
Alucard and Dracula
It might seem easy to have a hero come from a villainous family. Yet, you might want to put some nuance in there to really make an impact. What are some things to consider with this background?
- If you want to make the reveal as soon as the hero appears then you should establish the evil family beforehand. Having him show up and bluntly say that he’s the black sheep of a dark lineage can reduce the impact. The whole thing will come off as casual and rushed, especially if it’s early in the story.
- The hero doesn’t have to be an anti-hero. It could be that they are the entire opposite of their family in an attempt to distance themselves completely. For example, a hero who comes from a family of assassins may refuse to kill. They won’t do it for any reason, which gives their family a way to try and corrupt them. The point is that they don’t want to be associated with their evil lineage and might even be afraid of taking any action they would do.
- Tying into #2 is giving the hero a fear of falling into the abyss. Coming from a family of villains means a person will worry that such darkness is in their nature. It doesn’t matter if they have been raised to be a hero. They can fear that a part of them is tainted simply by the blood in their veins. So, they can be extra cautious about their actions as well as easily manipulated by their family. A plot point that can be done here is a situation where they have to take action similar to their family’s crimes or risk letting someone die.
- Come up with a reason as to why the hero isn’t with the family both physically and morally. It doesn’t really work to have them simply ‘not like it’, especially if they grew up in that darkness. There are plenty of reasons why they turned even if it’s something selfish. A non-family member they loved could have been killed for business, which had them realize their dark actions. Another option is that there was a good-hearted family member who raised the hero instead of the others.
- While I said the hero doesn’t have to be an anti-hero, that’s still an option. It would work really well with a hero who spent time as a villain. They might not be able to get all of their darker impulses under control such as using violence to reach their goals or even manipulating others. This a character who might still be dark, but not evil. It would also mean that they could have violent intentions towards their family.
- A hero from a villainous family would most likely change their name to avoid the connection. This isn’t only done out of shame. They would be aware of their surname’s reputation, which would make it difficult to do good. People who know of their lineage would automatically assume their are villains, which could lead to misunderstandings and being attacked. It would be much more practical for them to keep it a secret unless they have a need for the reputation or can avoid its influence.
- Don’t forget to give some attention to the villainous family’s opinion on the hero. Do they think the person is weak or even an enemy? Could they want them back? They might want to corrupt the hero not to bring them back to their side, but to prove a sense of moral ‘superiority’. They are the other side of the coin with this story, so you need to give them some attention.




Good tips. This really is an intriguing notion, one I might have to explore. The pressure to conform to the ways of the family would make for a nice conflict. This scenario allows room for comedy or drama. There are so many ways one could take this.
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I’ve actually seen this play out in real life. Amazing how it’s 50/50 if the person escapes their family’s negative influence. Usually requires some mutated support. Guess it’s a variation of captured princess trope.
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I hadn’t thought about it that way. That is a good point.
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Great tips. When I think of a hero from an evil family I think of a college educated and maybe war hero of a mob family. It is tough to stay away and even being tempted to become head of the family. Hmmm. Sounds like the Godfather.
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Never thought of that. I wonder if the kids in those families grow up knowing about their family’s business.
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I think they know.
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As soon as you mentioned college-educated, I thought of Michael in The Godfather.
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I did too, when I mentioned it. Thanks, L Marie.
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This is a fun character study.
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Thanks.
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I don’t think I would ever want to reveal something like this right away. I would hint at it and build suspense/curiosity before making a big expose.
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I found it depends on the story and intended character arc. With Dariana in my books, I originally intended for it to be a later reveal. Yet, she showed up long after her family had been introduced. Doing an even later reveal near the end of the series kept coming off as anticlimactic and strained whenever I tested it in scenes. This was even with hints that she had a connection. It ended up giving her a better story arc and improving the book that focused on her when her connection was revealed right away. It also made sense for her family to out her in the hopes of causing friction among the heroes. So, immediate interaction with the evil family probably increases the chance of reveal.
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