When a New Hero Joins the Establishment

First Appearance of Gambit in Uncanny X-Men

First Appearance of Gambit in Uncanny X-Men

I posted about debuting characters and introducing new ones to the group.  Various tips and information and jokes.  So I might repeat myself a bit here.  For that I apologize, but I do think I might have missed something.  Now, what can you do when you have a new hero on deck?

  1. It really does help to analyze what you have so far.  Will this new character battle a pre-existing one for the same role?  Will their personality be too similar to another or incompatible with all of them?  You can still go ahead if the answer is yes and work that into the story.  It’s just good to see the conflict in advance.
  2. A new hero doesn’t have to get along with everyone at the beginning.  It can be done, but many people like a little friction when a newcomer appears.  That feels more natural and I don’t mean flat out hate.  A little distrust or forgetting that the person is around.  Everyone has to get to know the new guy, which can take a few chapters or even several books.
  3. With a new hero, you might need a new villain or a connection to an old one.  You want the fresh face to have a stake in the main story.  It can be caused during the initial adventure or prior to the debut, but a hero needs that reason to go the distance in a story.  Otherwise, you just revealed a supporting character.  Not a bad idea, but might not be what you wanted.
  4. If this is a big impact character then it doesn’t hurt to do a little foreshadowing.
  5. Replacing an existing hero is always a possibility. Going back to #2, there will be friction if it’s a blatant replacement.  The others will be hurting and may not welcome the new guy with open arms.  Your audience might be annoyed too if it’s a popular hero.  Personally, I’d avoid doing a carbon copy or anything that could make the reader constantly compare the two heroes.
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Questions About Self-Publishing? Ask them During the Live Facebook Chat – All About Self-Publishing

Curious about self-publishing?

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Short Stories Resources and Submissions

Very useful information for short story writers.

Nicholas C. Rossis's avatarNicholas C. Rossis

As you may remember, I am putting the finishing touches to Infinite Waters; my upcoming second collection of short stories (the first one being The Power of Six, of course). Most of them have a touch of science fiction; all of them have a lovely twist.

However, I have also kept a couple of stories out of it, as I have submitted them or am about to submit them to magazines specializing in short stories. I thought I’d let you know which ones those are, in case you, too, are interested in submitting to those.

Non Local Magazine

You may remember my ongoing collaboration with Dan Dombrowsky of the  33rd Street Press. Dan has kindly already included one of my short stories, Shoot the Devil, in his excellent Non Local Magazine. As he’s now preparing the next issues, he’s always on the lookout for sci-fi shorts.

You…

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Teaser Tuesday: Welcome to Zelacryd

(This is a brief excerpt from Legends of Windemere: The Merchant of Nevra Coil. Hoping to release this book in July or August.)

Windemere BannerDoctor Eltzer walks with a purpose through the wide halls of Zelacryd, the voices of a few screaming patients echoing off the blandly painted walls. The blonde-haired elf has become used to their outbursts, but her keen ears still pick out a few choice phrases that she jots down in her battered notebook. The loud banging of an enraged orc makes her stop at the heavily reinforced door and she hits a silver button on the quivering frame. Rainbow mist slips out from under the entrance before the doctor hears the dull thud of the patient falling to the padded floor. She whispers a small thank you to the gods, the doctor happy that most of her patients are well-behaved and showing signs of recovering from their magic-induced insanities. It is the hard luck cases that tear at the slender woman’s heart and she is on her way to check on the saddest of her charges.

“How are my favorite patients today?” the Elven doctor asks as she approaches the male nurse guarding a shimmering door. She flips her notebook to an empty page, frowning at the sight of an impression from what she previously wrote. “It’s been a week since I last visited them, so I’m well overdue. Do you think the ladies are docile enough for talking today, Nurse Bola?”

“They aren’t acting up, but I’d still tread carefully. You know how these two get when riled,” the deep-voiced dwarf replies. He bangs on the door and listens for the scuffling of movement. “Doctor Roda Eltzer is coming in. Be on your best behavior because I’ll be outside with the foam if either of you start trouble.”

