
Cover Art by Jason Pedersen
This is a fairly short one that takes place during the big battle. Feel free to click on the cover and get the full book for $2.99. 🙂
After a short break, I’m back with news of several publishing courses now available for only $10.99 (down from as high as $200)! If, like me, you’ve attended any Udemy courses in the past, you will surely have heard of the New Year Resolution offer they’re currently running, lasting until the 11th.
Dave Chesson (aka Kindlepreneur) has kindly compiled the best of the writing courses on offer into a super-helpful post. From writing to productivity tips to marketing, you can find out more on his blog!
If Udemy’s courses are not enough for you, how about a great new course by Jordan Ring, aimed specifically at people struggling with their book.
The major parts of the course are:
View original post 122 more words
A helpful list for character building.
Thanks for having me. 😁
Michael and I are thrilled to have Charles E Yallowitz, author of the 15-volume Legends of Windemere series, visiting us here at Robbie’s Inspiration. Gregory is also excited about Charles’ visit as he loves fantasy books and I have ordered the first two books in this fantastic series for him – lucky boy!
Charles has just released the last book in the series and, I must say, we are really impressed by the cover and blurb.
Whether in darkness or light, every path inevitably comes to an end.
As Gabriel, the Destiny God, determined centuries ago, his chosen will face Baron Kernaghan for the fate of Windemere. Through many victories and losses, the champions have stood together and prepared for this great battle. Now that the Baron’s influence stirs those with evil hearts, they have run out of time and must travel to Shayd. Yet, there are more secrets…
View original post 1,096 more words

The Glaive From Krull
First of all, my wife is the one who introduced me to this movie that we own, watched once, and I still can’t remember. One of those really corny fantasy ones that involved finding a special weapon to save the world. That’s why I’m bringing it up now in a post about unique weapons. In Legends of Windemere, I only have Kira and her kusari-gama and Lord Highrider with his giant maul. Yet, there is a long tradition of bizarre weapons in fiction. Some of them truly exist like the previous example and others are entirely made up like the glaive above.
The most important thing to consider when creating or choosing a unique weapon is how it functions. You have categories like range, melee, blunt, edged, piercing, slashing, heavy, light, and even the materials. Weapons don’t have to stay in one category either. For example, take Kira Grasdon’s kusari-gama:
That’s a lot in one weapon, but that’s what happens when you work with something beyond the basics. Yet, even a sword can have more than piercing/slashing if you remember that the flat side or hilt can be used for a blunt attack. As you can imagine, this also means the character needs to be trained unless you attempt a prodigy, which increases the chance of criticism. People don’t always like a character that is a natural at something, especially when it turns out to be an odd weapon. Something beyond the standard swords, axes, and spears are hard to wrap one’s head around in terms of simplicity. This is why you would also need to consider the tactics that stem from using such a weapon. Although, one way around this is to go for a minimalist action method instead of describing more than stab, block, and hit.
No matter what, this requires a lot of research and thinking on the part of the author. For many warriors, the weapon is what determines everything else. Their armor needs to give them enough movement and flexibility to wield their weapon effectively. Strategies require an understanding of strengths and weaknesses. A great way to understand this is by comparing Luke Callindor with his sabers to Timoran Wrath with his great axe. Both have minimal or no armor because one works with speed and the other requires a greater range of motion than he would get with platemail. So, even their similarity stems from a crucial difference. Luke will dart around a battlefield looking for openings while Timoran is more inclined to use his strength for a frontal assault. These changes are fairly normal weapons too, so you can easily see how something more complicated would force various changes.
There are two ways to do research here and it really depends on the type of unique weapon that you choose:
Personally, I like the traditional weapons and the more unique real world ones. Yet, there are times I like making alterations and designing something special. The best example now is in War of Nytefall where Clyde occasionally uses a serrated sword connected to a gauntlet that fuses to his flesh. It also vibrates quickly to give a ‘chainsaw’ effect. I still haven’t settled on the full name of it. Right now, it’s being called a Gauntlet Sword and it really only works for someone like him. Kind of like a slashing and piercing weapon that is used almost like a fist at times.
So, what are some of the oddest weapons that you’ve seen in fiction?
Thanks for letting me be a guest. Have a fun week.
I’m thrilled to welcome Charles E. Yallowitz for a guest post about magic systems. Charles recently released Warlord of the Forgotten Age, the last entry in his fifteen book Legends of Windemere series. Fifteen books – what an accomplishment!
Thank you to Teri for offering to host a guest post and helping to promote Legends of Windemere: Warlord of the Forgotten Age. This is the final book of my fantasy adventure series, which has spanned 15 volumes. One of the most key factors for the series has been the magic system. Spells have flown, rituals have been done by both sides, ancient traps have been sprung, and enchanted items have been wielded throughout it all. This is to be expected since I made Windemere a high magic world and it all started with a simple system that eventually grew into something larger.
The original idea begun with the…
View original post 897 more words
Hello SErs! Already, we’re a week into 2018. I hope you’ve all gotten off to a great start. For today’s post, I’d like to take a look at showing rather than telling.
How you choose to write your narrative can make a huge difference to your finished book. It can make the difference between grabbing a reader or sending the cat to sleep.
Just this week, I received a book for editing. Intended as a fictional work, it actually read like a thesis. Written in a dry, passive, and distant manner, it showed no obvious POV voice at all and read more like a list of events. All a great shame, as its premise shows great promise. So, what can turn this around? What’s the difference between showing and telling?
While our choice of POV can affect how close up and personal or not we get with the characters, we…
View original post 483 more words

A roar from all around
Precursor to pain
As the icy wind cuts deep
Surpassing clothes
And driving through flesh
Stabbing at the bone
We wish to stay inside
Because the gale always finds skin
Yet we never get our wish
And march whimpering
Into the embrace of icy claws