Windemere Monsters: Cockatrice

From D&D again

From D&D again

My first encounter with a cockatrice was in my first Dungeons & Dragons game.  I was playing a Dwarven warrior and opened a treasure chest to find this dangerous creature lurking inside.  It turned me to stone before I could get a look at the tiny figurine.  What I saw was that my character was turned to stone by an angry chicken.  So Cockatrice and Chicken shall forever be entwined in my mind.  Now, this is a real mythological creature with a complicated birth and a relation to the Basilisk.  I think I remember it being born in a certain material on a certain day with a certain star in the sky.  Really exact.

The picture at the top is kind of right for the Windemere version only it’s more feathery and no leather wings.  Some have colorful tails if they grow big enough.  Their ‘stone stare’ is not as potent as one would think since it is a slow enchanted instead of an immediate change.  In the wild, the Cockatrice will pin its prey or injure its legs to give itself enough time for the change.  Then they shatter the statue to eat the internal organs that have been turned into clay.  Being a favorite dungeon and treasure horde trap creature, most of these are found in abandoned ruins.  Small flocks of 4-5 can be found in the wild, but only those areas that have barely been touched by even the most basic civilization.

I’ve yet to decide how big a threat the cockatrice will be throughout the Windemere stories since they are a tough one to include.  It’s really a high fatality monster even with the reduction in stoning ability.  Unlike the ‘version’ found in the series so far, the ‘true’ Cockatrice’s power can’t be reversed simply by looking away.  It means I’ll have to decide if I should cripple a character, add fodder solely to show the power, or never give them a chance to use it.  A warning to all fantasy authors: Think before unleashing a deadly beast on the group.  No kills can reduce their future potency.

Check out these two books for more Cockatrice fun.  Click the Covers!

Cover art by Jason Pedersen

Cover art by Jason Pedersen

The Cock of the South By C.S. Boyack

The Cock of the South By C.S. Boyack

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Christmas Grotto 2015 – Books – A Rat In My Tent by Brian Foster – Memoir

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Last *#CHANGES* Episode (46) of 2015 is TODAY, 10/28/15, 10 AM Eastern time USA

Sally Ember, EdD's avatarSally Ember, Ed.D.

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Last CHANGES Episode (46) of 2015 is TODAY, 10/28/15, 10 AM Eastern time USA, a live videocast on Google+ Hangouts On Air (#HOA) and #YouTube, with guest, author of Ageless, Paul Inman, and host, Sally Ember, Ed.D., blogger and author of The Spanners Series (about to release Volume III for pre-orders 11/1/15): http://www.sallyember.com for more info, links, book trailers, interviews, excerpts, blurbs.

Tune in for a great, free-flowing, hour-long conversation between authors about science-fiction #scifi, #education/ #teaching, #films and #filmmaking, #music/ #musicians, #photography, #writing #contests and much more, especially if YOU bring up a topic!

Join in on: https://plus.google.com/…/events/caksv6ap8v0ci6tsm55cm0lbg44 while we’re live, in advance, or afterwards, if you “ping” us. Looking forward to your questions and comments.

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OPENINGS for CHANGES in mid-January, 2016, and beyond! CHANGESconversations between authors is a LIVE G+HOA/Youtube talk show (not an “author interview”!) almost weekly, Wed., 10 – 11 AM Eastern USA…

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Raven’s Hold Part 26 #thriller #fiction

West Park Asylum

West Park Asylum

Ian rests on the couch while the other members of his group remain in a circle, none of them remembering the events of last night. An empty chair sits with Dawn’s name on it, but she has not been seen all morning. In fact, the young woman is another subject that people appear to have forgotten. Not that her vanishing is the strangest change since the riot. Rich and Dr. Rutherford are in their usual positions around the circle and debating the existence of ghosts like they did every session. The only difference is that Gina is standing behind the doctor with two stun guns on her belt. She has told the other patients that it is to make sure everyone behaves, but her eyes rarely stray from the back of the blonde woman’s head.