“I’m sure that won’t be necessary, Nurse Bola.”

With a squeak of the hinges, the door opens to a room that is surprisingly bright compared to the bland hallway. Several high windows look out to the smooth mountains that surround Zelacryd, several of the peaks topped with snow. The furniture is perfectly symmetrical with a bed, desk, and wardrobe positioned across from each other. A door in the middle of the back wall has a raindrop emblazoned on the front, a clear sign that it leads to a private bathroom. Plastered along the walls are pictures that range from childish scribbling of monsters to detailed depictions of battles. Doctor Eltzer stops to study a new drawing of a water giant battling a sand creature outside of a walled city. Leaning forward and squinting, the faint form of a woman can be seen inside the liquid beast.

Sitting at the windows are the two patients, both women dressed in the standard white gowns of Zelacryd. Nyx has drawn a rainbow-colored tower on her clothes while Trinity has left hers immaculate. Instead, the chaos elf has painted purple gems on her forehead and palms. The women watch the doctor with a mixture of fear and confusion, neither willing to move away from the window. They whisper to each other while their violet eyes never stray from the doorway where Nurse Bola is standing with a hose. Trinity repeatedly pokes Nyx in the ribs, jerking her head at the doctor to get the half-elf to talk.

“I don’t want to say it,” she hisses to the chaos elf. “You say it.”

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Free Today! ‘Riding at the Gates of Sixty’ – on Amazon Kindle!

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Heroika Dragon Eaters Anthology Interview with Beth W. Patterson

HEROIKA1 New banner heroika_TChirezpromo

Welcome to Beth W. Patterson and Thérèse Naquin. Hope everyone enjoys the questions and check out this new release.

Character Questions

Who are you?

My name is Thérèse Naquin, but they call me Pichou. (That means “wildcat” in Creole.)

Where are you from? (Tell us about it).

I am from St. Landry Parish in Louisiana, not too far from a little town called Grand Prairie. It’s not a big city, but there’s lots of stuff to do. Hunting, fishing, playing Cajun music, going to dances and to the bingo games are what the grownups like to do. Some of the old people still speak French. I like it because ther are other children to play with, but if you want to be by yourself, it’s safe. And there are plenty of snakes, turtles, frogs, and lizards.

Tell us about dragons in your world.

There was only one that I ever heard of, and everyone thought he was just a scary story. He didn’t come after no people, he just gave them nightmares and they fell down dead, or they get real sick. He didn’t look like the dragons I read about. He was more like an alligator, but the size of a dinosaur.

What is the political system of your world?

I never bothered with politics none. I’m only eleven, me. My friend and neighbour Mister Broussard said they was all crooked, them politicians. He said you gotta vote for the lesser of two evils. I would vote for whoever said it was okay to keep snakes. Our president right now is George Bush. My aunt and uncle like him okay.

Do you have a family?

I live with my aunt and uncle, Nonc Ulysse and Tante Rosalie. My mama died in childbirth, and I never knew my daddy. I don’t think my aunt and uncle like me too much. But old Mister Broussard was like my real family.

Please share some lore/myths from your world.

Everyone knows that there are the feux-follets, the spirits of unbaptized babies. Now people say that it’s just swamp gas, but I know better…my little brother is one. There’s Madame Gran’ Dents, “Mrs. Big Teeth,” who will come into children’s rooms if they don’t behave, and there’s the loup-garou, or werewolf. But the one that worried me was Couchemal, “Sleep Badly.” Legend says he used to steal the breath of newborn babies. But he turned out to be worse, he was that dragon called Couchemare, or “Nightmare.” He could have destroyed our whole town with his bad thoughts.

What is the best way to kill a dragon?

I don’t know, because I don’t like killing reptiles. I just did what I had to do, which was to cut off its tail. That didn’t work, but I put some powder into the wound. It was made by Mister Broussard, who was a traîteur, a folk healer. I wish I knew what was in it, but I’ll never know, because the dragon killed him.

