Managing the Author-Editor Relationship: Guest Post by Laura Walker

An interesting insight into editors. 🙂

Nicholas C. Rossis's avatarNicholas C. Rossis

From the blog of Nicholas C. Rossis, author of science fiction, the Pearseus epic fantasy series and children's booksI have been working with Lorelei Logsdon, my editor, for two years now. When I first sent her my manuscript, I was worried what her reaction might be. Thankfully, we hit it off right away, and I now know first-hand the importance of finding an editor who both understands your vision and helps realize it

This is a guest post by (the lovely) Laura Walker, one of Reedsy’s content creators, that examines the relationship between author and editor. Interestingly enough, it provides us with the editor’s point of view.

Reedsy is a digital publishing startup that aims to connect authors with professionals like editors, designers etc.

How new authors can manage the author-editor relationship

A writer’s manuscript is like an appendage of their soul. The heart and labor that goes into creating a novel from fragments of the mind and personal experiences is astounding and incredibly hard work. That’s why it’s…

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New Book Fanfare – Descent by Kristina Stanley

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Character Origins: Yola Biggs the Goddess of Chaos

It’s only right that I talk about Yola Biggs before Merchant of Nevra Coil is released next month.  She causes everything that happens and gets a good evolution as well as revealing more about the world of the gods.  So you know the Chaos Goddess has to have an interesting origin.

*checks notes from long ago*

Where in the world did this nutcase come from?

Seriously, I don’t know what possessed me to create Yola or put a goddess on the side of the Baron.  She didn’t really have a purpose at the beginning beyond transporting other villains and defending the Baron.  Kind of like an overpowered limo and bodyguard rolled into one.  There isn’t even a hero that she matches up with like the others.  Unless I got it in my head to pit Yola against Timoran or Dariana.  Nothing about that in the old notes, so what was I thinking?

It really doesn’t matter because Yola is responsible for a lot of my god-based decisions. I created the Law of Influence to explain why the gods are restrained in their actions and why Yola is not with them.  She’s an exile who broke the one rule and ran away instead of facing a trial.  The Baron happily took her under his protection since it meant he had a powerful ally.  By the time I put her into the story, I had only a basic idea of her history and she’s been bouncing around the background for a while.

Then something changed.  I found a sense of freedom when I wrote Yola scenes because of her level of power and loopy personality.  This led to me figuring out a way to give her more to do.  The challenge was that she couldn’t spend much time outside of Shayd because the other gods would eventually come for her.  Even her unique and wild powers of reality manipulation couldn’t save her from the other gods.  What was the answer to this issue?  Well . . . that would be The Merchant of Nevra Coil.

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The Wolf’s Moon – An Audio Book Update…

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At Long Last… We have Arrived

Darcy Branwyn's avatarOlivia Stocum Romance Fiction

England, 1192

She should be damned for what she had done. She likely would yet. Fantasizing about one’s new sword master was no doubt a sin of the flesh. Especially when one was engaged to another man…

Lady Alana’s family is in debt, and her brother’s fate hangs in the balance. Alana agrees to marry the Duke of Besville. In exchange for her freedom, all debts will be paid.

When Lord John of Ravenmore agrees to train the strong-willed Alana of Berkley in the art of the sword, he has no idea what he is getting into. She is betrothed to one of the most powerful men in England. But that will not stop his heart. To him, she is worth more than gold, and he will keep her.

No matter the cost…

Now Available on Kindle. Paperback soon to follow:

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Cover Art Teaser: A Taste of Nevra Coil

Teaser for Nevra Coil Cover By Jason Pedersen

Teaser for Nevra Coil Cover By Jason Pedersen

Part of the cover art sketch I just received.  Right now, I’m looking at turning that exile weekend into the one that debuts The Merchant of Nevra Coil.  It all depends on getting the final pieces together in time.

Remember that next month is also the Character Interview posts that will span all of August.  13 characters will get to answer the same questions that people submitted earlier this month.

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Technology in Windemere: Blossoming on the Edge of Society

Bioshock Infinite Columbia

Bioshock Infinite Columbia

The titular Nevra Coil is a flying city of the gnomes that is the highest tech that has been introduced to the Windemere series.  It reveals that the world is changing and not entirely a medieval setting.  Well it is, but there are flying machines turning up even though only the gnomes will use them.  Why use something that can run out of fuel when you can use a griffin?  Then again, why use something that has a mind of its own when you have a fully controlled machine?  Personal preference there and I know of a few champions who won’t like it.

Now I’m not going to describe Nevra Coil because that’s a surprise for the book.  I will talk about what happens when more modern technology appears in a fantasy world.  Many times you’ll find stuff to be powered by steam or magic, the latter of which can be used to explain electricity.  Still, you run into a problem because many authors and readers believe that this MUST lead to a war.  I prefer to have technology be left in certain areas and some parts gradually released into the world.  For example, there has been a few mentions of indoor plumbing in regards to baths.  This is a combination of metalworking, water gems, and heat magic, which allows for warm water to be pumped inside.  So there is an acceptance to these things and enough magic to make your average person less cautious of it.  After all, gnomes tend to make things explode, so every piece of comfort is worthwhile.

Another issue that can appear due to technology is that people believe it makes magic obsolete and it definitely causes a problem for non-magical stuff.  This is mostly in regards to weaponry, which readers may notice I haven’t done anything with.  An author has to be careful when it comes to technology.  Some things are easier to phase into the world while others may cause trouble.  For example, a character showing up with an assault rifle will change the combat dynamic of a world where most people have swords.  Yes, a powerful caster and a very cunning warrior can still win. Yet it does a severe alteration to the world dynamic that you have to factor in.  Same goes for transportation because many events occur while the heroes or villains travel.

Personally, I don’t like a lot of technology in my fantasy at the beginning.  It makes me think it is more science fiction, which isn’t necessarily a bad thing.  Though it alters the tone enough to make some things seem ‘off’.  My answer to this in Windemere is to be gradual and hint at things.  I use the gnomes to do this and establish them as the innovators, but even they aren’t always certain of what they have or even use stuff for what we would.  For example, Fritz spoke of a strange material being invented that people may have pinpointed as plastic.  This solitary species has become a cornerstone of what I’m doing in regards to the world building.  What will come from them?  Read Merchant of Nevra Coil and see what they have in the works.

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Free Book Promo

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A List of Creative Writing Competitions in 2015

Step into the ring . . . sort of . . . Just have fun.

Nicholas C. Rossis's avatarNicholas C. Rossis

From the blog of Nicholas C. Rossis, author of science fiction, the Pearseus epic fantasy series and children's booksStart reading Infinite Waters for free with Kindle Unlimited

You all know how much I love short stories, right? Well, enough to have published two collections so far, Infinite Waters being the latest one.

I recently entered a new short story of mine in a competition organized by Almond Press. While on their Dystopian Stories site, I noticed they have this great page with all sorts of short story competitions, with prizes up to $14,000. Naturally, I had to share.

And if you’re looking to get your short story published, check with my publisher friend Dan Dombrowski: he’s looking for stories to include in the next issue of his excellent Nonlocal Science Fiction Magazine.

CompetitionCountryClosing DateMax WordsEntry FeeTop Prize
The Pigeonhole Short Story CompetitionInternationalAugust 3rd5,000FreePublication
The Reading Room Short Story CompInternationalOctober 20th2,000£3£50 +…

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Released today! THE FALLEN, by Melissa Barker Simpson

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