works at: http://www.amazon.com/-/e/B00ILXBXUY

 

You can follow his blog, Entertaining Stories at: https://coldhandboyack.wordpress.com

Craig is also on Goodreads and Twitter:

http://www.goodreads.com/Coldhandboyack

@Virgilante

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SKYLIGHTS Kindle Countdown Deal begins NOW!

Luther M. Siler's avatarWelcome to infinitefreetime dot com

Final Cover Mock MedBeginning now, and running until February 10th, my near-future Mars exploration novel SKYLIGHTS is on sale at Amazon.  The sale is what’s called a “Kindle Countdown Sale,” meaning that the discount is going to start off very high and slowly decrease as the week goes on.  Make your purchase now to save as much money as you can!  (And, please, do that.  If you’ve been on the fence about this one, get it at $.99, because the higher I can drive my sales numbers in the first 40 hours, the more Amazon’s algorithms will take over for the rest of the sale.   If you’ve even thought about buying this book, get it in the next 40 hours.  It should be on sale the moment this post pops; if it’s still at regular price, give it an hour or so.  I promise it’s happening.  🙂

Here’s the schedule for…

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