Do you see yourself as a hero? What is a hero?

I don’t think I’m a hero. A hero is someone who can fly through the air and pick up cars and stuff. Me, I’m just glad I got away with driving a truck without a license. I didn’t want to get in trouble.

What is the technology level of your world?

We got cars and TV and electricity and stuff. I hear that some people in the big cities have phones in their cars, but I think that would be dangerous.

Are there other such monsters in your world?

If there are, I hope they’re nicer than the last one. I want to discover a new reptile someday, as long as he doesn’t kill my best friend.

heroika revised 1

Author Questions

Who are you?

Beth W. Patterson. I am a full-time musician who wants to be a full-time writer, but it looks like I’ll need my music to fall back on for a while! I didn’t have serious ambitions for writing until I was nearly forty. I think I’m relishing the process now that I’m older, enjoying the way my skills are slowly beginning to unfold, unlike the instant gratification of accomplishment I craved in my twenties. Plus, I enjoy the fact that I can be creative in solitude. My gigs have taken me to some far-off places, so using my travels and experiences as a foundation helps me to preserve the memories.
Why did you choose this world/era to write in?

There is already so much strangeness in the real world that I feel the need to play up on it. Janet Morris refers to my style as “magical realism,” which just about sums it up. I’ve tried to write in other historical time periods, but as a neophyte writer, I think my strong point is writing what I already know. And my native Louisiana is rich in lore. Most people see the bald cypress trees growing out of the swamps and the Spanish moss hanging from the branches and find it spooky. But to me, it’s home! I have to really pretend to be an outsider if I’m going to add a chilling touch.
What drew you to this story?

I’ve always loved dragons, and was up to the challenge of taking the concept out of my comfort zone and trying to really vilify them this time. Once I heard that one of the criteria was that they had to be eaten, I knew I had to make mine about my native Cajun Louisiana – they say that Cajuns will eat anything that doesn’t eat them first. The joke I always heard was that in the Zoo of Acadiana, the facts by the cages include scientific name, habitat, and a recipe.
How much research did you need for your story?

I didn’t need much research, but I sure needed my memory jogged! I drove out to the places I used to visit in my youth: Eunice, Ville Platte, Mamou, and Second Lake, which was a lot harder to find than I’d remembered! I’d grown up hearing all the Cajun folktales and singing the songs, but when I was in high school, my boyfriend and I would cut class and drive out to the country to visit some of the old musicians. We had hand-held cassette recorders back then and we would tape them telling jokes and stories, playing music, and speaking Cajun French, which is very different from the French you hear in France. It’s closer to what’s spoken in the Maritime Provinces, but it still has its own identity. Mister Broussard is modelled after an old fiddle maker named Adner Ortego – we were extremely close to him. We each made a fiddle under his tuition. There’s also a trace of my “third grandmother,” in his character, my childhood babysitter Éditha Broussard.
Have you written for anthologies before? How does it differ from writing a novel?

I’ve had about ten stories published in anthologies so far. It’s a great way to build up my chops as a writer – and a great way to procrastinate from my own novel!
Are you a plotter or a pantser?

A little bit of both, I suppose. The premises of a story will often sneak up and grab me when I’m not trying. I’m a pantser in that little snatches of ideas will come – usually when I’m trying to get some sleep – and I text them to myself. Then I have to figure out how to string them along and have them make sense in relation to each other. Sometimes I write a beginning and an end, and then try to figure out how I’m going to fill this literary sandwich.
How does writing for an anthology differ to planning/writing a novel?

I’m still working on my novel! Obviously, the process is longer for a novel, which is daunting. But I have to make a huge impression in fewer words in a short story, so I have to choose them carefully. With an anthology, I am given a deadline, which means I have to let it go after a certain point. I suppose I eventually need to do the same with my novel…it’s very close to completion!

Heroika 1 Perfect promo 6&9
Tidbit:
This can be a Dragon-Eater recipe, interesting info about the world in which your story takes place, historical info, or somesuch.