Ian can sense that whatever Corvus is planning will happen any minute and he prefers to be the one closest to the door. Keeping one foot on the ground, he continues groaning and pretending to hold back vomiting. Sipping at a plastic cup of water, he does his best attempt at faking an illness in the hope of being sent to his room. The option never comes up and all he gains from the theatrics are angry glares from the others. By the time half of the session is over, he has given up on the ruse and tries his best to remain quiet. If he cannot be sent away then he will try his damnedest to be forgotten by his captors.

“I’m not saying magic is involved. Ghosts don’t always mean magic,” Rich states while wringing his camera strap. He curses under his breath when the man he is arguing with stares at him in confusion. “First of all, magic doesn’t exist. Unicorns, dragons, and all that rubbish are what half-wit fantasy authors use to sell books. Ghosts on the other hand can exist because they’re nothing more than the spirits of the dead. Those who are banned from the afterlife are forced to wander our world. Some get angry and lash out when they can, but we tend to not notice. That still isn’t magic though because it’s nothing more than our inner spark acting without a body. Why is this so hard to understand?”

“Because I still don’t see why it matters. Ghosts move things and are invisible like wizards, so they can both be magic,” the man says in a dry tone. When he sees the smirk of Gina’s face, he crosses his arms and leans back in his chair. “You’re always changing your story when it comes to these things. How about you admit that this all a push for attention? Right, Dr. Rutherford?”

“I believe it is more about passing one’s mental weaknesses off on an outside force that cannot be entirely disproved,” she replies without looking up. Her hand is constantly writing even though she has never turned the page. “I’m sorry, Mr. Garrett, but we’ve been having this discussion for months. It is about time you realize that your fixation on ghosts is a delusion caused by your own feeling of helplessness. Nothing ever seems to be in your control, so you blame invisible figures. We are unable to make you believe that the ghosts are in your head because you would need to listen first.”

“I listen all the time, but I know what I see,” Rich swears while clutching his camera. His eyes widen as if something is happening outside, so everyone turns only to see a pair of squirrels pilfering a bird’s nest. “Other people have experienced the ghosts here. They tell me stories when you and the orderlies aren’t listening. It’s impossible for multiple people to experience the same thing. Why do you only disagree with me?”

Dr. Rutherford rubs her eyes, which nearly knocks her glasses off her face. “Because the others don’t bring it up in their sessions, Mr. Garrett. You will not step away from this topic to discuss other aspects of your condition. That makes it difficult to help you and I’m coming to my wits end. I wonder how you will ever be found fit to leave here if you continue to be stubborn about your hallucinations.”

“I’m not supposed to be here!”

“Claiming such a thing is another hindrance to your recovery.”

“But I’m a reporter and you know it.”

“Please stop lying to yourself, Mr. Garrett.”

Gina leans forward and whispers into her boss’s ear, the brief contact enough to make the other woman stop writing. “Don’t you think you’re being a little harsh? These people are fragile and we want to help them. Pushing them in the wrong direction puts the institution at risk. Not to mention yourself.”

“And you think you know more than me?” Dr. Rutherford asks with a laugh. The patients sit straight in their chairs and stare forward, each one focused on whoever is across the circle. “Need I remind you that you’re an orderly while I’m a doctor? You’re not even a senior member, Ms. Nash, since you arrived only weeks ago. Don’t let your taste of power go to your head because all of us are expendable behind these walls. I spent my life striving to reach this point and I’d rather die than let a whim be my downfall.”

“It’s a shame,” Gina says, taking a few steps away from the doctor. She removes the stun guns from her belt and turns them on, the prongs briefly sparking to life. “Corvus had hoped you’d assimilate to your new mentality. Though he didn’t try very hard, so I guess he left too much of the old you in there. Guess you get your wish, Grace.”

