Pearseus Bundle now Available!

Get Pearseus 1-3!

Nicholas C. Rossis's avatarNicholas C. Rossis

Pearseus, epic fantasy by Nicholas C. Rossis box setNow that Mad Water, book 3 in my epic fantasy series Pearseus has been released, I thought I’d offer the first three books in the series as a bundle. It took me all day to design the cover and prepare the files, but here it is: The Pearseus bundle (books 1-3) is now available!

You can download it from Amazon at a nice discount!

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Special Sneak Peek: The Compass Key Cover

Sketch by Jason Pedersen

Sketch by Jason Pedersen

Just imagine what the rest looks like.

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Senses in Writing: Touching the Invisible . . . Things

Yahoo Image Search

Yahoo Image Search

The last of the senses might be one of the easiest to use, but it depends on your personal opinion.  I tend to find sight the sense that I utilize instinctively only because I think about what is in view when opening a scene.  Still, touch turns up a lot and it’s entirely possible that you don’t realize it.  The only way you can really avoid it is if every character goes through the story with no physical interactions with anything.

The most obvious use is physical contact between living things or living/inanimate objects.  This can ranger from tender touching to friendly handshakes.  Kissing, hugs, high fives, and whatever else you can think of involves contact.  As the author, you can make note of a texture or condition of the person/object.  By doing this, you give your story a tactile element.  For example, the young woman felt his rough, battle-hardened hands on her shoulders.  Sounds better than ‘she felt his hands on her shoulders’, right?

Something that I include in the ‘touch’ category is changes of pressure, temperature, and other environmental factors.  This might be more of a fantasy thing where you can write about the feel of a fireball on an enemy’s skin.  Then again, I’ve read Earth-based stories that talk about the feel of the sun’s warmth.  My point here is that it doesn’t always have to be something solid against the skin. Pleasure and pain can fall into this category too.

An important part of touch is the reaction of those involved.  To give the sense some depth, you need to describe the sensation.  A character can run his hands along a new suit of armor, but that’s very basic.  Have him describe the smoothness or any imperfections depending on the situation.  You can even do it in exposition.  Like the other senses, a key component of evoking them in the reader is to have them be a descriptive reaction.  How are they to know a the pear that is being picked up is soft or hard without you mentioning it in some way?

Some tips to utilizing touch in writing:

  1. Most living creatures interact with their environment through touch.  From the worm in the soil to the eagle in the skin, their skin feels something.  You don’t have to always say what a character feels, but it is a way to demonstrate what condition the environment is in.  For example, rain battering their faces.
  2. Most living creatures use physical contact in social interactions.  Think about the situation that they are in and use proper touching/contacts to help pull emotion out of the words.  For example, a person putting an arm around a crying friend and feeling their body shuddering with every sob.
  3. Using touch during dialogues can help build the scene.  This shows that the characters aren’t standing still chatting, but moving around and doing things.  Think of it as bringing life to a conversation.
  4. Impacts and reactions to injuries can improve an action scene.
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It’s FREE!

Free for 2 days!!!

Pamela Beckford's avatarPoetry by Pamela

I finally got it right. Dreams of Love is free today and tomorrow only. Here is a great chance to read my first poetry collection.

Enjoy the poems. Read them aloud. Review the book. Share the news with your friends.

My latest collection is Love: Lost and Found

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Senses in Writing: Tasting the Invisible Tastes

Toriko

Toriko

This is a fairly specific and rarely used sense because it involves the mouth.  Eyes, ears, and nose have some range.  You’re always touching something.  Yet, the sense of taste needs to be stimulated at close range.  Does this mean that it should never be utilized?  Nope and I’ll go right into the tips to show why:

  1. Food!  Do I really have to explain this one?
  2. You ever smell something and it triggers a taste in your mouth?  This goes back to the smell/memory connection.  You can increase an aroma by combining it with the taste that it evokes.
  3. Remember that certain taste-based words can be used to describe emotions.  The bitterness of defeat.  The sweet taste of success. The sour taste of fear.  Not sure if that last one is a thing, but readers have strong connections to taste-based words.  It’s very easy to figure out because most people have come across things that are sweet, sour, bitter, spicy, tart, etc.
  4. Sometimes a strong emotion can create a taste in the mouth.  I’ve read a few stories where fear sets off a metallic flavor.  A strange usage, but it can show a very visceral reaction to something.
  5. Anything that falls in the mouth will have a taste.  Cigars and cigarettes can have a flavor aspect.  Sweat falling into the mouth while the character is hiding from an enemy.  Basically, if it hits the tongue then you can use it to help set the mood.
  6. Licking people is always creepy, especially when the person seems to enjoy the taste.
  7. Even if the sense isn’t being used, characters can talk about the foods and flavors that they like or hate.  For example, there is a character in ‘Love Hina’ who hates sweet foods, so she only has them by force.
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Possible Delay for ‘The Compass Key’

Yahoo Image Search

Yahoo Image Search

Let’s be honest here.  It wouldn’t be a Legends of Windemere debut without the threat of a delay.  Typically, it happens for various reasons and The Compass Key is looking like it won’t be the exception.  I really am at the mercy of Murphy’s Law of ‘anything that can go wrong, will go wrong’.  (Don’t care if I didn’t get the quote exact at this point.)

So the Cover Reveal might not happen on July 30th.  Jason hurt his wrist earlier this month and he’ll be at the San Diego Comic Con in a week.  This means things have been slower than expected and completion is up in the air.  I’ll get more exacts today, but I’m pushing things back and making this announcement just in case.  I’ve seen the sketches and the chosen character looks awesome.