Pichou’s Dragon Étoufée

Ingredients:

1 lb. dragon meat (alligator will suffice if you can’t find any), chopped and marinated in white wine for no more that 4 hours

2 sticks butter

½ cup green onions, chopped

¼ cup parsley, minced

2 onions, chopped

4 cloves garlic, minced

4 stalks celery, chopped

1 can diced tomatoes

Salt, black pepper, and cayenne pepper (use Tony Chachere’s Creole seasoning if you can find it)

(Optional) Generous pinch of tarragon, if you don’t expect your guests to have allergies

Add salt, black pepper, and cayenne pepper to the marinating meat.

Sauté onions, garlic, parsley, and celery in butter until soft in a large iron pot or gumbo pot. Stir the mixture 21 times counterclockwise, saying these words:

Loup garou and feu follet! Help me keep Couchemare away!

Add tomatoes, cover, and simmer for 20 minutes. Add dragon meat and stir 21 times clockwise, saying these words:

Free from envy, free from pride! Help me light a fire inside!

Cook over low heat until tender (roughly an hour). Add a little hot water if the gravy is too thick. Serve over rice, and don’t forget to thank the powers-that-be for protection. You may experience good fortune or an increased aptitude in a skill.

Author website/blog: http://www.bethpattersonmusic.com
Twitter: @BethPatterson5
Facebook: http://www.facebook.com/bethodist
Goodreads: https://www.goodreads.com/bethwpatterson
Amazon page: https://www.amazon.com/author/bethwpatterson

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Heroika Dragon Eaters Anthology Interview with Joe Bonadonna

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Welcome to Joe Bonadonna and Vadreo. Hope everyone enjoys the questions and check out this new release.

Character Questions

Who are you?

My name is Vadreo. I am a Gluriahan warrior, a Warhand of Thoon Wolf. My blood is the blood of the Dragon Eaters of old.

Where are you from? (Tell us about it)

I was born in the Bloodland of K’Thoon Morai. This is the land to which my people, the Gluriah, fled hundreds of years ago when the Vuladraakoi, the Mountain Dragons, destroyed our ancestral homeland of K’Shar Wovay. The realm of my people is rich in forests and farmland, fresh water, hills, mountains, and to the south-east, a vast and barren desert. We are farmers and fishermen, craftsmen, artisans, and hunters. But first and above all, we are warriors.

Tell us about dragons in your world.

The last dragon was slain nearly five centuries ago. According to legend, they demanded tribute from my people — not in gold, silver or jewels, but in human flesh, the taste of which they craved. They spat fire and ruled the skies for thousands of years before the Dragon Eaters tracked their queen to her lair and destroyed her. But the servants of the great dragons still live — the Draakonim . . . vile, manlike creatures bred by the last dragon queen before the Dragon Eaters slew her and ate her flesh. Over the centuries the Draaks have multiplied and now pose a constant threat to our way of life. There is an old saying among the warriors K’Thoon Morai: “To know one’s enemy, one must eat one’s enemy.” Thus, we are now the Draak Eaters.

What is the technology level of your world?

In my youth, twenty years ago, I journeyed my homeland to see the world, to fight with the Wandering Swords and the Rogue Blades, fabled bands of mercenaries. I have seen such weapons as the catapult used in battle, and have even personally used a crossbow. But my people do not use such weapons yet. The sword, the spear, the axe, and the longbow are our preferred weapons. The Draakonim use weapons made of bone and flint, wood and crystal and stone, although some will use weapons ripped from the hands of our dead.

Are there other such monsters in your world?

In my youth I did much traveling, and I have seen many kinds of monsters. But the worst monster of them all is Man.

 

Author Questions

27Who are you?

Joe Bonadonna, retired labourer and former musician. Now I write and edit.

How do you define a hero?