A sharp whistle causes Rich to foam at the mouth and lunge across the circle, his sudden movement scaring the other patients. He swings his camera as hard as he can and the device breaks against Dr. Rutherford’s head. The woman collapses to the floor where she is pounced on and pummeled by the enraged man. She pushes him off and tries to crawl away, but Rich jumps on her back and bashes her head in with the biggest chunk of his camera. The brutality of the attack causes the residents to panic and scream in terror, two of them leaping out the open window and racing toward the forest. By the time Gina presses both stun guns to the bald man’s neck and shocks him, her boss is only able to make a final gasping breath before dying. The orderly checks for a pulse on Rich’s neck and frowns at the gentle crinkling of his severely burned skin. The slightest pressure splits the flesh and she watches ivory-colored blood seep out of the wound.

“I didn’t know stun guns could do that,” Gina mutters as she rushes for the intercom. A few patients get in her way and she stuns all of them, using up the charges of both devices. “I need help in the group therapy session! One of the patients has killed Dr. Rutherford and the others are trying to escape. Send the guards and have more lock down the common room and cafeteria to make sure this doesn’t spread. I’ll do what I can to contain this.”

Gina drags the empty couch to block the door and sprints across the room to close the windows. She pauses and turns around to examine the room after getting the feeling that she is missing something. Not sure what has put her on edge, the orderly finishes sealing the room and grabs the nearest blunt object to defend herself. As soon as Gina lifts the raven-shaped paperweight, all of the patients turn toward her and their eyes glaze over as they close in on the woman.

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Trapped Within (Micro-Fiction or something)

(This came out of nowhere, but I knew I had to do it before October ended.  Maybe it’ll grow into something bigger.  All off the cuff, so we’ll see how it goes.)

Yahoo Image Search

Yahoo Image Search

I don’t know why this deal went wrong.

It started out the way it usually does. Shake hands, promises are made, and then we both go to work on our sides of the deal.  He only had to keep a low profile and act like nothing was wrong. I did all the work, but then I dropped my guard. For one bloody second, I blinked and now the world isn’t right.  Colors aren’t as bright as they were unless they’re red and then they’re practically blinding.  I can’t taste anything and the voices I hear are anything but kind.

I could keep going, but just trust me that things are wrong.  Only time the world is right is when this monster sleeps and I get some control.  Not much, but I can keep a diary going and hide its location from him.  Even his dreams are disturbing and I’m sure he wants to make them a reality.  Should have never been stupid enough to make that deal.

Men, women, children, animals, and even plants are being destroyed by this thing.  He doesn’t care as long as he leaves a body every night.  No connection between victims and different methods, which shows how sick this monster is.  The school bus was extremely disturbing and I keep hoping to forget what he did at the ice skating rink last night.  How does nobody catch this guy when he’s taking no precautions?  I see him watching those crime scenes and he never wears gloves.

Unless it has to do with me.  Was this his plan?  The deal was a trap?  But my kind don’t get tricked.  We do the tricking.  I’m confused.  When can I go back home?

Signed,

The Demon Within The Monster

P.S.-  Send an exorcist.  Please?

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More on “Town Father”

Kevin Brennan's avatarWHAT THE HELL

Paperback

Launch week continues…

One of the treats for me as a writer this time around — Town Father is very different for me, as you’ll see when you read it — was finding an approach to the material that would let me really immerse myself in it without getting pretentious or phony. You always have to be true to your own identity, but a great benefit of being a novelist is the ability to put on all kinds of costumes.

Here I assumed the role of a novelist of the 1880s. I would write my story of Hestia, California, as if I were telling it in that period, though, as I say, without getting all Victorian in my language and style. It is, after all, a story with contemporary themes. Feminism. Reproductive freedom. Social judgment. Relativism. Plain old morality.

But the tickling thing I understood right away was that no…

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Books on Book Marketing for Indie Authors

A great list of author resources.

Nicholas C. Rossis's avatarNicholas C. Rossis

From the blog of Nicholas C. Rossis, author of science fiction, the Pearseus epic fantasy series and children's booksThe information here comes mainly from a great post by Chris The Story-Reading Ape, Susan Toy’s posts on book marketing, as well as a few more sources. I added the links to make it easier for you to check out or buy the books.

* Books with an asterisk are only available in paperback.

Freebies

First of all, a free resource, courtesy of our very own P.H. Solomon: recommended Reading for Writers.