Add into this that there have been delays in editing.  This includes me getting a bout of stomach flu and a slew of family events.  I really can’t win on this one.  I have as much set up as I can, but the truth is that its been one obstacle after another.  Even that hard drive crash caused an issue because I lost a few changes that I recently remembered to put back in.

So that is where I stand on The Compass Key right now.  Once I get the cover art, I’ll contact all the volunteers with the HTML file about 2-3 days before the reveal.  At least I’ll try for that.  I know by writing this here, certain people will come to me and talk about the ‘disaster’.  All I ask is that you don’t because I’m stressed enough about everything going wrong on this book.

One final wrinkle that I have to figure out and would like some help with . . . I have no idea what to blog about after next week.  Pushing all of the posts I have back a week has given me a gap.  I was going to do the ‘Windemere Questions’ today, but I don’t want to toss on any more future posts that I might have to reschedule.  So I’m out of ideas and would be very thankful for any suggestions.

Add-on:  Since I just finished my part of the editing run, I guess I’ll do the week of blog posts today.  Thinking of going on about ‘Books being turned into Movies/TV Shows’ and bringing in the ‘Ye Olde Shoppe’ skit.

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Goofy Fun Inspired by Readfulthings

Last Tuesday, Ionia Martin of Readfulthings did a fun game that involved finishing a paragraph/scenario with a book, movie, or TV quote.  It was a lot of fun and we thought we’d try it here.

I’m going to write a few sentences, the ending of a story, as such. Then I ask that you finish the last sentence. Here is the catch, though. You can only use quotes from movies or books to finish the sentence. Come on give it a try:

The scarred warrior had battled the undead hordes of Carvas and defeated the Necromancer of the North.  He had defeated the great dragons of the countryside and earned fortunes beyond his youngest dreams.  His armored has become dented and his weapons are worn.  Yet his adventures have all been worth now that he has returned to his lady love.  Upon seeing her smiling face, his exhaustion overtakes him and he utters one phrase before collapsing into her arms.

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Senses in Writing: Smelling the Invisible Scents

Scooby and Shaggy

Scooby and Shaggy

The usage of scents, aromas, odors, and smells in books is very interesting.  In a visual medium, you see a person’s reactions and that helps you figure out what’s going on.  In a book, you need to be told this.  Yet, an author may say something smells horrible and the characters never react to it.  Other times, the sense of smell of every character is so acute that they find an invisible assassin by tracking a silent fart.  It’s almost like the we either forget that the nose exists or mistake it for the most powerful weapon at our disposal.  I blame Wolverine for this.

My favorite use for the sense of smell comes from food scenes.  Many of us probably remember cartoons where a delicious meal grows that long trail of scent.  Then the hungry character floats after it.  Well, we probably do something similar when we’re famished and dinner is smelling good.  If anything, children and pets are quick to react.  It’s such reactions in a story that can help reveal the quality of food.  Physical reactions to smells can include drooling, rumbling stomach, or even a casual compliment to the cook.  I would definitely say that these scenes are dominated by smell and taste instead of the other senses.

Another common usage for the sense of smell is tracking.  When a story has dogs or heroes with superhuman senses, the ability to follow scents tends to be a focal point.  You don’t really have to describe the smell in these situations, but it becomes a physical being as it is followed.  Almost as if the scent is a supporting character and is in opposition of those following it.  This goes for terrible stenches too.  You have to remember that anything with a strong sense of smell will react poorly to something that reeks.  For example, you might grimace at the odor wafting out of your filthy gym locker.  A character with superhuman senses might double-over and vomit.  (I’ll be touching on superhuman senses at the end of the week to go over a simple pro and con of each one.)

Some tips to evoking the sense of smell in writing:

  1.  Show character reactions and make them appropriate.  If something is delicious then have your hero lick his lips or do something.  Same with horrible smells.  This will help the reader get more into the sensation.
  2. Giving characters, items, and monsters trademark aromas can help with their characterization.  For example, imagine a dragon that smells of coffee, cinnamon rolls, and wood smoke.  You establish this in a scene where the characters are not present.  In a later scene, they can pick up on this smell and be in the dark.  Yet the reader will know what is coming and be anxiously waiting for the dragon’s arrival.
  3. This is a strange tip, but it might have to be said.  Food smells when it rots.  Certain diseases involve decaying flesh and have a smell.  Cigars and cigarettes give off a smoke that not everyone enjoys.  Simply keep in mind that so many things emit a scent and you can use that to your advantage.
  4. It’s said that the sense of smell is the most powerful memory trigger.  You see it a lot in romances where a character catches a whiff of familiar perfume and the past comes flooding back.  This isn’t something to be overdone, but it is a viable way of revealing a story’s history.
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Dreams of Love FREE for 3 days only

3 day sale!

Pamela Beckford's avatarPoetry by Pamela

For those of you who haven’t yet gotten Dreams of Love, it will be FREE starting tomorrow, July 17 (Thursday) and running through July 19 (Saturday). It’s your chance to read some heartfelt love poetry. There are several FIVE STAR reviews of Dreams of Love.

What are you waiting for? The price won’t get any lower 😉

You can also get Love: Lost and Found for $.99

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Elude is available!

Get ‘Elude’ on Amazon and Smashwords now!

C. Miller's avatarC. Miller

I’m so sorry for not posting this on here yesterday, but better a little late than never.

Anyway . . . here are the links! (I’ll be updating the My Books page and the What’s in the works? page to reflect all this, plus adding a few more links.)

Elude on Amazon (Print and e-book have already attached, so that’s nice.)

Elude on SmashWords

Hope everyone is doing well out there. 🙂

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