Pondering the Tough Hero

Duke Nukem

Duke Nukem

I’ve been thinking about a certain character type that confuses me.  This is the tough badass that stands upon a pile of bodies while laughing and screaming for the next challenger.  A few macho/defiant quips are thrown, injuries are ignored, and emotions are locked in a tiny box that has been launched into the sun.  There isn’t even a way to go into detail because you rarely get depth with such a character. I guess what I’m wondering is if this is still a thing that people want.

Here’s how I got to this curiosity.  My heroes show emotions and you see that a lot in SLEEPER OF THE WILDWOOD FUGUE.  Most of the cast have a crying or emotional freak out moment.  At the very least, they demonstrate doubt or guilt.  This isn’t even counting Dariana’s personality that I won’t spoil here.  I’ve always enjoyed a hero who shows emotions, but it seems to be an issue at times.  Crying is a big thing that some people hate to see action-based characters do.  Yet I see this as a way of having the character transcend their powers, warrior training, and all other physical badass traits.  It makes them human to me.

It makes me wonder if this tough character is no longer viable even though people sometimes act like they want it.  Possibly it can only be used as a supporting hero or a joke.  I’m torn on it because some days I enjoy a mindless, unstoppable murder machine story.  What do people think about this archetype?

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About Charles Yallowitz

Charles E. Yallowitz was born, raised, and educated in New York. Then he spent a few years in Florida, realized his fear of alligators, and moved back to the Empire State. When he isn't working hard on his epic fantasy stories, Charles can be found cooking or going on whatever adventure his son has planned for the day. 'Legends of Windemere' is his first series, but it certainly won't be his last.
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29 Responses to Pondering the Tough Hero

  1. L. Marie's avatar L. Marie says:

    I think the mindless, unstoppable murder machine works well in a videogame. In a book or film, I want a more nuanced character. However, if an ensemble cast is used, this individual could be one of the team in a supporting role. I’m thinking of a certain movie and not wishing to give spoilers.

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    • Just think of almost any Schwarzenegger character from the 80’s. Though that seems to be a different mentality. Odd how some things were popular back then and now we’d boo it off the screen.

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  2. I like it, but in moderation. I like dessert too, but it’s a poor substitute for actual dinner.

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  3. I agree with L. Marie. Those characters are fine in movies where I only have to sit through 90 minutes. Books are more of a time investment and I like to get engaged with real characters. If the two-dimensional killing machine makes a cameo in a book, that’s fine. He can serve a purpose. If he’s a main character, I’m can’t imagine staying interested.

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  4. “I guess what I’m wondering is if this is still a thing that people want.”

    What do you mean by “people”? Everybody? The majority of those who read the genre a particular story is written in? I am certain that some readers of fantasy fiction (or whatever other genre) have NEVER wanted a emotionless killing machine type for a protagonist. On the other hand, some readers don’t equate “bad-ass” with “emotionless,” so take that as you will.

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    • Was saying ‘people’ as a general term for any amount of audience. No way to put a specific title to the group since it’s probably very varied. A person’s stance can change depending on their mood too. Unfortunately, such a post does require a vague term.

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      • Well, if you mean “Does anyone want that kind of main character?” the answer must be Yes. This doesn’t mean the majority of readers — or movie-goers, or any other type of audience — wants that, but it isn’t as if the entire human species has decided against them, either.

        There’s an audience for both the thinking, feeling protagonist AND the one who just blows stuff up. There has always been an audience for both types. Which audience is larger… That’s another question. (I don’t know. Honestly, I usually don’t care. I find mindless characters boring whether they blow stuff up or not; empty noise and commotion are not to my taste. Give me a fully developed, thinking and feeling protagonist — who blows stuff up IF the situation calls for it — any day.)

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      • The audience levels probably fluctuate with cultural change and public mood. It’s when genres rise to the spotlight and fall out all the time. Except for zombies, which seem to never go away.

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  5. I like my characters to have a little softness somewhere. This makes them vulnerable and adds to the possibility they could be knocked off.

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  6. This actually is one of the great inscrutables, to me. I think it totally depends on what the writer is writing and if they’ve connected with the right audience. So your books are character based? Someone who’s only “read” video games would probably be bored by that… Unless they’ve gotten bored with video games and are looking for something else. But your story still might not be what they’re looking for.

    As writers, we can never know what the reader brings to our books on their end. We can only write what is true for us.

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    • Funny thing is that some friends who love the character-focused, winding story RPG’s have said my books would make a great transition to the medium. I did take some inspiration from the old Final Fantasy games and their kin. Good point that we can only write what is true for us. I think some authors forget that and leap at whatever is the hot new thing.

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  7. Jack Flacco's avatar Jack Flacco says:

    Ha, this subject is right up my alley. Here’s something to think about: In many of the movies he starred in, Sylvester Stallone cried. Many of those movies went on to make a lot of money–I’m talking a truckload of cash. However, I’ve noticed today’s heroes don’t cry. However, those movies with those kinds of heroes, relatively speaking, are making huge piles of money also.

    What I’m saying is the audience has changed. There’s a reason for this, but I don’t have the time to tell you why I believe the audience is different from thirty years ago. Nonetheless, that’s not to say the characters nowadays are shallower. I actually don’t find that being the case. But that’s a comment perhaps for another day!

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  8. I loved that line – ’emotions are locked in a tiny box that has been launched into the sun’ In my opinion, there should be a balance in everything. So where as I really enjoy the silent, seemingly emotionless ‘bad-ass’, I like it when they show moments of weakness. I enjoy when there’s a reason for the meanness! Sorry I was late to the discussion party! 🙂

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