Books on Publicity, Promotion and Marketing

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Christmas Grotto 2015 -Books – The Wolf’s Moon and The River by Patrick Jones – FREE OFFER

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Raven’s Hold Part 25 #thriller #fiction

West Park Asylum

West Park Asylum

“This is really bad,” Dr. Rutherford says as she curls against the wall. She kicks Rich away when he tries to touch her foot, the moaning figure barely aware of his surroundings. “I should have never agreed to help that man. All for the sake of progress and proving my theories were correct. Now I have one chance to live and it’s slim at best.”

Ian remains on his back and stares at the white-tiled ceiling, his body still aching from Gina’s attack. After a minute of not feeling better, he sits up and whimpers as all of his joints pop. His fellow prisoners pay no attention to him, so he takes his time taking in their sterile surroundings. The hallway is bright and pristine with a door every five feet, each one different than the other. Behind them is an empty wall, which forces them to travel into the unending distance. A stuffy breeze whips down the hall, making everyone sweat and gradually fogging their minds.

“How does this place work?” Ian asks while he crawls to a door. A faint giggle emanates from the wall when he reaches for the silver handle, causing him to pull away. “I have bad luck with doors. Are you going to work with me, Grace, or stay on the floor?”

“It’s easy to condemn people to this place and hope for the best. To be here and know that you have one chance to escape is another thing,” the woman rambles her eyes clenched shut. A scream bursts from her lips when Rich pushes her shoulder. “Get this broken thing away from me! Tell him to pick a door and see what happens. Each of us gets to choose an exit, so use the expendable one.”

“I’m not putting my friend in danger,” Ian states while grabbing Rich by the collar and pulling him away. Seeing the vapid look on the man’s face, he sighs in defeat and kneels. “I will put him out of his misery though. If you can hear me, Rich, I want you to pick a door. Whichever one you want, open it and go back home.”

A spark of understanding is in the bald man’s eyes and he hugs his camera as he looks around the hallway. Seeing a gem-encrusted door, Rich jogs to the gaudy entrance and knocks on the only space that is exposed wood. Nothing happens, so he grabs the handle and wiggles it to see if it is locked. Ian is a few steps away when his friend opens the door and a shimmering mist envelopes him. A crackle fills the air as the man’s body is transformed into fragile crystal, parts splintering when he turns to wave. The smile on Rich’s face is still there when he is changed completely and the door slams shut. With a rumble, the ceiling tiles slam down to smash the statue into powder.

“You see what happens?” Dr. Rutherford says, rolling onto all fours. She wipes tears from her eyes before facing the ceiling. “This isn’t fair, Corvus! I did so much for you and kept you alive. Nobody has helped you as much as me. How could you do this to me?”

“Because you became boring,” the ghostly voice of Corvus replies with a chuckle. “Please make a choice, Grace. We still have that riot to stop. If you choose the right door then you can return to your position. Remember that you can’t go back. We can only move forward.”

“But you give no clues and there are hundreds.”

“Actually, there are infinite doors.”

“How can I figure out which one is right? It could even be so far away that I’d die before reaching it.”

“I find it amusing that a woman who works with the minds of others has such a fragile one in her skull.”

“Give me a clue!”

“Very well. Look for the sign I despise.”

Dr. Rutherford scratches her head for a few minutes before she has an idea. Examining the doors around her, she curses when none of them match what she is looking for. She takes Ian by the wrist to guide him down the hallway, the young man resisting enough to free his arm. Not wanting to argue, the blonde woman hurries ahead and searches for the sign that she knows is the answer to the clue. Coming to a circular, wooden door, Dr. Rutherford grins at the wooden owl sitting at the top of the frame. Pushing up her glasses and adjusting her jacket, she finds the file that Corvus had given her and tears it in half.

“When I get back, I request that we fire Ms. Nash,” the doctor says, her hand reaching for the knob. “I’m the one who chooses the staff and I feel she is too high a risk. Her removal will be my reward for getting out of the hallway.”