A hero, to me, works and fights for a cause greater than him or her. Heroes do all they can to protect and nurture, to provide and care for their family and friends; without regard for their own lives, they serve their country. Heroes fight for those who cannot defend themselves; they stand as the shield that protects us, preserving our freedoms and our lives. The cemeteries are filled with heroes.

Why did you choose this world/era to write in?

I chose to write a story set my alternate world of Tanyime, which is very much an extension to the world we live in. This is the world of my legacy character, Dorgo the Dowser. It’s a world I began to explore over 40 years ago, and it’s more familiar to me than the real world. My story, “The Dragon’s Horde,” is set in another part of Dorgo’s world, east of where he operates. While my tales of Dorgo the Dowser are closer to Heroic Fantasy in nature, his world of Tanyime can be a very dark and cruel environment. Heroika 1: Dragon Eaters is heroic fiction that contains many of the tropes of dark fantasy, and is a serious, adult collection of tales. I don’t usually write dark fantasy, although my stories of Dorgo the Dowser are rooted in film noir. That being said, there are still many parts of his world that I haven’t yet explored in stories, and I thought the dark places of Tanyime to be perfectly suitable for a tale of heroic fantasy that dealt with Dragon Eaters.

Have you written for anthologies before? How does it differ from writing a novel?

Yes, I’ve written for several anthologies. The difference between writing a novel and writing short stories or novellas for anthologies are many: length, theme, style, etc. When writing a novel, you are writing according to the rules of your own universe. But when you write for anthologies, especially those with a shared-theme or shared-universe, you must abide by whatever rules have been laid out beforehand. It can be a difficult challenge, and at the same time a lot of fun. It’s also very rewarding when you succeed. Usually, but not always, I first work on my idea, doing whatever research is needed for my plot. Next I work on the setting, the “world-building,” and then I start in on my characters. When I’m doing outlines and sparse, rough drafts, I call it “designing” my story. When I begin the actual process of writing, I call that “building” the story. Getting from the starting gate to the finish line differs for each story, of course: sometimes, but not always, a story will write itself; other times, there are several steps I go through before I type “The End.” While I prefer writing character-oriented, as opposed to plot-oriented stories, each story has its own needs and requirements, and often the story dictates the way I work on it.

What other novels/short stories have you written?

What other novels/short stories have you written? I have written three novels: Mad Shadows: The Weird Tales of Dorgo the Dowser (heroic fantasy); Three Against the Stars (space opera); and a sword and sorcery pirate novel, Waters of Darkness (with veteran fantasy author David C. Smith.) I have written “Blood of the Lion” for Milton Davis’ and Charles Saunders’ Griots: Sisters of the Spear; “The Book of Echoes,” for Christopher Heath’s Azieran Presents: Artifacts and Relics — Extreme Sword and Sorcery; “Sinbad and the Golden Fleece,” for Airship 27 Production’s Sinbad: The New Voyages, Vol 4; and I have two stories for Poets in Hell, volume 17 in the Heroes in Hell series, created and edited by author Janet Morris: “We the Furious” and “Undertaker’s Holiday” (with Shebat Legion.) I also have a story appearing in Janet Morris’ forthcoming Doctors in Hell, called “Hell on a Technicality.”

Author website/blog:

The Dowser’s Delusions: http://www.dorgoland.blogspot.com

Facebook:

Joe Bonadonna: https://www.facebook.com/pulpfictionrules

Bonadonna’s Bookshelf: https://www.facebook.com/BonadonnasBookshelf?ref=hl

Goodreads:

https://www.goodreads.com/user/show/5464289-joe-bonadonna

Amazon page:

 

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Spreading Out Debuts

Straw Hat Crew from One Piece

Straw Hat Crew from One Piece

One of the toughest things about an ensemble cast adventure is having the various heroes and villains debut.  You want each one to make an impact, but you also want the story to move at a decent pace.  Stretching the appearances too long can lead to the main plot being ignored and forgotten. Villains tend to be easier since you have different tiers and they get less story time.  Having an entire level of baddies debut in a meeting is a simple way to bring them into the light even if only one or two face the heroes.

