Writing a Bad Girl is easy if you’re going for the stereotype, but more difficult if you’re going to try to go out of the mold. We’ll see what we can come up with here. It might be a bunch of ‘Do Not!’ tips to avoid going over heavily trodden ground. Let’s see what happens . . . Sorry in advance.
- Sex does not always have to be involved. You can have them be mysterious and rebellious as well as attractive, but they don’t have to be introduce eating a lollipop in an unnatural way. We get the phallic symbolism of food, so get her away from the corndog vendor. Just try to find other ways to demonstrate that this is a character who is different than those who follow the rules.
- Like the jacket of the Bad Boy, you might have to put some leather on this character. I don’t know why this fabric is used so often by these characters, but that’s what seems to happen. Maybe they hate cows? Still, you don’t have to make the clothing so tight that they need to be removed with the jaws of life. We know women have curves, but you can show them off without asphyxiation. Also, whips and chokers don’t always mean Bad Girl.
- Research what has been done and give your Bad Girl something different. Maybe she has glasses and not in the ‘remove to be sexy’ way. She could have a curious hobby like pottery, stained glass window making, or anything other than hanging out at the bar or arcade. This might be tough because people connect certain stigmas to these kinds of activities that go against the archetype. What can you do?
- For the love of ‘Grease 2’, remember that this character, much like all characters, is about attitude more than appearance. There are certain physical tells that you might use, but they have to act the part. Don’t make them sexy, have them sleep around, and that’s it. You don’t get a Bad Girl from that. You get an adult magazine centerfold and I don’t mean the model. I mean, that kind of character has the same dimensions as the inanimate picture. Focus more on having them act rebellious and demonstrate why they are considered a Bad Girl by others.
- You can always make a society with norms and rules that differ from reality. Maybe everyone is athletic and takes sports seriously . . . More so than here. The Bad Girl could be the one who is more interested in the library, which is most people don’t realize exists. The key is that they operate the opposite way that the rest of society does.
- This one might not go over as well as the others. A Bad Girl does not ALWAYS have to be pitted against men. It’s weird, I know. I’ll admit that this is an easy way to get positive attention though. People love this type of plot line. Yet, it can only end in so many ways, which have been done. Find other things for them to rail against and develop their Bad Girl persona. I’m going to add that the overbearing mother who doesn’t understand has been used a lot also. Maybe her Bad Girl identity comes from some activism that she’s into like saving the environment in an area where other people don’t care. Make the enemy an entity instead of an easily identifiable figure. This is very difficult, but Bad Boys have non-specific adversaries all the time, so Bad Girls should be able to do the same.
- SHE DOES NOT HAVE TO FALL IN LOVE! Seriously, this is not a requirement for Bad Girls. They seem to get tamed with the ease of opening an unlocked door. Let them stay independent and free. Just like the Bad Boy doesn’t always settle down, she doesn’t have to drop her rebellious nature. Even if she fights and wins against the system, she can still remain who she is. Romantic storylines are okay if it’s supposed to be a romance, but beyond that you really need to be careful.
Pingback: 7 Tips to Writing Bad Girls: This May Get Awkward – Wade Hinson
These tips are spot on–especially the attitude. I have a character like this in a YA novel I’m working on. She lives by her own rules. Your tips remind me to go deeper with her–to get at what makes her who she is.
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Thanks. People do forget about going deep. They depend on the actions more than the attitude.
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Wait a minute, didn’t you promise awkward? I don’t see this as awkward. I’m getting a theme here that she breaks societal norms, but could be different than some of the tropes we’ve seen. In fact she probably should be different. I think some of that sexual angle has to remain. It’s kind of definitive of the bad boy, or he’d just be the antagonist or the anti-hero. What do you think of that Idea?
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I’m some it’ll be awkward for some. I said ‘may’ too. The tropes are a challenge, but you may be right that some sexuality needs to be there. If not sexy then a confidence in her own gender identity.
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I like that verbiage. Confidence is more sexy than looks anyway. I think that presence helps you sell it as a bad girl, rather than a maneater or something.
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Presence is a great thing to aim for. The bad part could stem from confidence in the face of authority, which is really what the bad boy has.
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I like that, too.
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There are those authors who include a Bad Boy as a draw to female viewers, so I think Craig has a point. It’s just that, so often, a female lead has to be sexy before anything else, or people say she isn’t realistic. (Hint: it’s fiction. Realism is very subjective.)
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Reblogged this on Nicholas C. Rossis and commented:
Some great writing tips from Charles!
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Thanks for sharing
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Great post, Charles 🙂
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Hope it helps people. Monday’s post showed how there are different perspectives on this character type.
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I totally agree especially with 7.
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Figured many people would. Personally, I see romance as a great character developing arc for all those involved. It changes what a person fights for, how they act, and their view on their world. It just doesn’t work for all stories and types.
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I’m anti-romance but I also understand that there are many fans of romance. As an escapist genre it is definitely lucrative.
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Do you feel that romantic plot lines shouldn’t be in other genres? I’m curious about the ‘anti-romance’ thing.
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It’s not a deal breaker for me if there are romantic plot lines in other genres as long as it doesn’t overpower the story. But I do prefer stories without romantic entanglements. I can do without the meet/cutes, the compromising positions, the predictability, the need for pairing, etc…
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Okay. I get it now. The predictability is a tough one to avoid since romance has been a well-mined genre. The overpowering thing is a challenge too because you need enough to create growth, but not so much that you make it the new focal point.
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Well said. Romance is a well-mined genre to the point that sometimes it just seems like lazy writing.
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Sadly, love and relationships are part of life. Even heroes can find it when they aren’t looking. Just has to feel organic.
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Reblogged this on Kim's Musings.
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Thanks for sharing.
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I would add to your #2 that a Bad Girl could show her rebellion by refusing to do the beauty routines that are demanded of women. No hair salon, nail parlor or makeup-before-leaving-the-house phobia for the Bad Girl!
This doesn’t mean she has to be disheveled or reek because she refuses to wear deodorant. Just that she has better things to do with her time than get her nails done. For me, most of my life, money has been so tight that I could not have done most of that. I had to pay rent before I could think about hair styles.
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That’s an option. I think it would depend on how rebellious a person thinks that is. I’ve known more women who go against that standard than for it, so it doesn’t feel like a rebellion to me. It’s another issue of the bad girl being an evolving character type unlike the locked in bad boy.
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Enjoyed the reference to “Grease 2” — I thought I was the only person who likes that movie. 🙂 “[A]ttitude more than appearance” — exactly.
Rick
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Thanks. Glad someone picked up on that one. 😁
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It’s good for a Bad Girl, but what about the “ Good Bad Girl”?
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Good bad girl?
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A good bad girl is a female that has a good heart, but unapologetically enjoys promiscuous sex.
If you want examples, you can look that up here.
https://tvtropes.org/pmwiki/pmwiki.php/Main/GoodBadGirl
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So, it’s the bad boy, but with sex as a focal point instead of rebellious behavior.
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Not exactly.
Think of Esmerelda from Disney’s “The Hunchback of Notre Dame”.
In short, it’s that they enjoy life to the fullest, and sex is part of that.
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That’s the odd thing. The bad boy lives life to the fullest by breaking and bending rules. Sex isn’t typically part of that. Sounds the good bad girl has that as a core part of living life. With this post, I was thinking more of female characters who broke rules without being villains. Catwoman would be such a character even though she does seduction too.
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