Not hearing an answer, Dr. Rutherford slowly opens the door and tenses in preparation for an attack. She relaxes when nothing happens and she is faced with the moonlit forest. A rustling of feathers greets her when she tries to cross the threshold. Caws and shrieks erupt from the branches, driving her back into the hallway. The woman grabs the doorknob to pull it closed, but the bronze piece snaps off in her hands. A scream escapes her lips as a flock of ravens pour through the opening and whirl around her. Sharp beaks peck at her flesh and tear at her clothes while she backs against the far wall. For several minutes, it is impossible to see the doctor amid the hungry birds. When they return to the forest, there is only a skeleton with a pair of glasses slipping off its face.

“Owls may be a raven’s natural enemy, but I don’t despise them,” Corvus admits with a friendly chuckle. Vines slip from the circular opening to drag the body away, the door slamming behind them. “To be fair, she didn’t say she wanted a clue to escape. Then again, death is a type of escape. Have you figured out the answer yet or do you want a clue too?”

“I’m sure you knew what she meant and just wanted her dead,” Ian replies, bending down to touch the abandoned glasses. The lens crack and the frame crumples beneath his fingers as he thinks about the puzzle. “There’s the possibility that every door leads to death and the game is rigged. You seem pretty fond of playing dirty. On the other hand, there has to be a way out in case you fall into here.”

“Unless I simply have the power to make every door an exit,” the man counters, a hint of amusement in his voice. “I can sense that you don’t trust me. That means I can’t help you escape. Even if I tried, you’d never believe me. Always trapped in the past because it’s so much safer.”

“This coming from someone who hides in an asylum’s basement. You might live in the present, but the future terrifies both of us.”

“Intriguing thought. I’ll miss our chats. Pick a door.”

Ian turns around to walk back and examine the doors that he missed due to Dr. Rutherford pulling him along. None of them stand out and he wishes he could test them without getting killed. A plain door catches his attention and he considers opening it, but decides that it is too obvious an answer. Ian is surprised to find that it does not take him very long to return to his starting point. In fact, he is sure that several potential exits have disappeared while his back was turned. Slowly spinning in a circle, he is unable to find the gem-covered door that Rich had chosen. Sitting down and clearing his mind, Ian thinks over what Corvus has said and everything that has happened in Raven’s Hold.

“Nothing is ever what it seems here, is it?” he asks to nobody in particular. A balmy heat fills the hallway, forcing the young man to strip naked. “You want my thinking muddled because I’m onto something. People have made it out of here before, but you were the one who decided on it. Again, you refuse to play a game that you haven’t rigged. The question is if you’re letting me get the right answer or I outwitted you.”

“Test your luck and find out. I hate suspense.”

Ian walks to the white wall as his vision is blurred by the heat. “The future is infinite, but the past is solid. Both of us fear what’s ahead. Escaping means comfort and the only place to find it is in what’s already happened. Even if our memories are dark.”

The young man feels a knob in his hand when he reaches for the wall and he knocks to find it is hollow. Twisting the invisible metal, Ian opens the door into the hallway and feels a cool wind whip at his body. He waits for a minute before entering the darkness, the sounds of shouting greeting his ears. A flash of light temporarily blinds him, allowing the scenery to change without his notice. When he can see again, Ian finds himself in his room while the riot continues in the distance.

“As usual, you have given me much to think about, Mr. Connors,” Corvus asks with an edge to his silky voice. A boom shakes the building and transforms the night into day. “I wouldn’t get too comfortable if I were you. The game is losing its fun.”


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SALE ALERT: The Meratis Trilogy by Krista Walsh

Kate Sparkes's avatardisregard the prologue

Hey, guys!

Just a quick heads-up for Fantasy readers.

The Meratis trilogy by Krista Walsh (which you’ve heard me talk about here) is ON SALE. The whole trilogy.

CLICK HERE FOR DETAILS.

Book one, Evensong, is free. FREE. GO GET IT.

Books two and three are on sale for 99 cents today, $1.99 tomorrow, $2.99 on Wednesday, and $3.99 on Thursday. A good deal, but acting sooner will get them for you more cheaply.

And come on. We’re all cheap.

Enjoy!

Meratis Covers (1)

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