It’s not the same with the good guys.  You want their reason for joining, a glimmer of history/current life, and a personality to make them fit.  It gets harder as the group grows too because you have to avoid overshadowing and ignoring the previously introduced heroes.  For example, it was a lot easier to introduce Luke Callindor than it was to introduce Dariana.  Luke had not other high-level heroes to compete with in Beginning of a Hero and started the group while Dariana is coming in during Sleeper of the Wildwood Fugue.  She needs to be fit into the champions, which means the debut needed more careful crafting.

Now there are various methods to this:

  1. Having one debut per book/act is the most basic.  Each adventure has a new hero stumbling into the fray or being met for one reason or another.  I did this with Nyx, assigned to Luke’s new mission, and Sari, captured by their newest enemy.  (Timoran and Delvin too, but they also got cameos, which I’ll get into later.)  This allows you to focus the story and the existing characters’ attention on the newcomer.  It works for longer stories and series.
  2. Again, we’re looking at more of a series than a single book, but cameos of future heroes can help.  Timoran and Delvin showed up briefly in Prodigy of Rainbow Tower.  Yet they didn’t actually step into the adventure until Family of the Tri-Rune.  The cameo allows you to give a mild introduction and show what the potential hero has to offer.  If you can slip a little personality into it then great.
  3. This goes against the title of the post, but don’t think you only have to spread debuts out over a series.  It’s entirely possible to introduce most or all of the main group from the beginning.  You see this in TV series a lot and there are two methods.  One is that all of the characters have a shared past and you can bring this out over the course of the adventure.  The other is that they are put together at the start by an outside influence and find a reason to stick together.  So don’t think an ensemble means you can ONLY spread out the debuts.
  4. Another note on this kind of writing is that you do want every member to shine and prove that they have a reason for being on the ‘team’.  This can be the opening event, a defining scene in every adventure, or something that gets built up to.  In Legends of Windemere, I try to give all of the heroes a big scene that is either action-based or character development.  Yet there is always one or two that take more of each book’s attention. It helps keep balance and avoid clogging things up.

This is one of the things I worry about when writing.  I love hearing how people take to a character, especially when they first show up.  Probably thinking about this more since the next few books concentrate on some heroes that haven’t had a shot at the spotlight.

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Goodreads Giveaway of Davey & Derek Junior Detectives Book 1 – The Case of the Missing Cell Phone!

jjspina's avatarJEMSBOOKS

Fr Cover_

Please check out the Goodreads Giveaway of my new middle-grade book, Davey & Derek Junior Detectives, Book 1 – The Case of the Missing Cell Phone. This is a fun book for children ages 9-12, Grades 4-7.

Writing this book has been so much fun for me. I usually write for younger children which is always in rhyme. Writing in rhyme limits what I can do in a book. Writing Davey & Derekhas allowed me to soar and write as if I were in the story. It is a joy to do what I love to do – write! I am currently working on book 2 which is more magic, mystery and adventure. As in my other children’s books there is a theme and underlying message about life lessons. In this book I touch on family relationships and bullying and being kind to others. I plan to write two more…

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GIRL OF MINE Book Blast & Giveaway

cherrymischievous's avatarCherry Mischievous

The Book


Girl Of Mine by Taylor Dean
Genre: contemporary romance

About Girl Of Mine:

HE CAME HOME

The year is 2003 and Captain Lucas Graham is at Fort Bragg, North Carolina, about to be deployed to Iraq. A few weeks ago, he broke his engagement with Jillian Barrett, leaving her stunned and heartbroken.

Knowing he can’t leave for war without putting his affairs in order, Luke obtains a four day pass with only one goal in mind: explain his life story to his former fiancée.

The problem: Jill is now engaged to another man.

But Luke isn’t giving up. He only has four days to gain an audience with Jill, even if he has to resort to drastic measures to do so.

And he will . . .

Source: Info in the About Girl Of Mine was from the press kit from the publicity team.

Buy Link(s):

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