Project Phoenix Overview: Birth of my White Whale

Moby Dick by Herman Melville

I really am Ahab with this idea, but I’ve been tackling it for so long that it feels ridiculous to simply give it up.   I still firmly believe that I can work with it and make a series out of it.  The issue has always been of scale.

It began as a trilogy with a handful of heroes, but more began coming to my mind.  So, I built more stories and the team grew.  Eventually, I had over 20 heroes in this series and many of them were sitting on the sidelines after their initial book.  It was too crowded and I couldn’t find a way to do justice to all of them.  Many personal stories were forgotten because I couldn’t fit them into the overall stories.  This just lead to frustrated and various heroes were junked, never to be remembered again.  I think there was an alien in the original line-up, but she kept jumping sides and I eventually let her wander off.  Still, I was left with a large crew of heroes that made writing it nearly impossible.

Then there was the global threat idea that I had to create.  I had demons, aliens, war between humans and superhumans, a time rewind, and just your basic superpowered maniac.  Again, the problem of too many heroes reared its head even when I combined some of these ideas.  It also led to the series being close to 19 books long and leading into a 5 book close-up series.  That’s rather epic, but I wasn’t sure if it should be that long.

After years of rewriting, changing paths, and cursing various entities for giving me the idea in the first place, I moved it into Windemere where some things stabilized.  I had an abandoned city that I never made a backstory for and a past event that had no real consequence.  So, the fall of Mylrix created hundreds of superpowered beings that would be known as the Mylrixians.  They created the city of Varlis City and acted as superheroes for the continent.  Then one went mad and threatened the gods, so they were all turned into powerless beings.  The stories take place when these beings’ current incarnations awaken and try to go back to living while the gods watch them carefully, especially the one that went mad before.  This is the over-arching story because there is a prophecy of a global threat coming from the Mylrixians that has been festering since they were sealed.  The series is going to end with a giant battle with a high body count and many sacrifices.

The issue that still plagues me is how to do this with all of the surviving 21-23 heroes still clamoring for attention.  By surviving, I mean that after all this time, I still remember them.  The current plan is to have the major story with a few central characters that get the first book, an indy book each, cameos throughout the series, and then everyone is in the finale.  Other books will focus on the adventures of the other characters as their powers awaken and they make their way to Varlis City.  I will have some of these characters make cameos too if I can do it.  There is a handful of young heroes (majority are female oddly enough) that I want to do a team story with, but that can also revolve around the appearance of another hero/heroes.  Maybe do the old idea of a force that captures the older heroes, so the younger ones have to save the day.  Still not sure about that one, but maybe everything will appear as I write character origins and bios.

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About Charles Yallowitz

Charles E. Yallowitz was born, raised, and educated in New York. Then he spent a few years in Florida, realized his fear of alligators, and moved back to the Empire State. When he isn't working hard on his epic fantasy stories, Charles can be found cooking or going on whatever adventure his son has planned for the day. 'Legends of Windemere' is his first series, but it certainly won't be his last.
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6 Responses to Project Phoenix Overview: Birth of my White Whale

  1. Sounds like a very interesting and complicated literary project, but one that would be well worth it if you can pull it off. I wish you the best of luck with this one.

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  2. One thing that I’d love to share (you can take this with a grain of salt), is that when I was trying to fit too many characters into my story, I found myself lost in the craft. It might be beneficial to narrow down your list considerably, and find a way to play off the inter dynamics between these characters. A lot can be said about stories with grand plots, and a lot of people might be able to pull it off. But with myself, and especially when I’m learning how to plot my story, I find that fewer characters are easier to manage. Afterwards I might consider adding more people to the plot.

    Hope this somehow helps. If not, then just ignore me!

    Cheers~!

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    • Charles Yallowitz's avatar slepsnor says:

      I agree and I typically have 3-8 heroes in a story with several being supporting/back-up. The issue I have here is that I have a lot of good characters with great stories. The stories also don’t involve all of the characters, which is where I think I went wrong in my previous attempts. I kept trying to include everyone in every story instead of taking a handful of the cast for each story. I’m not sure if this is along the lines of what you’re suggesting.
      I’m currently aiming more for a series like Forgotten Realms ‘The Harpers’, which had multiple authors and tons of characters. Each book in the series had different members of the group called The Harpers with their own villains and personal quests. In the end, the series was 19 books long. There were always 3-4 characters that made cameos in some of the books. It also meant that it was a very simple over-arching storyline. Instead of a big threat or something, I was going to go with the Mylrixians simply trying to regain their city and culture.

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      • Yes I think you got the gyst of what I was saying!

        Personally, I’d have a hard time keeping track of all those people, places and things! Maybe that’s why I’m not the best writer in the world. lol

        Cheers bro. Best of luck~

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      • Charles Yallowitz's avatar slepsnor says:

        Everyone has their own strengths and weaknesses. I’ve always been good at making connections between stories and handling multiple ideas/characters at once. At least to some extent. 22 characters at once is obviously over the top for me. Yet, there are some things I’m really bad at. Drama is one of those things.

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